A set of five sencha steeped tea tea cups by the first Suwa Sozan decorated with three seasonal or auspidcious fruits and a poem by famed literatus Tomioka Tessai enclosed in the original signed wooden box. Each cup is 2-1/4 x 2 inches (5.7 x 5 cm) and is in fine condition.
Sozan I (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875...

Exceptional Edo p. Japanese Screen, Demon War An exceedingly rare set of four dramatic paintings divided into segments depicting a variety of battle scenes and supernatural phenomena, each heavy pigment on paper canvas mounted on one of four panels of a gold screen bordered in mulberry. The scenes appear to comprise a fragment of the tale of Daikozan (Oeyama), a Kyoto tale where in a powerful demon was lured to drink, then cut to pieces in his stupor...

Nicely rendered and cast, with good detail in face and mane, this Roman bronze applique or roundel dates to the 1st to 3rd centuries AD, and measures 2 3/4" (vertical) x 2 7/8" (horizontal). It has two holes at the side for attachment, and also has holes where a loop was once attached at the mouth. This bronze is a very nice size, and has good patina, with verdigris and red bronze coloration evident, front and back. Additional photos always available upon request.

Measuring 32" x 1", this belt is comprised of a heavy stepped buckle, 8 square panels featuring peacocks, lions and other animals, 8 rectangular panels of foliate designs, 5 round panels with peacocks, and 12 bar panels with a flower, all over 13 woven strands of silver. The buckle is set with a blue stone, and is fastened with two bars, both attached with three chains...

A hexagonal miniature table brass box, decorated with interlacing patterns, tendrils and Islamic calligraphy inscriptions, inlaid in silver and copper. With hinged lid and a small locking clasp, the interior with wood lining, mother-of-pearl and bone inlays. Condition: bottom of the lining lost. Dimension: 20.5 cm high.

A Chinese bronze censer with good patina in the form of a peach with leafage, standing on three feet. The lid with a smaller peach as knob. Condition: fine, only one leave with a short crack (see photo no. 6). Dimension: c. 13.6 cm long, 11.2 cm high, 11.5 cm wide.

An ornately worked, chased and engraved jug with dancing Burmese figures in repoussé. The handle in the form of an ogre. The spout might be a later addition, it is only silver plated. Base engraved "Moung Oung Myal 1875". No mark, silver tested. Condition: the ogre of the handle with a small loss, otherwise fine. Dimension: 11 cm high, weight: 382 g.

Chinese Ming dynasty (1368-1644) ritual dragon bell covered overall with a fine celadon glaze that extends down and stops neatly at the unglazed scalloped edge. The unglazed tips are burnt orange-brown from firing. Fine incised details are visible in the body behind the glaze. A double-dragon handle is at the top. The interior is fully glazed. There are no crackles evident in the glaze. Circa 14th/15th century. 4 1/8” high x 3 ¼” diameter at the base...

Set of three ceremonial lidded jars from the Islamic Maranao people of Mindanao in Southern Philippines. They are made of silvered copper alloy with geometric decoration in applied wire. Condition: few dents and bumps. Dimension: 23.5 cm and 29 cm high.

The second of two Chinese Qing scrolled paintings on silk after Ding Yunpeng (active 1584-1638). 19th century or earlier. The size, including mounting, is 91”V x 23 1/4”H (painting: 86”V x 21 1/8”H). Good overall condition. The top wood bar is missing and a section of the top silk mounting is tattered. The painting has some typical buckling, creasing, soiling, and wear. Sold together with item #1331943. From an old Tucson, Arizona collection...

Two panels from a multipart Chinese ink and color on silk painting after Ding Yunpeng (active 1584-1638). The first Signed “Nanyu Ding Yunpeng” and with two red seals. Measures 94.5”V (85.5”V excluding mounting) x just under 23”H. 19th century or earlier. Very good overall condition. There is some soiling to the mount and the painting has some typical buckling, soiling, and wear. See item #1331946 for a description and images of the second panel...

Chinese late Ming dynasty Dehua (blanc de chine) porcelain bombe form censer with flaring rim covered overall with a white glaze of warm pinkish tone with areas of darker pink pooling. The base and bottom of the flat foot are both unglazed. 5 5/8” diameter x 3 7/8” high. 17th century. From a Scottsdale, Arizona collection. The current owners purchased the censer in Oregon in 1978 from the collection of an American missionary to China prior to the Japanese occupation...

A finely carved female mask netsuke, showing the smiling Okame. The himotoshi edged with bone rings. Signed Shugetsu and with written seal "kakihan". Provenance: a gentleman's collection, Geneva - Switzerland. Condition: fine, only the green bone ring with chips. Dimension: 5.0 cm x 4.3 cm.

Japanese Meiji period (1868-1912) Satsuma earthenware compressed bombe form tripod koro (incense burner) or vessel with wide, inward curling cobalt mouth, decorated with two opposing figural panels, one featuring samurai and the second with women and children of the nobility engaged in leisure activities. The panels are set against a cobalt blue background with dense gilt geometric and floral motifs. 6 1/2” diameter, 4 1/4” high. Late 19th to early 20th century...

A beautiful quadratic prism shaped translucent brown jade with two ring carved on each end. The jade is strung with three old Chinese beads. Age; Song or earlier Size: 3.4 x 2.1cm. Condition: No chips.

An antique, splendid hand painted 3-1/4" high lidded dresser or vanity jar, possibly for powder or storage. This Japanese Royal Nippon item features lush gold trim with jewelling and it depicts finely hand painted red and pink roses with foliage. It is signed with a Japanese seal signature on the bottom. It is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than a bit of light gold wear and a couple of small paint misses on the lid. All items are thorough...

Chinese Qing dynasty painting on paper of a Confucian worthy seated on a chair in a black robe covered with dragons and animals. He holds a green tablet containing his achievements. A calligraphic inscription describing his accomplishments is at the upper left. Newly framed with Plexiglas to facilitate shipping. There is typical wear for a painting of this age with old restorations and damage evident. The painting is mounted to board so no creases or buckling are visible. Frame size: 66”...

Chinese Qing dynasty Kangxi marked monochrome beehive form waterpot (taibo zun) subtly incised with three kui dragon roundels on the domed body. The sky blue glaze thins to white at the rim. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. 5 ¼” diameter by 3 ¼” high. Guangxu period (late 19th century). From a Scottsdale, Arizona collection. The current owners purchased the wa...

Chinese Neolithic Qijia Culture Cord-Impressed Pottery Jar

This jar was made some 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes. This particular example is made from a coarse gritty clay and has a wide flaring mouth. There is a ridge around the shoulder below which the main surface of the body is decorated with cord impre...

A male back Mandarin square with a leopard, denoting the 3rd military rank. Silk tapestry (kossu, k'o-suu) with metallic threads and painted details. The animal is standing on a rock above deep water, the ground with Taoist longevity symbols. The background was probably covered by peacock feathers, rarely survived to the present days. Reference: "Ladder to the Clouds" by Jackson & Hugus Berkeley 1999, page 192 - No. 13.011: very similar badge. Condition: little faded, the deep water with 3 tiny ...

An elegant men's headgear dating around 1900, consisting of the cone-shaped indoor headdress and the outdoor heungnip or gat. Both are made of horsehair, the gat with a bamboo brim and gauze chin straps. The top part of the hat with a lacquered blossom. Condition: traces of usage, some splits near the bamboo brim. Dimension: gat: diameter 32 cm x c. 14 cm high, headdress: c. 14 cm high.

Chinese Qing dynasty Guangxu period famille rose porcelain seated Budai holding a string of pearls in his right hand and his bag in his left hand. Nicely carved custom wood stand in the form of a settee. 5” high (6” high including the stand). Circa 1900. Very good overall condition with no chips, cracks, or repairs. There is a minor imperfection to the stand. From an old Scottsdale, Arizona collection.

An exquisite Japanese koro incense burner carved from a piece of plum blossom colored agate and enclosed in a period wooden box. It is 3-1/2 x 5 x 4-1/2 inches (9 x 12.5 x 11.5 cm) and is in excellent condition, dating from the early 20th century.

Pines in the Rimpa style grow on the folded surface of this fan painted by Kamisaka Sekka and enclosed in the original signed wooden box, retaining the original paper binding on the fan itself. It is 12 inches (30 cm) long folded, and in excellent condition.
Kamisaka Sekka (1866-1942) is the godfather of 20th century Japanese design and the Rimpa revival. He was born in Kyoto in 1866, one of six siblings. From 1882 he began his artistic career, however did not take-off until visiting t...

A Fine bronze by the modern master of the Japanese bronze tradition, world renowned Hasuda Shugoro, enclosed in the original signed wooden box. The modern form is belted in geometric patterns with a mottled olive and red patination, signed on the base Shu. It is 6 x 7 x 9-1/2 inches (17 x 15.5 x 23.5 cm) and weighs approximately 5.5 kg (12 lbs) in excellent condition.
Hasuda Shugoro was born in Kanazawa City in 1915. After graduating the Ishikawa Prefectural Industrial School he moved ...

The character “Hiraku” Open (or to Open) in bold scratchy strokes by the infamous nun Murase Myodo. Open you mind, open the path to enlightenment, the path is open to all, but like this calligraphy work is not easy, it is dry and thorny and the gate must be passed. Ink on paper in a silk border with wood rollers. It is 24-1/2 x 48-1/2 inches (62 x 123.5 cm) and is in excellent condition.
Born in 1924 in Aichi, one of 9 children, a chance encounter with a nun in her village led her ...

A very rare and beautifully carved blackwood table. The carvings represent good luck symbols with key fret designs,lingzhi fungus, floral, tendril, and coins. The front and the back are a mirror images of each other, and the two sides also have mirror image carvings on both ends. The legs are straight and not curved as seen in the wide angle photo. Size: L.116 cm W.40 cm H.84 cm. Condition: Small age crack. See photo.

Sennin, Daoist immortals, relax, Gamma with his three legged toad looking shocked upon his shoulder, Tekkai sending his spirit forth, the essential equipment of the Daoist life scattered about them. The painting is dated 1912 and signed Kodo. The artist has chosen a very humorous stance from which to depict his subjects. The silk image is mounted on a panel of applied gold flake and framed in striped Ebony,. The frame is 142 x 48 cm (58 x 19 inches). There are some minor abrasions to the su...

A pair of Chinese export porcelain plates with the tobacco leaf motif. Beautifully enamelled with a pair pheasants and two squirrels amongst bold overlapping leaves and flower sprays, in blue, other colors and some gold. Foot rim with some kiln grit. Condition: both plates have minor rim fritting (bubble burst), one plate with a small rim chip, the other with a short hairline. Dimension: diameter: 24.9 cm, 3.1 cm high.

Description:

By charming atmosphere and with mysterious beauty, an excavation piece of a jade Bi was presented in a unique form.
As seemly a remnant of a hardstone's boulder of making the jade Bis, the Bi was actually a formal ritual object despite the roughly shaped side and the original stone encrustation preserved.
In ancient times, jade pieces could be always so precious that nothing would be discarded even there're some defects.
Without further modifying work but with o...

Large Chinese Qing dynasty pewter round form sweetmeat tray for holding desserts configured with eight famille rose barbed point petal shaped dishes surrounding an octagonal dish at the center to form a foliate shape. Two jade mounted handles. The dishes feature a variety of decorative motifs and styles, including a graviata flower ball design on a blue ground; three graviata lime green, lavender, and pink dishes with floral motifs; a landscape against a white ground; a calligraphy poem inside...

An exquisite landscape circles the body of this voluminous ballister form by Eiraku Zengoro XV (Shozen) enclosed in the original signed wooden box. It is 15 inches (38 cm) tall, 7-1/2 inches (19 cm) diameter and in excellent condition.
Eiraku Shozen (1879-1932) was the backbone of the family tradition after the passing of his father in 1909, and worked tirelessly to maintain the family reputation. His works were preferred by the 12th generation head of Omote Senkei Seisai, and were also...

Creamy-feel, crackled glaze with old body clay revealed.

Height: 10.3cm

Date: Yuan/Ming periods.

A cotton box is included.

Antique gold gilt Thailand amulet exqusite ancient Buddha. Provenance purchased from and English ambassador to Thailand from his personal collection. Measuring 3" x 1.5" or 8cm x 4cm. In all original antique condition.

Japanese limited edition sosaku hanga woodblock print by Tadashi Nakayama (1927-2014) titled “Butterfly Girl” dated 1977. The print is pencil-signed, dated, and numbered 37/85 in the bottom margin. Image size: 10 5/8”V x 9 ¼”H (paper size: 16 ½”V x 13 5/8”H). Red Nakayama seal verso. Very good overall condition with silver metallic pigments. There are two pieces of brown tape at the top edge verso and there is a very faint mat line barely evident. This early image is illustra...

A Nandina (Jap.Nanten) grows up in brilliant red hues over a dark garden stone on thie black panels of this unique painting by Ono Tosaburo. Heavy pigment on paper mounted as a two panel screen with light cloth border and hardwood frame. This was exhibited at the 12th Nitten in 1956, and is visible in the catalog for that year. It is 85 x 74 inches (188 x 216 cm) open. Ono Tosaburo was born in Osaka in 1917 and studied under Konoshima Keika, The war interrupted his career, and he was first...

A pair of root-wood geese carvings 10 x 4 x 3 inches (24 x 10 x 9 cm) and 6 x 3 x 8 inches (14 x 6.5 x 20 cm) respectively. There are some minor losses around where the feet are attached to the natural form polished wood bodies, otherwise are in fine condition.

A pear-shaped vase freely painted with foliate designs in a dark chocolate brown glaze over a white slip. The slightly flared footrim is also painted in dark chocolate brown. Comes with a certificate from an auction in Beijing. Period: Song (10th Century) Size: Height = 22.5 cm (8-7/8") Condition: A very small chip at the foot-rim.

This seated figure, a Lohan or Scholar, is very nicely modeled, with good detail and form. It measures 3 3/8" high x 2 5/8" wide and is covered in a soft turquoise colored glaze, which is translucent, and varied in intensity of color, being deeper colored where the glaze has pooled. there are very tiny dark spots apparent in the glaze, some more visible on back and shoulders. There is a chip on the base, just below the hands, on the bottom of the flowing robe and at the edge of the form. It da...

Japanese late Meiji period Imari porcelain lidded serving dish or bowl decorated in underglaze blue and overglaze polychrome enamels with gilt highlights. The center of the densely patterned brocade lid features a butterfly among gourds. The bowl is decorated entirely in underglaze blue (sometsuke) and holds three floral sprays about the circumference. The interior is undecorated. Measures about 8 ¾” diameter by 5 7/8” high. Late 19th to early 20th century. Very good overall condition...

Measuring 7" high, and approximately 4" at the widest point of the body, this ceramic jar dates to the 17th century of the Safavid Empire, which was located in what is now Iran. The glaze is very heavy and is decorated with underglaze blue, and has areas of greenish tint, seen primarily at the shoulder and on the bottom. there are areas where brown pigments are visible in the glaze, also visible in photos. The blue decoration depicts arabesque forms with linear and foliate designs. The neck an...

An ancient southeast Asian (Thailand) pottery bowl from the Ban Chiang culture, dating to approximately 500 B.C. A wonderful piece measuring approx 10" x 8.5" in excellent ancient condition a small hair line at the top edge. This a distinctive vessel with a bold form and individualistic style, the body rises from a rounded base. The piece is adorned with exuberant painted curvilinear forms This striking earthenware vase was produced at the site of Ban Chiang, Thailand, and is typical of works ...

A very rare gilt figure of Buddha with hands in the earth-touching gesture. The facial features are characteristic of Burmese Buddhas of the time with very large ears and nose.

Burma 17th/18th Century

Size: Height = 14 cm.

Condition: Good. Has a nice patina.

A rare ancient agate bead made for wearing as a pendent or necklace. These beads date back to over 2,000 years. They have some kind of tiger influence in their shape and stripes.. Size: 4.2cm X 2cm. Condition: No breaks.

Large Japanese limited edition lithograph with hand-applied paint and red sumi-e brush stroke by Toko Shinoda (b. 1913) titled “Through the Ages.” This early undated image is pencil-signed, titled, and numbered 32/35 at the lower left. Paper: 35 5/8”V x 24 7/8”H (image: 22 x 32 ¾). Excellent condition (never framed). This print is from a Phoenix, Arizona estate.

A large and heavy Chinese cloisonne bowl with gilt rims and wire, enameled at least with nine different colors. Decorated with flower medallions and clouds, the interior with bats around a "shou" character. The outer rim with a ruyi head border. Base with maybe later turquoise contre-email and a Chinese character. Please compare with a similar bowl in the Royal Museum of Edinburgh. Dimension: diameter: 20.7 cm, 9.1 cm high. Condition: traces of usage. Inside bottom with some alteration of enamel...

An oil on canvas by Ono Sue titled “Inaka no Kyokai, Paris” or Rustic Church in Paris set into a double wood frame. The canvas is 15-1/2 x 18 inches (40 x 45 cm), the frame 24 x 27 inches (61 x 69 cm) and all is in excellent condition.
Ono Sue (1910-1985) was born in Niigata prefecture, and after serving as a school teacher for one year, moved to Kyoto in 1934 to pursue a career in oil painting under Yasui Sotaro. He began exhibiting with the Issuikai in 1938, garnering a number of ...

A celadon vase inlayed with Chrysanthemum designs by Teishitsu Gigei-In Suwa Sozan I enclosed in the original signed wooden box featuring the Imperial Art Academy Seal and titled Kiku-Zogan Hana-Ire. Tendrils of blossoming chrysanthemum climb up the sides in dark inlay on the slightly pitted celadon sueface, a perfect rendition of Korean style wares from an earlier era with the addition of the Japanese design motif. It is 10-1/4 inches (26 cm) tall and in excellent condition. Artists mark on ...

A long “Hengaku” framed painting meant to sit above the transom by Yoshimura Horyu featuring monkeys riding on the back of a deer. One has fallen and is being dragged along like a water-skier by vines tangled in the deers horns. A very humorous scene by this rare Osaka artist. Pigment and ink on silk mounted on gold with a carved rosewood frame. The frame is 154.5 x 50 cm (61 x 20 inches) and is in fine condition, with toning to the silk typical of age.
Yoshimura Horyu (1874-1936)...

Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846. From left to right and top to bottom, the images depict Araki Matayemon Standing and Examining his Sword, Sasaki Ganryu Standing in Profile with a Clenched Fist, Miyamoto Musashi Dressed for Traveling on his way to see Bukoden, Minamoto no Ushiwaka Maru Knocking D...

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting Nikki Danjo Naonori changing into a rat from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with margins evident. The print was removed from an album and is lightly album backed and slightly trimmed. The image has a prominent horizontal centerfold as the al...

Large Qing dynasty slightly tapered cylindrical form white porcelain brush pot (bitong) with a central cobalt blue band holding bats flying among clouds. The white porcelain has a faint blue-green-gray tint. 19th century. 6 1/2” high x 8” diameter. Very good overall condition with a few old browned hairlines on the base which appear to have resulted when a drain hole was added. This piece is from the private collection of a former American expatriate to Beijing and Guangzhou from 1983 - ...

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting the cannibal Shutendoji surrounded by captive women from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with nice gauffrage highlights and margins evident. The print was removed from an album and is lightly album backed and slightly trimmed. The image has a...

Known primarily for ginbari or basse-taille works, Hayakawa Komejiro perfected this technique, creating very fine vases, often in the deep red Pigeons Blood color. The translucent red enamel covers the detailed silver design, of bamboo leaves and stalks over a stippled background. The vase measures 3 1/2" high by 3" wide, with a foot of 1 1/2" in diameteter. It is signed on the base. In excellent condition, with no marks, cracks, or abrasions (there is a lot of reflection in the photos, but n...

Korean Joseon dynasty (early 20th century) brush pot designed with three cylindrical connected brush holders of varying lengths carved with a variety of animals, including a stalking tiger, tortoise, deer, and crane all stained in a golden brown against a dark brown recessed background. The animals are set among pines and bamboo. A pair of tortoises walk on water. The tallest brush holder holds four ideographs surrounded by a fretwork band. The cylindrical pots share a single flat undecorate...

A very elegant and well carved sculpture of the Bodhisattva Guanyin, goddess of mercy. Made of Zitan, one of the rarest hardwoods in China. H. 26 cm. Dating from the late 19th to early 20th century. We bought this piece from a Dutch private collection.

The backside decorated with a stupa. H. 10,5 cm. excl. stand. This piece was placed in the foundation of a newly built stupa.

A pair of rare Koto-yaki sake flasks decorated with florals and dating from the 19th century. Written on the side is the kiln name Koto (East Lake). Each piece is roughly 6 inches (15 cm) tall and in fine condition but for a chip on the inside of the foot ring of one.
Koto ware is one of those rare and highly prized ceramics of low production, once the official kiln of the Ii clan in Hikone on the Eastern Shores of Lake Biwa, its production rand from the early to late 19th century. Und...

Excavated piece rom the Shan State. Nice green patina and excellent condition. H. 8,5 cm.

Chinese natural Hetian jade pendant - Fortune Kid. Dimension are as follows: 73 x 42 x 21(mm) or 2.87 x 1.65 x 0.83 inches with total weight of 90 grams, no condition issues. Introduction; Chinese Hetian Nephrite Jade Hetian jade, a nephrite jade, is regarded as the only true jade in ancient China until Burmese jadeite becomes popular in late Qing Dynasty. The hardness of the Hetian jade is between 6 to 6.5 and density is between 2.96 to 3.17. Most of the nephrite jade in the world are green. Ho...