A Karatsu style shuhai sake cup with cream glaze decorated inside and out by the Zen Priest Nakahara Nantenbo, a priest who was instrumental in reviving the Zen tradition in the beginning of the 20th century. Circling the circumference is a seven character inscription, the first six reading Kaisei Fugetsu O Kan, the last we have not been able to read...

A late 19th/Early 20th Century dragon decorated tea kettle made for export to Europe or North America. It is unusual to find a tea kettle from this period in brass. Condition - good...

This is a CHINESE HUNDRED DEER VASE from a metro Washington, DC area Estate. Size is 18" tall X 12" diameter approx. Ca. 1920- 1945

 

A giant mingei carved mask of an oni (demon) embodying the indefinable sense of madness particular to Japanese Demon images. The face has a mysterious mixture of sadness and evil not duplicated in any other culture, a truly pitiable character. The mask, carved from a single block of wood, is just over 2 feet (66 cm) tall and in fine condition.

A pair of spectacular Mino Yaki Porcelain vases from the studio of famed artisan Kato Gosuke decorated with clusters of grapes under drying late summer leaves. It is 32.5 cm tall, 21 cm diameter and both are in excellent condition, enclosed in a wooden collectors box titled Mino Yaki Kabin Ittsui, Kato Gosuke Saku (Pair of Mino Yaki Vases by Kato Gosuke). Each bears a signature in overglaze on the base, along with two impressed seals. The square seal reads Kato Gosuke...

A spectacular Ikebana basket, dating to late Meiji or Taisho era, in beautiful condition. It measures 11 3/4" high (one side is slightly lower, 11 1/2") and is 15" wide. It retains the original metal liner. Woven of varying size strips of bamboo, the design is complex, demonstrating the fine skill of the basket maker. No breaks or losses, just minor wear from usage. There is a bit of dust in the woven areas, which we have not attempted to remove or clean...

Description: An old Yixing flower arrangement basin with inscription " Sui Qing Xe Qi" (the water is pure while the rock is unique) on one side and carved flower motif on the other side had a special Chinese scholar taste. There're some defects on the rims but would never fail the beauty of this old piece. Date: Late 19th Century Length: 19.5cm Height: 5cm

Japanese Taisho to early Showa period Satsuma earthenware charger finely decorated in polychrome enamel and gilt with a single large foliate form cartouche set against a black background that extends to cover the back walls. The cartouche features a landscape scene with temples set among high mountain peaks. A bridge over water holds a single figure. The decoration is set against a cream colored finely crackled glaze background. Koshida workshop mark to the base...

Mirror pair of Chinese Republic period porcelain fanghu form vases decorated in underglaze blue on a white ground with a continuous scene featuring three figures at the gate of a traditional building. A compound wall extends around the narrow side to end with leafy plants among rockery at the back. The edge of the gate with foliage and rockery is on the opposite narrow side. Two dragon handles are at the neck. The white glaze extends down the interior from the flat rectangular top...

A very unusual pale yellow-green (kiji) porcelain vase in the shape of a Chinese Gu by Seiji Celadon master Suwa Sozan enclosed in the original signed wooden box. Fretwork and a roiling dragon body have been softly engraved into the sides; the slightest variation in tone the only hint to the subtle design-work. The vase is 11-1/2 inches (29 cm) tall, 6 inches (15 cm) diameter and in fine condition...

This is a pair of famille rose in pastel colour and floral design tea-cup. The inside of each tea-cup has a slightly flared top and has a barbed shape rim surrounded by an intricately designed inter-connecting miniature iron red colour ruyi head...

Wild roses blossom on the rich tea green sides of this cloisonné vase by the Ando studio enclosed in a custom silk lined padded wooden box with a separate compartment for the rose wood stand (included). The base color is that of maccha green tea, making it doubly Japanese. Each leaf, each thorn each petal is wrapped in a thin silver wire frame. The vase is roughly 10 inches (25 cm) tall and in excellent condition.

Forty sections of various antique katana scabbards have been set about the circumference of this antique suiban basin for use in Kado and Keido (flower arranging or bonseki sand gardens). Striped, mottled, textured, engraved and polished; covered in sharkskin, snakeskin or lacquered cloth. All lie between belts of tiger striped ebony-like hardwood around a removable copper basin. The handles (on each end) are the actual tie points of the scabbard...

An early snow covers the branches of a ragged pine, the clutches of autumn still evident in the red tinged leaves of ivy clinging tremulously to the limbs. This is a spectacular large Kyo-yaki work signed on the base Seifu and enclosed in a period wooden box. Dating from the late 19th to early 20th century, it is nearly 10 inches (25 cm) diameter, 5-1/2 inches (14 cm) to the top of the lid and in excellent condition. This is the work of Seifu Yohei I.

A fine Japanese bronze vase with moulded designs of Shishi dog and flowers. Measuring approx. 9 inches tall in excellent condition with beautiful patina.

A gorgeous Jubako stacking box of lacquered wood decorated with burgeoning grape vines in powdered gold maki-e dating from the 19th century enclosed in the original wooden storage box. Inside oxidized vermilion grants a sense of celebration, while the outside covered in polished black is the perfect back drop to the shimmering gold decoration. Assembled it is 24 x 26 x 31 cm (9-1/2 x 10-1/4 x 12 inches). Overall it is in very good condition, with some minor dings in the edges typical of use...

A raw-clay-bodied globular vase decorated with comic deer in overglaze enamels by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Akebononoiro-do Shika no zu Kabin (Vase of Sunrise-colored Clay decorated with Deer). The farcical creatures are punctuated by the fellow caught in the act of chewing his hoof (or was he having a scratch?) He looks back at the viewer with wide eyed and sheepish. The vase is 24 cm (9-1/2 inches) diameter and in excellent condition...

Birds in white plumage decorate the shadowed raw clay of this vase by Miyagawa Kozan enclosed in the original signed wooden box...

Chinese Republic period baluster form porcelain vase decorated in famille rose enamels with three large bird and flower roundels spaced evenly around the shoulder. The roundels feature two birds, two ducks, and two quail set among bamboo and flowering plants. A variety of pastel flowers float against the pale yellow graviata ground which is incised with a tight scrolling foliage pattern. The rim and the roundels are thinly bordered in gilt. The splayed foot ends at the white porcelain base w...

A pleasure craft of solid burled wood covered in clear, black and red lacquer with inlayed mother of pearl designs which opens up to be a picnic box. The fore-peak is removable and opens to hold chopsticks. The upper cabin is a sake bottle, the roof a large plate, the the lower cabin food and rice storage. The aft holds 6 small plates, and the structure all can be removed to reveal the food storage in the hold. It is roughly 20 x 8-1/2 x 11 inches (50 x 21 x 28 cm). There is a repair to the...

A rare example of the wellknown Tibetan cups, with high quality repoussé silver depicting Buddhist symbols and a mask at the bottom.. H. 5,5 cm. Diameter 12 cm. This piece dates from the 19th to early 20th century. Made of high grade silver. Good age wear.

Description: A scholar item of an armrest was from early 20th century according to the inscription of date-Summer of Sinsyh. Carved with picturesque scenery of a Qing scholar floating in the stream, it was supposed used and carved by the same person named -Die Shian(fairy butterfly), an alias of a scholar. It was a recommended custom that a Chinese scholar made his own scholar items or inscribed his poetries on an scholar objects like brush pots or armrests. Date: early 20th century. length: ...

Birds take shelter for the coming of night as the mist rolls in on the bare branches of a stand of trees huddled along a stream, all dyed with the colors of late autumn in this exceptional work by Hashimoto Kansetsu enclosed in the original signed wooden box. Seen in silhouette against the moon, are these crows, the stalwart creatures which hunker down through winter, or are they Sagi (herons) harbingers of the cold to come? This painting is a superb example of his mature style. It is mounted...

This unusual pair of Chinese dolls were made with wire bodies covered with fabric padding and then silk clothing. Their heads, lower arms and feet are made from some kind of composition material and then painted. Because of their wire construction, their arms, legs, and bodies etc can be carefully repositioned. The feet are wired together to provide a more stable base...it is a theory which frankly does not always work well.

Each doll is approx 9.5 inches tall in standing position. ...

Old Japanese Bronze Articulated Crab Signed

The crab is 5.25 inches wide by 2.5 inches.

It is in good condition with no repairs, dents, missing parts, nor cracks.

Our Guarantee: We stand behind all of the items that we place on Trocadero. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to us within 10 days of receip...

The turret of a lonely outpost rises from the mountain peak formed by this small Japanese scholar rock set into a hand carved wooden base and enclosed in a wooden box titled Ko jinkaku (Small Armored Tower). The stone is 7 inches (18 cm) tall, 5 x 3 inches (13 x 8 cm). It likely was put together in the early 20th century.

An elegant rendition of the famous Rimpa Crane standing alongside a swirling river of silver created by Shoun for the Shobido Art Studio enclosed in the original wooden box. Extremely well crafted, the creature stands 11 inches (25 cm) tall and is signed Shoun Saku. The black lacquered table is 18 x 13 inches (45 x 33 cm) and is in fine condition.
Shobido has been commissioning works with first rate artists and craftsmen for its own facilities and top Department stores since 1900. Found...

A Japanese blue and white koro with all over cartographic decoration of the Japanese Islands, with provinces labeled, and other bodies including seas and land masses with countries labled. The name used for Korea uses the name Joseon which dynasty (established in 1392) ended by varying accounts between 1897 and 1910. The censer could be later still. The cover with Shishi lion pierced finial over the compressed spherical tripod censer with stylized handles. Four character mark centered within rec...

Flowers of the four seasons blossom in a cacophony of color over the entirety of this Kutani vase signed from the pre-eminent Kaburaki (Kaburagi) studio dating from the opening of the 20th century. The imagery is exquisitely performed with over-glaze enamels on a sheer white ground. The vase is large at 19 cm (7-1/2 inches) tall and is in excellent condition, with some wear to the gold rim. It comes enclosed in an old custom made kiri-wood box.
Kaburaki, along with Yoshidaya, were the pree...

A large and heavy Shiwan stoneware figure with thick flambe/"ox blood" glaze possbly depicting the daoist immortal Li Tieguai and made in China during either the 19th or early 20th Century. Condition - very good. No damages and no restoration. 35cm (13.75 inches) high.

19/20世纪祭红釉石湾陶像
大款、厚重的石湾陶像，厚实的祭红釉...

Large late Meiji to Taisho period Japanese Arita porcelain cylindrical form hibachi decorated in underglaze blue, white, and celadon with mirrors and auspicious symbols. Scattered bisque incised signature seals accent the decoration. 12 1/4" high x 17" diameter. Early 20th century. Very good overall condition with no chips, cracks, or repairs. From the collection of an elderly woman in Sun City West, Arizona.

A cylindrical porcelain brush pot. The exterior painted in famille verte qianjiang enamels with an outdoor setting surrounded by mountains. A seal and several lines of calligraphy complete the brush pot. The base left blank.

Late Qing/Republican Period

Good condition, no breaks or chips

Size is approximately 5-1/2" high

Chinese wedding lamp of articulated porcelain, in two sections, hexagonal in shape with flared and tiered top. Measures 9 3/4" high, and roughly 4 1/2" wide. Each pierced panel has a round section with a scene depicting people in various activities, some with two figures. The entire surface is painted with soft color enamels, in turquoise blue, yellow, rose, green, orange, brown and black. Floral and foliate designs cover the turquoise and yellow backgrounds, all done with good detail. The ...

The richest blue bamboo rises majestically against the bright yellow ground of this exceptional vessel by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Kiyu Seika Takenozu Kabin (Vase with Blue Bamboo Design on Yellow Ground). It is 33 cm tall (12-1/2 inches) tall, 23 cm (9 inches) diameter and in excellent condition, signed on the base.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imp...

A woven African basket - completely covered with cowrie shells - probably made in Ethiopia circa, 1900 - 1940. Condition - the finial and three of the shells on the cover have been re-fixed using an old filler - otherwise excellent. 15cm (6 inches) high; 23cm (9 inches) across

A nice Tibetan 108 wooden prayer beads with two leather counters from Lhasa. The wooden beads are made from the wood of the Bodhi tree where Buddha received his enlightenment. Size: Total length 44cm. Bead diameter. 1.2cm. Condition: All original.

A shu-iro red lacquered sign in the shape of a tea jar dating from the late 19th to early 20th century. A long verse has been carved into the surface before lacquering. The back is bound with cloth and lacquered black. The sign is 16 x 20 inches (41 x 50 cm). There are minor chips typical of age, but is in overall very good condition. For an excellent delve into the distinctive fusion of art, design and commerce of antique Japanese signage see the book Kanban (2017, Mingei Museum, Alan Scot...

Pierce-work combined with over and under glaze decoration create the perfect picture of spring on this bowl by Takahashi Dohachi enclosed in the original wooden box signed Kachutei Dohachi and titled Kenzan Yo Tsubaki Bori Hachi (Kenzan style Camelia patterned Carved Bowl). It is 20 cm (8 inches) diameter and in excellent condition.
The Dohachi Kiln was established in Awataguchi by the retainer of Kameyama fief, Dohachi I around 1760, and the name Dohachi was brought to the forefront of ...

A museum quality koro covered in soft pink glaze decorated with chickens in raised relief surmounted with a woven silver lid by Kiyomizu Rokubei enclosed in the original signed wooden box. It is 4-1/2 inches (11 cm) diameter and in excellent condition. For a piece decorated in the same style see the collection of the Museum of Modern Art, Kyoto.
Kiyomizu Rokubei V (1875-1959) began by studying painting from the age of 12 under the 19th century master Kono Bairei. Upon graduation from th...

A pair of ceramic Cormorants by preeminent early 20th century Master Miyanaga Tozan enclosed in the original signed wooden box. The cormorant has a special place in Japanese art. Like the hawk is a bird used in hunting, the cormorant is a bird used in fishing. A rope would be tied around the long necks of any number of the birds, them then taken out into the water with huge torches burning on the prows of the fishing boats. When the birds dive for and down a fish, they cannot swallow it, and...

A large basin in striking cobalt designs by Miyagawa (Makuzu) Kozan enclosed in an unsigned wooden box. The central figure is a soaring phoenix spiral n elaborate plumage surrounded by clam shaped scallops in which leaping carp vie for the prize. About the rim 3 dragons battle for the flaming pearl. Outside serpentine vines intertwine about voluptuous flowers over phoenix. All together a sumptuous and royal aura. It is roughly 32 cm (12-1/2 inches) diameter and in excellent condition. A si...

A Chinese silk brocade fabric showing a pattern repeat of lotus flowers. Lampas weaving with aniline dyed and gold wrapped silk threads. Condition: a hole (see photo no. 8), partial thin areas and some wear. Dimension: 67 cm wide (whole length) x 165 cm long.

 

A set of five Porcelain Tea Cups decorated by 5 individual artists from the early 20th century; Tomioka Tessai, Tajika Chikuson, Kamisaka Sekka, Imao Keinen and another as yet unidentfied artist, stamped on the base by the kiln. Each cup is uniquely hand painted by the artist; all stamped on the base by the potter, and come enclosed in a quality custom-made period wooden box. Each is roughly 2 inches (5 cm) tall, 2-1/2 inches (6 cm) diameter and all are in fine condition. A similar set by the...

This is an old Yogi, a futon/blanket for the colder parts of Japan. It is a thick cotton dyed in the "Japanese blue", ai/indigo with a tsutsugaki (freehand painted rice paste resist) family crest on the back and stuffed with a cotton inside. The whitle little spots that you see are cutton balls from inside. The condition is excellent; some faint brown stains on the right side bottom and the lower left side bottom of the inside which is giving a charactor to this beautiful piece. Small cuts a...

 

Plums blossom across 24 panels, harbinger of Spring and a cue to the scholars it is time to end the winter isolation and set out on journeys to old acquaintances. Ink and light color on paper dated 1913 with applied gold flake in a silk border decorated with gold designs enclosed in a black lacquer wooden frame. It retains the original backing paper. The screens are 149 x 68 inches (379 x 172 cm) and in excellent condition.
Ikeda Keisen (1863-1931) worked initially under his father Iked...

A Fukagawa double gourd vase 1900-20. This fine quality and likely late vintage Meiji-Taishō era 4-3/8" tall Japanese porcelain hand painted vase is by the renowned Fukagawa Porcelain Company firm of Japan c1900-20. This vase has a blue tassel and two painted small floral groups in gold, green, orange and black. There is a gold upper rim. The mark is the Mount Fuji and stream with the Fukagawa signature, identified on gotheborg.com as being is used from 1900-20. We were also informed th...

Large wooden prayer beads from Lhasa with nine glass bead spacers and two leather counters with ten silver rings each ending with silver inlaid mountain coral and turquoise.The wooden ones are made from the wood of the Bodhi tree where Buddha received his enlightenment. Total length of the beads 76cm. This does not include the counters. Condition: All original.

SOLD, no price, no info. Hand Painted Japanese Dark Cobalt Blue Porcelain Button w Pink Peony motif and fine gold paint to show off on your favorite hat or collector's tray. Unglazed self shank and just under 1" across. Super condition! Sold, no price, no info

Chinese early Republic period porcelain bowl decorated in famille rose enamels against a turquoise ground with a magpie bird perched on a limb surrounded by wisteria, peony flowers, and scrolling vines. To the left of the bird is a red “Dayazhai” (Abode of Great Refinement) hallmark. To the left of this mark is a small red oval panel holding two dragons and the script “Tian di yi jia chun” (“Heaven and earth are united as one family in spring”). The base holds an overglaze rust-re...

A quintessential Taisho style painting of a boy in a mystical forest of flowers, pigment on silk by Hoson Reisui (b. 1897). The ethereal image seems not so much to be drawn on the silk, but to eminate from it. The boy too seems as if a sprite living in some fantastical reality. There is a minor water streak opposing on the bottom outside of both panels (near the signature) and some loss to the white gofun petals. Each panel is 34 x 59 inches (86.5 x 149.5 cm) and is in overall fine condition...

A tripod koro with custom silver lid and rosewood stand by Miura Chikusen II enclosed in a wooden box dated early Autumn 1920 signed by Ume, the mother of the second generation head of the family who died young that year. The white porcelain is roughly 15 cm (6 inches) tall on the stand, 10 cm (4 inches) diameter. This type of Sinophile work was very popular throughout the Meiji and Taisho periods, and Sencha steeped tea had a profound impact on Japanese culture at the time. For more on that s...

A small Chinese carved biscuit porcelain incense holder (or perfumer). The cylindrical carved white, unglazed cover over smaller diameter incense stick holder. The cover fitting onto a stepped rim on the broad base of the incense holder. The top of the cover with three holes to allow aroma from the unburned incense and carved details including small graduated bosses and prunus blossoms. The exterior of the cover with carved decoration of butterflies and a bouquet of flowering prunus limbs and gr...

A pimpled toad looks to the sky exhaling a clouded spirit, a truly superb version of this theme in deep caramel bronze dating from the Meiji period. It is an interesting theme, the ugly creature elevated to the status of saint. Judging by color and quality, we attribute this as the work of Kanaya Gorosaburo (1836-1890), a bronze artist of Kyoto fond of this color and known for his superb modeling and detail. Not always signed, Gorosabutro was often known to sign only the box. This piece is u...

An ominous row of black crows in silhouette cry in unison from the stormy insides of this gassaku bowl made by Kiyomizu Rokubei IV and decorated by Kikuchi Hobun, enclosed in the original signed wooden box. Color has infused the glaze, evidence of age and use and lending to the malefic atmosphere. It is 20.5 cm (8 inches) diameter and in fine condition, stamped on the base Rokubei and signed on the side Hobun.
Kiyomizu Rokubei IV (1848-1920) was first born son of Rokubei III, and took o...

Six different antique ceremonial spoons used during Hindu worship for offering holy water to deities, from Maharashtra. Made of brass or bronze, the largest spoon in "ganga-jumna" technique (brass and copper). Three with cobra, two with lotus bud and one with dancing Krishna final. One with short inscription. From a Swiss lady's private collection. Condition: traces of usage. Dimension: 13.6 cm to 16.2 cm long.

The time of Obon is upon us, the middle of August when the spirits of the dead return to visit their families. A lantern is hung so the wandering souls may find their way. And on the last day of Obon (August 16), in Kyoto, is held perhaps the most famous of all the festivals, commonly referred to as Daimonji-yaki, when 6 massive characters are lit on fire in the mountains surrounding the city to light the way home for the ancestors. Unlike the Gion festival or Aoi Festival, made for tourists,...

A turned kiri-wood kogo incense case decorated with painting of plums and camellia with a silver rim. Inside wide leaves in god outline underlie the artist’s signature and stamp. The piece is 4-1/2 inches (11.5 cm) diameter.
Sekka (1866-1942) is known as the last great Rimpa Master, an artist of many talents who worked in painting, wood and lacquer. Taken from Wikipedia (they say it so much better than I) In 1910, Sekka was sent to Glascow to study Western art and craftsmanship. He s...