Musha Ningyo of Shoki the Demon Queller, mid-19th Century late Edo early Meiji Period. An unusually large and early version holding a captured Oni (demon). This is a rare find for this subject. He is powerful and majestic. His face carved of wood with crystal eyes and massive beard and hair made of silk is a masterwork. He wears a Chinese cap and a robe with gorgeous, sumptuous brocades. According to Japanese folklore, the spirit of Shōki is able to scare away demons...

Tumulus Period (AD 250-552) Clay Haniwa (Haniwa means “circle of clay”) forms were installed in the tumuli (burial mounds) that were built throughout Japan from the Third to the Sixth centuries. The Haniwa formed part of the rites used in sending off the dead. Today, these Haniwa, made in the shape of buildings and possessions which do not exist now, and also in the form of animals and even people, show us what things were like in those times...

Japanese Meiji Period Blue and White Arita Porcelain Sculpture of Jo and Uba, an old and wrinkled couple who care for the pine trees and gather needles in Takasago, (based on a Noh play). Jo is depicted with a rake and Uba with a broom of twigs. This famous couple symbolizes Marital Love and Fidelity, and were created by Arita porcelain masters to bring marital bliss to a home. Male: 14.5 inches (37cm) high, Female: 13 inches (33cm) high.

This porcelain saucer was made during the Song Dynasty (AD 960 - 1279) covered with white glaze, unglazed base. Condition : glaze degradation and a tiny chip on th rim. Size: 11 cm diamater.

Ming Blue and White bowl in great color. Showing a decoration of six symbols "Ju-i Scepter". Has been in the John Allen Tabor collection. Clear resonant bell tone when tapped. Condition: Good condition. A small ship at the rim and two small hairlines in the bottom. Measurement: Width 14.7 cm = 5.8 in Hight 5.5 cm = 2.2 in Weight 194 gram

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A rare Ming white glazed Dehua porcelain jar with floral scroll carved to the exterior and character mark on the base. Ming Dynasty, c. 1640. Diameter = 5.5 cm, H= 4.2 cm Condition : two hairlines, no chips, cracks or restoration.

DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE...

From our Chinese Blue and White Collection, an exceptional and large Transitional Period (1635 - 1650) kraakware porcelain bowl of the rare Border IX Type. The center well depicts a scholar being served tea, three trapezoidal-shaped panels on the bowl's inner wall depict figures in various landscape settings, and the outside of the bowl is decorated with six additional panels of figures in various landscape settings...

This is a thinly potted tea cup depicting the Buddhist's eight auspicious signs which is found on the sole of Buddha's feet. They are the mystic knot, fish, wheel of the law, lotus, canopy, unbrella, conch shell and the jar. The tea cup stand on a short recessed foot-rim and into a U-shaped body and then with an everted mouth rim. On the cover of the tea cup, it is surrounded by the ruyi motive all around and four emblem of the auspicious signs...

Japanese kiri (paulownia) wood trunk, original deep red lacquer finish, iron hardware, trunk has curved lid and 2 drawers along the bottom (one large and one small), Edo Period (early 1800's). Size: 26 3/4" high x 34 1/2" wide x 16 3/4" deep.

Elegant bronze sake pourers with superb metal craftmanship and mythical dragons in raised relief. The edge of the pourers and the lid has detailed diaper patterns also in raised relief. Wonderful bronze workmanship. C. 1920 Taisho Period. Excellent condition. Ask shiping quote. (h:6 1/2"; w: 7 1/2" )

A very large,well potted, and finely decorated Satsuma earthenware vase made in Japan during the Meiji period (1868-1911). The foot-rim carries an impressed seal mark which reads - "Kozan". Condition - excellent - no damages and no restoration...

From our Japanese Collection, an exquisite Meiji Period (1868-1912) satsuma vase of tapered ovoid form, depicting several scenes of figures including an Empress with her attendants, all very finely executed with lavish use of raised gilding, moriage enameling, and intricately detailed shoulder work. Like all of our satsuma offerings, this piece is of the highest quality. Signed Kinkozan, circa 1880-1890...

East Indiaman tankard showing a Great Britain ship from the British East India Company. The oldest among several similarly formed European East India Companies, the Company was granted an English Royal Charter, under the name Governor and Company of Merchants of London Trading into the East Indies, by Elizabeth I on 31 December 1600...

Fine old Cambodian lacquered woven bamboo betel box. No damage or restoration other than natural wear, as to be expected. Any lacquer coming from Southeast Asia with no signs of use is a strong indicator that its new. Circa 60 to 90 years old. D: 21.5cm/8.5in and H: 9cm/3.5in

Rare Sukhothai Kendi with Iron black flowers decoration.14th-15th century.in good condition with just small chipped on the spout and some glaze degradation.Size:19cm wide.11cm high.

This is a famille rose bowl with medallion motif of various flowers and design. It stands on a short foot-rim and everted into a U-shaped bowl. In the center of the bowl, there is a pair of peaches in medallion design, surrounded by the peach leaf in altenate light and dark green colour glaze. At the center of the foot-rim, there is a seal mark of a peach and a bat. This bowl shown characteristic of Daoguang (1821-1850) period, namely the seal mark and the medallion in the center of the bowl...

This antique Chinese offering cup would have been filled with water for Buddha and left at the temple alter. It dates from WanLi Reign during the Ming Dynasty.

The cup is black lacquer, peach shaped for long life, has a footed bottom, and ornate finger stops on each side. It has several nicks and chips as is appropriate for its age. The cup is 1.25 inches high and 3 inches across at the widest point.

This is a very beautiful and finely potted Qing dynasty famille noir mille fleurs (Thousand Flowers) plate. It is painted very densely with shades of enameled pink, yellow, blue, brown, white and green with multitude of flowers and plants. It includes peonies, lotus, hydrangea, chrysanthemum, narcissus, daisies, lily, hibiscus, iris and several other flowers covering the entire plate in black background, with the foliage and gold tendrils binding all the flowers together. While it is common to f...

This antique cinnabar lidded jar vase form is surrounded with deeply carved garden landscape scenes with several men and woman including and older man and small child. The carved details of people, plants and house facades are all clear with no loses.

This cinnabar jar is in very good condition. It stands 6.5 inches and 6 inches wide. The word China is handwritten on the bottom, which indicates that the piece was made between 1890 and 1914.

From our Japanese Collection, a very fine assembled pair of Fukagawa imari porcelain chargers, Meiji Period (1868-1912). The blue Koransha mark on the reverse dates these more specifically to circa 1875-1880. One charger depicts figures set against a field of tall bamboo grass executed in mostly gilt and blue, along with very subtle use of green, orange and pink, while the second charger depicts just the bamboo grass. Both have scrolling floral sprays / karakusa in blue and orange on the revers...

This Chinese Door of Hope doll, along with several others, was brought back to the US during the 1920's by the American Baptist Missionary, Rebecca Cloud-Stewart. On one of her many trips back to the US to visit family and friends, she brought the collection of dolls as samples to sell and raise money for the Door of Hope orphanage. After many years in China, Miss Stewart returned permenently to her home in Georgia. During the 1940's and 50's, she would often go to the local schools, lecturing a...

Chinese antique sewing table, black lacquer with beautiful and ornate gold lacquer designs depicting scenes of palace life, interior has many little places for organizing sewing materials all lacquered in black and gold with bone details, a pull out lacquer and silk area underneath for storing embroidery supplies, claw feet, with key, 18th/19th century. Size: 28" high x 24 1/2" wide x 17" deep.

Song Celadon Figure of Bird Water Dropper,Northern Song.ungalazed base.good condition with just small cipped on the mouth and minor glaze degradation.8cm wide- 6cm high.

A Stove from Tek Sing Shipwreck.good condition,no crack,no chipped and free from any restoratons.15,5cm high

This charming adult female Door of Hope doll is 11 inches tall. Her face is somewhat darkened with age and the lower fronts of her trouser legs are faded from sunlight. She has all of her original clothing layers. Her top tunic is a bit dirty in the front and has a small tear at the rear of the right sleeve. Yet, even with these "condition problems" she retains the quiet beauty which has made the door of hope dolls such a collectors treasure.

This Korean antique is a hand carved woodblock which would have been used to print a repeating decorative design pattern onto a textile. It is very old, and well worn with great patina.

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring two beauties from Act 5 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the bottom of the print. The signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) is located at the bottom left corner. Standard vertical oban print...

Yuan qingbai ewer with two lugs on the neck, covered by buish glazed, reddish unglazed base. Size : 11.5 cm height, 12.5 cm diameter Condition : very good, very tiny frit on the spout, no hairlines, cracks or restoration.

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting a lively scene from Act 11 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The seal of the publisher, Moriya Jihei, the censor seal, and the signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) are all located at the lower right. Standard vertical oban print measuring 14"V x 9 3/4"H. Very...

Heavily glazed Japanese katakuchi bowl in the shape of a “Sazae” turban shell. Written on the lid is “made by Matsuyama” and “kashiki” (dish for serving sweetmeats). On the reverse side, there is a signature, "Kei Ho-o En" with a seal. We are not quite sure if this is an original box. Meiji, late 1800s. Great bowl for the kaiseki cuisine? A hairline crack (enlarged photo #7) is a surface crack (does not go through to the other side). Approx. dimensions: 6 3/4" x 6" x 3 1/2...

From our Japanese Collection, a truly spectacular, massive, and published pair of imari double gourd vases, late Edo to early Meiji Period circa 1855 -1875, executed in the typical imari palette of iron-red, blue, orange, and gilt, with birds and dragons set against the "Three Friends of Winter" design of pine, prunus, and bamboo.

The double gourd shape is a very desirable form for imari collectors, but rarely is it encountered in such monumental proportions like this massive pair. Typica...

A Song dynasty qingbai white bluish glazed conical bowl, rounded side with conical shape and unglazed base. Bowl is in perfect condition, no chip, no crack, no restoration. Nice bell like tone when tapped Size: 19 cm diameter and 6 cm height.

Just superb Edo Period zen buddhist travelling altar or zushi. The rounded contoured roof and the outstanding metal work on the door and hinges indicate a high level samurai or retainer. Thick black lacquer and fine gilt on the inside. The roof dates the piece to late edo period c. 1860. The altar on the inside has 2 pillars and a cross beam with painted buddhist symbols. Request shippng quote. (H:12"; W:8")

A late Song - Early Yuan Qingbai bowl, covered with nice bluish tone glaze, silky with fine glaze, rim and foot ring unglazed. Very thin and light potted and nice bell like tone when tapped. Very good condition with firing crack and fint glaze hairline on the back. Size: 11 cm diameter and 3 cm height

Cup with white crackled glaze, flatt and unglaze base. Size : 8 cm diameter Period : 14th century Condition : no chips, cracks, hairlines or restorations.