Description:
A beautiful religious painting in ink and colors on paper. Depiction of the holy image of Manjusri, the painting was preserved very well with only some old stains left on the outer portion of the painting.
It measures 230cm long X 100cm wide for the work including mounting. Otherwise the painting measures 166cm X 85cm.

Date: Qing Dynasty.

Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846...

A double sided accordion album bound in iridescent cloth from the Meiji period containing 57 total pages covered in ancient cloth samples. 18th -19th centuries. The album is 19 x 24 cm (7-1/2 x 10 inches). Generally in good condition but the covers have some wear and damage

An Edo period sumi-e painting stamped Shundo-no-in on very rough silk depicting Daruma heir Kensu Osho, an eccentric Chinese beggar-monk who lived on shrimp and clams. The painting is certainly no less eccentric than its subject, unique among paintings I have seen from the Edo era. It retains the original faded border of dragon dials and lucky symbols extended with beige and features bone rollers...

An ancient Japanese scroll featuring a blue eyed neko-tora (cat-tiger) prowling over a boulder peering out through sheets of pouring rain. This is a very unusual subject; I have never before seen a tiger depicted with blue eyes. Due to 250 years of isolation the Edo period Japanese artists had never seen real tigers and were forced to conjure up these feline images from their own imaginations...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting a kabuki actor portraying a samurai. His sword rests on the ground and his matchlock musket leans against the wall. Firearms were introduced to Japan by foreign traders in the 16th century. The maru-ni-chigai-Takanoha family mon is on his kimono. This crest, which consisted of two crossed hawk feathers, was used by two Edo period samurai families. This image was published by Maruya Seijiro in 1854...

This sleeve panel is made with light green silk fabric. It is decorated with floral designs in satin stitched blue silk thread with butterflies high-lighted with white,green and purple thread. Condition is very good. Each sleeve measures 3.5" X 30 inches Embroidered section measures 3" x 20"

19th century (Qing Dynasty) Chinese Manchu style robe embroidered in gold couched threads highlighted in copper and blue-grey metallic threads with 8 visible 5-clawed dragons, plus one hidden dragon on the inside flap, depicted in full-face and profile poses against a blue ground. Each dragon is chasing a flaming pearl (symbolizing the Buddhist notion of enlightenment) and is surrounded by clouds and various auspicious symbols...

This is a blue and white brush rest for a scholar study. The brush rest is manufactured in the likeness of blue and white wares on which Arabic and Persian inscriptions appear during the reign of emperor Cheng-Te, Ming dynasty. The painting is like a scroll work know as the “Muhammadan scrolls” with inter-twining foliage.

An Arabic inscription is found on both sides of the brush rest, in the centre of the brush rest, in a diamond shape medallion...

Gilded Lacquered Wood Carved Quan Yin, 19th Century

She is 8.5 inches (21.5cm) tall by 6 inches (15.2cm) wide.

She is in good condition with no repairs, or chips, except she is missing two fingers and accessories at the back of her headdress, cracks and peeling at the back of her head and base (as seen in the photos).

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Pair of .800 silver dishes with fierce dragons and other insect or sea creature, on a stipled background, the edge decorated with stamped arrow designs. Both are marked on the front and on the side with the .800 silver standard mark...

A heavy hand forged iron candle-stand from a Buddhist temple in the shape of a burning jewel. It is 90 cm tall, 57 wide, base and legs 20 x 39 cm and dates from the 19th century. Very thick and heavy iron work.
Due to size the cost of shipping will be accrued separately for this item.

Japanese ukiyo-e style ink and color on silk scrolled painting of a standing bijin (beauty) by Ohara Donshu (1792-1857), aka Ohara Tonshu and Ohara Kon. Signed in black ink “Donshu” and with two red artist’s seals “Donshu” and “Hara kon no in.” Ohara Donshu was a follower of Shijo-style painter Shibata Gito, who was in turn a follower of Matsumura Goshun. Although best known for his Maruyama-Shijo style landscape paintings, Donshu also produced fine figure paintings...

Large Chinese Qing dynasty cylindrical form Nonya ware tingkat food container consisting of four stacking sections in a variety of pastel polychrome enamel background hues topped with a slightly domed cover sporting a Peking glass finial from a Mandarin hat. Each tier is decorated with two opposing panels of flowers on a white ground set against a dense background of bats, flowers, and scrolling foliage. The sides have twisted metal handles held by moulded loops...

Description: An old wood water basin was carved as a boy climbing at a wall. Preserved with original condition, the paint of this cute rural scholar object was peeled off due to enduring ages. A boy climbing against a wall of a water basin was a popular motif often seen in different materials of Ming period. From the carving of the boy, the facial and the figure characteristics, this water basin was a piece with Ming style but was conservatively dated a Qing piece due to no further evidences...

A lovely hand formed bowl in the shape of an inverted mushroom with brush strokes (Kushi-me) defining the gills and the bulbous stipe laying like a handle to one side. A speckled yellow glaze (typical of Maiko) covers the sandy clay, with a drape of green and white seeping like milk from one side. It is roughly 21 cm (8 inches) diameter and in excellent condition, stamped on the base Mahiko (In traditional writing the character for Hi is interchangeable with the character for I as is Fu and U)...

Oribe Green runs in a curtain over the pale yellow glaze of this Edo period andon-zara oil dish. It is unglazed on bottom, measuring 8 inches (20 cm) diameter and in excellent condition, enclosed in a custom kiri-wood box.

Menuki wirh gold and silver metal, presenting an octopus with a towel-like tissue. Japan Edo (1630 - 1868) 19th century 7 x 3 cm

An unusual decorative wooden sword (tea room sword) carved of hardwood in the shape of a dried fish signed on the belly pierced and wrapped with a faded silk chord. An excellent example of the genre it is 13-1/2 inches (34 cm) long and in fine condition...

A stunning box covered entirely in mother of pearl upon which is the crescent moon in lead under maki-e gold florals. Inside Rimpa style dear rest in lead and gold maki-e on a ground of red-tinted Nashiji. The box is in excellent condition, likely dating from the mid 19th century. It measures 22 x 24.5 x 5 cm (8-1/2 x 9-1/2 x 2 inches).

Description: An elegant snuff dish was made from high-quality pottery mud-Ju Sa Chen Nie. Molded finely in bamboo stalk shape on the rim as decoration, this oval dish was used as a snuff dish by unique material. With warm brownish patina , the dish was partially tarnished due to long time of use. Date: Qing Dynasty (19th Century) Dimension: 6.9cm to 4.4cm

Large late Qing dynasty Guangxu period lidded porcelain ginger jar decorated in underglaze blue against a faint bluish-white background with four “shuangxi” symbols (indicating double-happiness and wedded bliss) surrounded by a stylized pattern of pencil style scrolling sweet pea flowers and vines (symbolizing “many children”). A bud forms the finial. The interior and base are glazed but the foot rim and mouth are unglazed. This type of decoration with a sweet pea floral background was ...

A rare okimono from the Kairakuen Kiln of the Tokugawa branch family dating from the early to mid 19th century. The box label attributes these to Eiraku (presumably Hozen, who was tasked with helping to further the ceramic production of the kiln). The rooster is roughly 7 inches tall the same in length (18 cm). Dating from the later Edo period, they come in an old wooden box with a cloth cover and are in excellent condition.
Eiraku Zengoro XI (Nishimura Hozen, 1795–1854) took the nam...

An attractive bowl and cover delicately painted in Fencai (famille rose) enamels. This item carries the mark of the Tongzhi Emperor and was made during his reign - 1862-1874. 5 inches (13cm) High. Condition - excellent apart from two very minor chips on the underside of the foot rim and somes light ware to the gilding. No other chips, cracks or restoration

清同治款 本朝 粉彩人物盖碗
一件౹...

Pair of 19th century Chinese paper fans very finely and densely painted in extensive detail with figural scenes. One fan painting features beauties at a temple surrounded by clouds holding celestial maidens and a deer. A monkey is paying homage to a female who is seated on a lotus throne. The second fan painting depicts a scene with beauties engaged in various scholarly leisure activities. The fans date from the 19th century. They have been recently custom framed with archival materials against ...

Chinese Qing dynasty ink and color on silk painting in the imperial court style depicting two birds on branches set against flowers by Ma Jiatong (1865-1937). The inscription reads “following the spirit of the brush of Prime Minister Jiang Nansha” (referring to the early Qing painter Jiang Tingxi), by Xiangdong Jushi Jiatong.” Two seals of the artist are below. The second reads "Ma Jingfan.” 19th century, Tongzhi to Guangxu period. Painting: 62” x 15 1/4" (including silk mounting:...

 

Vajradhara or Dorje Chang in Tibetan is the ultimate primordial Buddha or Adi Buddha according to the Gelug and Kagyu schools of Tibetan Buddhism. This fine example is from Tibet or possibly from Nepal. It is well proportioned and has very nice facial features. Please note the fine engraving on the back of the figure. It is in a very good condition with normal age wear, a nice patina and remains of polychrome. H. 23 cm. From a Dutch private collection.

A fine Edo period portrait of a sinewy middle aged samurai proudly seated before a pair of swords, a table upon which rests an ink stone and book at his right elbow. Exquisite detail in the figures face and fine lines and shadows in the clothing are reminiscent of portraits by the great artist Watanabe Kazan. The portrait is signed Higashiyama Giryo and dated Tenpo 3 (1832) and the epitaph is signed Raijo. The portrait appears to be of a samurai named Kanda Hojo. The artist Giryo is likely a...

This is a small Chinese Blanc de Chine libation cup, incised character mark at base, carved and molded with flowering prunus and animals; 2 _" high, 4" wide.

Chinese Qing dynasty painting on paper of a Confucian worthy seated on a chair in a black robe covered with dragons and animals. He holds a green tablet containing his achievements. A calligraphic inscription describing his accomplishments is at the upper left. Newly framed with Plexiglas to facilitate shipping. There is typical wear for a painting of this age with old restorations and damage evident. The painting is mounted to board so no creases or buckling are visible. Frame size: 66”...

Description: A nephrite white jade archer's ring was in very good condition. By a natural russet inclusion on the surface, the jade piece was in warm and greasy quality and can be a nice fingering item with charming look. Qing Dynasty(AD1616-1911), Outer width: 3.2cm, Inner width: 2.2cm.

Oban diptych by Taiso Yoshitoshi (1839-1892) titled “The Story of the Strong Woman Takashima Oiko of Omi Province” from the series "A New Selection of Eastern Brocade Pictures." The print depicts Takashima Oiko leading Saeki Urinaga home in an effort to strengthen him for a wrestling match. The artist's signature and Taiso seal are at the lower left. The lower left margin contains the date of "Meiji 22" (1889). The title cartouche is at the upper right. Published by Tsunashima Kamekichi. T...

A large and heavy Chinese cloisonne bowl with gilt rims and wire, enameled at least with nine different colors. Decorated with flower medallions and clouds, the interior with bats around a "shou" character. The outer rim with a ruyi head border. Base with maybe later turquoise contre-email and a Chinese character. Please compare with a similar bowl in the Royal Museum of Edinburgh. Dimension: diameter: 20.7 cm, 9.1 cm high. Condition: traces of usage. Inside bottom with some alteration of enamel...

A Chinese man would have worn this egg shaped wooden tobacco container hanging from his belt. Both front and back are decorated with metal studs and fitting attached with copper nails. The lid is hinged and held in place by a decorative pin which is pulled up to open.

Description:

A refined pottery Cheng-Ni inkstone was preserved in very good condition.
By elegant round shape and arched moon-shaped inkpool, the inksone was thick and was hefty in weight.
Old frets and scars were observed and also proved its old age.

Date: Qing Dynasty, (1644-1911) .

Width: 12.7cm, Depth:2.7cm, Weight: 775 grams.

Description: A rectangular brush-licker was made from a multi-colored pudding stone.
Preserving with fine greasy patina on the surface, the brush-licker was kept in a very good condition except some old abrasions and some original stone defects.
Brush-licker was used for adjusting brush wet when scholars were practicing calligraphy or Chinese brush painting.
In usually-seen flat and simple form, the artistry will always come out of the original beauty of the material itself.
...

This Toba-e E-maki appears to be a 19th century Gi-ga follower of the later 18th to early 19th century Osaka "Manga-ka" Nichosai (Matsudaira Heisaburo). His humorous images of Hell were quite popular, known as Kakuyu painting.　Overall the genre has many names, Gi-ga being all encompassing, Toba-e being descriptive of this particular style, and Kakuyu-fu being the style of Nichosai. It ends with a simple stamp which reads Fish (Gyo/Sakana). It is 11 by 174 inches (28 x 442 cm). Very interes...

Antique Japanese pottery teabowl with Sakura and Momiji tree Kyo ware made by the 2nd Rokubei Kiyomizu (1790-1860) about 160-170 years ago. The seal of the potter is stamped on the bottom. Original box is provided. Size Dia. 4.8"(12.3cm) x Height 2.5"(6.3cm) Condition Very good condition. No chips, no cracks.

The fish is symbolically employed as the emblem of wealth or abundance on account of the similarity in the pronunciation of the words "yu", fish, and "yu", superfluity. Age: Song. Size:L. 6.5cm. W. 2cm. Condition: No repairs or chips.

Unusually large Tibetan copper and silver or silverplate mihrab form reliquary, or portable shrine box, decorated in repousse on the cover with a pattern of abstract scrolls. The back, sides, and side handles are copper. Also called a “gau,” these prayer boxes were used to hold protective amulets, personal deities, and written prayers. A strap or belt could be attached to the side handles when traveling. Otherwise, they were usually placed on the home altar. 9” high x 8” across at t...

A beautiful original 18th - 19th century Qing dynasty Chinese painting on silk measuring approx. 36 x 48 inches painted on silk mounted to board in antique condition some foxing and damage overall a beautiful painting would enhance any interior.

Pair of tall Chinese famille verte enamel tapered square form porcelain vases molded with relief decoration of the eighteen immortals among clouds set against a pierced ground. A rust-red 5-clawed dragon wraps around the neck of each. Circa 1900 to early 20th century. An apocryphal impressed zhuanshu 6-character Qing dynasty Kangxi square form reign mark is on the base. Custom wood stands. 16 1/2” high (18 1/4” high on stand). Heavily potted and in very good overall condition. From the...

Late Qing Dynasty (19th century) Chinese lady’s front-opening summer gauze kesi surcoat decorated with eight polychrome roundels, featuring a central crane surrounded by butterflies and flowers, set against a dark cobalt blue ground. The crane motif indicates the robe would have been worn by the wife of a first-rank civil official. The sleeve ends are decorated with a water and wave motif. The bottom of the robe is decorated in the traditional pattern of waves, stylized mountains, and diago...

The front of this Tibetan wooden snuff bottle is covered with silver repousse ornamentation. The back is surface is also silver.

The bottle is 5 inches x 4 inches x 2.5 inches.

Late 19th Century or Early 20th Century Japanese Evil Kutani Welcome Cat Maneki Neko

This evil cat is 6 inches tall, and 3.25 inches wide.

It is in good condition with no repairs, chips, nor cracks.

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Four calligraphy works dating from the Edo period mounted on an antique two-panel Kama-byobu tearoom screen; the backing paper covered with minute gold flake. The centerpiece of the screen is a scene of Mt. Fuji next to the character Ryu (for Dragon). This piece is signed Ryukoubi (Soro Ryu 1714-1792) a well documented artist known for calligraphy and poetry who seemed to change names and addresses as often as humanly possible. The other three pieces are by a separate artist, one of which bea...

Japanese Meiji period (1868-1912) Satsuma earthenware vase finely decorated around the circumference in polychrome enamel and gilt highlights with ladies and girls of the nobility engaged in leisure activities in an outdoor garden setting. The vase is moulded with densely decorated relief petals at the top and bottom. Koyama Nanpo mark to base. 6 1/8” high. 19th century. Excellent overall condition with no chips, cracks or repairs. From an old Scottsdale, Arizona collection.

Large Chinese porcelain jardiniere or fish bowl with wide mouth and flattened rim decorated with gilt crabs and fish swimming among aquatic plants on a powder blue ground. Unglazed foot and base. Qing dynasty (late 19th century). 12 ¼”H x 14 ¼” diameter. Weighs about 18 lbs. Very good overall condition with no chips or cracks. Some soiling to the interior from use and typical wear to the gilt decoration. This piece was purchased from an Arizona collection.

Historically important Japanese woodblock print triptych depicting the landing of foreigners of the “Five Treaty Nations” in Yokohama by Utagawa Yoshikazu (flourished 1850-1870). The print features soldiers and civilians from America, England, France, Russia, and The Netherlands grouped together with their respective flag and label. Two Chinese compradores, who facilitated trade, are in the foreground and western ships line the harbor in the background. The print is signed “Issen Yoshik...

Chinese Qing dynasty blue and white porcelain dish decorated at the center with five immortals and a young boy all surrounded by a band of bats at the rim. 8 5/8” diameter x 1/2" high. 19th century or possibly earlier. Very good overall condition with no chips, cracks, or repairs. There is kiln grit adhering to the center of the base and to the foot rim. From the collection of a former American expatriate to Guangzhou and Beijing from 1983-1987.

A Chinese paired apron wraparound silk gored skirt, woven in tapestry (kesi, kossu, k'o-suu) technique with some silver wrapped threads and painted details, attached to an undyed cotton waistband and trimmed by a brocaded band. The panels are showing an imperial imagery of the celestial landscape with five-clawed dragons and phoenixes, against a green ground. The "long" dragons were probably covered by peacock feathers, rarely survived to the present days. Condition: some irregular fading partic...

A rare Buddhist temple banner composed of a central ruyi shaped panel and three suspending streamers with pointed ends and tassels. Made of Chinese Late-Ming and Qing gold brocaded and tapestry silks showing dragons and floral decoration. The top panel is cardboard reinforced and having a seal on the backside. Printed cotton lining and top with leather loop, one tassel with a small bell. The interior of Buddhist monasteries in the Himalayas are often intensely colorful, covered by layers of pain...

This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Diety. These statues were made only by the monks and considered to be a holy relic. This antique gau has a front piece of silv...

Description:

A Houtien nephrite jade pendant was carved nicely in Chinese character Sou(Longevity).
It was being worn by noble people for it's good metaphor.
It was in greenish tint better than in the pictures by preserving very good condition.

Date: Qing Dynasty, 19th century.

Dimensions: 6.5cm x 4.8cm x 0.55cm.

Chinese late Qing dynasty rectangular form hinged cloisonne box with inner tray resting above an open compartment decorated on the exterior in cloud form cloisons with butterflies, flowers, and scrolling foliage emerging from rockery and set against a turquoise ground. Blue counter enamel interior and base. The box was likely designed for holding jewelry with the padded pink silk applied to the inner lid to protect the contents in the tray. Two heavy brass handles and front lock plate. The p...

Chinese Qing dynasty stem cup with everted rim decorated around the exterior of the cup with two faintly incised green five-clawed dragons chasing a flaming pearl set against an egg-yolk yellow background. A green phoenix is at the interior well. A six-character kaishu form underglaze blue Guangxu mark is at the bottom of the interior stem. Probably of the period and dating circa 1900. 3 3/8” high x just under 4 1/2" diameter; weighs 120 grams (4 1/4 ounces). Finely potted and lightweight fo...

A large pair of 19th c. (Edo p) votive Inari Fox images representing the god of fortune. They are 16.5 x 10 x 24 cm (6-1/2 x 4 x 9-1/2 inches). One holds the key to the treasure house in his mouth. One would have been standing over a Buddhist jewel, however that is now missing.
Inari Okami is the Japanese kami of foxes, of fertility, rice, tea and Sake, of agriculture and industry, of general prosperity and worldly success, and one of the principal kami of Shinto. In earlier Japan, Inar...

 

Chinese Qing dynasty ovoid form porcelain fish bowl decorated around the circumference in underglaze blue on a white ground with lotus seedpods and scrolling tendrils topped by a border of alternating pendant spear points and ruyi heads. The pot tapers to an unglazed, flat, slightly recessed base. The interior, rolled rim, and raised rib under the rim are all glazed white. This vessel could also be used as a scholar's scroll pot for storing rolled handscrolls. 7 1/8” high x 9 1/4” diamete...