Height on Stand: 48 cm (19.3 in)
Width: 18 cm (7.2 in)

Fine Chinese porcelain mustard yellow glazed sgraffito vase; shows carved depictions of three three-toed dragons chasing a flaming pearl amongst clouds, all shown over carved frothing waves above the base; a fine crackle in places; a 3 cm hairline at the rim; double circles on the base; good condition; email for more pictures

Porcelain cranes in a lead tree decorate the lacquered top of this gilded wooden box enclosed in the original wooden box titled Romatsu Sokaku Zu (Ancient Pine Two Cranes) and signed Sekka, with signatures of Tozan II (porcelain decoration) and Suzuki Hyoetsu (lacquer artist) inside...

Citipati mask made of gilt embossed copper. Tibet, early 19th century. Height: 18.7 cm. Width: 22.2 cm. The mask is nicely mounted on a custom stand. Obvious signs of age, otherwise good condition.

Floor cushion cover (zabuton-gawa) made of choma (ramie) whose warps and wefts are hand-plied. It has beautiful katazome (stencil-resist-dye) bamboo motif. The white ground katazome is called "Jishiro" which is rather rare than indigo ground one. It has also nice cloth with stripes for lining, whose warps are cotton and wefts are ramie. Probably made in Echigo, now Niigata prefecture. In excellent condition. The second half of the 19th century. 64cm x 68.5cm

A Chinese, Cizhou-type, brown glazed wine bottle of a round shape; Jin to Yuan dynasty. Possibly from a kiln in Henan province. Dimensions; 19.5 cm tall. Condition; good condition with appropriate, age related, wear. A minor restoration to a lip chip.

Kangxi six character mark in underglaze blue (1662-1722). Diameter approximately 32.5 cm.There are some chips at the rim. There are some hairlines at the rim.

A splendid set of five Chataku Tea Cup Saucers of turned wood decorated in ridiculously thick lacquer floral decoration by Ikkokusai enclosed in a fine wooden box signed by the artist and dated Meiji 39 (1906). Accompanying is a note stating the set was received as a gift upon visiting the Naganuma Ryokan during a trip to Hiroshima in the fifth month of Meiji 43, accompanied by the name Kayanomiyasama. Kaya-no-miya were a collateral branch of the Japanese Imperial family...

A Very Fine Korean Blue/White Slip Inlaid Celadon Wine Cup-Stand-13th C.: Korea, Goryeo dynasty, 12th-13th century...

Chinese Qing dynasty rounded diamond form four-footed Straits porcelain narcissus dish decorated on the sides in underglaze blue on a white ground with four “shuangxi” symbols (representing double-happiness and wedded bliss) surrounded by a stylized pattern of pencil style scrolling sweet pea vines (symbolizing “many children”). The undecorated interior was intended to hold pebbles or dirt in which plants or bulbs could be grown. The flat rim holds a geometric band...

A small circular table likely made as a stand for an incense burner or suiban basin dating from the Muromachi era (late 14th to 16th century ) covered in black lacquer over which has been applied vermillion in the style known as Negoro. About the center a ring of wood grain is typical of the era. It is supported by three curling feet extending from a billowing diaper. The lacquer, originally black, has oxidized to a mellow chocolate color beneath...

A lacquered cabinet for storing Tea accoutrements by Koyama Kogetsu enclosed in the original signed wooden box dated 1931 and titled Tsukiyama Maki-e Kikkyoku (Mon and Hills Maki-e Tea Cabinet). On the door deer stand on the edge of a glade, gold, lead and Raden (mother of pearl) trees with branches of gold and silver maki-e above. The door lifts off to reveal the silver disc of a full moon rising over evening hills. It is signed in gold Kogetsu...

Late Qing dynasty Guangxu period export ginger jar with lid decorated on the front in underglaze blue on a white porcelain ground with the three Star Gods (Fuxing, Luxing, and Shouxing) representing good fortune, prosperity, and long life. Shou holds the peach of immortality, Fu carries a child, and Lu holds a ruyi scepter. They are standing together in a landscape setting in front of a large tree. A stylized bamboo stalk is on the back...

A really nice specimen of the sought after type III flint / silex dagger, c. 2000-1800 BC.

Very attractive and finely made neolithic dagger from the latest fase of the Danish stoneage neolithic period.

The dagger is classified within the type III group of daggers. The cross-section of the handle is square shaped and both surfaces and edges of the handle and blade has the classic "stitching" style of flaking. Stitched handles first appear with type III daggers...

A Chinese Qingbai Glazed Ewer with a Dish Mouth. Circa, 960-1279, Song Dynasty. Found in the Philippines. Featuring an ovoid shaped body, tapering to its shoulders with two lug handles and a short curved spout, opposite a straight strap handle onto a short waisted neck, supporting a cupped mouth with a slightly flanged rim...

A tanged 'Luristan' bronze dagger or short sword from Ancient Near East, Caspian Sea Area, Bronze age, dating to mid 2nd mill BC.

The sword with high, rounded shoulders and slight central midrib.

Length: c. 33,5 cm.

Condition: Fine green patina. Some roughness to the edges.

Ex. Private Collection in Denmark, formed in the 1990's.

The title does not lie, this is one against which all others might be measured. A celebratory sake set consisting of three cups and a stand enclosed in their original lacquered wooden boxes. The cups are over the top, decorated with plum pine and bamboo in taka-maki-e gold over red replete with bits of kirigane gold and ke-uchi details. The cups are equally gorgeous on top and bottom, the design extending even inside the foot ring...

Late Corinthian plate with nice polychrome painting, dating to 5th - 4th century BC.

Very attractive dish that was made with two holes in the rim for hanging it.

Size: 16,9 cm.

Condition: Nice VF, one fragment reattached and restored nicely.

Ex. pre-2nd. world war Bavarian collection.

Futonji (bedding) with tsutsugaki phoenix and paulownia tree design which is made of hand-spun cotton and vegetable indigo dye and colored with pigments. Phoenix is an imaginary and sacred bird by Chinese lore which perches on paulownia tree and eats fruits of bamboo. Tsutsugaki technique is excellent with fine freehand line. In excellent condition. Meiji period. 134cm x 162cm

This antique Iga vase is a true beauty, made of wonderful native Iga clay.

The vase was made between 1800 - 1850 during the later Edo Period and is in great antique condition. No chips or repairs. It comes with an old wooden box and an old cloth bag (which has a small torn part).

Iga ware's origins are believed to date to the second half of the 7th century and 8th century A.D...

Tang dynasty 9 - 10th century Changsha bowl with possibly Arabic motif, good glaze good condition no damage no chip crack or restoration small glaze nick at outer rim, please see picture for detail, size: 14 cm diameter.

A quintessential 16th century design in worn gold covers all the dark surfaces of this lacquered wooden box dating from the Momoyama period. Here auspicious cranes and turtles, reported to live a thousand years, laze among pines. About the lid boaters enjoy leisure seas...

Song dynasty longquan celadon with green glaze washer bowl, good condition no damage no chip no crack no restoration, please see picture for detail, size: 12.5 cm diameter.

A superb massive gold ring of 22+ carat gold with convex gemstone of garnet, depicting a lion tearing a deer, above it a crescent, in front of it a stylized plant. Graeco-persian, 2nd half of the 6th century BC.

Stunning quality engraving and a heavy gold ring, suitable for wearing today.

Ring size 9.5 (US), T (UK), 21 (F).

Weight: 13,72g.!

Provenance: Gert Cleff, Wuppertal; ex Gorny & Mosch, München Auction 137, 2004, Lot 230. Comes with copy of th...

Rare Red Raku Summer Tea Bowl named "Yuki," crafted by Houshousai in 1861.

Dimensions:
Height: 6cm
Width: 16.5cm

Condition:
In excellent antique condition, with no signs of damage. Comes with the original wooden box from the period, bearing detailed notes about the artist.

Houshousai, a distinguished tea master from Kanazawa during the late Edo period, enjoyed close camaraderie with affluent merchants such as Choemon, Enemon, and Gohei. During the ...

Two boxes with 18 black and gold decorated moulded ink sticks showing the 18 Lohans. Boxes 29x20 cm. All sticks in excellent condition, no cracks or chips. Undated, estimated to be early 20th century. Can be seen in central London and shipped worldwide.

Found in the Philippines. Featuring a globular body with carved decoration, supported by a short foot with two flanged wings on opposite sides of its body and a goose formed spout opposite a tail shaped handle, all underneath a rider which possibly represents Brahma, the Hindu god of creation, whose vehicle (Vahana) is the sacred goose (Hamsa), a symbol of purity and divine knowledge for Hindu and Buddhist believers. It is covered overall in a green celadon glaze, stopping well above its foot...

A parcel-gilt silver cricket box and its cover. The body of the box is decorated with embossed flowers in cartouches, and its base is pierced with an intricate lattice design. The lid is also decorated with embossed concentric decorations, at the center with flowers in an octogonal frame, and around the rim with large fowers of various forms. China, early 19th cetury, maybe earlier. Diameter: 7.7 cm. Height: 4.4 cm. Very good condition. NOTE: similar boxes were sold at auction at Christie's in ...

An exceptionally large and attractive Linga / Lingam, depicting the head of Shiva, Gupta period, Madhya Pradesh, 4th.-5th. century AD.

The face of the Hindu god Shiva emerges from this linga, the emblem through which he is most commonly worshiped. Most lingas are non-figural, their abstracted phallic shape alluding to Shiva’s transcendent power and generative energy. Here, Shiva is also represented in anthropomorphic form, manifesting himself to devotees. Shiva’s third eye, placed...

A hawk rests on an elaborate perch, the feathers fluffed up, each uniquely carved on this rare okimono from the Mushiake kilns of Okayama prefecture. It comes in an ancient kiri-wood box. The notation on the side of the box states it was received in late Meiji 27 (1894) from the former Head of the Okayama fief Ikeda Mochimasa. The name of the recipient has been redacted, as is often the case when things change hands in Japan. It is 24 x 7.4 x 29 cm (9 x 3 x 11-1/2 inches). A ringlet on one side...

Small porcelain dish from Japan. Decor of birds in flight in a landscape with trees and flowers painted in enamels and gilding. The porcelain is exceedingly thin similar to eggshell porcelain. Three Chinese characters are enamelled in red below, probably Kutani's mark. The designs are neat and of the best quality. Very fragile but good condition. D:138mm.

Geese and Reeds Painting (Noando) mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'old comfort', a...

The large characters in the center of this scroll "南無妙法蓮華経" are pronounced as "Namu Myōho Renge Kyō” in English — a phrase associated with Nichiren Buddhism that is often recited as a mantra, expressing devotion to the Lotus Sutra. This sutra is one of the main tenants of Nichiren and is thought by devotees to be the ultimate law and truth of the universe. Commissioned in 1690, this scroll commemorates the reconstruction of the main hall of Ryuhon-ji Temple, estab...

Found in the Philippines. Featuring a circular body, resting on a short straight foot and is decorated with a carved central floral spray, adorned with combed lines. The box is covered overall in a pale green celadon glaze, except for its base, which is left fully unglazed and partially burnt to red. Measurements: diameter (3.9"inches) across. Condition: in perfect condition. No repairs, UV light checked. Photos by: The Oriental Room®️ Feel free to contact me at theorientalr...

Super interesting massive amulet from an extremely old private collection, incl. the original envelope with collectors notes (late 19th.-early 20th. century).

The amulet in the shape of a double Uraeus (we think) and with an unidentified carthouche / hieroglyphs on both sides. Beautiful light torquise faiance.

Size: c. 38 mm. tall, incl. the loop.

Condition: Extremely fine and intact.

Provenance: David Utzon Frank collection, ex. Bruun Rasmussens auc...

Antique Japanese scroll painting of Kannon also known as Guanyin. The Goddess of Mercy sits on a rock overhanging a still body of water. She is silhouetted by the full moon. Painted in sumi-e ink on paper. There is a seal in the lower right hand side.

Age: Edo Period (1603-1867)

Dimensions: Total size of scroll: 70 1/2" high x 15 3/4" wide (18" wide including rollers). Size of art: 37 1/2" high x 11 1/2" wide

A startling find! A Horned Demon mask dating from the Nanboku-cho to earlier Muromachi eras (14th to 15th centuries) carved from a single block of wood and enclosed in an ancient kiri-wood box. The visage would have once sported a lower jaw, likely suspended by chord, which is no longer extant. It is 21 x 15 x 9 cm (8-1/4 x 6 x 3-13/4 inches) and is in overall fine condition, exuding a great sense of age.
Oni Masks: Oni are a type of horned demon or ogre in Japanese folklore. They are ...