Georgian ring of green paste in a basket setting flanked by two clear pastes on each side. Paste is colored or clear glass, often lead or flint, cut in the same fashion as gemstones and used as a substitute especially while traveling. Antique paste jewelry was valued on its own merits and not as an imitation of another piece of jewelry. This Georgian 15K gold, green paste ring is a size 7 1/2 and can be sized. It measures 1/4" at its widest.
19th century
Late Qing Dynasty
Solid silver, purity of at least .925
Diameter: 22.5 cm / 8.85 in
Height: 3.7 cm
Weight: 332 grams
From a Porto, Portugal private collection
An impressively crafted 19th century late Qing Chinese export silver footed plate, engraved in the center with a confident rendering of a sinuous dragon, and bordered with a marvelous pierced/reticulated cavetto featuring dragons amongst clouds...
The Kangxi(康熙)period is the day when the ceramic industry ruined at the last Ming dynasty had been rebuild, and many excellent pieces had been produced at both government kiln and folk kiln.
This piece has picture of flushou (福禄寿)and the superlative seal mark of folk kiln on the back.
Notable thing is the record in the box indicates it has had by Aixinjueluo Pujio(愛新覚羅溥傑),younger brother of the last emperor.
Size: 19.5cm(D) 3.5cm(H)
Accessary: box
The technique of famille rose has born united western and eastern technology on the Kangxi period...
This is a large amulet with two holes for suspension and was most probably used as a chest piece (pectoral). The polish is so spectacularly well done that the piece feels as smooth as silk when held. The large central hole gently tapers on both sides. It measures a full 4" in length and is 2-1/2" in height. Roughly 1/8" thick. In color a varied green nephrite with a minimal residue of the polishing material remaining on the surface.
An authentic marble stele fragment depicting an Apsara, measuring 4-3/4" in height by 3-1/2" in width. The carving is very well done and the details are crisp. The surface retains its original patina. A very fine example, mounted on a custom stand (the base of the sculpture has been drilled with a hole to accommodate the shaft). Please see the photos, as they are a part of the description.
This is a very fine and highly decorated cloisonne vase from Ota. I has 6 different panels and loads of detail and colorful scroll work. The hardwood (Rosewood or Mahogany) stand is old an is included with the vase. The vase stands 6 inches tall and is in excellent condition.
Funny brown-patinated bronze featuring a mouse standing on its hind legs on a squash.
Japan – Meiji (1868-1912)
Height : 14 cm (5.51 in) - Length : 24 cm (9.45 in) – Width : 8 cm (3.15 in)
Golden patinated bronze representing a lying crane with its baby bird on its back.
The Japanese crane is also known as tanshozuru (丹頂鶴) which mean “red crowned crane”. It is known to be standing for longevity since the tale told this animal to be 100 years old...
Love at first sight! From deep inside the cultural heart of the Japanese Edo Period we are proud to present you another stunning Chawan from our collection...
Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay dating to the late Momoyama Period. Shape and style make it appear contemporary with the late Oribe bowls.
The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immediate surrounding was left unglazed...
Antique Japanese 19th century single section clothing tansu from the Matsumoto area in the Nagano prefecture. Black lacquered frame with hand stunning original finished urushi lacquer on front. Handforged iron hardware with center locks shaped in the iconic money bag shape. Overall in beautiful condition.
It is most famous for Matsumotojo, one of Japan's most beautiful original castles...
Wonderful and important chawan: rounded wan-shaped tea bowl with high foot of the bamboo node style in the typical O-Ido shape. The light, little coarse clay with enclosures is expertly thrown and full glazed - including the foot - with a transparent glaze of wood ash with some feldspar. The glaze shows attractive shrinking (kairagi) in the lower half of the bowl. It shows discoloration from green tea, a sign of many years of careful use...
A Japanese iron war fan, or 'Gunbai'. These were accessories used on the battlefield to fan in heat but also as lethal, close quarter defensive accessories. A rare item not commonly encountered on the market. Black lacquered and with gold lacquer kanji quoting Sun Tzu (fifth century Chinese political and war strategist)...
Six-panel byobu 屏風 screen painted on silk with floral motifs with numerous chrysanthemums. The ocher silk provides a warm backdrop for the delicate floral motifs that adorn the screen. The chrysanthemums, with their elegant shapes and shades of white, yellow and pink, are painted with precision, creating a visual effect that captures the essence of nature's beauty...
A small circular table likely made as a stand for an incense burner or suiban basin dating from the Muromachi era (late 14th to 16th century ) covered in black lacquer over which has been applied vermillion in the style known as Negoro. About the center a ring of wood grain is typical of the era. It is supported by three curling feet extending from a billowing diaper. The lacquer, originally black, has oxidized to a mellow chocolate color beneath...
A Pair of Very Rare/Fine Korean Lacquered and Painted Tae-Keuk Hand Fans: Korea, Joseon dynasty, 19th century.
Red,yellow, black and green colors painted and enameled on rice papers on the bamboo ribs
between Korean rice papers, painted simbols of Tae-Keuk, Yin-Yang, with black painted and
enameled wood handles.
They are in fine conditions but one has a tiny chipped and very small damages on edge, otherwise good condition, it measures 31.5 x 23.2 x 21cm and 34 x 23.8 x 22cm...
Chinese blanc de chine porcelain statue of Quan Yin, the Buddhist bodhisattva associated with compassion. Her name is short for Guanshiyin, meaning "Observing the Cries of the World." She stands upon strong, rolling winds and holds a lotus flower in her left hand. The statue is hollow and is pierced through her ears, eyes, and nostrils.
18th/19th Century
Size: 12" height, 4.5" width