Fine earthenware vase of satsuma decorated with excellently drawn dancers. The positions of the bodies, the volumes and the perfect impression of movement announce a very good painter. Unfortunately it is anonymous because there is no signature. Good condition. Height about 40cm.

Large incense burner made for a Buddhist temple. Square format with beautiful curves and two handles on the upper rim. Cast bronze with brown patina (sentoku), the shoulder decorated with butterflies in the clouds, done in gold and silver nunome zogan and silver wire inlay.

Japan, Edo period, 19th century

H 8.5 x W 11.75 x 11.5 in.

Unfortunately badly abused as a planter, causing water damage on the patina on the outside, and with numerous small and unobtrusive dents...

Rare tetrapod censer representing a stylized elephant. The censer is in cast bronze.The cast is beautiful and the finish is perfect,probably scrapped,no holes or roughness. The old patina proves the authenticity of the object. A frieze carved with swastika surrounds the elephant in its upper part representing a caparison. The ears are represented by 2 spirals as well as the tusks...

Early 19th century Indian bronze votive sculpture of Radha beautifully flexing her body, her arms wide spread and hair arranged in a bun. Radha is a Hindu goddess and a chief consort of the god Krishna and is worshiped as the goddess of love, tenderness, compassion and devotion. She is the avatar of Lakshmi and is also described as the chief of gopis (milkmaids), who are entranced by Krishna playing flute...

18th century Indian bronze votive sculpture of Radha beautifully flexing her body, her arms wide spread, a betel nut in her right hand, and her hair arranged in a bun, cast in the State of Orissa. Radha is a Hindu goddess and a chief consort of the god Krishna and is worshiped as the goddess of love, tenderness, compassion and devotion. She is the avatar of Lakshmi and is also described as the chief of gopis (milkmaids), who are entranced by Krishna playing flute...

Late 19th to early 20th century Indian bronze votive sculpture of Ganesha sitting on Mooshika - a bandicoot rat that serves as Ganesha’s vehicle - on rectangular base. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking such as marriage or new business. He bestows good luck on his worshippers, and is prayed to in some forms of Tantric worship...

This is a japanese antique Boro Cotton woven tabi socks (Japanese socks with split toe). It is a rare socks from the time when cotton was precious. Size:Length:21cm (8.26inch)

Rare Chinese large and beautifully sculpted terra cotta figure of a farmer. Standing with a long spade and a handleless shovel in his hands, he tilts his head slightly upward as if surveying his crops or checking the weather. He is dressed in boots and a hat and his robe is secured around his waist with a belt from which hangs another tool or knife. Sculpted with the simplified geometric proportions traditional during the Han period but unusually large in scale...

Antique Japanese woodblock print, framed oban diptych entitled "The Story of the Strong Woman Takashima Oiko of Omi Provence" from the series "A New Selection of Eastern Brocade Pictures" by Taiso Yoshitoshi (1839-1892). In the scene, the strong-woman, Takashima Oiko leads Saeki Urinaga, the sumo wrestler home in order to strengthen him for an up coming match. Printer: Tsunajima Kamekichi.

Age: 1889

Dimensions: diptych print: 14" high x 19" wide...

Small kogo, incense box, in the shape of a crab in rest. Grayish brown grainy earthenware, much like Raku, with red glaze and with patches of green and white glaze. The eyes are accentuated with gold, as is a small area on it’s back.

Potter’s mark on the belly.

Japan, late 1700s.

H ca 1.25 x W ca 3 in.

Some of the gold rubbed, split in clay caused by firing at the rim of the lower section, which does not impact the stability of the piece...

The name Pakaru means "the Palestinian" so Pakaru was of foreign origin, he was also called Ahanéferamon, the fighter of Amen see Aubert.

In the spring of 1891 Mohammed Abd el-Rassul discovered what tomb is now known as Cache II...

A lovely patinated bronze belthook with dark green and red patina, Warrings states, ca. 4th. century AD.

The belthook looks like a stingray with a wide curved top above a tapering ridged hook, cast with relief taotie design.

Size: 4,8 cm. long and 2,7 cm. wide.

Condition: Superb, excellent metal and patina.

Provenance: The old collection of Torunn Gulliksen Ihlemann og Jens Thygesen, formerly Kunsthallen auctions, København. Ex...

A lovely little Chinese bronze belthook, dating to early Han Period, ca. 200 BC-9 AD.

The belthook decorated with scrollwork on the front and has a central knob on the back. Wonderful azurite blue and green patina.

Size: Nearly 6 cm. in lenght.

Provenance: The old collection of Torunn Gulliksen Ihlemann og Jens Thygesen, formerly Kunsthallen auctions, København. Ex. Bruun Rasmussen auctions 1723/1544

An exceptional and quite substantial bronze belthook, Chinese, dating to the Eastern Zhou dynasty - Warring States period (475–221 B.C.).

The gilt bronze surface cast as a feline mask embellished with twisted sashes heightened with raised commas enclosing a circular plaque; a long post terminating in a dragon's head hook. The front with fine gilt preserved in the devices, reverse with circular form knop.

Size: 8,7 cm...

Porcelain vase with splashed decoration in green, yellow and aubergine enamels.This small size reminds me of an desk object like a small vase to decorate the table of a scholar. One crack. H:78mm

Small bat-shaped water container. It is in porcelain covered with a beautiful green glassure and is pierced with 4 openings, a small one at the mouth, 2 others on either side of the ears and a large one at the back. Was to serve as a water cup, either as a dropper, perhaps as an oil lamp or an incense holder, or several functions at the same time. It is a rare and charming object which is also auspicious. Good condition, normal wear for a centuries-old object. I think early Qing Kangxi period....

An attractive and impressive large vessel from Ban Chiang culture, Thailand ca. 300 BC.

A bichrome vessel, the body of a bulbous form with a flared rim on a concave curved, quasi-hemispheric foot, the surface covered with a mesmerizing decorative program of fine-line red swirls and waves over a cream-hued base.

Size: ca. 24,5 cm. tall and 24-25 cm. wide over the broadest side - a massive piece for the type.

Condition: Very nice for type, a crack nicely restored...

Mesopotamian incantation bowl with a nonsensical text consisting of repetitive scribbles.
Bowls with nonsensical non-writing or pseudo-script were not uncommon. The four lines of writing enclose two demonic figures. Possibly male and female.
The heads are rendered in profile with large eyes, the line applied between nose and chin may be a tongue sticking out.
Both demons appear with crossed arms and legs, suggesting that they are bound. The feet with indicated toes.
S...

Mesopotamian incantation bowl with the meaningless repetition of the same letter. The text is grouped in adjacent areas and surrounds two demonic figures with differentiated sexual attributes.
The woman appears with long hair or a veil, the man is depicted with a short brush cut.
Arms and legs are hatched, the fingers indicated. The arms are bound together.
Between the figures a scorpion with segmented body and multiple legs. The grasping pincers are rendered as simple lines...

Amphora handle with the name of the annual official Pausanias written around the Rhodian rose emblem.
The stamped text reads: ΕΠΙ ΠΑΥΣΑΑΝΙΑ ΣΜΙΝΘΙΟΥ – in the term of Pausanias, in the month Sminthios (March-April).
Three eponyms with the name Pausanias are known from Rhodian amphoras. Our example refers to Pausanias 3, who held office around 152 BC.
Pausanias 3 is associated with the Rhodian fabricant Timo 2, whose workshop was active from 175-150 BC. ...

An antique Japanese 3 section kimono chest called Isho Biraki Tansu made entirely of Kiri (Paulwonia) wood. All original hardware and natural patina finish. Top section has two sliding doors behind which lies three small drawers and a split level shelf. The drawers and shelf front have a Kuwanoki (Mulberry) wood trim. The center section features 2 large hinged doors which house 4 kimono trays with Kura on the center shelf. The bottom section has 3 large drawers for additional storage. Const...

Large Chinese late Qing dynasty export porcelain punch bowl decorated around the circumference in famille rose enamels with birds, flowers, and butterflies. A dense polychrome enamel border extends around the interior and exterior of the top. A few blue bats are scattered on the exterior border and gilt highlights the rim. 14 1/4" diameter x 6 1/2" high. Late 19th century. Very good overall condition with no chips, cracks, or repairs. There are typical production irregularities and there i...

Height: 45cm (18 in)
Width: 19cm (7.6 in)

Large Chinese porcelain blue and white vase; shows individuals in a mountanous landscape setting; fine painting throughout; early 20th century; good condition

A large Kashmir lidded presentation cup with handles in serpent form. Allover with foliage design. Condition: fine, traces of usage, some wear to tinning. Dimension: c. 36.5 cm high, handle to handle: c. 29.5 cm, weight: 2 kg.

A pair of Chinese pottery round jars.

Age: China, Han Dynasty, 206 B.C. - A.D. 220
Size: Height 29.5 - 29.8 C.M. / Width 30 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Chinese pottery granary jar, with cylindrical shape, decorated with bands of incised lines, and supported by three legs.

Age: China, Han Dynasty, 206 B.C. - A.D. 220
Size: Height 28.1 C.M. / Width 20.5 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok...

Chinese pottery granary jar, with cylindrical shape, decorated with bands of incised lines, and supported by three legs.

Age: China, Han Dynasty, 206 B.C. - A.D. 220
Size: Height 26.6 C.M. / Width 20.8 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok...

Chinese pottery granary jar, with cylindrical shape, decorated with bands of incised lines, and supported by three legs.

Age: China, Han Dynasty, 206 B.C. - A.D. 220
Size: Height 27.8 C.M. / Width 19.8 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok...

Antique Japanese pair of hanging lotus candle holders, each made of bronze and attached in two sections. The upper section is a large inverted lotus leaf with smaller leaves and lotus buds around it's base. From out of the large lotus leaf is a hook. The lower section attaches to the hook with a ring. The candle itself would sit on the small lotus flower platform with smaller leaves and flowers.

Age: Meiji Period (1868-1912)

Dimensions: 25" high x 8 1/4" wide

An incredible Tibetan gilt bronze dynamic figure of Vajrabhairava, the wrathful form Manjushri. In Tibetan: dor je jig je, pa wo chigpa. In English: The Solitary Hero Vajra Terror. Vajrabairava is part of the practice of Yamataka (of the Gelug tradition). In this sculpture, Vajrabairava is locked in tantric embrace with his female counterpart. He has 9 faces, the central face being of a buffalo and the uppermost head that of Manjushri. He is flanked on either side by 34 arms, each hol...

Choice red-ware rim fragment featuring a beautifully detailed lion. The feline approaches with a forward-turned front body. The head with delicate detail and a shaggy mane. Shaggy strands on the elbow joint. Excellent modeling of the musculature and great rendering of the panther-like fur pattern depicted with tiny circles. For almost the same lion on an Orpheus bowl, cf. 1981.658 in the Museum of Fine Arts, Boston. For a discussion of the bowl, cf. pp. 230-231, pl. 32 in: Annewies van den ...

Roman red-ware fragment of a lamp with a partially preserved horse on the discus.
The animal head with flared nostrils, open mouth and bare teeth. The big eye with eyelashes, the ears laid back. Mane and tail hatched.
Trappings around the neck and the croup decorated with tiny dots. On the croup a swastika with dots in the interstices, possibly a brand.
The checkerboard panels on the shoulder frame resemble Ennably A10, the targets with diamonds inside are close to Ennably ...

A seated figure, possibly female, from the Maya culture of Latin America, standing at approximately 6 inches in terra Cotta

Antique Chinese porcelain planter. Circular in form with foliate rim. The body of the planter is decorated with a colorful enamel scene of frolicking horses. A meadow landscape is beginning it's spring time blossoming of fruit trees and willows bear new leaves. Low mountains rise up in the distance and birds fly over a pond. Possibly painted by Lao Sholing who was famous for his depictions of horses.

Age: Republic Period (early/mid 20th century)

Dimensions: 7 3/4" high ...

A Japanese large bronze vase depicting flying swallows in the bamboo forest with gold eyes and dark brown lacquer patina. Marked under the base. Meiji period late 19th century Sizes: 42 x 20 x 20 cm Condition report: Good condition – very minor rubbing on the patina

A Japanese furniture antique tansu chest in 3 sections made of Kirinoki (Paulownia) and Suginoki (Cryptomeria) woods. All original hardware. Top section features 2 sliding doors behind which is a split level shelf and a small drawer in addition to curved top corners. The center and bottom sections each have 3 drawers for spacious storage. The backs of each section has a unique floating panel design to prevent the wood from splitting.

This chest would make a functional dresser for daily ...

An early medieval bronze figure of the standing Ganesha, Khmer Bayon Stylistic period, c. 13th. century AD.

Wonderful bronze figure of ganesha stand on a high Lotus throne, cast separately from the figure. A detailed and beautiful cast with a superb Malachite green patina.

Size 17 cm. and weighing ca. 490 grams.

Condition: Choice and intact, partly uncleaned with pockets of red dirt and encrustations with a few cleaning scratches.

Ex. Old Danish Coll...

A massive 30+ cm. celadon charger or dish with high relief decoration, mid 15th. century, Sawankhalok kilns Thailand for the Chinese market.

Provenance: This totally intact massive celadon dish was recovered from the Royal Nanhai (AD. c.1460) shipwreck. The dating was based on carbon 14 analysis of the ships timber and by cross-referring the ceramic cargo to other datable shipwreck sites. The ship was about 28 metres long with a beam of 7-8 metres, and again of 'South China Sea' type....

A superb quality large celadon charger or dish with high relief decoration, mid 15th. century, Sawankhalok kilns Thailand for the Chinese market.

Provenance: This superb condition massive celadon charger / dish was recovered from the Royal Nanhai (AD. c.1460) shipwreck. The dating was based on carbon 14 analysis of the ships timber and by cross-referring the ceramic cargo to other datable shipwreck sites. The ship was about 28 metres long with a beam of 7-8 metres, and again of 'South...

A superb quality large celadon charger or dish with high relief decoration, mid 15th. century, Sawankhalok kilns Thailand for the Chinese market.

Provenance: This superb condition massive celadon charger / dish was recovered from the Royal Nanhai (AD. c.1460) shipwreck. The dating was based on carbon 14 analysis of the ships timber and by cross-referring the ceramic cargo to other datable shipwreck sites. The ship was about 28 metres long with a beam of 7-8 metres, and again of 'South...

It is a small container which is carved in a black stone which is not very hard. I think it is a soapstone. It was covered with a layer of solid red lacquer which has partially worn away with use and time. The central receptacle is flanked by 2 dragon heads which have their mouths open. The mouths are pierced with holes as for a teapot. It appears to be a 2-light oil lamp. Underneath an old collector's label stuck on it bears the words in French: "Lampe" (lighting lamp).I have never seen such an...

Antique Japanese suiseki, a stone for contemplation. The art of suiseki viewing stones emphasizes an appreciation for the natural formations. Each stone tells a story not only of it's geological creation but of it's path through time, how it has been shaped by other elements like wind and water. Viewing a stone such as this, a person can feel transported to a world where the stone is a mountain (or a sleeping dragon) and the viewer is quite small.

Age: Taisho Period (early 20th cen...

An antique Japanese Daruma wooden mold used for making paper mâché dolls. Likely retired from duty and lacquered to preserve its years of production and service. The worn lacquer is a testament to its display and use that extended beyond its useful life and paid tribute to the former artisans that supported the craft. The bottom reveals the three holes used to connect the mold to a turning wheel for ease of applying the paper mache. Knife cuts and natural cracks from wear show how the mold w...

Antique Chinese small rectangular stand. Carved of zitan wood and fitted with an inset marble top. Elegantly arching cabriole legs and finely carved cusped edges.

Age: Republic Period (early 20th century)

Dimensions: 3 5/8" high x 9 1/4" long x 5 1/4" deep

Antique Chinese small square stand. Carved of zitan wood and fitted with an inset marble top. Elegantly arching cabriole legs and finely carved cusped edges.

Age: Republic Period (early 20th century)

Dimensions: 3 3/4" high x 7" wide x 7" deep

Antique Japanese woodblock triptych print of a large samurai battle scene by the artist, Yoshitora Utagawa. Active during the late 19th century, Yoshitora Utagawa was best known for his dynamic battle scenes as well as prints of samurai, firemen, kabuki actors, beautiful women and foreigners. He was born in Edo but the exact year of his birth and death are unknown. He studied with the great print artist, Kuniyoshi Utagawa but later left his school and changed his name to Mosai. This sam...

A cast bronze censer representing a mandarin duck. Beautiful cast and excellent neat finish. Missing the cover and a broken leg lost and replaced. The bronze is covered with a beautiful old patina certifying the object 19th or before. Qing or Edo period. Long 17cm.

Small Chinese porcelain dish. Email of the "Famille Rose" representing a bird and peonies. Excellent quality rarely found on export porcelain, it's of the same quality as on Imperial porcelain. Good condition, a very minute chip. Diameter: 115mm (4,5 inches)

Pair of Greyhounds in tilework covered with green glaze.The sculptures are beautiful, the dogs are well represented, very expressive. The position is elegant. The first is in good condition, the second has a broken tail. Long: 17cm (6.7 inches) In my opinion it's a chinese work, the look and the eyes seem to me the work of a Chinese artist and not a European one,clay too. I think it's from Qing period, probably Kangxi. It's too elegant to be Ming.

Statue of crowned Amithaba Buddha, in formal attire, sitting cross-legged on an elevated throne, his hands in dhyana mudra (meditative posture). Wood, with remnants of lacquering and gilding. China, early Qing Dynasty, 17th/18th century. Height: 34 cm. Chip on top of crown, abrasions, otherwise very good condition.

Width: 8 cm (3.3 in)
Height: 4.3 cm (1.7 in)

Fine Japanese miniature Satsuma sake pot; features a polychromed procession of children surrounding the shoulder; gilt diaper work at the top and lid rims with gilded Greek hatching around the body’s edge; original gilt metal handle; mark to the base; fine condition

A Fine/Large Korean Blue and White Dragon jar-19th C.: Korea, Joseon dynasty, 19th century. The baluster form on recessed foot and with tall collar, boldly decorated with a single four-clawed dragon chasing a flaming pearl through the clouds,below a band of cusped clouds, the collar similarly decorated with stylized clouds, beneath a white blue tinged glaze. It’s in very good condition without any chip or repairs but it has short firing hairline cracks to the mouth rim. It measures 37c...

The deity is represented standing with his hands held up. It make in cast bronze.The antique patina confirms the great age of the material. Khmer art of 12 ° or before. H: 135mm (5.3 Inches)

A Cambodian cast bronze statuette representing the Hindu god Vishnu standing with his 4 arms. The bronze has an excellent old patina which confirms the dating. Khmer art 12th century or before. A wooden plinth was made around 1900 to stabilize the statue. Height without wood base: 117mm (4.6 inches)

Cast bronze turtle shown standing on its 4 legs, part of its shell gilded with mercury. Well finish, very detailed carving. Beautiful old patina. 19th century.Qing or Edo. Probably used as a weight to hold the painters of the scholars. Long: about 11cm 4 inches Fine condition but the end of the tail broken.

Japanese bronze mirror. Edo period. Good crisp casting. Seal below central turtle. 10.5cm diam. 1cm high. 294 grams unpacked.

Japanese bronze mirror. Edo period. 10.8 cm diam. 1.6 cm hig. Good deep casting. 384 g unpacked

Japanese bronze mirror. Edo period. Seal lower centre. Good deep casting. 12.2 diam 1.4 high. 572 grams unpacked.

Japanese bronze mirror. Edo period. Superb deep casting. 12.6 diam. 1.5 high Excellent condition. Long inscription on right hand side.

A fine pair of Kashmir lidded jars or vases. The copper base was first engraved with special tools to create the design in relief, the grooves were later filled with glass and then embellished with additional engraving and wonderful shiny gilding. This technique is called in India "meena" or "meenakari" and was first applied by the Mughal. Condition: fine, only one rim with a small dent and minor wear to gilding. Dimension: c. 18 cm high, diameter: c. 12.5 cm, total weight: