2.25" wide x 1" long. Sterling silver.

Hopi Pin With Original Open Clasp c. 1920-1930 1.5" wide x 1.25" long.

Rare Antique Korean Funerary Figure (Kkokdu) with much of its original pigment still intact. From a renowned and published New York collection. One of the finer examples we have seen. 11.5 inches, 29.5 cm.

Gorgeous Pair of Meiji Period Japanese Cloisonné Enamel Vases with Spectacular Phoenix and Cloud motif on a rich yellow ground. circa 1890. 6 inches (15cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society. Pristine Condition.

A pair of nice quality Ming Dynasty Jiajing ( 1522 - 1566 ) cups . Well potted with a nice cobalt blue and a nice glaze. H : 3,8 cm. D : 5,5 cm. Condition : Perfect ! Dear Customers, in the earlier times of Trocadero that was different. Today we are faced with a tide of falsifications here, which is offered here by an number of usually Chinese dealers...

A Donut-form Circular Blue and White Water Dropper: Korea, Choson period, 19th Century, A Fine Korean Blue and White Water Dropper: Choson Dynasty, 19th Century The pierced circular, straight-sided form, set on raised ring feet, decorated in underglazed blue with Han river scenery, the sides with scrolling tendril meanders and the foot with a single blue line, beneath a thick white blue tinged glage. It has a tiny spout chip, otherwise it is in good condition. Measures 3 3/4" x 1 3/4” h...

Exceptional 19th Century Kyodai (Japanese Mirror Chest) beautifully constructed of very fine elm root. Japanese artisans ceased use of this expensive wood many years ago. Japanese antique mirror boxes like these are honestly undervalued and underpriced. They are the last bargains in the Japanese antique world, relative to their true worth and rare beauty. We strongly suggest buying one now, as we really don't expect this to be the case for too much longer...

19th Century Kyodai (Japanese Mirror Chests) of this size are rare. Well constructed of a very fine mulberry and pine. Japanese antique mirror boxes like these are honestly undervalued and underpriced. They are the last bargains in the Japanese antique world, relative to their true worth and rare beauty. We strongly suggest buying one now, as we really don't expect this to be the case for too much longer. 38 x 19 x 10 inches, 96 x 48 x 25 cm. Excellent Condition.

Very large mask representing the Hindu god Hanuman, one of the heroes of the Ramayana epic. Small ears, eyes in relief, long nose and upper jaw, open pierced through mouth showing teeth, large lower jaw. Two large holes at eye level to allow the bearer of the mask to see. Wood, with brown semi-glossy patina. Himalayan Region, early 20th century, maybe earlier. Length: 13 3/4" (35 cm). The mask is nicely mounted on a custom metal stand which enhances its strange beauty and aspect...

Unusual mask with flat top, small forehead, relief pierced through eyes, protruding nose, open mouth showing pierced through teeth, short rounded chin. Wood, dark patina. Remnants of thin superimposed layers of polychrome pigments. Himalayan Region, early 19th century, probably earlier. Height: 10 1/4" (26 cm). The mask is nicely mounted on a custom metal stand which enhances its strange beauty. Old accident at base of chin, some erosion and flaking, otherwise very good condition...

Household protection mask, flat, of squarish shape, with rounded forehead incised with stylized hair design, very small incised highly stylized ears, small pierced through round eyes, long nose, rectangular pierced through mouth showing teeth, roundish short chin. Wood, with partly encrusted brown patina. Himalayan Region, early 19th century, probably earlier. Height: 11 3/4" (29,7 cm). The mask is nicely mounted on a custom metal stand which enhances its strange beauty...

Jar of globular form with a short cylindrical lipped neck and two horizontal lugs on the shoulder. The body is divided into five panels by vertical lines of applied studs, alternate panels being decorated in underglaze cobalt - blue with a chrysanthemum spray and alternate with a lingzhi fungus motive. Low fired porcelain body ( semi-porcelain ) covered with a transparent glaze stopping short of the foot. Flat base unglazed. H : 8 cm. Jingdezhen or Fujian. Yuan Dynasty, fourteenth century...

Description: An elegant jade table screen was carved with motifs of scholar rock, orchids and bat. With good metaphors, the table screen was an typical scholar items for traditional Chinese connoisseurs. In pale milky white tint, the carving styles can be judged to date the item a 18th century's piece. Date: Qing Dynasty(18th century) Height including stand: 18cm,Condition: Perfect except some defects of the original stand.

A woven antique Japanese men's wallet decorated with geometric design created with brocaded silk ribbon. Inside, hand stitched with Sashiko stitches on silk. The shakudo clasp is tomo-e shaped and inlaid with copper and silver. Silvered metal (brass?) netsuke in the shape of a tongue cut sparrow attached with three colored metal chain. Circa, early 1900s (Taisho period). Dimensions: 5 1/4" x 3 1/8"

Bowl with everted flat lip and a short raised foot. Decorated in underglaze cobalt - blue on the inner rim with a classic scroll and a continuous chrysanthemum scroll on the exterior. Porcelain body with a transparent glaze...

This is the fifth piece of the rare collection of Song Dynasty fluted cups. Grey stoneware body covered with a opaque white glaze with fine crackle to above the foot-rim. Where exposed in the firing the body has turned reddish. D : 9 cm. H : 5,5 cm. Southern Song period, 1127 - 1279 Xiuneisi white glazed. Please compare this piece with the Xiuneisi white glazed piece at GG - Art ( Southern Song page ) Condition : The body is perfect ( no chip, no crack ) This excavated piece was b...

A Very Fine Silver Inlaid Iron Box and Cover: Korea, Choson Dynasty, 19th Century The rectangular and quite large box with lid silver inlaid with a double happiness on four sides and cover, on each of the four sides geometric patterns and borders of fretwork and floral diaper work, the lid of the box applied with a large auspicious character, Double Happiness, within a matching border. It is in very fine condition without any silver inlay lost. It measures 13.5 cm x 10.5 cm x 8.5 cm h. (5 ...

A Very fine and Rare Early White Porcelain Jar with Cover: Korea, Early Choson period, 15th Century, This medium size of beautiful and pure white glazed jar with an original cover is very rare in current existence. The baluster form on recessed foot and with short up-neck, decorated with a clear and pure snow-white glaze covered overall, a well balanced portion of the body and cover with lotus bud shape-knob. It is in an excellent condition except a short hair line crack on mouth rim. It...

This is the fourth piece of the rare collection of Song Dynasty fluted cups. A extremely rare museum quality fluted cup. The only one piece in the collection which is from the northen Song period. Perfect potted Porcellaneous stoneware body covered with a very nice olive-green Yaozhou glaze to above the foot-rim. D : 9 cm. H : 5,4 cm. Yaozhou kilns, Shaanxi province. Northern Song period, 11th - 12th century. Condition : Very nice glaze - please look the repair on the images ( the golden colo...

Extremely rare longquan celadon dish with dragon motif chasing flaming pearl covered with good green celadon glaze, Yuan dynasty (1279 - 1368). size: 36 cm diameter, dish is in good condition with some crack line and crackeled glaze as shown at picture, no damage part, no restoration.

A very fine yellow ground dish with five clawed dragon motif, base with "xing you heng tang" hallmark, Jingdechen late Qing Guangxu period (1875-1908) Size: 24 cm diameter Very good condition. no crack, chip, or restoration

This is the third piece of the rare collection of Song Dynasty fluted cups. A nearly impossible to find, mint condition museum quality fluted cup. Grey stoneware body covered with a very nice yellowish-green crackled glaze ( Golden Celadon ) to above the foot-rim. D : 9 cm. H : 4,8 cm. Longquan ware, Zhejiang. Southern Song Dynasty, thirteenth century. Condition : Perfect !

This is the second piece of the rare collection of Song Dynasty fluted cups. A rare museum quality fluted cup. Grey stoneware body covered with a very nice blue-green, ice-crackled Celadon glaze to above the foot-rim. D : 9 cm. H : 5 cm. Longquan ware, Zhejiang. Southern Song Dynasty, thirteenth century. Condition : One restored area to the rim and one crack from the restored area downwards. ( The golden color on the retauration is easy removeable )

This is the first piece of the rare collection of Song Dynasty fluted cups. A rare museum quality fluted cup. Grey stoneware body covered with a green Celadon glaze to above the foot-rim. D : 8,8 cm. H : 5 cm. Longquan ware, Zhejiang. Southern Song Dynasty, thirteenth century. Condition : One, even at closeups not visible, restored area to the rim. ( There is still the typical bright ring-sound when you knock the piece )

These are the following items to be posted at our site. A collection of very rare fluted cups from the Song Dynasty. Normally it is hard to find one single piece from this kind. There are three different Longquan ware cups, one rare Yaozhou kiln cup and one blueish grey glazed possibly Guan ware cup. These cups normally are a " must " for every serious collector of Song Dynasty ware.

This is a tall Song dynasty (960 – 1276 A.D) yingqing or qingpai meiping or plum vase. It stands on a recess base, rising from a small base to a baluster shape body with a short shoulder towards a mouth rim with a ring in between. The shoulder is circled with incised double ring. The body is divided into six symmetrical portions by two parallel incised lines starting from the outer ring of the shoulder towards all the way to the footrim. The whole body of the meiping is also incised with very ...

This is a southern Song dynasty (1131 - 1276 A.D) yingqing or qingpai covered bowl in a sea green glazed. It stands on a short recessed glazed footrim and then everted into a straight U-shaped bowl with unglazed rim. The inside of the bowl is also glazed with yingqing sea green colour. On the body of the bowl, it is incised with lotus petal shaped overlapping one another. The cover of the bowl is also incised with overlapping lotus petals with a rounded finial on the top. The inner side of the c...

A very rare, perfect and for this kind of ware very big saucer dish. Decorated with splashed brown iron spots and a Yingqing ( Qingbai )glaze over a porcelain body. Base flat and unglazed and the rim unglazed. D : 11,7 cm. H : 3,4 cm. Jingdezhen or Fujian. Yuan Dynasty, fourteenth century. Condition : Perfect !

A rare Shufu ware Jar of globular form with a short cylindrical lipped neck. Porcelain body covered with a thick Shufu ( Qingbai ) glaze. Base unglazed. H : 6 cm. D : 6,6 cm. Yuan Dynasty, fourteenth century. Condition : Perfect original condition ( this excavated piece is still uncleaned )

It is extremely rare to find a mint condition covered blue and white jar like this ! Covered Jar of Guan form, decorated in underglaze cobalt - blue with a continuous chrysanthemum scroll. The cover in the shape resp. in the design of a Lotus leaf. Porcelain body covered with a transparent glaze. Base unglazed. H ( incl. cover ) : 7,3 cm. D : 7,5 cm. Jingdezhen or Fujian. Yuan Dynasty, fourteenth century. Condition : Perfect, nice glaze, nice cobalt blue - a museum quality piece.

Very nice, perfect Jarlet of globular form with a short cylindrical lipped neck and two horizontal lugs on the shoulder.Decorated in underglaze cobalt - blue with a continuous chrysanthemum scroll.Porcelain body covered with a transparent glaze. Base unglazed. H : 5,8 cm. D : 6,5 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century. Condition : Mint condition, perfect glaze no chip or crack - rare to find a Yuan piece perfect potted and in a condition like this ! ( John S. Guy - Oriental Tr...

Rare and very nice Cup. Porcelain body with a transparent glaze and a enamel decoration in green and red over the glaze. Base unglazed. Middle Ming Dynasty, Jingdezhen. H : 5 cm. Condition : very nice original condition ( this what seems like a crack on the enlagements is original and from the time of production )

A Very Fine Blue and White Square Form Water Dropper: Korea, Choson Dynasty, 19th Century It is a quite large square formed blue and white water dropper with a perfect condition. The top pierced with an air hole opposite the applied spout, painted with a waterside landscape amid mountains, boating and each side decorated with an abstracted branch motif. It is applied overall with a clear blue tinged white glaze including four corner bracket legs. It is in very fine condition without any ...

c. 1910. The cape and skirt are of early cotton and calico material in an early patchwork design. She has a painted wood face, wood hands, and wood column body. 13.5" tall.

Cup with everted flat lip and a short raised foot. Decorated in underglaze cobalt - blue on the rim with a key - fret design and a continuous chrysanthemum scroll on the exterior. Porcelain body with a transparent glaze. Base recessed and unglazed. D : 8 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century. Condition : Nearly perfect - there is just one short nearly not visible hairline. ( John S. Guy , Oriental Trade Ceramics in South - East Asia, item Nr. 55 )

Jarlet with high shoulder and a short cylindrical neck. Decorated in underglaze cobalt - blue. Porcelain body covered with a transparent glaze stopping short of the foot. Flat base unglazed. H : 5 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century. Condition : 2 short nearly not visible hairlines. No chip and the glaze in a very nice condition.

Jar of globular form with a short cylindrical lipped neck and two horizontal lugs on the shoulder. The body is divided into four panels by vertical lines of applied studs, alternate panels being decorated in underglaze cobalt - blue with a chrysanthemum spray. Porcelain body covered with a transparent glaze stopping short of the foot. Flat base unglazed. H : 7,7 cm. Jingdezhen or Fujian. Yuan Dynasty, fourteenth century. Condition : 1 very minute chip visible on a enlargement. ( John S. Gu...

Jar of Guan form, decorated in underglaze cobalt - blue with a classic scroll and a continuous chrysanthemum scroll set between horizontal lines. Porcelain body covered with a transparent glaze. Base unglazed. H : 5,9 cm. D : 7,3 cm. Jingdezhen or Fujian. Yuan Dynasty, fourteenth century. Condition : 3 hairline cracks.

Jarlet of globular form with a short cylindrical lipped neck and two horizontal lugs on the shoulder.Decorated in underglaze cobalt - blue with a continuous chrysanthemum scroll.Porcelain body covered with a transparent glaze. Base unglazed. H : 5,7 cm. Jingdezhen or Fujian. Yuan Dynasty fourteenth century. Condition : Perfect ( John S. Guy - Oriental Trade Ceramics in South - East Asia, item Nr. 58 )

19th Century Edo Period Japanese Clay Mask of Tengu, the mischievous God of the Forest. A wonderful example of Mingei used as decorative art, with an underglaze of red and white fired to give a wonderful presence. 8.25 inches (21cm) tall) x 6.25 inches (16cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Antique Bronze Rabbit Sculpture in a natural form. It has a rich dark patina, and a wonderful alert presence. A classic Japanese image of a Rabbit, and a charming Meiji Period Bronze. circa 1890 - 1900. 6 inches, 15 cm height.

Japanese Antique Bronze Horse in a classic galloping pose. A solid, strong image with rich patina, finely rendered detail, naturally executed. A fine addition for horse fanciers. Signed, circa 1920. 12 inches (30.5cm) tall x 15.75 inches (40cm) long. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Late Edo Period (1850 - 1868) Japanese signed Noh theater Mask of Okame, the Goddess of Mirth, a very popular image in Japanese culture. A beautiful example of the type of mask done by a master carver, using Cypress wood (Hinoki) and many layers of Gofun, crushed oyster shell lacquer. A very charming and well rendered image. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Pair of 19th Century Japanese lacquer miniature composition masks representing living ("Iki" living figures) expressive faces, with ivory teeth, glass eyes and human hair. They have an arresting presence and are a great study of portraiture, representing fine Japanese craftsmanship. 5 inches (12.5cm) x 4.25 inches (11cm) wide (each). From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Late Meiji Period (circa 1900) Japanese Signed Okimono Sculpture of a pair of Mandarin Ducks, symbols of life long faithfulness and one of Japan's most beautiful birds. Original artist signed box is included. Beautifully carved of Poloma wood, one of the finest woods used in Japanese sculpture, and gorgeously painted with vivid colors. They can be exhibited in an endless variety of positions and make a wonderful object of art. 3.5 x 8 inches, 9 x 20 cm. From a widely renowned and published ...

Late Edo Period (1850 - 1868) Bronze Incense Burner Sculpture of a Duck, Japanese symbol of faithfulness and light. An exquisite expression of Japanese bronze craftsmanship of the finest quality. It exhibits a rich dark patina. A Japanese bronze classic. An important acquisition for a bronze collector. 13.75 inches, (35cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

16th Century Japanese Momoyama Period Wood Sculpture of Nyoirin Kannon, widely worshiped by those who hoped to gain riches and fulfill requests, seated on a lotus flower on rocks. Nyoirin's pose was appealing to devotees: his relaxed pose is inviting and the hand raised against his leaning head, which signifies a meditative state, adds a human touch. The bodhisattva's pose, in fact, indicates that he is resting in his personal paradise on Mt. Potalaka, which traditionally is said to be located ...

Rare Japanese Heian Period, 12th Century Wood Sculpture of Kannon, the Goddess of Compassion and Mercy. Even though it is not in a complete state, it has a wonderful, peaceful presence that is really a delight to bask in. It has a magnetic face with a serene expression. Japanese sculpture of this age is hard to find. A fabulous work of art and a rare, magnificent sculpture. 16 inches, 40.5 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum an...

This is a Crow parfleche made of raw hide, used as storage containers. c. 1890-1900, 25.25" x 11.5"

Cheyenne beaded bag with tin cone suspensions. c. 1880, 5.75" x 2.375".

c. 1920, 11.25" tall by 3.5" wide. Wood loss on one foot, one foot has been reattached, cracking to the cottonwood on the casemask and rear of the doll; otherwise in very good condition considering the age. Some paint loss.

Relics of the Nile is very pleased to present this superb rare ancient Egyptian necklace composed of New Kingdom faience tubular beads (read below for information regarding how the beads were made). The beads are multi-colored and are brilliant in every way, displaying colors of red, white, very bright blue, green, rust, and more! The thick blue and green faience was extremely popular during this period. The length of the necklace measures a very nice 17" in length. The piece has been restru...

Ca. 1700s or earlier

Hollow cast in coppery-bronze. Two similar images depict Buddha in “Earth touching” mudra. Both are heavy castings, having an even, dark brown patina and hollow interiors with old brown patina and light traces of verdigris. The backs of both pedestals are cast with a lopp just below the seated Buddha and these were used to secure these two smaller images to a larger altarpiece. Though well-cast, the features are not worked in detail and were probably made for a sma...

Ca. 1400s

Well potted with thick, even celadon glaze overall except for the unglazed base and foot. The glaze is of a deep green tone and crackled all over covering the interior of the neck as well. Three floral form appliques decorate the shoulder just below three concentric rings leading up to the neck. A few minor earth stains remain from burial. Overall very good condition.

Diameter: 2 5/8 in., Height: 3 ½ in.

A Very Rare Imperial/Incised Celadon Glazed Cup-stand: Korea, Koryo Dynasty, 12th Century This is a very high quality and imperial celadon glazed cup-stand, the domed corner incised with lotus petals within a raised ring, enclosed pendent leaves the broad reverted rim divided into eight foliages, evenly applied overall with a fine celadon glaze with 5 spur marks on the bottom. It is in excellent condition without any damages. Measures 6 1/4” x 1 5/8”h

Old silk kesa, an outer garment worn by Japanese Buddhist priests. Kesas were originally made from old scraps of material donated to the temples. The scraps became finer and quite luxious with time. People who gave to Buddhist institutions were often keen to give very expensive items, so some fabulous kesas were created from wonderful silk brocades. This could also mean that the wealthier temples ended up collecting better fabrics or were able to send out for expensive custom made kesas.

Spectacular Early Meiji Period (circa 1880) Japanese Lion Mask used on the head of a float for the Gion Festival. This huge mask is an arresting image to behold. This fabulous carving is heavily lacquered in red, black and gold. The head can be raised to show his open mouth, creating a very impressive and imposing presence to behold. 38 inches (96.5 cm)w x 25 inches (63.5 cm)h x 24 inches (61 cm)d. From a widely renowned and published collection that has been exhibited at the Metropolitan Mus...

17th Century Early Edo Period Spectacular Japanese Temple Sculpture of Baku, a mythical beast loosely representing an Elephant with a combination of other animals, creating an original form. The Baku is the "Dream Catcher" of ancient Japanese Shinto mythology. It is inserted in the ceiling to watch over the temple. This Baku is a masterpiece sculpture of magnificent presence. It will surely be the focal point in any environment. It is carved entirely from solid Keyaki (Zelkova) wood, one th...

Museum Quality Early 18th Century Edo Period (circa 1700) Gilded Japanese Sculpture of Amida Nyorai Buddha. Seated cross-legged in the lotus posture, hands joined in the mudra of contemplation, eyes all but closed in meditation, we are gazing upon the sculptor's vision of Amida enthroned in paradise. The elaborately carved lotus upon which he sits is itself a symbol of the attributes of the Amida Buddha: gentleness, openness, and purity. This is a large, rare and exquisite example, fabulously ca...

Meiji Period (circa 1890) Japanese Hago-ita (Battledore or Badminton) Paddle in its original display case. It is very rare to find one from this time period, especially with its original case. A deluxe example that is enhanced with three dimensional objects. We have never seen such a wonderful and elaborate Hago-ita. 26 inches 66 cm) tall with case. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.