Thai bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Thailand, Ayutthaya Period, 17th Century
Size: Height 25.2 C.M. / Width 19.2 C.M. / Depth 11.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Small gilt bronze altar dedicated to Bodhisattva Padmapani, resting on four pillars, showing the Bodhisattva standing, backed by an aureola, holding a gourd in his left hand, his right hand in appeasing/blessing posture (abhaya mudra). Fine patina. China, Northern Wei Dynasty. Height: 8.3 cm. Very good condition.

Antique pair of small Inari Shinto shrine foxes carved of wood. Originally painted, these foxes have acquired a deep, dark over many years. Also called Zenko, these good spirit Kitsune (foxes) are specifically associated with the Goddess, Inari.
Believed to be both messengers and guardians, Kitsune serve Inari in her role as the Goddess of agriculture, specifically rice. Part of the folklore surrounding the fox is it's ability to shape shift into a human form...

Chinese Southern Song Dynasty Moulded Qingbai Porcelain Vase

This attractive pear-shaped vase was made during the Southern Song Dynasty (AD 1127 - 1279), most likely at one of the kilns in Fujian province. Interestingly it is made in several sections that have been luted together. The mid section is decorated with a scrolling lotus blossom pattern, below which is a repeating lotus leaf pattern...

Fine Chinese Song Dynasty Glazed Stoneware Jar (Dragon Chasing Pearl)

This interesting stoneware jar was made during the Song Dynasty (AD 960 -1279). It is quite "heavily-potted" with deep ridges to the body and the applied decoration around the shoulder featuring a dragon chasing a pearl. The story of the dragon's pearl is one of the oldest tales in Chinese folklore. In addition to the dragon and pearl are five small appliqués. It is coated in a yellowish-brown glaze...

Fine Chinese Southern Song Dynasty Incised Celadon Porcelain Bowl (19cm)

This high-fired bowl was made during the Southern Song Dynasty (AD 1127 - 1279) in the 12th or 13th century at the Anqi kilns in Fujian province. Such wares were made for export around south-east Asia; indeed this bowl has been recovered from a shipwreck and various sea-growths still adhere to the surface in places, particularly to the unglazed base...

Large Chinese Ming Dynasty Stoneware Jar with Spout

This unusual jar was made during the Ming Dynasty (1368 - 1644). Apart from the short spout at the shoulder, it is a conventionally-shaped storage jar. The outer surface and inner mouth are coated in a black glaze. The glaze falls just short of the bottom of the jar leaving the concave base unglazed. Likewise, the inner surface also remains unglazed.

This is quite large jar with a height of 22.25cm, diameter 20.5 cm...

Rare Chinese Northern Wei Dynasty Glazed Pottery Stove (AD 386 - 534)

This very rare pottery model of a stove was made during the early Northern Wei Dynasty (AD 386 - 534). It is "heavily-potted" and made from a reddish pottery that is highly-fired and coated with a dark amber glaze that has been applied unevenly and has degraded in places...

A wonderful pair of decorative pottery figures of House Attendants, dating to Ming Dynasty, 1368-1644.

Male house attendants, dressed in blue and torqouis glazed robes. One is carrying a box on a scarf in front of his chest, the other a tray with food. They are placed on square plints, and both wear a black hat with pigmented colors.

Height: c...

Thai 13th - 15th Century Incised Celadon Bowl (Ex. Grahame Clarke Collection)

This heavily-potted stoneware bowl was made at the Sawankhalok kilns during the 13th - 15th Century. The inner surface is decorated with incised geometric patterns with a flower head at its centre. It is coated in a finely-crackled celadon glaze that, on the outer surface, stops short of the foot...

Thai 14th - 15th Century Sawankhalok Celadon Bowl (19.75cm)

This stoneware bowl was made at the Sawankhalok kilns around the 14th - 15th century. It is quite "heavily-potted" and coated in a finely-crackled translucent celadon glaze. The inner surface has been decorated with incised parallel bands and vertical lines. The unglazed lower part of the underside has fired to a reddish-brown.

Quite a large bowl with a diameter of 19.75 cm...

Thai 14th - 15th Century Sawankhalok Celadon Bowl (20cm)

This stoneware bowl was made at the Sawankhalok kilns around the 14th - 15th century. It is quite "heavily-potted" and coated in a finely-crackled translucent olive-green celadon glaze. The inner surface has been elaborately decorated with incised parallel bands and vertical lines, with surface decoration also to the flared rim.. The base remains unglazed revealing the pale grey stoneware body...

Thai 14th - 15th Century Underglazed Footed Stoneware Box

This footed round stoneware box was made during the 14th - 15th century at the Sawankhalok kilns. It is decorated with scrolling and geometric patterns in underglaze iron-brown with a clear blueish and finely-crackled glaze. The inner surface of the box is coated with same clear blueish glaze.

This is a large example of its type with a diameter of 13 cm. Overall condition is very good with no repair or restoration, although there ...

Chinese Yuan Dynasty Glazed Stoneware Jar

This stoneware jar was made during the Yuan Dynasty (AD 1279 - 1368). It is quite "heavily-potted" and made from a sandy coloured stoneware. The inner and upper outer surfaces have been coated in a chocolate-brown glaze. Around the shoulder on opposing sides are two loop handles. Although not immediately obvious, this jar has, at some time in its history, been horizontally broken in two and expertly re-joined around the lower body (see images, bearin...

Chinese Song / Yuan Dynasty Qingbai Glazed Porcelain Covered Jar

This attractive small covered jar was made during the 13th / 14th Century (Song / Yuan Dynasty). It is coated inside and out in a pale Qingbai type of glaze that is very finely-crackled. The colour of the glaze varies a little, appearing slightly paler to the cover and inner surface of the jar. The cover has a carved pattern to give it the appearance of a tiled roof; this jar represents a granary.

Height 9 cm. It is in g...

Chinese Song / Yuan Dynasty Qingbai Glazed Porcelain Covered Jar

This attractive small covered jar was made during the 13th / 14th Century (Song / Yuan Dynasty). This jar is a little more "heavily-potted" that other similar examples. It is coated inside and out in a pale greenish Qingbai glaze. The cover has a carved pattern to give it the appearance of a tiled roof; this jar represents a granary. Part of the edge of the cover has escaped the glaze and the unglazed part has fired to a reddi...

Chinese Song / Yuan Dynasty Qingbai Glazed Porcelain Covered Jar

This attractive small covered jar was made during the 13th / 14th Century (Song / Yuan Dynasty). This jar has quite a wide body and is unusually "heavily-potted" for its type. It is coated inside and out in a pale green Qingbai glaze that is very finely-crackled. The colour of the glaze varies a little, especially to the cover where it is a little paler. The cover has a carved pattern to give it the appearance of a tiled roof...

Special Offer- reduced from $350 to $250. Good Ming sancai (three colored glaze) horse, in excellent condition- some loss to black pigment on mane and tail but glaze is 100% intact and no fritting and no chips or cracks to the body. H: 26cm/10.2in and W: 30cm/11.8in.

Tall Chinese Song dynasty brown glazed tapering form horizontal ribbed vase. The glaze was poured into the interior while the top shoulder of the jar was left unglazed. 14” high. Circa 13th century. The unglazed base has significant grit adhering from the kiln which causes the vase to be slightly slanted and a bit unstable. There are small chips along the rolled mouth. The form of this vase would eventually develop into the better known meiping vase. From the estate of Gerhard Lohmeier,...

A rare gilt bronze plate, with a fine embossed decoration representing, from the center to the rim, an archer, then a geometric circular frame, then six deities heads and six triangles, finally a rim. Bactrian Civilisation, ca. 4th century. Diameter: 21.5 cm. Obvious signs of use and age, otherwise good condition. Provenance: old French collection, acquired in Afghanistan in 1971 by its former owner.

Burmese alabaster Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with inlay of glass pieces on the headband.

Age: Burma, Mandalay Period, 19th Century
Size: Height 53 C.M. / Width 54.5 C.M. / Depth 20 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fe...

BLUE AND WHITE WITH GOLD

Japanese blue and white porcelain bowl repaired with kintsugi of an elegant gold single line, late 19th - early 20th century, approx. D 22 x H 7.3 cm (8.66 x 2.87in), with congenital kiln-flaws as is.


selected by kikue




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Chinese Song to possibly Yuan dynasty brown glazed stoneware jar with horizontal ribbed body moulded in high relief with a dragon chasing the pearl of wisdom. The glaze stops above the unglazed foot. 6 7/8” high. Circa 12th/13th century. Very good overall condition with a barely visible old break to the horns (see closeup image). The lighter areas on the surface of the glaze are burial encrustations. From the estate of Gerhard Lohmeier, a Diplomat at the German Embassy in Beijing from 19...

Unusual late 19th century Japanese multimetal pendant in a shape of portable scales. The cover can be moved to the side to reveal gilded inside. Very good crisp work, in excellent condition. Length 1.42 inches.

Lovely vintage reclining solid cast image of the Buddha lying on his deathbed about to enter Parinirvana, circa mid-20th century, from Japan or possibly Korea. He has serene expression and the multiple folds in his robe are particularly well done. L: 14.5cm/5.8in.

Finely cast gilt bronze statue of Hindu god Vishnu, wearing a diadem with a flaming aureola at the back, necklaces bracelets and a dhoti, holding his attributes with his four arms. The god is standing on and backed by the Naga. India, late 19th century. Height: 15 cm. Very good condition. NOTE: Images of Vishnu typically depict him with four arms, holding his attributes: the club, wheel, conch and lotus flower. The club is a symbol of Vishnu's divine power, and the wheel, a symbol of the sun. ...

19th century Japanese small lacquered wood netsuke representing a theatrical mask of an oni with a thoughtful expression. Excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.14 inches.

Rectangular black and gold lacquer kobako box decorated with pine trees in a mountain landscape in takamaki-e, kirigane and hiramaki-e lacquer. Background in nashi-ji lacquer. Surmounted pewter border. Fitted with two grip rings.

Japan – Edo period (1603-1868), 18th century
Width: 2.7 in (0.8 cm) – depth: 3.1 in (8.8 cm) – height: 1.2 in (3.2 cm)

Quadrangular kobako box decorated with flowers in gold and blue lacquer with aogai inlay. Lid and sides in fundame lacquer, underside and interior in nashi-ji lacquer. Inside, a removable tray with gold fundame borders. Fitted with two gripping rings.

Provenance : Docteur Mène collection.

Doctor Édouard Mène (1833-18..?) was a doctor and vice-president of the Franco-Japanese Society. As great connoisseur of Japanese art, he began collecting Japanese objects such as a...

19th century Japanese small lacquered wood netsuke representing a theatrical mask of O-Beshimi. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.07 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of a one-horned oni. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.27 inches.

Small round hare in bronze with dark brown patina, standing on its four legs. In Japanese, the hare and the rabbit are referred to by a single word: usagi. The animal is one of the twelve animals of the zodiac in Sino-Japanese astrology. It also plays a role in many folk tales and legends. A symbol of longevity, it is supposed to reach a fabulous age and turn blue at five hundred years. Japan – Meiji era (1868-1912) Height: 3.1 in (8.5 cm) – width: 2 in (5.5 cm) – depth: 2.6 in (7.8 c...

19th century Japanese small lacquered wood netsuke representing a theatrical mask of an oni with a pensive face. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.2 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of Namanari. The mask is mostly used in the play The Cursed Metal Head-Ring for the role of the wife who is crazed with jealosy beyond any possibility of redemption. Uncommon image, excellent ferocious face, long lower jaw resulting in wide open mouth, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p...

19th century Japanese small lacquered wood netsuke representing a theatrical mask of an oni. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.11 inches.

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved in a shape of standing Okame wearing a long robe and sporting a compass in the front. Possibly had a face in the opening above the compass, but I am not entirely sure. Nicely made, good patina, compass is functional. Height 0.7 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask, possibly that of Chu-Beshimi. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.09 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of a bat with large ears and characteristic snout. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.1 inches.

Round hare in bronze with a dark brown patina, standing on two legs.
In Japanese, the hare and the rabbit are referred to by a single word: usagi. The animal is one of the twelve animals of the zodiac in Sino-Japanese astrology. It also plays a role in many folk tales and legends. A symbol of longevity, it is supposed to reach a fabulous age and turn blue at five hundred years.

Japan – Meiji era (1868-1912)
Height: 5.5 in (14.5 cm) – width: 2.8 in (7.5 cm) �...

Suzuribako box (empty) in black lacquer. Gold maki-e decoration of a river bordered by peonies, one with red highlights. The edges of the lid are in gold lacquer. Nashi-ji interior.

Japan – Meiji era (1868-1912)
Height: 1.8 in (4.7 cm) – width : 8.3 in (21.3 cm) – dept: 10 in (25.5 cm)

Lovely ceramic amber and green sancai glaze fish offering from the Ming Dynasty. These were put on small pottery altar tables and interred with ancestor to provide for them in the afterlife. Good condition. This one is quite small D: 3.8cm/1.7in. A clever bunny good glue a pin on the bottom and use it as a brooch.

Ensemble of four Ming sancai glazed chickens used as ancestral offerings. The large green one has had its head broken and glued back on, otherwise all are in good condition. Heights are between 11cm and 6cm.

Attractive pendant of a duck in beautiful Nephrite Jade, Chinese, 19th/20th. cent.

Size: 55 mm. long.

Condition: Choice, microscopic chip.

Ex. Old Danish Private Collection.

Lovely ceramic amber and green sancai glaze fish offering from the Ming Dynasty. These were put on small pottery altar tables and interred with ancestor to provide for them in the afterlife. Good condition , no damage. L: 10cm/4.9in.

Lovely ceramic amber and green sancai glaze fish offering from the Ming Dynasty. These were put on small pottery altar tables and interred with ancestor to provide for them in the afterlife. Good condition , no damage. L: 10cm/4.9in.

A nice old Chinese jade pendant of the Qing Dynasty, 18th.-19th. cent. AD.

The pendant is in the shape a double fruit with leafs and loop at the top carved in celadon Nephrite.

Size: 6,5 cm. long.

Ex. Old Danish Collection.

A Very Rare/Fine/Large Korean Buddhist Wood Carved Big Fish (木魚 )-19th C. Korea, Joseon dynasty, 19th century. The very rare, large solid hard wood carved fish for Buddhist Temple. its surfaces have large scales, tales and head holding pearls, body applied with thick dark and red-black natural pigments overall, two holes each for hanging. It is very fine condition but some natural dark/red pigments pilled off. It measures 135cm x 37cm h. (51" x 14.5"), weight: 60lbs. respectively. ...

A Very Fine/Rare Korean Celadon Bowl Molded/Lotus Petal/Scroll/Foliage Rim-12th C. Korea, Goryeo dynasty, 12th century. The wide shallow bowl with foliage and gently tapering to a raised ring foot, deep molded with design of two lotus flower petals and leaf scrolls, the interior and exterior thin celadon glaze covered overall, with 4 spur marks on base. It is in good condition, 19cm d. x 6.2cm h. *** Two similar examples are illustrated in Rhee Byung Chang, “Koryo Ceramics” Master...

Large Chinese Ming dynasty wide-mouthed globular form guan jar with short, vertical collar-like neck and wide angled mouth covered overall in a dark brown/black crackled glaze that coats the interior and ends at the base. A thread relief moulded band of scrolling foliage decorates the upper section of the jar. A narrow floral band is above it. A circular trademark with four small flowers surrounding it is in relief on the flat, unglazed base. 11” high by about 11” diameter. Circa 16th/1...

18th century or earlier Chinese carved marble head of the Buddha. Superb carving, extraordinary beatific face with a slight smile. Wonderful finish to the surface, great feel of age. Pleasantly heavy, comes with very well made hardwood stand. Marble height 7.5 inches, height with stand 10 inches.

19th century Chinese silver hairpin with chased decoration of flowers, the leaves are enhanced with enamel, and with a Chinese hallmark on the back. Made for Straits Chinese (known as Peranakan - persons of mixed Chinese and Malay/Indonesian heritage), lower grade silver, beautiful sharp work, some losses to enamel, overall in great condition. Length 4 1/4 inches.

Late Qing Dynasty Peking glass opium pipe mouth piece of milky white body overlayed with brick red glass carved with 2 bats and 2 tigers. Nicely made, good feel of age. Inside diameter 11 mm, length 2.8 inches.

A really old Japanese lacquer wooden mizusashi for the tea ceremony, made of cherry wood with its original lacquered lid. It dates from the later Edo Period. Such wooden mizusashis are really rare. It is elegantly proportioned and has a black lacquered interior.

Mizusashi is a fresh water jar with a lid used in the traditional Japanese tea ceremony to fill the boiling kettle and rinse the tea bowls. The mizusashi, which is the first to enter the tea ceremony room and the last to le...

1900's Japanese Makuzu Kozan Studio Vase Jar with Iris Flowers in Grounds of Relief Waves

It is 9 inches (22.85 cm) tall by 8.3 inches (21 cm) wide. It is 2.6 Lb.

It is missing a lid and has glaze crazing, skip and excess glazes, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of t...

Maiwai is a kimono having been given to fishermen from a fish boat owner on the occasion of the large catch. It is seen along the Pacific Ocean, from Aomori to Izu Peninsula in Shizuoka prefecture. The motifs of the picture are auspicious ones such as crane, turtle, large sake cup and sea birds, and also the name of boat in the banner with katazome (stencil-resist-dye). It is vegetable indigo dye and colored with pigments. It has thin cotton lining for a cold season, or it is from Tohoku distri...

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

A large Flower vase made by the Ando Cloisonne Company at the turn of the 19th Century. The vase has a beautiful enameled scene of mountains and flying geese. Regrettably this marvelous work of art has been damaged. The vase is done in wired, wireless, and other cloisonne techniques for which the Ando Company is known for. This vase is of the highest quality for the art of cloisonne and is signed with the special mark of Jubei Ando. A vase with this mark was made for presentation, exhibit, or...

A Northern Chinese, Cizhou-type, black glazed jar; C12-13th, Northern Song-Jin dynasty. The jar of ovoid form rising to a short neck, the body applied with evenly-spaced groups of three raised vertical trails of white slip, the shoulders set with a pair of strap handles, covered overall in a black glaze thinning to a a cream colour on the raised ribs and stopping short of the foot exposing the buff-coloured body. Dimensions; 14.8 cm tall Condition, with age related wear, and good glaze...

Round in shape in the spirit of a kobako, this rare box in 2 parts in fundame lacquer represents a butsudan (small portable temple) inside which there are, very finely carved, a Buddha on the lotus and 2 apsaras. On the lids lotus leaves seem to fly.

"Sorihiki-happi"from Yusa in Yamagata prefecture which was worn for sleigh pulling. It has cloth with sashiko for reinforcement diagonally, from shoulder to one side of the body, and also both sides. It was worn when sorihiki pull down a sleigh with firewood from the mountain to the foot of the mountain. Yusa sashiko is one of Shonai sashiko in Yamagata prefecture. This happi has fine horizontal as well as vertical sashiko on whole ground cloth. In good condition except for a few breaks on the s...