Satsuma tea bowl, decorated with richness of detail, depicting the evocative Nikkō Shrine and numerous visiting pilgrims. The external reserves are decorated with figures and characters, each of which is represented with great care and precision. Signed Kyoto Satsuma with Shimazu clan mon under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 15 cm. State of conservation: Very good

Refined Satsuma tea bowl, decorated with skill and richness of detail, lobed in the shape of a chrysanthemum with inflected edge. Inside, four chrysanthemums painted in white and pink enamel stand out against a golden background of chrysanthemums, which also extend outside...

Satsuma ceramic tea bowl, depicting a traditional village with theater masks along the inner and outer rim. The bowl features an elaborate decoration made with enamel and gold. Signed Senzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6.5 x 15 cm. State of conservation: Very good

A bronze okimono depicting a young geisha walking barefoot with an elegant kimono and a smiling face, with her hands raised behind her head. I have the perfect haircut to match the quality of the Tokyo school and the high quality of the foot to highlight the elegance and elegance of the movement. Signed Harumitsu (Seikō) entered a square uppercut. Origin: Japan Period: Meiji end of 19th century. Dimensions: 30 x 11.5 x 10 cm...

Quality dark patina bronze sculpture depicting the study of a powerful tiger in an unusual position. The animal's posture is engaging with the paw raised and the tail curled upwards along the end. The streaks of the fur are depicted in a masterly way and highlighted with a strong engraving. Signed under the belly with the mark of the Maruki company (in the square) and the engraver Atsuyoshi. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 26 x 49 x 14 cm...

Okimono of the Tokyo school made in bronze, depicting a farmer returning home after the harvest. He carries two fruit baskets, which are filled with harvest products. To carry the baskets, the farmer has a long stick over his shoulder, with the ends of the baskets hooked to it. Origin: Japan Period: Meiji end of 19th century. Dimensions: 31.5 x 23 x 13 cm. State of conservation: Very good

Marine ivory okimono depicting Shoki grasping an Oni, who is attempting to take a rolled scroll on top of a box. Shoki holds the demon with one hand while in the other he holds a sword, a symbol of his courage and his will to protect what is sacred. Signed under the Gyokushi base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 8.5 x 6 x 4 cm. State of conservation: Very good

Ivory okimono with blind travelers defending themselves from the aggression of four scoundrels who try to rob them of their bags and food. The scene involves nine characters, three of whom receive sticks, umbrellas and punches. One of the most curious moments is the character at the top, who loses a geta during the battle...

Ivory okimono depicting a fisherman returning on his journey, carrying on his back a basket on which his child is resting and holding a large fish. The woven basket, the ropes, the engravings on the clothes and the hands were made with great precision and care. Origin: Japan Period: Meiji end of 19th century. Dimensions: 24.5 x 10 x 6.5 cm. State of conservation: Very good

Chinese pottery flute player musician panel.

Age: China, Song Dynasty, 10th - 12th Century
Size of panel only: Height 40.5 C.M. / Width 20.3 C.M.
Height including stand: 52.3 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground)...

A rare late Edo Period (19th cent) Shishi Lion Foo Dog Statue made of iron rich Bizen clay, wood fired in an Anagama kiln.

Shishi (or Jishi) is translated as "lion” but it can also refer to a deer or dog with magical properties and the power to repel evil spirits...

BOY ON BABY

Quite a unique old traditional Japanese Fushimi ningyo clay doll, together with too small boy? or too big baby?, 19th century, 26 x 13.5 x H 20 cm (10.23 x 5.31 x 7.87in), with the engraved sign at the bottom seemed to be the one of 'Ikaruga Kouemon' as the Edo period's master Fushimi doll craftsman, but not sure...

A masterpiece of Akahada Pottery ware in the shape of a wooden bucket with elaborate scrolling feet from the kiln of Okuda Mokuhaku. It is 18 x 18 x 19 cm (7 x 7 x 7-1/2 inches) and is in excellent condition, enclosed in a modern wooden collector’s box.
Okuda Mokuhaku (1800-1871) was born the son of a merchant in Sakai Machi Yamato Koriyama in Nara Prefecture that served the local lords with hair ornaments, make-up supplies and other fashionable items...

Impressive large standing wood sculpture of He Xiangu何仙姑- the only women in the pantheon of the Eight Chinese Immortals. This is at least Qing dynasty possibly earlier originally she would be holding a lotus in her hands. Once source describes her as being “the Patron Saint of Housewives”. Height: 97cm/38in and has a lovely benevolent expression. Condition as pictured, there is a dedication niche on back but the contents have been removed.

Unusual grey pottery jar from the syncretic Buddhist Dali Kingdom circa 982CE–1253CE, which was located in present day Yunnan. The Dali State was not fully absorbed into the Chinese Empire until the Ming Dynasty, although it did accept Mongol control and were by and large allowed to manage their own affairs as long as they contributed soldiers. This jar has mysterious animal appliqued faces well as Buddhist images set against peepul tree leaves (Bodhi Tree)...

Jar with pouring spout serving as an important ewer for tea, wine or water. Decor of a dragon energetically painted in underglaze cobalt blue, its eagle claws widely deployed. 4 sturdy handles allow you to hang the ewer. This type of hanging container is made of bronze and was used on boats, hence its name "sampan teapot". The pouring spout was formerly restored. All the rest of the object is in good condition.China 17th century or before.

Two Kome-bukuro (rice bag) made of cotton fragments which are hand-spun and vegetable indigo dye. They are stripes, kasuri and fine katazome (stencil-resist dye). Both have writing with sumi, Echizenya, the shop's name and "Hane" which is located in Shimane prefecture facing to the Japan Sea. Kome-bukuro was used when people dedicated rice or grains to temples or shrines. Both are in excellent condition, bags and strings. 19th to early 20th century. Large one:31cm x 27cm, Small one:23cm x 27cm

Rice bag made of hand-spun and vegetable indigo dye cotton fragments which are kasuri, katazome (stencil-resist dye) stripes etc. It was used when people dedicated rice or other grains to temples or shrines. It has beautiful fine katazome cotton cloth for lining. In good condition but string in the hem is damaged and cord for binding is lost. 19th to early 20th century. W:37cm, H:27.5cm