This is an extremely interesting artifact. It has quadruple imagery. The figures almost resemble a northwest totem. There is a different image when you turn the face upside down. There is also double imagery to the faces on the side. The same face is repeated at both ends of the stick. A lot of thought and work went into this beauty. The paint is very bold and strong. It is extremely well patinated. Carved from wood, it is 14 1/2" long...

This is a very unusual artifact. It is bone that has been covered with 22K hammered gold. It is 8" long. It is either a pectoral or perhaps a nose ornament. The bone is broken near the center, but is completely covered by the gold. It is from La Tolita, Ecuador C500BC-500AD. This piece was found with a gold death mask in a tomb. It was found lying next to the mask and was part of the mask. The two were separated. The mask sold for $75,000. It is from the Ken Klassen collection, Bogota.

This set of 4 matching Chinese toggles were hand carved from animal bone, probably the vertebra. Each side is carved with an identical design which continues around the side. They are well aged and show both wear and usage. As artifacts from the folk art culture, they were probably carved by the person who intended to use them to secure his personal items. Each piece is approx 1 inch in diameter and .5 inches thick.

One of the finest examples of Kamakurabori carving techniques we have seen. The chrysanthemum in raised relief on the tray is fabulous and the many layers of lacquer have created a Meiji Period c.1900 masterpiece. Excellent condition. (14" x 9") (36cm x 23cm). EMS Shipping/Insurance to USA or Western Europe $55.

A beautiful Tang dynasty changsa stoneware bowl with ruyi motive along the cavetto of the bowl and in the center with a dot with radiating lines towards the ruyi, all painted in green and iron brown colour. The 5 ruyi motives is design in such a way that no matter which angle you focus on, it is designed in a star formation. The changsa bowl stand on a short footrim with a recess base. The glaze stop about three quarter way down, exposing the light pinkish clay...

This whopping point is 4 7/8" long and 2 1/4" wide. Lar Hothem calls it a very scarce 1st stage St. Charles Dovetail. Tom Davis authenticated it as a Lost Lake, G-9. It is made from semi-translucent high quality burlington chert. It has excellent mineralization and patina. It has a very clear imprint of a fossilized shell on the upper left about a 1/4" from the tip, making this a no-brainer for authenticity. It was found near St. Louis, Missouri. It is pictured in Who's Who, John A...

This is a very rare Iroquois female effigy bone carving adopting the "September Morn" pose (one hand on the chest and the other hand over the genitals or the abdomen). It is from West Bloomfield, New York, Seneca. "1600 to 1620" carefully printed in black ink on the reverse. She shows a pronounced band at the forehead, as if wearing some head gear or maybe some hair style. Cheeks are shown as broad and flat. Prominent breasts. This piece came from the Robert N. Converse collection...

These extremely rare bone dice, from Kentucky, are 7/8" square. I purchased them directly from Tom Davis many years ago.

A nice and finely potted famille rose covered teacup dated to the Tongzhi period. It has a scene of a garden with flowers, grass and butterlies flying. A red Tonzhi reign mark to the top of the cover and base of the teacup.

Generally in very good condition. Minor pinholes. No hairline, glaze fritting,crack, repair or restoration.

The dimension of the teacup is: the height with cover on is 8.1cm and the diameter is 10cm.

This petrified wood tang knife is from the four-corners area of the southwest. It is 3 1/4" long. It is from the Wallis-Thomas collection. The base of the tang has been snapped off anciently, but does not detract.

This bone pendant is 1 3/4". It has been drilled and modified. It may be an atlatl finger rest. It is C1000AD. I purchased it from Tom Davis many years ago. It is from Kentucky.

Japanese scroll painting with a figure of Manjusri in the center of a circular chart below which sits a fu-dog; the very bottom of the scroll has numerous signatures and seal marks. The waves along the border of the circle indicate that this is a Sea-Crossing Manjusri (Tokai Monju). The text within the circle indicates that the painting comes from the Matsumoto castle in the Shinano province (the Nagano prefecture in central Japan)...

Japanese Edo Period Peddlar's Box, gyoshobako, kiri wood throughout with mixed metal for original hardware of brass and iron on locks, side carrying rings, double safe compartments, with the lower inside containing a removable safe box with 3 drawers, worn condition with original finish, 11"W 19"D 26"H.

Pair of Indian Miniature Botanical Prints with Lily Bulbs on border margins, lily in central panel of one, tomato in other, gold leaf in background, newly painted images on manuscript paper 18th-19th century, waterstained and patched areas. Print Size: 6" Width 9.75" Height, framed.

This ceramic warrior is in the process of throwing a rock with another in his hand and a basket full on his back. It is from the estate of the late Lynn Langdon. The figure was acquired in Mexico in the mid-20th century and is attributed to the Colima horizon, c.300BC-300AD. It is 4" tall. It retains some red pigment. It has a small chip off the back which I have and can be glued back on. Please view my youtube video of this item at http://www.youtube.com/watch?v=Kkt0z56QMvE.

This is one of my favorites from the Heflin ceramic collection. It has been broken and glued back together and is missing parts. Dr. Allen Heflin found this piece in Xico, Mexico in 1960 according to his journal. He must have hung it on his wall since he glued a wire to the back. This is a clear representation of a man either emerging or being swallowed by Quetzalcoatl. It is 6" long by 5" wide. The imagery scrams pre-Columbian. It is attributed to the Aztec culture C1300AD.

This ceramic Colima warrior is 6" long. It is in perfect condition with no dings, restoration or repair. It is from the estate of the late Lynn Langdon. The figure was acquired in Mexico in the mid-20th century and is attributed to the Colima horizon, c.300BC-300AD. Please view my youtube video of this item at http://www.youtube.com/watch?v=h5mdTRv36FY.

Chinese Scholar's Hat Chair, Jumu, elmwood with translucent red lacquer, late 18th century early 19th century. Size: 21.5W 17D 38H, surface wear to finish and exposed wood.