The pottery style know as “nerikomi” or sometimes “neriage” in Japan is a technique where various colors and consistencies of clay are stacked together and then cut through to reveal a unique pattern. Here we see a beautiful execution of this approach by potter Wakasugi Naomi (b. 1974) who spent many years perfecting the technique...

Karatsu style tataki paddled vase with haiyu and temmoku glazes

Stoneware and glazes

10.75" X 7"

An incredible mixture of colors glisten like the walls of a Limestone cave in the hills of Akiyoshidai, the karst regtion south of Hagi where the important artist Kaneta Masanao created this bowl, enclosed in the original signed wooden box. The style is Kurinuki, not formed on a wheel but cut and worked from a block of clay, an approach the artist is famous for. The coloration is unusual, a dramatic leap from his usual subdued lavenders and whites...

A fabulous textured faceted bottle shaped vase by Sakai Hiroshi enclosed in the original signed wooden box titled Ai-ji Shino Ichirin Sashi (Blue Shino Single Flower Vase). It is 16.5 cm (6-1/2 inches) tall, 11.5 cm (5 inches) diameter and in excellent condition.
Sakai Hiroshi was born in Toki City in central Mino country in 1960...

A perfectly thrown and golden glazed contemporary Kutani Chawan made by one of the best Kutani-yaki artists, Hasegawa Suiko - please see! The beauty of the painted poetic motifs is simply breathtaking. Waves, a crescent moon and a toki, the Japanese crested ibis bird, so significant for Japan. The exceptional purity of the golden glaze is not found in any other work by Suiko as high class as in this tea bowl.

Hasegawa Suiko, born in 1958, lives in Ishigawa Prefecture...

Braid-handled Bowl with Pouring Spout, suitable for Sake, Flowers, Food; by Sachiko Furuya; Honolulu, HI. White Shino and Bamboo Ash glaze. H. (Bowl only) 3.5"(9cm) [H. w/ Handle 5.5" (14cm)] x Dia. 7.5"(19cm) [Width with Spout 9" (23cm.)] Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

One of a kind! Stunning Kyo-yaki tea bowl in the style of Ninsei Nonomura with strong and vivid colors - made by legendary Nishimura Eiraku Zengoro XVII. It comes with its originally signed and sealed wooden box and is perfect condition.

The Nishimura/Eiraku family is part of the Senke Jissoku, 千家十職, the 10 families that make tea ware for the Senke school...

Black Raku Tea Bowl, Matcha Chawan, by George Gledhill; Payette, ID. Thrown & carved, individually gas-fired to 1900-1950 F (1038-1065 C.) H.3.25"(8.25cm) x Dia.4.5"(11.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates...

The distinctive and easily recognizable style of Bizen pieces, such as the one featured here, originated in Okayama (south-western Japan) and has a long history that is closely intertwined with that of tea culture. Bizen-ware is known for employing a natural-ash glazing technique that is unique to this type of pottery and which requires extremely long firing times (7-14 days) at very high temperatures. This means that constant attention is required to ensure good results...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Wood and Gas Fired. H. 2.25"(5.75cm) x Dia. 3.5"(9cm.) Volume = 4oz (120cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Ash-glaze and blasted with fire color of foggy green and yellow shizen yu glaze ,in this sake set showing the secret to the Furutani family's pottery. Each piece enclosed in the original signed wooden box (titled Shigaraki Tokkuri and Iga Guinomi respectively).   
Size, The Tokkuri: is W 9.8  cm ( 3.8 inches)  H 12.9  cm (5.1 inches)  Guinomi: is W 6.9  cm ( 2.7 inches)  H 5.8  cm ( 2.3 inches) 
Condition, Excellent 
Kazuya (b...

One of the best I have ever seen by him. A metallic Shino Chawan by Tsukigata Nahiko enclosed in the original signed wooden box titled Oni Shino Yohen O-Chawan and named inside Rokugo (also read Rikugo) which is something to do with the ancient concept of the tertiary levels of heaven and earth. Rokugo is outside the Human realm, the universe, the heavens. It is 5-1/2 inches (14 cm) diameter, 4 inches (10 cm) tall and in excellent condition complete with silk pouch and double wood black lacque...

Vase "Kabin" with Bamboo Handle (can also be hung by hole in back) by contemporary ceramic artist, Sachiko Furuya. Height: 7.5". Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited he...

A virtual textbook on Yohen firing effects. Tamadare, Shinshoku, koge and others decorate this spectacular tea bowl by Fukioka Shuhei enclosed in the original signed wooden box titled Iga Chawan and named inside Shizanro (Fuka-yama Michi or Deep Mountain Path).  This could be a reference to the five peaks which make up the rim, a traditional form codified in the mid Edo period by the Raku family of potters. It rests on a wari-kodai split foot, unusual for Iga-ware.  Overhanging cliffs create a...

Here is a classic Abe Anjin Tokkuri proved his mastery of traditional form with this superb rendition of Momoyama style firing. Dark and awe inspiring, it shows to dramatic effect the path of flame in the kiln through the streaks of crusted ash and hi-iro on the sides interspersed with Shiso-iro gray-purple clay. This quality comes from the temperature at which Anjin fires, 200 degrees higher than most Bizen potters.
It comes enclosed in the original wooden box titled Bizen Tokkuri and in t...

Interesting and decorative porcelain tsubo with underglaze blue, sometsuke and overglaze red yuriko decoration and gold accents.

This tsubo is in fine condition and does not have a box and the potter has not been identified. The piece measures 7.25" x 6.5".

This piece is styled "uzukumaru" pot, it means "squat", Uzukumaru pot is originally made for storing seeds. Since tea masters like as Rikyu used them for vase in the tea room, it has been called "uzukumaru" and loved by them for tea　goods. Sugimoto's Iga pieces are usually 3 times fired in "Anagama" kiln, one term for firing is 10days, so it follows that they are fired for 30days.And then they has been making dynamic scene on the surface. YouTube movie:https://www.youtube.com/watch?v=uoN4t0VW...

This contemporary Shiwan figure was made by Mr.Lin Wei-Dong. Mr. Lin is a well-known Shiwan potter. His signature appears on the bottom along with the notice that he produced this piece at Tao Lin Studio. There is a stamped seal on the straw mat close to the foot. The statue is a famous Chinese legendary figure called Ji Gong. As the story goes, Ji Gong was a real person. A Buddhist of the Southern Song, his dates are 1148~1209. His original name was Li Xin-Yuan. He came from Tai-Zhou in modern ...

Strikingly bold patterns revealed through curtains of copper green play across the surface of this large cup by Ikeda Shogo enclosed in the original signed wooden box titled Sake Hai.
Size, D 9.2 cm H 8.6 cm
Condition, Excellent
Born in Kagoshima, the southern extreme of the Japanese main islands in 1976, Shogo would have been inundated with the traditions of Kyushu, a massive area with dozens of ancient kiln sites producing everything from porcelains of the highes...

If you were to want one important piece by this artist, this should be the one.  A spectacular and voluminous Tsubo by Koyama Kiyoko enclosed in the original signed wooden box titled Shizen-yu Kamadare Hi-bi Ko-shigaraki Tsubo (Natural ash glaze with a single drip Hi-bi (the film name) old Shigarki Tsubo) and dated Heisei 2 (1990).  It offers a variety of kiln affects to the viewer, Hai-kaburi, Hi-iro, Tombo no me and a drippy blast of green glass.  The shape is very much in the style of the ...

Tall and massive porcelain vase in the shape of a double gourd, the lower section squared. Decorated in overglaze, traditional Kutani enamels (yellow, blue, green, red, purple and touches of gold) with medallions with thistles, grapes, fruits, butterflies, crickets. On bottom a traditional green square seal: Kutani Masao.

Japan, probably around 2000

H 10 x W 4.75 in.

Mint condition

Miyamoto Masao (b. 1971), son of renowned Kutani potter Miyamoto Tadao, graduated 1996 from...

A dark bowl covered in rivulets of flowing ash by Kakurezaki Ryuichi enclosed in the original signed wooden box titled Kuro Wan. It is breathtaking, and I am already jealous of the lucky soul who will get to keep it.
Size, D 14.8 cm H 9.2 cm
Condition, Excellent
Kakurezaki Ryuichi is one of the most well known of Bizen potters, he is interestingly originally not from Bizen but far off Nagasaki, which seems to have gifted him with the ability to see the clays potential ...

Living National Treasure Fujiwara Kei (1899-1983) Bizen ware Hidasuki Chawan for Tea Ceremony.
The mark of the potter is carved on the bottom.

Hidasuki or fire sleeve-cording technique results when the ceramic items are wrapped in rice straw and then it burns in the kiln with beautiful red markings left on the surface.

Kei Fujiwara has become the second Bizen Living National Treasure in 1970.

Bizen pottery was originally produced in Imbe village of Bizen pro...

A signature work by Kiyomizu Rokubei VI enclosed in the original signed wooden box. Golden light shines through the silhouette of iron colored trees on the tapering cylinder. It was a design technique developed by this generation. The original rosewood stand is included. The vase is 31 cm (12 inches) tall and in excellent condition.
The Kiyomizu family potters managed one of the most productive workshops in Kyoto’s Gojozaka district throughout the second half of the Edo period. From ...

Kakehanaire (Hanging Flower Vase,) Wood-fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H.6.625"(17cm) x Dia.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their in...

A striking tea bowl form the sold out seiries "Kabuto" by the popular young star Ichikawa Toru enclosed in the original signed wooden box. it is this subtle attention to shape and texture which elevates the work of Ichikawa Toru.
Size, D 23.2 cm H 17.2 cm
Condition, Excellent
Ichikawa Toru was born in Tokyo in 1973. he was apprenticed to the Bizen master Kakurezaki Ryuichi for five years before establishing his own kiln in 2015 in Okayama. He is one of Japan’s most promising you...

An incredible work by legendary Abe Anjin in the artists most sought-after style of saishoku colors. All enclosed in the original signed wooden boxes and original lacquered wooden box also stamped by the artist. We see the gamut of this artists career here, red, black and green, Ash glaze, gold, blue, and raw clay. The cups form is dimpled to make it easy to grip, even if imbibed. Being a maker of tea ware, it is this subtle attention to shape and texure which elevates the work of Anjin.

A magnificent and voluminous Tsubo by Tsujimura Shiro enclosed in the original signed wooden box titled Kohiki Maru (Circle) Tsubo. The shape without a neck,and the Kohiki glaze is simple elegance, one of the styles most befitting the humble confines of the tea room, and its ghostly white glows softly like the moon in the shadows. This sublime example by Tsujimura Shiro once again shows his mastery of the craft and expresses an inner confidence and yet unassuming nature of the artist himself, ...

Only a master of aesthetics and a hermit could put his tea bowl together, here an amazing work by Harada Shuroku enclosed in the original signed wooden box titled Bizen Ran-cho Chawan (Unsystematic). Inside the lid it is named Cloud Evaporating into Dragon.  The spectacular glaze effects are surpassed by the texture, seemingly made by an octopus; and it might take eight hands to hold this masterpiece. 
Size, D 14.2 x 15.6 cm H 11.2  cm
Condition, Excellent 
A graduate of ...

Tea Cup, Shino Glaze, (Gas-fired) by George Gledhill; Payette, ID. H.2.75"(7cm) x Dia.2.75"(7cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped to shap...

Ripples cover the archaic surface of this flattened vessel by Sakata Jinnai enclosed in the original signed wooden box titled Hakudeisai Hajomon Henko (White Clay Wave Patterned Henko) It is 11 x 23 x 32 cm (4 x 9 x 13 inches) and is in excellent condition.
Sakata Jinnai was born in Tokyo in 1943, and began as an apprentice under the legendary Kamoda Shoji in 1964, establishing his first kiln in 1966. His work was selected for display at the Nihon Dento Kogei Shinsaku Ten (National Tradit...

For Celadon aficionado Kato Tsubusa is like the jewel in the crown, a centerpiece so unusual and outstanding, and this vase is a particularly rare gem, enclosed in the original signed wooden box titled understatedly Hanaire.
Size, D 21.7 cm H 36.7 cm
Condition, Excellent
Kato Tsubusa was born in the home of Shino, Tajimi city. However after working some in pottery, he moved on to white porcelain, a leap from which he has never looked back. He has been displayed at t...

Mori Togaku (b. 1937) Bizen Flask-Vase (Kabura) in the Shape of a Turnip Japanese Studio Pottery

Rare piece from Mori Togaku's first large kiln firing in 1980.
The potter's stamp on front and base of the vessel.

Large round bottle with globular body, narrow neck and wide, flaring rim.
Half of the body is coloured with goma and half is unglazed creating a powerful constrast of textures from carefully manipulated kiln conditions.

Mori Togaku is a Bizen m...

Dawn breaks over snow laden boulders, the shadows waxing lavender on this spectacular Mizusashi by Kaneta Masanao enclosed in the original signed wooden box titled Hagi Haku-yu Kamahen Kurinuki Mizusashi. This style of digging the work out of the clay rather than forming the clay on a wheel has been a signature of this artists work for more than two decades. The white glazing has altered to soft lavender in the firing process, creating a feeling of opulence over the organic vessel.
Size,...

A crusty black clay vase by Sakata Jinnai enclosed in the original signed wood box. Sculpted out into a crescent, it roughly forms a 24 cm (9-1/2 inch) diameter circle. Excellent condition.
Sakata Jinnai was born in Tokyo in 1943, and began as an apprentice under the legendary Kamoda Shoji in 1964, establishing his first kiln in 1966. His work was selected for display at the Nihon Dento Kogei Shinsaku Ten (National Traditional New Crafts Exhibition) in 1969, and the following year the Ni...

Traditional style jug or pitcher with deep rich temmoku glaze and impressed waffle designs as a repeated motif

Stoneware and glaze

11" X 6.8"

Functional, decorative and food safe

An incredible mixture of colors glisten like the walls of a Limestone cave in the hills of Akiyoshidai, the karst regtion south of Hagi where the important artist Kaneta Masanao created this bowl, enclosed in the original signed wooden box.  The style is Kurinuki, not formed on a wheel but cut and worked from a block of clay, an approach the artist is famous for.  The coloration is unusual, a dramatic leap from his usual subdued lavenders and whites.   
Size, D 12.8 x 13.5  cm ( 5 x 5....

Bizen ware has been made from 16th century for 500 years and well known as one of 6 old kilns in Japan. At the Bizen kilns, no artificial glaze is used and expressions are by just effects of burning fire woods. The effects are by flame and clay and by ashes. The color of clay is grey before firing and changes to red, white and brown after burning. This piece was made by expert artist Satoshi Watanabe and burned in the Samukaze big kiln 52m long. Size D:10.0cm H:13.9cm Accessary /wooden bo...

Shadows of flame exhume the granular qualities of the clay on this superb Yakishime Tea Bowl by Mihara Ken enclosed in the original signed wooden box titled simply Wan . Exquisite, on one side the clay is ash gray, the opposite lively earth tones, and between is an abrupt scorched-land of shadow and color, like that violent moment between awake and sleep.
Size, D 12.7 cm H 10.1 cm
Condition, Excellent
Mihara Ken was born in Shimane prefecture in 1958, and apprentice...

A true Mashiko chawan by greatest Shoji Hamada, enclosed in its signed wood box and an authentification of Shinsaku Hamada.

Hamada Shoji (1894 - 1978) was one of the founding fathers of the Studio Pottery movement, who came over to England with his friend, Bernard Leach, to start the Leach Pottery in St. Ives, Cornwall back in 1920. Like Leach, Hamada did not come from a pottery background but had studied ceramics briefly in Tokyo. Upon his return to Japan, Hamada set up a workshop...

Kohiki is white slip ware introduce from Korea in 16th century. This pieces was made by great master Sugimoto with traditional way. YouTube movie: https://www.youtube.com/watch?v=To38tnRZnlA Size: 8.6cm(D) 4.8cm(H) Accessary: wooden box signed by artist

A set of five long narrow plates by Minami Ayako enclosed in the original signed wooden box upon which is written the titles of each dish. Each dish is uniquely decorated, with Rimpa style waves, flowers in snow, a golden sun peering from behind clouds, the moon rising through the mist, or just swirling colorful clouds. A beautiful set perfect for tapas or small hors d’ oeuvres (or perhaps eel for the daring crowd). Each plate is 6 x 34.5 cm (2-1/2 x 13-1/2 inches) and all are in new condit...

This is everything we could hope for in a bowl by this esteemed artist, Kakurezaki Ryuichi enclosed in the original signed wooden box titled Kuro Chawan . It has a superb organic form, texture and the imperfectly torn sides coated. Blue-gray ash separated from the raw dark clay by a thin bead of pale brown color. The wide base and low stance create a very powerful presence. This is a great opportunity to acquire a very special piece by this artist.
Size, D 13.6 cm H 9.5 cm
C...

This Bizen vase by Ryuichi Kakurezaki is an exquisite piece that showcases the artist's mastery of the Bizen pottery tradition. Standing tall, the vase features a graceful and organic form with a curved bulb-like base. The rich, earthy tones of the Bizen clay are beautifully highlighted, exhibiting natural variations and textures that are characteristic of the firing process. The vase exudes a sense of quiet elegance, with its simple yet captivating silhouette. The craftsmanship is i...

An organic form like some wavering anemone built from tiny curls of rolled ceramic bound together with slip by female artist Furui Akiko enclosed in the original signed wooden box titled Sou Katachi (Following the shape) dating from 2017. It is built of hundreds of rolled sheafs of shaved clay covered in a white slip and fused together. The amount of work which goes into each sculpture is obvious, making her work great value. It is 12-1/2 inches (32 cm) long and in new condition.
Furui...

Traditional Oribe hachi with vivid combed flowing water texture made by the internationally lauded potter, Kato Yasukage XIV. Elegant and traditional in form with quick, gestural combed texture on the front and stright lined texture to the back, creates a wonderfully decorative and functional hachi which balances on three well conceived feet. This is a classic Oribe, full of motion by Kato Yasukage XIV, a perfect blend of form, texture, colors and posture make it an excellent example by a potte...

Mixed stoneware clay, unique curved lines, movement, form, pattern and warm textures of nature are a clear influence of those works by Izumita Yukiya enclosed in their original signed wooden boxes titled Sekisoh Guinomi and Sekisho Tokkuri respectively.

Yukiya was born in 1966 in Rikuzentakata City, Iwate Prefecture . In1995 opened is own workshop. His list of exhibitions and awards is too long to print, but include the grand prize at the Asahi Ceramic Exhibition in 2000 and 2002, the...

Living National Treasure Fujiwara Yu (1932-2001) Bizen Goma-Hidasuki Chawan (Studio Pottery Bizen ware).
The mark of the potter is carved on the bottom.

Very interesting chawan which combines two Bizen techniques: Goma (outer side) and Hidasuki (inner).
Goma resembles sesame seeds because the of the attached pine ash. The pottery is placed on the shelves full of prepared ash which melts by heat during firing.
Hidasuki technique results when the ceramic items are wrapped...

Guinomi (Sake Cup) by Isamu Tagami of Hinata Kiln, Mashiko. Kaki Glaze exterior with reg & green overglaze enamels. White interior. H.1.375"(3.5cm) X Dia.2.875"(7.5cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is currently the 4th-...

A powerful Chossen-Karatsu mimitsuki hanaire flower vase by Nakagawa Jinembo (Jinenbo b. 1953) enclosed in the original signed wooden box. Licks of blue fire rim the blast of pale white covering the upper reaches of the dark earth. The shape is hammered and beaten by the flame, shinshoku wear from the extreme heat beginning to degrade the lip. It is 8-1/2 inches (22 cm) tall, 5-1/2 inches (14 cm) diameter and in excellent condition. A rare opportunity to acquire a masterpiece by this highly ...

An organic form covered in thick emerald glaze Higashida Shigemasa and enclosed in the original signed wooden box titled Oribe Jikiro.  The eclectic shape is rendered roma block of clay, hollowed and torn, like the ragged crags of Gifu, home of this pottery tradition.  Natural textures to bring out the depths of the oribe green, and electric shimmers of blue rush over the edges evoking the sense of water on the move.
Size, D 22.5 x 28.8 cm   H  18.2 cm  
Condition, Excellent...

An early piece from the Mudai series by Takiguchi Kazuo enclosed in the original signed wooden box. Unlike his later works which featured stone-like glazes, this glaze is soft and crinkled on the surface, like an undersea life form. It is 15-1/2 x 8 x 10 inches (39 x 20.5 x 25 cm) and is in excellent condition. Kazuo is an exceedingly sought after Kyoto artist, one of the heirs of the original Sodeisha movement. Born in 1953, he studied economics at Doshisha Univesity while making a brief ...

Rich rivulets of stunning green crystallize on the surface of this tokkuri sake-bottle by important Mino artist Hayashi Kotaro enclosed in the original signed wooden box. The bottle is roughly 6 inches (15.5 cm) tall and in excellent condition.
Kotaro was born in Gifu prefecture, and graduated the prefectural ceramic facility. He was displayed at the Nihon Dento Kogei Ten (National Traditional Crafts Exhibition), Asahi Togei Ten Ceramics Exhibition and Chunichi Kokusai Togeiten among othe...

Matcha Chawan, Tea Bowl, by John Miller; Portland, OR. Red Shino glaze. H.2.75"(7cm) x Dia.4.625"(13cm.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in Japan,) he had the chance to see an ...

It is as if drifts of snow have piled up on the garden stones, leaving dark recesses filled with shadow in the low winter light, a fabulous Tsubo by Kimura Morinobu enclosed in the original signed wooden box titled Kuroji Kakewake Hakuyu Tsubo. It is 26 cm (10-1/4 inches) tall, 25.5 cm (10 inches) diameter and in excellent condition. This is one style for which Morinobu is very well known and unique to him.
Kimura Morinobu (b. 1932) was one of three born into a pottery family in Kyotos ...

An iconic work in pale white by Living National Treasure Tsukamoto Kaiji enclosed in the original signed wooden box titled Hakuji Wakaba-mon Dai-zara (Footed white porcelain dish decorated with young leaves. The execution is breathtaking, so perfectly formed it demonstrates clearly the talent for which he was named a Living National Treasure. It is 23.5 cm (9-1/2 inches) square, 5.5 cm (2 inches) tall and is in excellent condition.
Tsukamoto Kaiji (1912-1990) was fascinated with Song p...

Hayashi Shotaro is one of Japan’s preeminent potters, and he has outdone himself again with this mouthwatering work decorated with a pagoda in dark iron silhouette against an iron red sky fading to darkness at the rim. It comes enclosed in the original signed wooden box titled Manyou Yamato-ro Henko (Manyo is his signature glaze and Yamato-ro refers to imagery of old Japan). This piece was shown at his exhibition celebrating 45 years of potting, and is featured in the catalog image number 19...

Temmoku and haiyu glazed tea caddy, chaire with ceramic lid. There is flowing glaze all around the upper portion of the wasp waisted form with a beautiful green steak present on the face of the pot.

Stoneware and glazes

4.2" x 3.25"

Functional, decorative and food safe

An exquisite tea bowl by master for that genre Koie Ryoji enclosed in the original signed wooden box titled Hikidashi-Kuro Chawan. Clay, glaze, tradition, form, function, past and future. A simply stunning work by the master of tea bowls.
Size, D 10.4 x 13.6 cm H 8.6 cm
Condition, Excellent
Born in Tokoname, 1938, Koie Ryoji graduated the Tokoname industrial school and moved on to work at the City Ceramic Research Facility. In 1966 he established his own studio. Largely...

A high walled teabowl form with thick wavy slip under my medieval green and temmoku glazes and a bloesem design making the surface appear like tortoise shell at points

Stoneware, slips and glazes

5" x 4.15"

Functional, decorative and food safe