A serene image of the Goddess of Mercy Kannon found in a natural black stone from the Seta River inset into a hand carved hard-wood base and enclosed in a kiri-wood collectors box titled simply Setagawa-ishi (Seta River Stone). 19.5 cm (7-3/4 inches) tall and in excellent condition.

Japanese Meiji period Artia Imari porcelain charger decorated in underglaze cobalt blue and brilliant polychrome enamels and gilt highlights with a central reserve holding a kirin and butterflies on a white background surrounded by three red-ground floral panels set against cobalt blue. Three underglaze blue leaves are spaced around the exterior. A single spur is on the base. Very good overall condition...

Japanese Antique Hand-painted Imari Bowl with Colourful Flower Design Meiji Period (1868-1912) Imari ware has been produced in Hizen area of Saga prefecture of Japan since 17th century. Very nice bowl for Japanese art collector. Size Width 5.4in ( 13.7cm ) Length 5.3in ( 13.5cm ) Height 2.6in ( 6.7cm ) Weight 10.93oz ( 310g ) Condition Overall good. No chips, no cracks.

Water Cooling Bowl Yusamashi of Hagi Ware made by Living National Treasure 10th Miwa Kyusetsu (1895-1981) about 50 years ago. Hagi Yaki pottery became popular throughout Japan for tea ceremony during Edo period (1603-1867). Hagi ware has its distinctive nice cracks together with soft texture which is highly prized among tea lovers around the world. Size Width 4.6in ( 11.8cm) Length 3.2in ( 8.2cm) Height 2.0in ( 5cm ) Weight 4.23oz ( 120g ) Condition Used, relatively good There ...

Antique Japanese Pair of Old Hand-painted Kutani Teabowls with Bird and Pine Tree Design Made Before 1940s Size Width / 4.29 inch ( 11cm ) Length / 4.29 inch ( 11cm ) Height / 3.12 inch ( 8cm ) Total Weight / 450 g Condition Good. No cracks, no chips

Vintage Japanese Kutani porcelain vase with a pair of cranes and a pine tree made about 70-80 years ago. The wooden box with no signature is also provided. Height 5.9"(15.0cm) Dia. "(9.5cm) Condition Overall good. No chips, No cracks.

Cranes soar before the red orb of the sun over festive young pines on these five ceramic bowls covered outside in red and black lacquer from the Nagoya studio of Toyoraku (also Horaku) dating from the mid to later 19th century, late Edo to Meiji eras...

A pair of small gold doors depicting Asian Civets (Jakoneko) in a flower strewn garden dating from the early to mid Edo period (17th to 18th century) reminiscent of the famous pair of screens heralding the same image by Kano Yukinobu (Utanosuke, active Muromachi period). The handmade bronze handles are in the shape of hollyhock leaves, intimating connection to the Tokugawa clan, head of the Shogunate...

Golden bamboo spreads its leaf laden branches about the rim of this aka-e Kinsai bowl by Kyoto potter Takahashi Seizan and decorated by the famous painter Hashimoto Kansetsu enclosed in the original signed wooden box. It is 6-1/2 inches (17 cm) square and in excellent condition. This is from the personal collection of painter Konoshima Keika (1892-1974). We will be offering more from his household in the near future...

A fabulous large Mingei Tokkuri from the Satsuma region in the shape of an eggplant, glazed in black with crystalline blue about the neck over iron rich glazed clay. Likely from the Hirasa kilns, one of the great Satsuma production centers on the southern Island of Kyushu, 18th to early 19th century. It is 24 cm (10 inches) tall and in overall excellent condition, enclosed in a kiri-wood collectors’ box...

Scratches of ink form a precipitous landscape of jagged mountains on the paper surface of this scroll performed by Fujii Tatsukichi enclosed in a wooden box titled: Painted by the elder Tatsu, One Scroll, Mountain, Annotated by Eichi. It is framed in a silk border terminating in black lacquered rollers. It is 13-1/2 x 59 inches (34 x 149 cm) and is in excellent condition.
Kato Eichi (1899-1987) was a potter from Seto who trained under Tatsukichi...

Finely inlaid silver on iron box, with four round flattened feet. Box measures 3 5/8" x 2" x 2 1/4" high. Top decorated with yan-yang symbol, with gold overlay on silver, amidst scrolling, geometric designs and fretwork borders. Both front and back have deer in round cartouche, with similar inlay in background, gold plating on figures of deer. Sides have gold plated cranes, also in round cartouche, with geometric and scrolling elements. In excellent condition, only very minor wear to silve...

Pair of .800 silver dishes with fierce dragons and other insect or sea creature, on a stipled background, the edge decorated with stamped arrow designs. Both are marked on the front and on the side with the .800 silver standard mark...

Of heavy, dense exotic wood and inlaid with carved shell pieces, this ceremonial staff is from the Solomon Islands, pre 1950s. The form is better than most, having a figural image at the top, well carved with open legs and good detail. The carving depicts a figure with folded arms, slightly bent knees, and a stylized face seen in Solomon Islands iconography. The figural section measures 13 1/4" high. Very nice dark patina, with a lovely slightly glossy surface, some pieces of inlay missing...

Well carved in cedar, this Northwest Coast box measures 4 3/4" high x 4 3/8" wide and deep. In the tradition of Haida, Salish, Tsimshian, and other First Nation tribes of the Northwest Coast, the box is kerfed and hand carved with deep traditional designs that are abstracted and stylized. The cedar has a lovely sheen, also typical of the wood as it ages. It is signed in pencil on the bottom, the name Wilson visible, with a name or initial above that is not clear...

Nice large size, this bronze urn measures 12 1/4" across to looped handles, is 9 1/4" high, and the top lip is 10 1/4" in diameter. Nice heavy weight, it has the remnants of a signature on the base, only a square now visible. The body of the urn is ringed with a series of scenes on a diamond textured background, and there is also a decorative band in the narrow area, depicting phoenix birds or pheasants next to foliate and landscape elements. The swing handles are affixed to a large button s...

This strand of antique spindle whorls are of the finest quality, most are bone, a few may actually be stone. The bone varies in color and some had been painted or dyed, blue, red, green grey, or black. There are varieties of shapes, including the tradition whorl with a flat side, as well as barrel shapes, round beads, and turned ridged beads. The majority of the beads have incised designs of some kind...

Mask combining a rough appearance with a minimal shape, the orifices of the eyes and mouth are rather square in shape, there are small ears on the sides. Beautiful black soot patina with traces of glue, very hard wood H 25 cm x 20 cm.

Japanese Meiji to Taisho period vase in the form of a gourd tied in a bow at the mid-section with a braided and tassled rope. The signature appears to translate as Tsunemo. 7" high. Weighing 2 lbs. 8 1/2 ounces, the vase is very heavy for its size. Early 20th century. Very good overall condition with a nice patina. From an old Tucson, Arizona estate.

The great Tang Poet Du Fu (712-770) affectionately coddles a goose chick in his left hand, his bamboo staff low and seemingly forgotten as he ponders the beloved creature in his palm. Exquisitely rendered, it is roughly 16 inches (40 cm) tall and signed on back with an engraved signature...

A spectacular pair of vases by Ito Tozan I decorated with the imperial chrysanthemum in gold between soaring phoenix; symbols of the Japanese imperial family. Both come in the original (tired) silk pouch in a compartmentalized wooden box signed by the artist...

Korean Silla Kingdom (circa 6th century) unglazed reddish-gray stoneware funerary food vessel with domed cover on a high stem foot broadly flaring at the base and decorated with rectangular perforations. The lid is covered with incised designs and has a central finial. There are no cracks, chips, or repairs. The piece is in very good overall condition with minor imperfections consistent with its age. I cannot be certain if the lid was originally made for this specific bowl. Measures about 5 ...

The village headman aims his arrows at the moon to dispel the evil brought on by a solar eclipse, the village women in the background standing in prayer. This scene was painted by Higuchi Tomimaro for show at the Seikosha Exhibition held in Osaka in 1938. It is an excellent look into the world of the Ainu, a native culture to Northern Japan now lost to history. He has done a wonderful job conveying the texture of the clothing, and hidden behind the grayish background is textures of floral lif...

Occupation era original Japanese shin hanga woodblock print titled "Snow at Hinuma Swamp, Mito" ("Snow at Hi Marsh, Mito") by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the upper right side of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 10 3/8" x 15 3/4" (image size: 9 1/2" x 14 1/4"). The print was never framed and is in excellent overall ...

Large late Meiji to Taisho period Japanese Arita porcelain cylindrical form hibachi decorated in underglaze blue, white, and celadon with mirrors and auspicious symbols. Scattered bisque incised signature seals accent the decoration. 12 1/4" high x 17" diameter. Early 20th century. Very good overall condition with no chips, cracks, or repairs. From the collection of an elderly woman in Sun City West, Arizona.

Tibetan thangka depicting Amitayus, the Buddha of Longevity, seated cross-legged on a variegated lotus throne with hands in the lap in dhyana mudra holding the pot of amṛta, the nectar of immortality. A halo surrounded by flowers is behind the figure and green mountains and water are in the background. The figure wears only a lower garment and is adorned with bracelets, armlets, earrings extending from elongated ears, a beaded necklace, and a high five-pointed crown in front of hair that is st...

Chinese wedding lamp of articulated porcelain, in two sections, hexagonal in shape with flared and tiered top. Measures 9 3/4" high, and roughly 4 1/2" wide. Each pierced panel has a round section with a scene depicting people in various activities, some with two figures. The entire surface is painted with soft color enamels, in turquoise blue, yellow, rose, green, orange, brown and black. Floral and foliate designs cover the turquoise and yellow backgrounds, all done with good detail. The ...

Porcelain panel with 7 women in landscape with pagoda and trees, measures 12" x 9" (panel size), frame is 13 1/4" x 10 1/4". Varnished wood frame in bamboo style, with hardboard or masonite backing. The scene depicts 7 young women next to a pagoda and fence, with grass and other foliage throughout. Nice detail in raised enamels, good color and overall design. The celadon green areas, as well as elements in the pagoda have a textured and matte like finish. All the figures are lovely, some ...

A large Chinese two handled vase decorated in famille verte enamels with birds amongst flowering peony & rocks. The decorated neck with iron red modelled elephants' head handles. The base with an apocryphal six character iron red mark of the Kangxi emperor.

Age: Mid 19th century

Size: 14-1/2" high by 14-1/2" diameter

Condition: Good condition, no breaks and or cracks

A rare Buddhist temple banner composed of a central ruyi shaped panel and three suspending streamers with pointed ends and tassels. Made of Chinese Late-Ming and Qing gold brocaded and tapestry silks showing dragons and floral decoration. The top panel is cardboard reinforced and having a seal on the backside. Printed cotton lining and top with leather loop, one tassel with a small bell. The interior of Buddhist monasteries in the Himalayas are often intensely colorful, covered by layers of pain...

Chinese Republic period porcelain plaque decorated in famille rose enamels with the eight immortals standing outdoors under a pine tree with bats flying overhead. Produced by the Jiangxi Porcelain Company at Pearl Mountain and dated 1924. Nice quality wood frame. Porcelain measures 15 1/8" x 9 7/8" (with frame: 16 3/8" x 11 1/4"). Very good overall condition. There are tiny brown scattered spots in the glaze from the original production. From the estate of an old Scottsdale, Arizona antiqu...

Beautifully carved, this soapstone figure really captures the essence of the stately Polar Bear. He stands 3 3/4" high, 8 1/4" wide, and is 4 3/4" deep, and weighs roughly 4 pounds and 4 ounces. The soapstone is a mottled brown/green, with spots of black, rust, and tan, and has black inlaid eyes. The simplified form is just elegant and lovely, and clearly demonstrates the talent of the carver. In good condition, a few scrapes to the surface, and some colored spots that may or may not be orig...

Large and heavy carved soapstone eagle, with original label, numbers, and initials. Is 8 1/2" high, 7 1/2" wide, and 4 1/4" deep and weighs just a bit under 10 pounds. Very stylized form, with hooked beak, incised eyes and long sharp talons, he sits on a rock or stump. Very slight details for wings. In black soapstone, with some slightly lighter areas and striations visible, the sculpture has a very lovely almost waxy patina. In good condition, a few scratches to surface, but no chips or ...

WOODEN MOLD FOR BASEBALL CAP

Quite a rare vintage Japanese artisan's tool. Showa period, early 20th century. Simple and unique form with aesthetic texture. approx. 20 x 26cm (7.87 x 10.23in), H 13cm (5.11in)


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Very fine and rare Japanese Edo era Hasami Bako, or storage/traveling box, measuring roughly 12" wide (including brass hanging hooks on sides), 5 1/2" deep, and 6 1/8" high. It dates to the late Edo era, some time between 1780 and 1850. The top is slightly domed, as is visible in some photos, and all edges and corners are decorated with incised brass metal sections, and two U shaped handles are on both ends, and can stand upright, as would be the carrying position for a larger trunk. The box...

Massive Chinese Qing dynasty baluster form lidded general’s helmet jar decorated in underglaze blue on a white porcelain ground with a Yuan inspired pond scene of ducks swimming among lotus. A ruyi-head border and four animal mask handles are high on the shoulder below the short neck. A lappet band extends around the tapering foot. The slightly recessed base is unglazed. A Buddhist lion dog finial is at the top of the wide domed lid. 24 1/2” high x about 15" diameter. Weight: 35 lbs. The s...