The mark of the artist is incised on base.
Size
Height 26.8cm
Width 14.8cm
In excellent condition with signed and sealed original box and leaflet.
Tatsuzo Shimaoka, a celebrated Japanese potter mentored by Shoji Hamada, achieved the pinnacle of his career when he was named a Living National Treasure of Mashiko, Japan, in 1996. Shimaoka gained renown for his distinctive Jomon Zogan (inlaid rope) pottery style...
A fabulous textured on those faceted sake cups and Ichirin Sashi (Single Flower Vase) by Sakai Hiroshi enclosed in the original signed wooden boxes.
Size, Vase, D 9.2 cm H 19.1 cm
Size, Cups, D 6,7cm and 6.5cm
H 5.2cm and 6.6cm
Condition, Excellent
Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone...
In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature...
This pieces is large vase with tokkuri shape. It has covered by ashes in anagama and gold trimming at the mouth, very beautiful contrast.
YouTube movie: https://www.youtube.com/watch?v=Jyxmiceoz4c
Accessary: wooden box signed by artist
This piece was fired for 11 days with pine fire wood in anagama. Melted ashes has turned to green glass as natural glaze, it's very beautiful, And shells that was placed to avoid sticking has become to natural pattern.
YouTube movie: https://www.youtube.com/watch?v=DKmdIyVGWEg
Accessary: wooden box signed by artist
Size: 10.6cm(base diameter) 23.3cm(height)
Eiraku Zengoro XVI Sokuzen (1917-1998) Double Gourd Vase with excellent red glaze...
Koie Ryoji (1938-2020) Korean Style Handmade Tsubo Vase
Size
Height 27.5cm
Width 17cm
In excellent condition
Supplied with signed wooden box
Koie Ryoji
Born in the historic city of Tokoname, Japan, in 1938, Koie Ryoji 鯉江良二 emerged as a prominent figure in the world of ceramics. Tokoname, renowned for its rich ceramic heritage, served as an ideal backdrop for Koie's artistic journey...
Flower vase with angular shoulder and angular hip, slightly curving in on the sides and standing on a bamboo node foot. Heavy but fine gray stoneware that turned reddish brown upon firing, covered with a celadon green glaze with curved striations made by tracing with his finger. The places where the glaze is scraped back to the stoneware, the clay turned red-brown during firing...
Massive natural ash glazed Shigaraki flower vase made by veteran potter Takahashi Shunsai (1927-2011).
Takahashi Shunsai 高橋春斎 is the second child of Takahashi Rakusai III...
A spectacular work by Sugimoto Sadamitsu enclosed in the original signed wooden box titled Aka (red) Hanaire. The feeling is like Raku, with a very thin glaze over rough clay affecting hi-iro colors within the glazing. This is a wonderful piece for showing this master-potters control of glazing and firing technique.
Size, D 1.3 cm H 16.4 cm
Condition, Excellent
Sugimoto Sadamitsu was born in Tokyo in 1935...
A wonderful faceted wall vase by master craftsman Kato Yasukage XIV enclosed in the original wooden box titled Shino Kake-hanaire and signed by the 14th Generation Yasukage followed by his seal.
Size, D 12.1 cm H 18.2 cm
Condition, Excellent
Kato Shoji (1964-2012) was born into the Yasukage family, one of the original unbroken lines of Mino potters, in 1964...
Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire.
They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...
A magnificent Shigaraki vase by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Konsei Hanaire (Blended Clay). The mixed earth creates a unique texture with green ash and burnt red where it has been licked by flame, yet remains pale from the shadows of the kiln, each side is unique, and there is never a dull moment.
Size, D 12.4 cm H 23.1 cm
Condition, Excellent
Furutani Kazuya (b. 1976) is one of Japan’s most promising young stars...
This piece is styled "uzukumaru" pot, it means "squat", Uzukumaru pot is originally made for storing seeds. Since tea masters like as Rikyu used them for vase in the tea room, it has been called "uzukumaru" and loved by them for tea goods...
This piece is with natural glaze that is made of burnt fire woods, melted ashes of fire woods of red pine tree and red skin by flames. The pieces are fired in the small kiln "anagama" for 10days and this piece was fired three times.
Size: 9.0cm(D)/25.2cm(H)
Accessary: wooden box signed by artist
Great Master has been challenging to the pieces comparable to antiques, this piece is made of celadon and copper glaze under celadon. Copper glaze turns beautiful purple color.
The shape shows Japanese traditional drum "tsutsumi".
YouTube: https://www.youtube.com/watch?v=2iR4V81RuAI
Size: 10.0cm(D)/28.3cm(H)
Accessary: wooden box signed by artist
Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire.
They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...
In excellent condition, this bird-shaped, or “torigata” vase is a beautiful example of Iga pottery from last century...
A very versatile and innovative artist, Sakata Jinnai produces pieces such as the vase seen here in his easily recognizable trademark style. Many of his pieces are earthy and primal in compositions, often inlaid with gold or partially painted in “makie” using various lacquers for dramatic effect. Waves and contours also feature prominently in his work; inspired, he says, by cosmic energies and architectures of the universe. Sakata very actively exhibits his pieces and looks for interesting c...
Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme.
*Tachibana Daiki is well known that former Arkansas Gov. Bill Clinton or Cap.Armstrong asked for teaching.
This piece was made in '02 and not used.
His shigaraki(stoneware) pieces are made by archaic way in
old style kiln "ana...
Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extreme precision to combine sheets of differing types of clay, culminating in a unique visual effect. While many of his pieces are ringed with swirls of colors, this one is more modern and subdued. With quite a lot of character, this lovely vase will draw attention without being overpowering.
Born in Nagano, Kosei Matsui (1927-20...
A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating back to the 7th and 8th century—with the major kilns being established some time around the end of the 16th century. Similar in many ways to Shigaraki pottery, the glaze is the result of kiln ash being vitrified and melted on to the surface of the clay body at extremely high temperatures during firing, which can last many days. To add...
Nancee Meeker hand thrown vase
9 1/2" tall
Gray to black gunmetal glaze with spreading accents of green moss hues
Beautifully made and well balance
Lightened areas are reflections from photographic lighting
Signed Meeker on bottom
Excellent condition with no issues to note
Additional Photos for Tanba Yaki Jar by Ichino Shinsui with Tomobako
Small compact vase of irregular shape on a wide foot. Brown clay with white mineral and tiny pebble inclusions typical for Shigaraki and Iga ware, with green and white ash glaze over cross hatched pattern on the shoulder.
A small metal loop on the shoulder in the back to hang the vase from a beam in the tokonoma.
Bottom unglazed. Impressed seal of artist: Kozan.
Japan, Iga ware, Showa/Heisei, circa 1970s-1980s.
H 3-3/4 in., W 4-3/4 in.
Mint condition
Morisato Kozan (b....
One of a kind and absolutely rare: Very large Oni Shino Yohen Tsubo by Tsukigata Nahiko, enclosed in its originally signed double wooden box. A true masterpiece, 8,3 kg heavy, 28 cm high with a maximum circumference of 88 cm, imagine that.
Tsukigata Nahiko (1923-2006) actually needs no introduction. He was not only an accomplished ceramic artist, but also a musician, painter, calligrapher and sculptor.
Tsukigata was born in Niigata prefecture, he studied at the Waseda Un...
A massive (almost 2 kg) Shigaraki Vase by famous Rakusai Takahashi III, enclosed in its originally signed wood box.
The tsubo displays the landscape of fire color (hi-iro), scorch (koge) and burst rocks (ishihaze).
Rakusai (1900 - 1976) was considered as one of the true masters of Shigaraki and Iga-yaki, along with Naokata and later Michio. He worked toward the revival of Kamakura and Muromachi wares, and came to the world stage when he won international acclaim after be...
Here is a large and brilliant Tsubo (vase) by Master Mashiko Potter and Living National Treasure Shimaoka Tatsuzo enclosed in the original signed and stamped wooden box. It is in mint condition with no chips or cracks.
Shimaoka Tatsuzo (1919-2007) is one of the best-known Japanese potters. The artist studied under another pottery legend, Hamada Shoji, to become one of Mashiko master craftsmen. Shimaoka Tatsuzo became independent in 1953 and after having exposed in renowned venues i...
Paddled trumpet vase with attached and pierced lugs with an iron rich Oribe glaze overall
Stoneware and glaze
9.25" x 7"
Tall tataki, paddled hanging vase with my Oribe glaze with accents of iron over the textured surface. Though this piece will stand upright on its own, it is intended as a hanging vase as it would not be exceptionally sturdy supported on the foot.
Stoneware and glazes
13" x 2.8"
Incised and Inlaid Stoneware Vessel by Cho Chung Hyun (born 1940), a retired professor and Dean of Fine Arts at Ehwa Womans University. This piece was recently featured in an exhibition at the Korea Society. Cho Chung Hyun's work is inspired by Korea’s onggi pots. This piece tells a 3,000 year-long story of Korean ceramics, from red-bodied Neolithic pottery, the triangle patterns of Silla ware, the inlaid work of Goryeo ceramics, the form of onggi pots from the Joseon Dynasty, right up to toda...
Hanging Vase, Kakehanaire, by Sachiko Furuya; Honolulu, HI. Bamboo Ash glaze. Pinched body. H. 4.25"(10.75cm) x Dia. 3.75"(9.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited h...
Flower Vase with lug handles on shoulder, by Sachiko Furuya; Honolulu, HI. Black, White, Iron glazes. H. 6.25"(16cm) x Dia. 4.75"(12cm,) Mouth opening 2.0" (5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Du...
No words to describe this incredible large vase by Koyama Kiyoko,signed on the base and enclosed in the original signed and stamped wooden box.
Kiyoko b.1936 started as a painter who drew designs on pottery. Today, she is considered one of the leading Shigaraki potters both nationally and internationally. Kiyoko was the subject of the feature film Days of Fire (Hibi) - please watch a video on the homepage of Momoyama Gallery - and is the pioneering female wood firing artist in Japa...
Baluster style vase glazed in a rich partridge feather iron and temmoku glazes
Stoneware and glazes
13.75" x 6.6"
Vase, Hanaire, Mashiko-yaki, by Tagami Munetoshi. 8-sided body with round neck and lip. Deep black Temmoku glaze. H.7.5"(19.5cm) x Dia.2.75"(7cm.) Ideal for placement in tokonoma. Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high schoo...
No words can describe these two incredible vases by Koyama Kiyoko, signed on the base and enclosed in the original signed and stamped wooden boxes. Kiyoko, born 1936 started as a painter who drew designs on pottery. Today, she is considered one of the leading Shigaraki potters both nationally and internationally. Kiyoko was the subject of the feature film Days of Fire (Hibi), and is the pioneering female wood firing artist in Japan,the potter’s dramatic life and the trajectory of her artist...
A fine Tokkuri by the greatest Shigaraki Legend Tsujimura Shiro. It is enclosed in the original signed wooden box.
Shiro was born in Nara in 1947, likely needs no introduction, certainly one of Japans most well known potters, he has been displayed both nationally and internationally innumerable times.
Tsujimura Shiro first became interested in pottery while studying to be a painter in Tokyo. He rejected the notion of apprenticing with an established master or attending art s...
Large Oribe influenced vase with trumpet style flared neck and mouth and incised around the shoulder of the body of the piece. The neck is flanked by two coiled style ring knobs.
Stoneware and glazes
15.5" x 8"
Try describing this incredible Vase is not difficult: Spectacular is all that comes to mind. This large vase is covered in glassy Oribe green glaze by the important Mino Ware master potter Tsukamoto Haruhiko, born in Mino in 1959
His work, reflects a certain, more modern departure from the established tradition, without compromising the quality of its craft and design.
Tsukamoto Haruhiko studying with Nonaka Shunsei and Asai Reiji. He struck out on his own in 1985 and sinc...
Large Momoyama influenced tataki paddled Oribe vase with large lugs applied on the neck. The pot was fired on wads, which were ground off and the areas are smooth to the touch. This piece has a great deal of volume and is much larger than the dimensions imply.
Stoneware and glazes, made by Craig Bird of Albedo 3 Studio
12.5" x 7" max.
Mizusashi, Fresh Water Jar used in Chanoyu, by George Gledhill; Payette, ID. Wood and Gas fired with Ash Glaze interior. H. 6.375"(16cm) x Dia. 7.25"(18.5cm.) Mouth opening 4.375"(11cm.) Volume = 58oz (1,850cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his wo...
Hanging Vase, Kakehanaire, by George Gledhill; Payette, ID. Saggar fired with grass. This pot experienced heavy charring on the bottom during firing (see enlargements.) H. 3.625"(9cm) x Dia. 3.25"(8.25cm.), with copper ring attached in back for hanging on a wall or post. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism,...
Large wasp waisted vase with chimney style neck glazed in a rich temmoku and tetsu0yu combination with large ring lugs flanking the neck.
Stoneware and glazes
15.75" x 7.5"
White Shino glaze Vase with studded neck & shoulder, by Sachiko Furuya; Honolulu, HI. H. 9.125"(23cm) x Dia. 4.5"(11.5cm.)
Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her wor...
Keikan-ko (Chicken Head) Vase, by Sachiko Furuya; Honolulu, HI. Inspired by a historical Chinese shape. Shino and Bamboo Ash Glazes, with braid handle. H. 9.5"(24cm) x W. 5.75"(14.5cm.)
Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degre...
Vase with wide base, Shino and Bamboo Ash Glazes, by Sachiko Furuya; Honolulu, HI. H. 7"(18cm) x W. 5.75"(14.5cm.)
Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in ga...
Keikan-ko (Chicken Head) Vase by Sachiko Furuya; Honolulu, HI. Inspired by a historical Chinese shape. Shino and Bamboo Ash glazes. Double neck with braid handle. H. 9"(23cm) x W. 6"(15.25cm.)
Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art...
Basket-shaped Vase or Serving Dish with braid handle, Shino and Bamboo Ash Glazes. By Sachiko Furuya, Honolulu, HI. H. 5.25"(13.25cm) x Dia. 9.375"(23.75cm.)
Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuq...
Vase with lug handles and hanging stick, white Shino glaze. By Sachiko Furuya, Honolulu, HI. H. 8.75"(22.25cm) x Dia. 4.5"(11.5cm.) Length of bamboo handle is 22"(56cm) and may need removal if item is shipped.
Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and...
Elegant Shino lugged vase by veteran potter, Ando Hidetake (b. 1938). Thrown and then paddled ovoid, this simple tea ceremony vase was made of Mino mogusa clay and once stiff, the foot was hand carved to produce a fitting oval foot to compliment the form. There are wispy traces of iron under the crisp white Shino glaze meant to insinuate grasses and stemmed flowers in an ethereal Momoyama ink painting inspired manner. The form though modern, traces its roots back to the classical Momoyama era wh...
Saffron hakeme yellow iron glazed double gourd bottle vase with subtle raked slip under the glaze
Stoneware, slip and glazes
9.75" x 5.5"
Functional, decorative and food safe
Charcol fired, yakishime tsubo with "hana", flower designs incised on the pot by Otani (Yano) Shin-ichi
27 x 24cm
In perfect condition with original signed box and stamped cloth
Tall teoke (water bucket) style vase with temmoku and running tetsu-yu glazes
Stoneware and glazes
14" x 7"
Wood-fired flower vase by George Gledhil; Payette, ID. Attached lugs in style of "mimi-tsuki" (ears attached) "kabin" (flower vase) of Iga-yaki. H.6.375"(16cm) x Dia.3.75"(9.5cm.)
Inspired by Japanese Iga ware. H.6.375"(16cm) x Dia.3.75"(9.5cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea p...
Karatsu style tataki paddled vase with haiyu and temmoku glazes
Stoneware and glazes
10.75" X 7"
Round ko-tsubo, small vase with temmoku glaze and clear panels with multi-color enamels in vertical stripes
Stoneware, slip, glazes and overglaze enamels
7" X 7"
Round, full small vase, ko-tsubo with spirali e tagli design around the jar all glaze in medieval green and temmoku glazes
Stoneware, slip and glazes
6.85" x 6.85"
Robust Oribe style ovoid jar with hakeme slip decoration under my medieval green and temmoku glazes. The lip is glazed in a rich temmoku glaze
Stoneware, slip and glazes
10.25" X 7"