Splendid Kuro Raku Chawan by one of the most important potters of all time, the 3rd Raku Donyu also known as Nonko. It was made around 1650 and was named 'chidori' which means 'a thousand birds' or 'plover'.

It is in great antique condition and has one of the best and finest Kintsugi gold repair landscapes I have ever seen. You can still find the tong mark on the bowl - please look at picture number 9 and 4.

Born the eldest son of Jôkei...

Very old Karatsu Chawan (early Edo), slightly deformed rare wan type.

It is thrown on a wheel from coarse unrefined iron baring clay and has tasteful colours.

Smooth feeling in the hands and great antique condition with expected fine hairline cracks and inborn kiln cracks.j

Size: 11cm diameter, 7cm in height.

This is a rare Wan type chawan, around 400 years old in shape close to a tenmoku tea bowl. It is thrown on a wheel from coarse, unrefined iron bearing clay.

The grey ash glaze has been painted on the body with a straw brush as seen on Korean hakeme chawan. A stone in the wall has exploded in the fire - a very sought after effect ( see pic number 2 ), giving this type of Karatsu bowls its name: ishihaze (exploding stone)...

Wan shape with a small foot and no Kagami (mirror - tea pool) inside.

The light iron bearing clay is decorated in the style of a Korean Miji-Hakaeme bowls: inside and the upper three quarters on the outside covered with a whitish Engobe over which a transparent ash glaze was applied, just sparing the inner part of the foot.

The Uchigaso kiln was the second of the Takatori kilns established by Korean potters, it was active between 1614 and 1624.

The bowl was ex...

Slightly distorted cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay. Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured.

Just the foot ring and its immediate surrounding was left unglazed...

Little distorted half cylinder shaped (kutsugata) tea bowl with flaring mouth made of light, coarse unrefined Mino clay. The expertly thrown body was covered with the typical green copper oxide glaze inside and outside. A 'window' on the side has been left unglazed and is decorated with fern sprouts. This is a typical late Momoyama design, which seems to represent winter and summer. You can find a black Oribe bowl with a similar design in the Nezu Museum...

We proudly like to offer a 400 year old perfect Korean Gohon Ido shape chawan.

The fine, little iron bearing clay has been mixed with sand (suna gohon) and thrown into an ido shape widening towards the rim.

The light body is covered with a clear, little greyish ash glaze, reacting with the iron oxide in the body to develop the pink spots typical for that kind of Gohon bowls...

Wonderful kutsugata chawan of the late Momoyama Period.

Distorted shoe shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay.

The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom, the roughly cut foot ring and window, which is decorated with a geometric pattern in black under a transparent Shino type glaze...