A breathtaking Taisho period image of the Buddha in meditation by Takayama Shunryo. It is performed with gold appliqué and brilliant mineral pigments on silk, mounted in a fine mounting of blue cloth ending in bone rollers and enclosed in a kiri-wood box. The scroll is is 21 x 76.5 inches (53.5 x 194 cm) and is in fine condition.
Takayama Shunryo (1886-1921) born in Yamagata, studied under Yamamoto Shunkyo in Kyoto, Exhibited with the Bunten...

An ornate and richly decorated Chinese cloisonne enamel vase c1900 in the Persian taste. This 16" decorative vase features a blue ground with colourful flowers, leaves, flower buds and branches in pink, white, brown, red, pink, orange, blue and green. The decoration is allover in a chintz style and unusually this vase has a tab style collar standing proud from the body. It also has a pair of gilded animal head handles...

SEATED BUDDHA FROM KYUSHU

First half of Edo period (1603-1868), Oita, Kyushu region, Japan, approx. H 53 x W 29 x D 20 cm (20.86 x 11.41 x 7.87in). Carved from a single wood (though with the insertion hands), with slight remains of original paint (so possibly it will comes off little more) and aged cracks (but it's stable and won't splits more)...

This is a very beautifully potted and unusual Yuan Dynasty(1277-1367) qingbai (yingqing) meiping or plum vase. It has a thick foot base then rise slightly upward to a beaded and slightly baluster body with a slightly rounded and then flat shoulder and then rising to a single loop neck. The design is that of moulded lotus flowers and leaf in various stages of flowering in four carthouces on the shoulder as well as the body...

An evocative image of a bear hunkered down and looking a bit befuddled, perhaps awaking from winter slumber, in un-glazed white porcelain from the Tatsuno kilns of Banko in Mie Prefecture. It is sealed on the base with two stamps, one reading Banko, the other Tatsuno. The image is 23 x 20 x 16.5 cm (9 x 8 x 6-1/2 inches) and in excellent condition, enclosed in a period collectors kiri-wood box. Imagery of animals such as this were very popular in the Taisho (1911-1925) to early Showa era...

An old ghurra showing a seating protector beating the drum , such design evokes the shamanic influence. The shaman is surmounted by a ram. Super black soot patina, Obvious signs a important use. H 25 cm , the protector is 13 cm height.

An antique Guardian mask used to ward off evil hand carved from a rough slab of hardwood. It is 14-1/2 inches (37 cm) tall and in fine condition. Usually hung under the eaves of a house, it shows weathering typical of age. Late 19th to early 20th century.

Description: A Jun lotus-bud bowl was in a lovely size.
By a fine condition, the bowl was applied with dark mustard-blue glaze which was hard being yielded precisely in my pictures.
It was an excavation piece that can be clearly verified by those characteristics, like the minute whitish dots happened to the glaze bubbles, the fine crackles, the incursive whitish band around the rim where the glaze meeting with the body clay and the old-feel brownish body clay at the bottom where the mold...

Description: This small and rare jade pendant is in a shape of two wild geese who twisting their necks in an intimate way.It was typically a common subject in the nomadic tribe's folk art of northern China. With ingenuity of the nomadic style and the related references-see last three pictures, this rare piece was testified for it's authentication. Date: Liao Dynasty (AD916-1234) Material: Nephrite Width: 2.3cm Height: 1.4cm Depth: 1.0cm Condition: Good

Perhaps the best dragon carving we have ever owned, here is a solid Keyaki carving taken from the interior of a temple with glass eyes glaring fiercely out at anyone who threatens the sanctity of Buddhism. Flames leap from the body blown by fierce winds as it rises from the Churning ocean. The carving practically roils out from the wood panel, fully in three dimensions. It is 78 x 26 x 10 cm (31 x 10 x 4 inches)...

Chinese Republic period baluster form porcelain vase decorated in famille rose enamels with three large bird and flower roundels spaced evenly around the shoulder. The roundels feature two birds, two ducks, and two quail set among bamboo and flowering plants. A variety of pastel flowers float against the pale yellow graviata ground which is incised with a tight scrolling foliage pattern. The rim and the roundels are thinly bordered in gilt...

A very finely decorated Satsuma earthenware vase,depicting five ladies and ten boys in a garden landscape, made for export in Japan during the Meiji period (1868 to 1911). Condition - excellent - no damages and no restoration...

A museum quality koro covered in soft pink glaze decorated with chickens in raised relief surmounted with a woven silver lid by Kiyomizu Rokubei enclosed in the original signed wooden box. It is 4-1/2 inches (11 cm) diameter and in excellent condition. For a piece decorated in the same style see the collection of the Museum of Modern Art, Kyoto.
Kiyomizu Rokubei V (1875-1959) began by studying painting from the age of 12 under the 19th century master Kono Bairei...

A small bulbous Chinese porcelain vase finely painted with two dragons among clouds chasing the flaming pearl in the "famille verte" palette. Condition: fine, minor wear to decoration. Dimension: 12.7 cm high.

Flames of red flash form the bird resurrected on the side of this large Cloisonne vase by the Ando company of Nagoya; Japan’s premier cloisonne studio. The color is hard to describe, seeming to be lit from within. A combination of wire and wireless design using gold wire with silver rim. Ando mark on base, the vase measures 37 cm (14-1/2 inches) tall, 32 cm (12-1/2 inches) diameter and is in excellent condition. It comes enclosed in a fine, custom made kiri-wood box.

 

A very finely carved hardwood sculpture of the Chinese Immortal - Liu Hai holding the three footed toad...

Birds chatter, perhaps excited by the promise of Spring from the plum blossoms peeking out of a bamboo grove, winters snow melts and trickles through the stones in the stream belwo. A two panel screen, ink and light color on gold by Mizuta Chikuho (1883-1958). An excellent example of this artists Nanga style, the subject and rich wet lines of the bamboo crisp and direct, fading to washes of gray in the shadows. The screen measures 68 x 68 inches (172 x 173 cm) and is in fine condition...