Antique Tibetan flint carrying pouch (also mechag or chuck muck), made of leather with plaques of repousse silver with inlaid turquoise front medallion. Motifs of filigree are seen through the silver plating with a pair of diving swallows. The backside of the pouch with heavy studs. The top of the pouch is fitted with a ring for suspending from the wearer's belt.

19th century

Dimensions: 5" L x 1 1/2" D x 3 1/2" H

Figural Vase with Elephant Handles
mid-late 19th century
Tongzhi Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
H: 33.7 cm D: 15 cm
Single hairline from mouth-rim, visible only in the vase's interior. Damage to glaze in a thin, short area perpendicular to hairline.
From a Laguna Beach, CA estate


Description & Notes

This vase is very typical of vessels made in the mid to late 19th century...

An antique Japanese Choba Tansu (merchant chest) made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Original hand forged iron hardware including the stylized Mokko handles. Seven drawers for organizing and storage with two sliding doors where store recordsn were kept and a safe door behind which two small drawers held merchant valuables...

Antique Burmese wood trunk inlaid with mother of pearl and carved with a floral pattern. It has handles on both sides. Beautiful inlay work, small triangular pieces make up the design. It measures 34" by 17.5" by 18". From the early 20th century.

Late 18th to early 19th century iron Japanese sword tsuba with multimetal inlays depicting sennin Bukan Zenshi standing under a rock and waving for his faithful tiger to approach, which the beast seems to be very happy to do, the back showing mountains with pines and a waterfall. Bukan Zenshi (Pu Hsien in Chinese) was a 7th century priest and is usually shown with a tiger as his attendant...

Width: 4.5 cm (1.8 in)
Height: 2.4 cm (0.9 in)

Small Japanese mixed metal Komai box; Egyptian symbols throughout; gold, silver and brass; Fuji mark to the base; very good condition

Beautiful and unusual antique Thai gilt bronze figure of the Bodhisatva Ksitigarbha, called the Bodhisatva of Hell Beings because of his vow: "If the Hell is not empty, I will not attain Buddhahood". He is dedicated to revealing all the secrets of the teachings of Buddha to all sentient beings whether they be on earth or in Hell...

A blue and white Nanking butter tub trimmed with the classic Nanking border, but with an unusual rooster on the rock design and a peach final. The tub measures about 3 1/2" high x 5 1/2 wide x 4 1/4" deep and dates to the late 18th, early 19th Century. Condition: The condition is excellent. There is a very small kiln imperfection on the tub rim. Free shipping within the USA.

A Very Fine 5 Korean Flower/Bird Panel Paintings(花鳥圖)-19th C./ framed and ready for hanging. Korea, Joseon dynasty, 19th century. The group of 5 bird and flower paintings are painted on paper and ink and color, each painting painted with different birds and flowers, a paulownia with Phoenix, magnolia with Parrot, pine with Crane and a peony with pheasant. It’s in good condition/some stains, each framed with Plexi glass. It measures 67cm x 37.5cm.

A group of 39 handcarved Chinese Mother of Pearl gaming Chips dating to c. 1800-1840.

Gaming chips in Mother of Pearl were crafted in China for export to Britain, where the Georgian and Victorian aristocracy used the chips when playing parlor games.

All 39 pieces have an elliptical shape, with criss cross patterns and floral motifs engraved in hand.

Very beautiful and interesting antique Mother of Pearl gaming chips...

Amusing character, smiling, with a plump belly, in polychrome sandstone, standing in a bundle, placed on a rock, from the Shiwan kilns. Origin: China. Period: 19/20th century. Height: 25cm.

Late 1800s / Early 1900s

Gently flaring bowl with lid, both very well-painted with fruiting vines, bamboo and butterflies probably after a pattern from the Qianlong period. The enamel colors are clear and delicate in the case of the aqua blue and pale green; the fruits are subtly shaded with red and green over white enamel. The bowl is raised on an unglazed footring revealing the white porcelain paste. Four character Guangxu marks are on the lid and the base of the bowl in red enamel...

Japanese two section mizuya (kitchen tansu for storage). Constructed of Hinoki (cypress) wood frame with Sugi (cedar) wood, original dark finish. The top section holds a compartment behind pair of sliding panels with Keyaki (zelkova) wood details, open work carving and wire for ventilation. Next to this is a larger compartment with sliding panels with vertical iron studded slats and Keyaki hardwood insert...

A small jar made of dark polished Yixing clay for the Thai market. The mouth with a metal sheathing. The stopper made of wood and metal. Condition: the base with a tiny chip, few traces of usage. Dimension: 12 cm high, weight: 242 g.

The cups very thinly potted, the rounded sides rising from a straight foot to an everted rim, finely decorated around the exterior with a profusion of multi-coloured 'flower-balls' arranged asymmetrically and scattered throughout, freely floating, all carefully enamelled in soft pastels against a white ground, the base inscribed in underglaze blue with a Qianlong ( 1736 - 1795 ) six-character seal mark and of the period. Diameter : 6,4 cm...

Small cloisonné enamel vase, dragon and phoenix decor. Silver wires. Golden border. Japan Meiji period. H; 105mm. Good condition, slightly worn gilding. Artist's signature incised below.

A carefully formed firestone in a fine grained stone, dating to Ironage, Pre Roman Period, c. 1st - 4th cent AD

Firestones were used to produce sparks in combination with an iron striker.

This specimen measure c. 10,5 cm in length.

It has a nice oval / elliptic with a furrow in the middle to be carried in a rope...

This old Chinese stoneware ceramic pipe bowl (smoke chamber) would have been placed onto the smoking pipe to allow for a small piece of opium to be smoked. The tiny opening at the top would allow the smoke to be drawn into the stoneware chamber and cooled before being inhaled by the smoker.

The piece has 2 different makers marks which are clearly stamped into each side of the clay underside of bottom hole.