Large fine English antique mid 19th century print of mounted riders in traditional red coats, and their trained hounds, in an extensive landscape, the title "John Josselyn Esq. and the Suffolk Hounds", engraved by Charles Mottram (1807-1876) after the painting by Edward Robert Smythe (1810-1899). The print, mounted long ago to a board, was published circa 1865 by Henry Graves & Co. of Pall Mall...

Two antique prints circa 17th century, matted together, one featuring profiles of a man's head (6 1/2" by 9 1/2"), the other a study of a bare foot and a foot in a sandal (6 1/2" by 4 1/2"), the head profiles, originally drawn by Annibale Carracci (1560-1609) for his "Livre de Portraiture", subsequently transferred into engravings, likely by Jan Van Haelbeck (fl. 1600-1630) and published in Paris in 1667 by Francois de Poilly. Carracci's name is at lower left, and de Poilly at lower right...

Fine decorative 19th century engraving print, titled at bottom margin "Philadelphia from Belmont (WEST PARK)", by English-born artist ROBERT HINSHELWOOD (1812-1879). Hinshelwood came to the United States in 1835 as a young man and pursued his art skills, in both painting and engraving. In this case he seems to have engraved after his own original painting---a fairly rare skill combination...

**FOUR** identically framed early (1830) color aquatint engraving prints of classic English sporting art subject, the Grand Leicestershire Steeple Chase, 1829, printed by the noted R. Ackermann Jr. of Regent Street, London. The plates are from a series, though this is not a complete series; the group includes Plate 1, Plate 5, Plate 6, and Plate 7. They all measure 14" by 17 1/4" inside the framing (18 1/2" by 21 1/2" framed)...

A fine copper engraving of the year 1596, by the noted Old Master JAN PIETERSZ SAENREDAM (1565-1607), featuring young couples in a festive mood, in a Dutch town at the end of the sixteenth century. The print (Hollstein catalogue raisonne #133) is titled "Feiernde und Tanzende Junge Paare" (roughly, "Celebrating and Dancing Young Couples"). It measures 12" by 15 3/8" inside the present mat and the piece is 18 1/2" by 24 3/4" in the contemporary strip gold framing...

Two fine engravings of Mount Vernon, and the White House, each framed and measuring 6 3/4" by 8 3/4". These appear to be the same images that have appeared on US currency in the past, and the very high quality type of printing (intaglio?) is the same process. These were produced by the Bureau of Engraving and Printing, either as printing proofs, or perhaps as official souvenirs to be sold in a gift shop setting----the Bureau's name is printed at the bottom of each...

A lovely hand colored scene, "City of Providence", engraved by listed American 19th century artist ASA COOLIDGE WARREN (1819-1904) after an apparent painting by artist R. Hinshelwood (see lower right margin for that name). Robert Hinshelwood (1812-1879) came from England circa 1835; he was an engraver, etcher and painter. The panoramic view is from a high point, and some tiny figures in the composition add human interest...

A fine example of the etcher's art---an original etching titled in lower margin "The Smoker", signed in plate at lower left "Meissonier" (and date that looks like 1818), signed again at extreme lower right corner by Paul Adolphe Rajon (1843-1888). This is after a circa 1850's original painting by the important 19th century French painter JEAN-LOUIS-ERNEST-MEISSONIER (1815-1891). Rajon created the etching after the painting, in the 1870's...

This is a decorative, hand colored print, possibly dating to 1784, issued as a plate in "New and Complete British Traveller", titled at bottom "View of Hackney in Middlesex". Presently the print itself measures 6" by 6 3/4" (10 3/4" by 12 3/4" in simple black wood frame). I see from online research that this example seems to have been cut down, with all decorative border areas, and the name of the publisher, Alex Hogg, at the Kings Arms, No. 6 Paternoster Row, trimmed away...

A scarce botanical mezzotint engraving of the plant species "Caryophyllus gramineus humilis" (carnation), plate No. 330, from Phytanthoza Iconographia, 1737-1745, considered the first important botanical work to use color engraving prints. The work is known for the accuracy and beauty of the prints, which can now bring impressive sums at Sotheby's and Christie's auctions in London...

The French fashion and costume magazine "La Mode Illustree" operated from about 1859 through at least the 1920's, featuring the styles of the day. This is a fine engraving, circa 1875 or 1880, judging from the fashion depicted...

Decorative old engraving of early New York, printed in Paris, circa 1850, with quality contemporary framing and hand drawn mat lines. This lovely print is ready to hang in your traditional fine interior. The print is exceptionally clean and fresh as is the mat (photo shows what appears as a scratch in glass at upper left, it was simply foreign matter I removed easily after the photo). The work bears a label of Summa Gallery, Brooklyn Heights, New York. Measurements 12 1/4" by 13 1/4".

THREE hand colored French 19th century prints featuring early-day Japanese soldiers, each 9 1/4" by 6 3/8" inside the faded old violet mats, to which each is simply taped at top edge. The prints are unframed. Two have a dark foxing mark, and all are of sufficient age to have acquired the signs of age---paper toning, slight handling creases and so forth. Fresh mats and frames will display them properly and preserve them for another 150 or so years. When viewed at an angle one can see the use ...

From the 1720's book "Oud en Nieuw Oost-Indiën ..." by naturalist, minister and early day traveler François Valentyn/Valentijn, a horizontal format, large unframed antique engraving, 13 1/2" by 31", titled at top "Amboina" (Ambon Island and town, in the far eastern reaches of present day Indonesia), engraved by F. Ottens (possibly, Frederik Ottens). This was an active Dutch missionary site in the Moluccas, famed for exotic spices. Francois Valentijn (1666-1727) was active in the area of the ...

Three fine engravings of Mount Vernon, Monticello, and Independence Hall, nicely mounted and framed together vertically. The framed piece measures 16 1/2" by 11". These appear to be the same images that appear on US currency, and the very high quality of the printing (intaglio?) is similar. One wonders if these have been produced by the Bureau of Engraving and Printing, either as printing proofs, or perhaps as official souvenirs to be sold in a gift shop setting. The detail is extremely cris...

This is a fine, limited edition wood engraving by the highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1956, when the artist was 67 years old. At lower left in pencil is "Ed. 100". Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had falle...

King David playing the harp, as a angel holds an open book before him, and another holds a gigantic sword while writing in a book; after Domenichino Engraving 1718-1729 12.2" by 9" trimmed water stain as sen on back. For the same image see The British Museum collection donated in 1919.

This is an engraving of the year 1821, measuring 13" by 10 1/2" (23" by 20" framed), formerly thought to depict Jeanne d'Aragon but now believed to be Dona Isabel de Requesens y Enriques de Cardon-Anglesona, the image developed by Pierre Bouillon (1776-1831), engraved by Raphael Morghen (1758-1833), after a circa 1500 painting with elements by Raphael Sanzio and Giulio Romano. The lady of means is seen in 3/4 view, her royal garments shown in impressive detail, a view to a loggia beyond, and ca...

PAIR of fine engraved prints, 9 1/4" by 13" inside the innermost mat, and 20 1/2" by 26" as framed in attractive quality burl wood, one titled "Windsor and Eaton", the other "Carfax and Abingdon", created by the well-known late 18th century topographical artist and diarist JOSEPH FARINGTON (1747-1821). These are quality prints ready for display in any traditional interior, with fine detail and subtle coloring complemented by the rich brown burl and fine matting. Farington painted in oil and wa...

Decorative botanical copper engraving print from 1806, after the famed English botanical artist SYDENHAM EDWARDS (1768-1819), measuring " by " as framed. Sydenham was the son of a Welsh schoolmaster, and went on to become one of the principal artists for Curtis's Botanical Magazine late in the 18th and early in the 19th century. After 1815 he went on to publish The Botanical Register. The present example is surrounded by an ornate mat. There is a small foxing mark at right but otherwise the ...

Offered together as a pair, these are hand colored stipple engraving botanical prints, one titled "Neottia speciosa", the other "Paonia albiflora", by the highly important Belgian-born botanical artist of the late years of the 18th century and early years of the 19th, PIERRE-JOSEPH REDOUTE (1759-1840). The original drawings from which the images derive were created sometime around 1810. Redoute was renowned in his own time for his skills, patronized by none other than Marie Antoinette and the ...

Engraving on paper, the sheet 16" by 13 /4" (23 3/4" by 20" as framed), the subject man's cruelty to animals. This work, part of a series of images dealing with the subject, has become over time a landmark commentary on man's cruelty to his fellow creatures. This print is by one of the most famous satirists and social commentators of all time, WILLIAM HOGARTH of England (1697-1764). Hogarth was a painter as well, but it is for his satirical, widely distributed prints focusing on social misdeed...

Very decorative truly antique, 1770's print of an elegant lady standing, in the sanguine color, crayon technique (also known as "chalk-manner") perfected by talented eighteenth century artist GILLES DEMARTEAU (1722-1776). The print, executed after a painting by the great French Rococo master Jean-Honore Fragonard, measures 15" by 10 5/8" inside the fine French matting, with gilt border and numerous outlines, that in turn housed in a gold leaf antique frame measuring 22" by 18". Fragonard's nam...

Original eighteenth century engraving by the famous artist GIOVANNI BATTISTA PIRANESI (1720-1778), titled "Veduta interna di una delle tre sale sepulcrale credute della Famiglia di Augusto". This is a classic print by the undisputed master of architectural views, the sheet measuring 19 5/8" by 22 3/4". Condition is fair with old oxidation, foxing, and stains in the extreme lower corners, and, the piece has the normal center fold. More photos on request.

**SET OF 4** The French fashion and costume magazine "La Mode Illustree" operated from about 1859 through at least the 1920's, featuring the styles of the day. This is a set of four fine engravings, circa 1875 or 1880, judging from the fashion depicted. All are hand colored. Size as framed 15 1/2" by 12 3/4" (one without glass, which had shattered). The framing stained oak. The prints are very clean inside the mats. The one that I did view outside the frame had some edge damages and so forth, b...

Etching on paper, 6 1/8" by 9" inside the mat (13 1/8" by 15 1/2" as framed in attractive oak), the title "Emigrants on the Plains", bearing at lower left margin "F.O.C. Darley, fecit." and at lower center "Entered according to act of Congress, A.D. 1869, by D. Appleton & Co in the clerks' office of the district court for the southern district of N.Y.", and at lower right "H.B. Hall, Jr. sc.". This is an extremely clean and fresh example of this well known print by an artist called one of A...

Engraving with hand coloring, 4 3/4" by 8 3/4" inside the mat, 9 3/4" by 12 3/4" in interesting old framing, the work trimmed on all sides, including the title "The Beverley Shore", after the important nineteenth century American artist JOHN FREDERICK KENSETT (1816-1872). Kensett is famed for his luminist technique and the almost spiritual stillness of some of his coastal landscape paintings, which have exceeded one million dollars at major auctions. He worked in his father's engraving shop in...

Engraving on paper, the sheet 16 1/8" by 19" (18" by 20 1/2" as framed), the subject a bewigged magistrate type at his desk, surrounded by a salon of 18th century folk, the title line underneath beginning with "Here Justice Triumphs in his Elbow Chair.......". This is a moralizing work by one of the most famous satirists and social commentators of all time, WILLIAM HOGARTH of England (1697-1764). Hogarth was a painter as well, but it is for his satirical, widely distributed prints focusing on...

Unusually large detailed engraving, 31 1/4" by 20 1/8", laid down on board, of Christ coming down off the Cross, this example engraved by Nicolaus Dorigny (1657-1776), and possibly after Daniel Ricciarelli (1509-1566), in turn after a painting by Raphael. The work is dated 1720 at lower left. There's a lot of text in Latin at bottom, and a close look reveals the names of the two above artists. The print has gone evidently a long time without glass protection, so has acquired a few nicks and ...

An Old Master woodcut illustration of Theuerdank defeating another knight, one of 118 cuts illustrating one of the greatest books of the German Renaissance, going by that same name, Theuerdank. The book is considered something of a chivalric romance, relating the fictionalized, romanticized adventures of Maximilian I in the course of his journey to the Netherlands in 1477 to fetch his bride, Mary of Burgundy. Apparently Maximilian, also known as the Holy Roman Emperor (1459-1519), wanted to ac...

A typical example of the work of Dutch 18th century printmaker JACOBUS HOUBRAKEN (1698-1780), titled "Abraham van der Hulst/Vice-Admiraal van Holland en West-Vriesland". The small engraving measures 6 1/2" by 4 3/8" inside the mat opening and 9 1/2" by 7 1/2" framed. Houbraken was born in Dordrecht. He learned the art of engraving from his artist father Arnold Houbraken. In the course of his lifetime he executed over 400 such portrait engravings, many of the likenesses being today the only k...

After a drawing by the noted French artist JEAN-FRANCIS AUBURTIN (1866-1930), this is an engraving in sanguine colored ink by the noted Swiss artist GEORGES AUBERT (1886-1961). Both artists have signed their names in pencil, Auburtin at the left and Aubert at the right. The work measures approximately 14" on a side within the mat opening (not examined out of frame), and 20" by 18 1/2" as framed. The image is of a young female viewed from the side, her legs drawn up, as she blows on a large sh...

**PAIR** of fine engravings, each 15 1/4" by 22 3/4", (24" by 30 1/2" as framed), from the famous series "The Voyage of Life", mid 19th century, after the series of four paintings of that title by the major American artist and founder of the Hudson River School, THOMAS COLE (1801-1848). All four images from the series are composed of imaginary scenes and are filled with allegory and symbolism. The two prints offered here are "Youth" and "Old Age" (the missing ones being "Childhood" and "Manhood...

A set of SIX framed engravings, each 14" by 9" and 16 1/2" by 12 1/2" identically framed, featuring architectural facades and urns, by the very well known eighteenth century Flemish architect and engraver JEAN FRANCOIS DE NEUFFORGE (1714-1791). Neufforge is known for his "Recueil Elementaire d'Architecture", a landmark publication of its time, late editions containing 900 engravings of all aspects of 18th century architecture. The work went through a number of editions beginning in the 1750's,...

Nineteenth century English hunting scene after the noted English artist who specialized in equestrian, racing, coaching and hunting scenes HENRY ALKEN (1785-1851). Alken's oil paintings sell for large sums at auction, and his prints are popular with interior decorators seeking that traditional look through sporting art. According to the fine print at bottom center this engraving was printed in the the year 1838 in London. Alken, himself a huntsman, is the best known of a family of prominent E...

A circa 18th century engraving of stone arch bridge over a river, more than likely in Italy, 10 3/8" by 15 7/8" inside the ornately drawn mat and 16 1/2" by 22 1/2" in a contemporary distressed style complementary silvery-colored frame. The work is not visibly signed. A google reverse image search did not turn up a matching image. The overall decorative effect of a black and white print in dark charcoal mat in silvery-goldish antique finish frame is very satisfactory---would work well in your...

Old print of what I believe are camellias, 10 1/2" by 8 1/2" inside the mat with hand-drawn outlines, 15 1/4" by 13" in what is now (but might not have been originally) a convincingly distressed gold frame, with hand coloring delicately applied. At upper right near the mat is "Pl." and a number so this was no doubt a plate from a book on botany. The item was probably framed in the early 1960's. There is some water staining of the very lowest portion of the mat. If you want to keep the lines ...

Stephen Gooden Open Stephen Gooden configuration options 1892-1955 British This is an original engraving by British artist Stephen F. Gooden. The title is "Diana", this engraving was created and printed in 1940. The image measures 5 1/2X5 1/2 inches. This engraving is pencil signed and dated lower right, It is editioned as 96/110. This print was the presentation plate for the Print Club of Rochester, N.Y. Printed on a medium weight wove type paper.

A 17th century Wenceslas Hollar "Trinitarianus" hand coloured engraving in frame. This finely detailed etching has a sight size of 10-3/8 x 6" with a plate size of 10-1/8 x 5-5/8". It is marked "Trinitarianus 831 W. Hollar fecit" and it is plate 831. It is on laid fibrous paper and it was from the series/portfolio "The Antiquities of Warwickshire Illustrated" printed in London, England 1656 (Hollar (1607-1677) was from Prague, Bohemia. It could be from the second state used in Dugdale's Mona...

Engraving on Steel published by "Eigenthun. d. Verleger", "Der Kaiser - Fallast" in "Peking", Ca. 1850, image:6" x 4 5/8", frame:10 1/2" x 8 1/2", printed "CCCC VIII"(top right), "Aus d. Kunstanst. d. Bibliogr. Inst in Hildbh."(bottom left), "Eigenthun. d. Verleger"(Publisher or Artist, bottom right). Some brown marks on paper and mat and frame is in good condition.

Robert Sargent Austin 1895-1973 English This is a finely detailed line engraving by British artist Robert Sargen Austin. The title is: "The Pack Bridge, Aylestone, Leicestershire". The image measures 4 13/16X4 7/16 inches. It was created and printed in 1926 and appears in the Dodgson catalog as image number 65. It was printed in an edition of 60.

Copper engraving of a rocky landscape by the sea, in the foreground a romantic couple fishing. After a painting by Joseph (Claude-Joseph) Vernet (1714 – 1789), number 303 from a series of engravings after the works of famous artists edited in the 1760’s by Johann Georg Hertel in Augsburg. Nice frame in green and gilt. Image size "8 ¾ / 22.5 cm x "6 ½ / 16.5 cm, frame "14 / 35 cm x "11 ½ / 29 cm. Condition: the edge of the paper with some minor spots.

Self portrait of Adriaen van der Werff (1659 - 1722), from the series Raccolta di 324 Ritratti di Artisti Excellenti / Collection of 324 portraits of excellent artists, published 1790 – 1796. Coloured copper engraving based on Van der Werff’s self portrait. Adriaen van der Werff was a renowned Dutch painter. In the original oil painting from 1699 (now in the Rijksmuseum) the artist is holding one of his own paintings depicting his wife Margaretha and daughter Maria. A hundred years later ho...

Fine 18th c Engraving the text is faint so we haven't been able to get information on it. matted 14" by 18" NOTE the last 3 images were heavily altered to attempt to make the text legible.

18th c Mrs Ogee Engraving "Pub Aug. 1 1775 by MDarly, Strand"a woman with a bonnet wig and ogee-shaped profile, in an oval. 1 August 1775. Rare print nice condition matted 14" by 18" A copy of this print is in the British Museum

Sir Frank Standish ('A standing-dish at Boodles') by James Gillray published by Hannah Humphrey c 1800 very important print The English National Gallery has a copy and also sells reproductions of this image as well as all posters and a few other art reproduction companies . Nice condition matted 14" by 18" printed 1800 London

Locum Tenens: The Celebrated Hunter to be rode by Sir CLOD A.S.S. The Property of Gill Hall Publication Date: 1830 good condition matted sheet 15 by 11"

"William Hogarth" The March to Finchley The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inche...

"William Hogarth" "Debates on Palmistry" and "The Stay Maker" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet siz...

"William Hogarth" The House of Commons in Sir Robert Walpole's Administration The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years ol...

"William Hogarth" "The Right Hon. Henry Fox, Lord Holland" "The Right Hon. James Caulfield, Earl of Charlemont" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original cop...

"William Hogarth" The Politician The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see i...

"William Hogarth" The Shrimp Girl The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see ...

"William Hogarth" Sigismonda The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see image...

"William Hogarth" Four Heads from the Cartoons at Hampton Court. The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size...

"William Hogarth" "Portrait of Charles Churchill (The Bruiser)" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size...

"William Hogarth" Portrait of John Wilkes The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inc...

"William Hogarth" The Times suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see...

"William Hogarth" "The Weighing House" "Two Frontispieces to Tristram Shandy" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years ...

"William Hogarth" Frontispiece and Tail Piece to the Artist's Catalogue The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. She...