Oil on canvas laid on board, 18" by 12", (25 1/2" by 19 1/2" in its quality gilt frame), apparently faintly signed at lower right and bearing the artist's red estate stamp on the reverse. This is an impressionistic view of a mother or nanny and her two young children, one in a baby carriage, by a well listed painter...

This is a **PAIR** of unframed paintings in acrylic on Masonite (one appears to be on a thin, gauzy type of canvas laid on masonite), one 18" by 24", one 24" by 12" by noted Northern California artist TED CHRISTENSEN (1911-1998). Neither is signed on the front but they are typical of the subject matter and technique of the artist. Both are inscribed on the back; one says "#89-1 TED CHRISTENSEN/ACRYLIC - 12" x 24"; the other says "9002 -GOLDEN GATE/TED CHRISTENSEN/ACRYLIC 18" by 24"...

Oil on canvas, 18 1/4" by 27 1/2" plus 3 1/2" wood frame, signed at lower right by the artist in Cyrillic and dated "51". This is a work of Russian impressionist LEONID BORISOVICH IANOUSH (1897-1978). His name has been spelled also as "Yanush". This is a finely executed work. Quite underrated currently, the artist was definitely professionally trained and very talented, his paintings spanning landscape, nudes and interiors...

Oil on canvasboard painting of an autumnal scene, 8" by 10" (14" by 17 1/4" in gold style framing), titled on the reverse "Eaton Canyon/Altadena, CA" and dated there 1999, signed on the front at lower left corner by the listed California contemporary plein air artist RAY CUEVAS 1932-2020. Cuevas since the mid 1980's has been known for his works featuring local scenes in the San Gabriels and vicinity, as well as other parts of Southern California...

Oil and maybe sand mixed in, on paper backed by masonite, 19 3/4" by 24 1/4" (22 3/4" by 27 1/2" as framed), signed "CALZADA" at upper right. The subject is a Picasso-esque harlequin with a haunting, intense, soul-stirring stare, his hands clasped at bottom center, a mysterious drape separating face and hands, all by the noted listed Spanish artist and humanist, LUIZ SAENZ DE LA CALZADA (1912-1994)...

Painting on board of quail and black Native American pot, probably Santo Domingo Pueblo or Santa Clara Pueblo (??), 8" by 10" (13" by 15" framed), signed at lower right by listed western American artist HAROLD WATT (1925-). Watt was trained at the Jepson Art Institute and also at the Art Center School of Design in Los Angeles. Instructors included Rico LeBrun, Lorser Feitelson, and Francis DeErdely. Watt worked for the Hollywood studios and also commercially as an illustrator...

A charming small painting of a cold winter day in the country, a lone woman braving the elements with her cane, in front of a modest cottage doing its best against the harsh elements. Some smoke comes from the chimney as a hint of warmth in an otherwise bleak scene. Measurements as framed are 9" by 13 1/2". There is no signature. The reverse shows this is painted on a circa 1870's gray English art board from a London supply house...

Oil on unusual crimped/bent metal tin panels, each extensive landscape painting measuring 5 1/2" by 9 1/2" and about 1 1/2" margin all around, each signed at bottom in red "H. ROUX". These are beautifully painted works of the nineteenth century by an apparently listed Swiss artist. The pair has some scratches and small abrasions in a few spots, and one has a scratched area at top extending into the gold margin; but, these flaws are not so significant as to affect the overall impression...

This oil on canvas painting of a waterfall in a forest, the light refracting the spray into a rainbow, was acquired by me more than 15 years ago here in Los Angeles. Measuring 14 1/2" by 11 3/4" (19" by 16" in circa 1930 frame), it retains some evidence of a signature, in red, at lower right, that signature ending in "s"; and on the stretcher confidently written in an old hand is "F. De Bergh Richards". (His name has been variously spelled as "De Berg", "DeBourg", etc.)...

Oil on canvas, 18" by 24" and 1 1/2" wide white and gold painted frame, signed at lower left "EH Deffner '51" and inscribed on reverse "Sweetheart Lake/E.H. Deffner 10-'51/$150.00". This is a beautifully executed work by a talented artist, on whom I have not located a listing. From the subject matter I would suspect this work to be from the Pacific Northwest, like Oregon, Washington, or Northern California. There is a decidedly modernistic handling to the leaves on the tree at right...

Oil on masonite painting of industrial dockside scene, 15" by 19" and 1 3/4" of liner and frame, signed at lower left and dated "58"...

Oil on canvas scene of a central Parisian plaza by the Seine in the late 19th century, including an advertising kiosk, horse drawn wagons, and figures dressed in the manner of the times, the Seine and domed building in the background, 20" by 24" (28" by 32" framed), signed at lower right by the popular contemporary painter who signs as "G. SHERMAN". The scene is reminiscent of Caillebotte's or Pissarro's famous scenes of Paris, and a number of other impressionist artists who favored the always p...

Painting of a city skyline, perhaps New York or San Francisco, 20" by 16", (25" by 21" framed), signed at upper right by the noted Brazil-California 20th century artist OZZ FRANCA (1928-1991). Franca is perhaps best known for his paintings of Native American women, and "Big Eye" children, but he also painted a wide range of other subject matter. The Askart listing says he painted, among other subjects, fantasy, dreams/mystery, female figure, still life, cityscapes, seascapes, and pure abstractio...

**One of two works by the artist in my shop** Oil on canvas, measuring 16" by 20" (22 1/2" by 26 1/2" as nicely framed), titled "Pond Farm" (and original $400 price) on the original Dalzell Hatfield label affixed to the backing. I do not see an actual signature on the painting itself but have not removed the backing board to search the reverse side. The painting is in excellent original condition. The Illinois-born Lutz is known today for his urban landscapes and genre subjects, often painte...

Oil on canvas painting of mountains and a beautiful lake, 20 1/2" by 26 1/2" (28" by 34 1/2" framed), signed at lower right by the listed Hungarian painter MARTON BARABAS (1893-1974). Barabas was born in Hungary and received his initial art training there, before moving on to Munich and Paris for further study. Eventually he established himself in Berlin for many years before moving to Los Angeles in 1958. In 1971 a book, "The Art of Marton Barabas de Markosfalva" was published in that city. ...

Fine oil on canvas painting of a quiet street and buildings on a gray day in winter, possibly Montmartre, signed at lower right by the highly regarded French School of Montmartre painter ALPHONSE-LEON QUIZET (1885-1955). Quizet though not a household name today, was a significant figure in the group of artists painting the bohemian, and in some parts, country-like Montmartre neighborhood on the outskirts of Paris in the first half of the century. Quizet was born in Paris and was headed for a c...

Oil on canvas laid on board painting of a colorful, flower-filled garden with paths and birdbath, what appears to be a fog bank moving in, 15 1/2" by 19 1/2" (24" by 28" as framed), signed at lower left by the well listed California painter WILLIAM CONSTABLE ADAM (1846-1931). This is a typical work of an artist who is today best known for his depictions of the landscapes, gardens, and houses of the Monterey Peninsula area. Born in England, Adam studied in Paris, Glasgow and even Buenos Aires, ...

Oil or acrylic painting on canvas, 30" by 20", unframed, (with name and other information on the reverse) by the well listed Australian aboriginal artist ANNA PRICE PETYARRE (birth dates given as 1960, 1962, and 1965--). This is most unusual for art of its type in that the work is in crisp blue and white only. From askart: "....home is Atneltyeye, Boundary Bore, on the Utopia Homelands, approximately 220 km from Alice Springs. She lives there with her family. She is a grandmother with five ...