An ancient Egyptian Scarab, c. 1000 BC, from the famous Mitry collection (see our Homepage). It is 1/2” long (13 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

A stunning terracotta figure of Horse and Rider, Parthian Empire, 1st-3rd. cent. AD.

The tall bearded figure emerging from the body of the horse, wearing folded cap, the horse with applied disc eyes, traces of decoration. Their bodies is blending into a single, triangular form, with the head and upper body of the man directly behind the horse’s head. Finely detailed features of a mature Parthian horseman, probably nobility.

Size: 111 mm...

An attractive and substantial cylinder seal carved in blakc Haematite, Isin-Larsa period, Old Babylonian, ca. 2000 - 1800 BC.

The seal is carved with an introduction of the king to standing sun god with saw. Another worshipper or lesser deity is also depicted and there's and interesting large emblematic staff between them.

Height: 2.3cm, diameter: 1.1cm.

Condition: Nice VF for type and intact with even wear.

Ex...

An unsually large stone cylinder seal, carved in a glossy black green stone, Middle Assyrian period, c. 14th.-11th. cent. BC.

This cylinder is seal 48 mm. tall and c. 15 mm. thick - a seal that gives a huge imprint when rolled on clay. The seal showing an archer fighting a winged griffin. The archer is probably the Great King and he is kneeling shooting his bow into the face of the Griffin, which is lifting it's left paw...

A set of three Chin puppies by Miyagwa (Makuzu) Kozan II published in the book Miyagawa Kozan and the World of Makuzu Ware (Yokohama Museum of Art, 2001) page 144, figure 174. They are roughly 5 x 10 cm (2 x 4 inches) and in excellent condition. They come enclosed in the original signed wooden box...

Chinese Qing dynasty low circular form porcelain brush washer covered overall in a monochrome oxblood red glaze holding a partly submerged moulded recumbent water buffalo at the center. A brown wash was applied to the low flat foot and slightly recessed base. 7 3/4" diameter x 2” high. 18th/19th century. A few thin glaze losses in the bottom reveal the white porcelain body. A small production flaw to one horn looks like a chip but appears to be glazed over...

A rare Kuro Raku Chawan by the 7th-generation successor of Raku ware, Kichizaemon Chonyu (1714-1770).

It comes in fine antique condition with a very old red Urushi lacquer Kintsugi and its antique wooden box with an attestation and appraisal of the Urasenke Tea House "Shikien" Kyoto, signed and sealed in 1950.

Born as the eldest son of the 6th generation Sanyu, he took over as the head of the family and didn’t retire until age 49, later passing away at age 57...

A very thick and massive gold ring with clasping right hands, Roman Imperial Period, 2nd - 3rd century AD.

Typical high shoulders and compressed design. 22+ carats gold.

The depiction of the dextrarum iunctio (handclasp) was highly popular in Roman art. In the Roman world, the right hand was sacred to Fides,the deity of fidelity...

A very attractive large Udjat eye amulet, Egyptian, and probably Late period, mid 1st. millenium BC.

The amulet is vcarved in a hard Diorite stone, very beautiful in hand.

Size: 26-27 mm. wide and very thick.

Condition: Choice and as made, the drill went wrong, visible at the back so the artist drilled another hole just beside the first one.

Private Collection, ex Jürgen Haering, aquired at Galerie am Museum, Freiburg, 2008.

A Chinese Qingbai Glazed Water-Dropper...

A Chinese Qingbai Glazed Box and Cover. Circa, 13th-14th Century, Yuan Dynasty. Found in the Philippines. Featuring a small rounded body supported by a short foot, tapering to its shoulders to a short neck and is topped with a circular cover. Its body is decorated with carved floral scrolls and vertical lines encircling its shoulders...

A Chinese Blue and White Miniature Guan Jar. Circa, 1368-1644, Ming Dynasty. Found in the Philippines. Its tapering body is horizontally joined in two sections with a bordering underglaze decoration of acanthus leaves running along its shoulders and panels above its foot. Its base is fully unglazed. Measurements: height (2.5"inches). Condition: in perfect condition. Photos by: The Oriental Room® Feel free to contact me at theorientalroomph@gmail.com for further inquiries, pr...

Buddha in bronze cast with lost wax and gilded with mercury. The walls are very thick, the statuette is heavy. The gilding is original, certainly baked several times to obtain a nice thickness. The reverse of the dress is chiseled with stylized flowers. The base is closed by an incised copper plate of Vajra. The base does not appear to have been opened. The two arm bracelets were originally to have stone beads, today replaced by a colored coating. In the palm of the hand, we can see a hole left ...

An ancient Egyptian Scarab, 3000 years old, from the famous Mitry collection (see our Homepage). It is 1/2” long (13 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Notice that the bottom resembles a human face; this was done frequently. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

An ancient Egyptian Scarab, c. 1250 BC, from the famous Mitry collection (see our Homepage). The bottom depicts 2 antelope heads. It is 1/2” long (12 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

An ancient Egyptian Scarab, c. 1615 BC, from the famous Mitry collection (see our Homepage). It is 1/2” long (12 mm) and made of crystal quartz. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

A finely cast Japanese bronze koro and cover modelled as a resting egret, 13 cms. long, Edo/Meiji period.

Large bowl on three feet with relief depictions from the Ramakien epic. Punched on the bottom Silver 100% / weight 30 baht, Thailland, c. later 19th. century AD.

Very high quality silver work on this bowl, in extremely high relief even for the type. See picture of the many depictions, incl. war, hunting, love etc..

Diameter 20cm. and weighing 459 grams.

Ex R. Reichenmeier Collection from 1970s.

A lovely patinated silver box, probably for betel Chewing. High grade silver!

Height 10cm, ø bottom 11,4cm . and weighing 393g.

Cylindrical container with mythical creatures and animals on the lid, body and bottom. An additional section inside. Very nice decoration and quite rarely seen as ornate from Burma.

Condition: About extremely fine, warm old patina.

Ex R. Reichenmeier Collection from 1970s.

A small Cizhou jar was applied on the surface with black glaze.
In fine shape, the jar was adapted with a newly made lacquer cap.

Date: Yuan periods, 13th Century.

Height: 6.1cm.(without cap), 7.1cm (with cap)

Lovely spherical Ge type crackleware glazed Qing jar with very light celadon tone. There are some chips and cracks so please view enlargements. Authentic antique Ge wares have become very rare in the past 20 years, I was lucky to find this one. H: 7.5cm/2.9in and D: 9cm/3.5in.

A protective deity is carved into this Piece of a pillar from Himeji Castle dating from the Meiji period restoration of the Tenshukaku (main tower). It is branded with the Yaki-in which reads Himeji Jo Ko-zai-in (Brand of the old wood from Himeji Castle). It has long been a method of raising funds in Japan to offer replaced pieces of a historical building to those who donate to the restoration. These pieces are commonly branded with a special seal, called a yaki-in, which is heated and burnt ...

This is his Tsutsugaki item, which is impressive with its very surreal pine and bamboo designs drawn in Tsutsugaki during the Edo period. The young pine tree in the center of the picture is drawn in an unbelievably large and surreal manner, and the bamboo, which is also impossibly deformed, is drawn in the background. This is quite an unconventional item among the indigo-dyed items of the Edo period. There are three areas that have been repaired, but the discoloration is slight and not noticeabl...

A handle surmounts the peak of this beautifully rendered vase by Myagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Seiji-yu Sometsuke Te-oke-gata Kabin (Celadon Handled Bucket Shaped Vase with Blue and White Design). It is 16 cm (6 inches) diameter, 32.5 cm (13 inches) tall and in excellent condition.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth-generation head ...

Width: 37 cm (14.7 in)
Height: 7.5 cm (3 in)

Large Chinese famille jaune medallion bowl; shows three polychromed medallions of auspicious objects surrounded by lotus scrolls with a Shou character and Greek border; the reverse depicts three scrolled vignettes; Guangxu marks; good condition

Exceptional bronze applique of a head of Dionysos with ivy wreath and with silver inlaid eyes, probably a furniture fitting, Roman, 2nd - 3rd century AD.

Very high quality work for the period and a real conversation piece!

Height 6.5cm, width 6.3cm. substantial and heavy in hand.

Condition: Choice Good very fine, preserved inlays and a lovely red and green patina.

Ex. Austrian Private Collection

The cylinder seal is carved in fine white-beige stone, and can be dated to Mesopotamia, Late Jemdet Nasr period, c. 3000-2900 BC. (Collon, period 1B).

The impressive seal is carved with 4 horned animals in very deep relief all the way around the thick cylinder.

Size: 30 mm. tall and 24 mm. wide.

Condition: Very fine, intact with some wear and corrosion and quite attractive.

Ex. Private Collection of Jens Knudsen, Hamburg, from c. 1980-1998. Comes with ...

An unusual Edo period Oribe serving bowl, the color filled crackled glaze decorated with scrolling lines in iron and splashes of copper green. Both inside and out hash mars denote a bamboo fence with blossoms in the fore. A handle and raised architectural elements around the rim and rising to the mouth echo some western influence, possibly indicating original Christian use. It comes resting on a silk pillow in a age-blackened wooden box titled Oribe Katakuchi. The piece measure 24.5 x 13.5 x ...

An extremely rare scarab seal, carved as an Udjat eye in grey-brown steatite, Egypt, New Kingdom, c. 15th.-14th. cent.

The eye is carved with great artistry, to creat a perfect Udjat eye with fine details and on the base, three strong hieroglyphs of the Ankh for giving Life the Uraeus and erect Cobra and lastly the flat Sun-disc.

The Ureaeus was the symbol of the Godess Wadjet and was used as a sign of Royal authority associated with Pharaos and gods.

Size: 15-...

Interesting solid silver Encolpion cross with loop Early European, probably Lombard Kingdom, c. 7th.-8th. century.

The cross engraved with a standing nimbate figure holding a crucifix in his left hand, and on the reberse another small nimbate figure; No less than four Cross pattées, and the symbols of the Sun and the Moon on the reverse as well.

A Byzantine type, but a very unusual decoration which points to Darkage Europe and probably the Kingdom of the Lombards, who inv...

Very refined earthenware vase, from the Satsuma kilns, with polychrome enamels, presents a decoration of courtesans (bijin) and a child under a flowering tree with on one side, in the background, a cottage at the foot of a hill. At the base of the collar, the shoulder is covered with chrysanthemum flowers. A barely legible mark under the base in a red lacquer cartouche, partly covered by a collector's label, could be attributed to Fujan (?). Height: 15 cm. Period: Meiji (1868-1912) 19/20th.

Globular in shape, on a nashiji gold lacquer base, the decoration represents pines and bamboo in gold and black hira maki-e, hedatsu and kirigane of vegetation at the edge of a watercourse and stylized medallions of chrysanthemums. The interior is also in nashiji. Origin: Japan. Period: Edo (1603-1868) 19th century. Height: 5.5 cm.

Two Jubako stacking porcelain boxes enclosed in their unique wooden boxes which are both enclosed together in an additional outer wooden box for protection. According to the lid, the designs were by Kinoshita Itsuun and Uragami Gyokudo, and the pieces were made by Kawamoto Hansuke. Hansuke is considered the progenitor of porcelain production in Seto, and it was through an act of industrial espionage that he was able to bring the techniques, until then the secrets of the Kyushu potteries, to Seto...

This piece was made at the kiln in Henan pottery area. It is very popular to be called as "Henan tenmoku" which has black glaze with patterns of rusty glaze. The pattern tends to peel off because of overglaze, however this piece has patten clearly remained. YouTube movie: https://www.youtube.com/watch?v=Q-DktYj1GdY Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan. Size: 18.0cm(D) 8.3cm(H)

Very rare pottery bowl and eclectic with Taoist imagery. This is made from a high fired light gray pottery, with traces of a white slip and depictions of musicians, dancers and “demon” masks. This is a funerary piece; the symbology suggests the transition from this world to the afterlife. D: 14cm/5.5in and H: 5.2cm/2in. No cracks original pigments with some kiln warpage

Good Qing Dynasty, Chinese nephrite jade carving of a lotus seed pod. In Chinese culture this symbolizes fertility and a desire to have many children on another level the lotus reflects purity, strength and rebirth- as it rises from the mud and blooms into something beautiful. H: 3.5cm/1.4in and W: 4.2cm/1.6in x 3.1cm/1.3in. Good condition- no chips or cracks. 61grams.

Ancient Egyptian large black-topped Redware Vase, pre-Dynastic Naqada I period, c. 3750 BC. It's intact but shows signs of use, especially inside, from contents being stirred. It is 10" (25.4 cm) tall. It is authentic and nearly 6,000 years old.

Original pair of antique Thai cast bronze recumbent temple deer with three stag antlers. Each deer sits flat to the floor. Original bronzed patina, consistent with age. Each has an opposite leg tucked in, with gaze looking back over shoulder. Wheel of life dharma blanket is seen on each, along with beautiful collar. Complete and both ready to be enjoyed.
Each with These sika deer are closely associated with the Buddha because of his “Teaching in the Deer Park” in Sarnath. Buddha’...

Phoenix soar among golden clouds on this amazing Lacquer box made for holding a Tsuzumi drum by Miura Meiho (1900-1975) enclosed in the original signed wooden box titled Houn Maki-e Tuzumi Bako. It is bound with silk chord which is held to the box with solid silver hardware. Inside it is lined with brocade. The box is 30.5 x 24 x 24.5 cm (12 x 9-1/2 x 9-1/2 inches) an is in perfect condition.

A lovely ancient Egyptian Scarab, c. 1800 BC, from the famous Mitry collection (see our Homepage). It is 1/2” long (13 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup. This scarab depicts Goddess Hathor

This is a excavated piece with very good condition, it has clear coloring of brown glaze. YouTube movie/ https://www.youtube.com/watch?v=h5ZqYQ7MuCE Size: 12.2cm(width of body) 11.6cm(length) 21.6cm (height) Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan.

Sample book of the Japanese sarasa, whose title is "Kame Jirushi Sarasa Book" It has 56 fragments of silk gauze with katazome (stencil-resist dye) designs. Generally, in good condition. Early 20th century. W:22cm, H:16cm

An antique Bayon bronze style meditation Buddha from the 13th cent., seated on a three-tired throne, with the flaring head of a giant Naga, the serpent King Muchalinda, rising behind protectively behind.

His hands are in the Dhyana mudra, the gesture of Medtiation. The Buddha's face is serene, with a naturalistic and warm expression; his head is topped by a detailed ushnisha, in the Bayon style. The serpent is well rendered and symmetrical.

The throne is formed by the co...

Rare Chinese Han Dynasty Pottery Dish with Painted Fish Pattern

This rare pottery dish, or shallow bowl, was made during the Western Han Dynasty (206 BC - AD 220). Most known Han Dynasty pottery objects tend to be jars or figures with dishes and bowls being quite rare. This is quite a large dish with a diameter of 25 cm. It is made from a dark grey pottery that is relatively highly-fired. The inner surface has been painted with a pattern featuring three fish surrounded by simple bands and ge...

Asa (hemp) furoshiki with four owner's names, hand-written with sumi(ink). Both warps and wefts are hand-plied. It has some holes and stains, however it is washed. Probably from Nagano prefecture or Tohoku district. The second half of the 19th century. W:126cm, L:132cm

Large porcelain bowl, decoration painted in red iron oxide on cracked glaze, gold details. On the outside, Buddhist lions (Shishi) are represented moving among peonies. Inside are finely drawn landscapes in reserves and elegant cranes in flight. Each landscape is annotated with Chinese characters which probably indicate what place it is. Under the Kutani kilns mark. Very nice example of this production and beautiful size. Good condition, a firing defect on the heel which can be seen in the photo...

A beautifully crafted and remarkable example of an early Edo period (1603-1868) Raku Chawan. This bowl is strongly reminiscent of the Chōjirō tea bowls, the first head of the Raku family.

This exceptionally well-crafted tea bowl has a very meditative presence and reveals its highlights of a typically Momoyama Period classic black glaze. It comes with an old Japanese wooden box.

Raku tea bowls occupy a unique space in the world of tea because they strongly embody the ae...

A Chinese export porcelain plate, Circa 1750. Excellent condition except for minor paint loss. Acquired at Christie’s Auction.

Pair of Qianlong porcelain plates. Vivid colors. A little paint loss, otherwise very good condition. Acquired at Sotheby’s Auction.

Chinese Ming dynasty Wanli period guan form jar with wide shoulders tapering to an unglazed foot and glazed, slightly recessed base decorated in underglaze blue with lotus flowers and scrolling foliage on a white ground. Short cylindrical neck and fully glazed interior. Measures 6 7/8” high. 16th century. No chips, cracks, or repairs. Minor scratches to the glaze are visible under magnification. From the estate of Gerhard Lohmeier, a Diplomat at the German Embassy in Beijing from 1985 to ...

A concave cylinder seal in white-beige stone. The seal is carved with an elaborate pattern of Cruciforms and lines, Mesopotamia 3300-2900 BC.

The Jemdet Nassr Period in seal manifacturing,3300-2900 BC, were spreading from Southern Mesopotamia, where a great number of administrative cuneiform tablets and seals came from. Such seals was used to impress pictures or descriptions into soft, prepared clay. These seals guaranteed the authenticity of marked ownership: as such, they were instr...

A set of 5 rare Dutch glass cups imported to Japan in the Edo period and formerly owned by the Confucian scholar Nakai Riken (1732-1817). They are enclosed in a custom made double sided wooden box with drop in doors titled on the side Yoi-O-Gozui (Five fortuitous ways to be drunken) with a long verse carved into each door. Of course, the meaning of the title goes much deeper, and the Gozui is also a Confucian concept. The emperor of China distributed five jade treasures to the five feudal lor...

Amazing boro made of hand-spun and vegetable indigo dye cotton fragments. It used to be the lining of yogi, which is one kind of futon, in the shape of kimono. It is from the Japan Sea side district in Kansai, such as Fukui or Kyoto. It is partly sewn with hemp yarn. Late 19th to early 20th century. W:95cm, L:165cm

A radical Bizen Mizusashi with two lacquered wooden lids enclosed in a black lacquered wooden box with gold lacquer writing titled Samidare which is in turn enclosed in a kiri-wood storage box by the same title compartmentalized to allow the lids to be stored safely. Samidare is a poetic reading for Rain of the Fifth Month (June in the traditional calendar). It has a seal of overlapping rings impressed into the earth of the base, and dates from the Edo period. The lids are for differing event...

Tamba-yaki tokkuri (bottle for sake) with hand-drawn letters of the sake maker. Generally in good condition. Early 20th century. H:22cm, Diameter:11cm

Antique Japanese ikebana basket (for flower arrangement). Light color bamboo with oblong form. A round mouth and sides that flatten slightly as they taper down to the bottom where they are bound together with a strip of wood. The upper portion of the basket has a band of tightly woven split bamboo and the lower portion has a bolder weave. A thin belt of dark bamboo divides the upper and lower patterns. Attaches to the wall with a thin rope in the back of the basket. Intended for dry flowers ...

Chinese Ming Dynasty Glazed Pottery Chest (16th Century)

A pottery model of a hinged chest made during the 16th century (c.1550 - 1600). Made from a hard creamy-white pottery and coated in green and golden-yellow glazes that have, in places, acquired a silvery iridescence, a result of very long exposure to moisture.

Length 14 cm, height 11 cm. "Calcified" burial deposits in places and a couple of small chips at the corners. No sign of restoration or repair.

One of a collection of M...

A spectacular collapsed pottery jar from the Karatsu tradition with a purpose-warped wooden lid covered in powdered silver enclosed in a top quality ancient red-lacquered kiri-wood box lined with wave-patterned colored-paper. The ancient box has silver lacquer writing on the top reading Kodai Karatsu Tsubo, Kamakura Ki, Mizusashi (Ancient Karatsu Tsubo, Kamakura Period, Mizusashi). The pot is 17 cm (7 inches) diameter, 15 cm (6 inches) tall and in overall excellent condition.

A fabulous porcelain incense burner in the shape of a boy playing the flute astride a large ox dating from the 19th century. The box identifies the work as Hirado ware. The quality is certainly of that level. It is 23.5 x 12 x 19 and is in perfect condition, enclosed in a period red-lacquered wooden box.
In Zen, an oxherd searching for his lost ox has served as a parable for a practitioner’s pursuit of enlightenment since this Buddhist sect’s early history in China. In the eleventh ...

Reaching for his hat, the boatman leans out arms extended toward the prow, protected from the elements under a woven reed roof. This beautiful incense burner comes enclosed in the original signed wooden box. It is 24 x 8 x 10 cm (9-1/2 x 3-1/4 x 4 inches) and is in excellent condition.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth-generation head of the Kyoto pottery family Miyagawa C...