Late Ming blue and white large bowl with lobbed rim, decorated with under glaze blue glower and crane motif, good condition please see picture for detail, size: 17.5 cm diameter.

19C Meiji period Japanese Woven Bronze Plaque Tray Gold and Silver Inlay The mixed-metal plaque or tray is designed on the interior with a bronze panel carved and applied with five people, variously finished in gilt and silver. The sides and rim are hand woven metals simulating woven bamboo. Size: 25.8 cm long, 23 cm wide, 4.7 cm deep. Condition: Good. A scratch on the back.

19C Chinese Imperial Famille Rose Porcelain Snuff Bottle Xianfeng Mark and Period The bottle is decorated with medallions of various floral, foliate and geometric designs. The base is inscribed with a four-character seal mark. Xianfeng seal mark and of the period. It comes with a silver stopper with turquoise adornment. Size: 6.8 cm tall, 5.3 cm wide, 3 cm thick. Condition: Good condition considering its age.

19th century wooden netsuke of hibachi (portable charcoal-burning brazier) on 3 low legs and filled with short pieces of wood and charcoals. Unusual and clever subject in Japanese taste, perfectly caught “wabi-sabi” essence of the object with its elegant simplicity. Beautiful carving, wonderful depiction of wood structures in the logs, excellent wear and patina...

This is an extremely rare, unique IMPORTANT Olmec quartz engraved plaque. I have only seen a handful of authentic Olmec quartz pieces in my 40 years of collecting. I have two others listed on this site. I have never seen another Olmec quartz plaque. This piece is highly transparent, water clear and dates 1200-600BC. It is made from a large rare thin 'Tabby' crystal with notches on the side. It is 3.75 inches square by 1/8"...

A fine old antique gold frame of the 19th century, measuring 27" by 34" by 3" depth, the inner rabbet 18 1/2" by 25 1/2". This frame certainly at one time held a fine painting; there is some hint of there having been a placard. Weight is an impressive 20 pounds; the wood used I believe is heavy oak. There is much evidence of age, moderate wear; but it is in keeping with the age and antiquity of the frame. Currently there is a modern print of a Picasso work inserted into the opening.

A Japanese painted and lacquered polychrome wood Fudo-Myo with horn gilted eyes on glass covered. Fudo Myo-o, god of fire and wisdom, is the most popular of the Myo-o “great kings”. He is the fifth guardian of the heavens and protector of astrologers, he is invoked when difficult undertakings are undertaken...

18th/19th Century Chinese Deep Carved Cinnabar Round Box with Figure

It is 3.8 inches (9.6 cm) tall by 7.5 inches (19 cm) wide. It is 1.8 Lb.

It has chips, hairline cracks, peeling of lacquer, and surface wears and scratches (as seen in the photos).

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This is a well-painted Tibetan thanka depicting the Medicine Buddha. The painting is unframed and measures 10" X 12". Ample gold highlights, including the "aureole" surrounding the Buddha. Minor rubbing, as can be seen in the photos. In need of a good cleaning. Inscription on the reverse.

A beautiful Chinese Ming dynasty Jian type tea bowl with nice glaze effects. Dia. 9.5cm. Condition: no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

Beautiful Meiji Period C.1890 maki-e raised gold lacquer Tachibana citrus tree with silver inlay cherry blossoms floating around the Tachibana tree. Some of the Tachibana citrus fruit also have silver inlay. Lacquer on rest of mirror case is Nashiji or speckled gold lacquer. The pad the mirror rests on is hand dyed sarasa with natural vegitable dyes from India. On the back of the miror is " Made by Takashima Sagaminokami Mitsutada". 12" tall by 8" wide. Ask for shipping quote.

This glass demitasse cup and saucer was produced in Bohemia by Moser in the 1880s. The saucer is 4” in diameter and the is cup 1 ½” high. The cobalt blue glass is hand blown and has a leaded content so that it rings. It is decorated with hand painted raised enamel in pastel colors on a gilded ground. Condition Excellent

A rare antique Japanese Sakata Kasane Tansu (chest on chest) made of Kirinoki (Paulownia) wood. All original thick gauge hand made iron hardware with beautiful Chrysanthemum knobs on the lock plates. Constructed using thick solid Paulownia wood for the drawer fronts, the case was made using traditional dovetail joinery with all parts secured by hardened wooden nails...

These 4 porcelain soup cups and saucers were produced in England by Doulton Burslem in the 1890s. The saucers measure 5 1/8 inches and the cups are 2 inches high. The cups are quatrefoil, blown out and puffy in shape. The ground color is known as “blush”, shading from lighter to darker beige. They are decorated with transfer designs that are hand painted and have enameled accents...

These 12 champagne tumblers were produced in Bohemia by Moser before 1890. They measure 3 ¾ inches high and have a diameter of 2 3/16 inches in diameter. The glass is hand blown with polished bottoms. They have a leaded content so that they ring. The base color of the glass is bright cranberry. Each glass is elaborately hand enameled with tiny flowers and buds you can feel. Straps of gold create cartouches containing flowers...

These 6 crystal cups and saucers were produced in Bohemia by Theresienthal around 1900. The saucers measure 5 inches long and 4 ½ inches wide. The cups are 2 inches high with a diameter of 2 ½ inches. They are made of hand blown glass with leaded content. They ring when tapped. The saucers are leaf shaped in clear green glass with gold veins painted on them. The cups are opaline glass, hand blown in the shape of a tulip with hand enameling for color...

This set of 10 porcelain cups and saucers and one covered bowl was produced in Europe by an unknown manufacturer in the 19th century. They have a mark we do not recognize. They may have been a special order for a wealthy client. The saucers are 5 ¾ inches in diameter...

Japanese small kesa, Buddhist priest's vestment cloth to be worn over robes. Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched garment, kesa are formed from fragments of cloth donated to the temple by wealthy devotees. Within each garment, the fragments are typically organized in a series of columns framed by a border with angled corners. The number of columns, in this...

Antique Japanese long silk altar cloth embroidered with three phoenix birds, also called Hou-ou birds. The mythical birds represents fire, sun, justice, obedience, fidelity, and the southern constellations. The phoenix also symbolizes the imperial household, specifically the empress. The embroiderer expresses flowing movement in in the wings and feathers of the great birds.

Age: Edo Period (early 1800's)

Dimensions: 23 1/2" high x 145" long

Chinese dragon robe woven with 8 dragons (3 on the front, 3 on the back, and 1 on each shoulder). Dragons and Taoist symbols woven in silver on a blue silk ground. Black silk sleeves and collar are also woven with silver dragons. The robe is lined in blue silk.

Princes or noblemen were permitted to wear blue (the Qing Dynasty’s official color) while blue-black fabric indicated the wearer was a court official.

Age: Qing Dynasty (19th century)

Height: 21 cm (8.4 in)
Width: 8.4 cm (3.3 in)
Weight: 690 gm

Chinese Ming Period bronze vase; Chilong to the front; red and green rusts present; minor dents; good condition

Antique Chinese framed blue silk embroidery which appear to be sleeve bands that are stitched together. The textile is decorated with two phoenix, two dragons, and Chinese seal script. All are hand applied using gold gilt wrapped threads. In excellent condition, measures 27" x 15" including frame. The silk measures 21.5" x 10". Dates circa 1900.

An incredible Ming Dynasty large Chinese cast bronze temple in-censor. Sitting atop with turned head an open mouth, sits a fu-dog (Chinese Imperial guardian lions). Well modeled details with high level of craftsmanship. Overall wonderful condition.

Unusual large size indicates this in-censor would have been for a temple. The fu-dogs were thought to protect the building from harmful spiritual influences and harmful people that might be a threat.
Stunning original patina with...

This porcelain plate was produced in England by Minton around 1850. It is marked with Minton’s “Ermine” mark. The plate is inspired by the 18th century artist, Francois Bucher, and executed in the Sevres style. It measures 9 5/8 inches in diameter. The central scene shows a young man discovering a maiden asleep in the woods. The painting is expertly done with fine detail in heavy enamels. The celeste blue border contains 3 cartouches of tiny flowers. The gilded decorations are rais...

Japanese Edo Period scroll painting of a yamabushi, a mountain ascetic hermit or holy man. Often believed to be endowed with supernatural powers, the yamabusi follow the Shugendo doctrine, a religion that places heavy emphasis on feats of endurance. Throughout history, they have participated in battles along side samurai. In this painting, the warrior/sage is leaning on a walking stick. He is dressed only in leaves and animal skins. A hyotan gourd tokkuri flask hangs from a chord slung...

Late Meiji (1900s - 1910s) Japanese scroll painting in ink and colors on paper depicting 16 arhat - the original disciples of the historical Buddha - in different attitudes, most of them recognizable by their attributes. Excellent quality eccentric painting with wonderful half-mad faces, beautiful use of colors. Paper mounts, wooden scroll ends, in great condition. Exceptionally striking painting. Signed DOZO HIROKAMI FUDE (Treasury of Tao painted by Hirokami) followed red seal of the artist. In...

An antique Japanese Kyodai Kesho Bako (mirror & make-up box) made of Kurinoki (Chestnut) and Suginoki (Cryptomeria) woods. All original bronze hardware and Urushi lacquer finish. Four drawers and a hinged cover that hides a mirror stand and a bronze hand mirror. The cover flips open to reveal a holding base to which the mirror stand is held in place. A brocade cover protects the bronze mirror which is decorated with the family Mon (crest) and a landscape scene with a large Wisteria tree as i...

A nicely decorated and shaped platter with 12 sides (the form known in France as a douze pans). This type of platter with a bust and scrolling decoration is typical of Moustiers, though the attribution to the Clerissy factory as stated on the stuck-on label on the back is less certain. The dimensions are 13 5/8 inches (35 cm) long, 10 inches (25 cm) wide and 1 ¼ inches 2.5 cm) tall.

Condition: No chips, cracks, hairlines or repairs. There is some wear and chipping of the glaze along the ed...

The porcelain plate is marked in underglaze blue with the crossed torches of Locre which was known to have exported undecorated porcelain to England. Once in England, very often London, it was decorated with overglaze enamels and gilding. The Locre factory closed in 1820. The decoration is reminiscent of 18th century Worcester. Though it may have been part of a set of plates it may also have been painted to replace a broken plate in an 18th century set. 8 1/8 inches (20.5 cm) diameter.

Condi...

This is japanese antique tsutsugaki Umakake used in the Tohoku region of the Edo period. This was used during the occasion. Cotton is hand-spun cotton from the Edo period.It is dyed with indigo.The kanji is written as “Kakode Daikichi”. It means the most auspicious start.The carp waterfall climbing pattern is a symbol of the to pray for the success in life . And since ancient times, it is a lucky design. There is a slight fading, but no stains or damage. It is a very nice cotton.Size Leng...

A very fine and rare Bow porcelain chocolate cup with the "Golfer and Caddy" pattern. The cup of tall "U" Shape with a strap handle. The interior with a wavy border, the handle with a flowering plant, and the base with a "2" workman's mark.

The overall condition is excellent, with only an invisibly done museum quality repair to a small interior rim flake. This wonderful example looks much better in person than the photos show. Cup height is 2 7/8" with a 2 3/4" diameter.

A large-size Native American pottery olla from Acoma pueblo, Zuni tribe, New Mexico. The pot is hand-coiled and shard fired and painted in red and black on white with encircling bands of stylized figures of deer and roadrunners. Circa 1910-1915. Size: 19.5 inches ht. x 16.5 inches in diameter. Very good condition with no chips, cracks or repairs. Name of the original owner written in light pencil on the inside of the rim. Rare to find an olla of this large a size and in such wonderful condition....

Large zushi, made on order for a temple, containing a seated group of En no Gyoja, the father of Shugendo, with his two attendants Zenki and Goki inside a cave. En no Gyoja is sitting with a staff in his right hand, and a hand scroll in his left. The two attendants are crouched before him. The green attendant (Goki) holds a ewer and a stick to ring a bell or mokugyo; the red disciple (Goki) holds an axe.
Wood with polychrome and gold color over gesso, eyes reverse-painted glass or crystal...

19th century kagamibuta (“mirror lid”) netsuke with metal top depiction a tiger on rocks by the sea and a dragon in flight among swirling clouds about to engage in a fight. Very nice pairing of most powerful Zodiac animals, bronze disc with gilding, tiger is inlaid with shakudo (alloy of copper and gold) with characteristic black patination resembling lacquer. Excellent crisp work, some wear to gilding on the dragon, marine material bowl with typical lines on the outside. Came with the follo...

Late 19th century netsuke of standing Okame wearing a long robe with a belt tied around her waist, one hand raised, the other holding a folded fan. Wonderful chubby face with with a wide smile, excellent depiction of various textile patterns on her robe. Superb quality multicolored staining, beautiful warm patina. Signed YAMAJI in oval reserve on the bottom - the artist is listed NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, p. 1215. Similar model by the artist is ...

19th century kagamibuta (mirror lid) netsuke with Shibayama inlay depicting 3 utensils for tea ceremony: haboki (feather brush for ashes), sumitori (charcoal basket) and hibashi (fire tongues). Clever design, beautiful detailed inlay work - see the texture of silver tongues). The bowl is ebony, the top is boxwood, materials used for inlay are mother of pearl, silver, gold, walnut skin and 2 types of dark wood. Plain back, old silk cord, two parts fit nicely, beautiful mellow patina. Top diameter...