Oil on canvas painting of many pink asters of various shades in a ceramic vase on a tabletop against a greenish curtained background, 18" by 22", 22 1/2" by 26 1/2" as framed, signed at lower right with the distinctive conjoined signature of HARRY HAMBRO HOWE (1886-1966). Howe was a prolific New England artist known for his coastal and White Mountain (New Hampshire) scenes, though he was known to have created still life works as well. He was the son of sea captain T...

Oil on canvas, 15" by 19" (22" by 25 1/2" as framed), the subject the famous Taos Pueblo of northern New Mexico, an iconic scene of the Great Southwest, the painting signed at lower right "Stowell". Included in this picture is a stormy dark sky, the pueblo itself bathed in a ray of sun, and no less than eight figures and one saddled horse. I have researched the signature and cannot definitively tie this to any particular artist, listed or otherwise...

This is a work with a real WPA 1930's feeling to it, but it is dated 1965. The artist was IDA HANSGEN, or possibly, HANSGREN. (There's a little writing on the frame on reverse that suggests there might have been an "r" in her name). Very surprisingly, I cannot find a listing or any information on her...

Oil on masonite painting of a reclining nude woman, 24" by 36" (30" by 42" as framed), signed at upper right "W. R. Shulgold" and dated there "75". This is a beautiful work by a well listed painter who was born in Russia and spent much time in the Pittsburgh area, as well as New York, before settling in Southern California later in life. Shulgold's biography tells of stints as a watchmaker and worker in a bottling plant, before yielding to the desire to create art...

Large oil on canvas, 30" by 40", unframed, signed at lower left by the artist and dated there "30", the subject a snowy, rugged mountain range with autumnal colors and evergreens, a small lake in the middle ground. The artist, RICHARD DEY DE RIBCOWSKY (1880-1936) was a prolific painter, and a well traveled one, at that. For his time he was truly an adventurous traveler. Born in Bulgaria, he was in Paris by age 13, and Florence and St. Petersburg after that...

Oil on canvas laid on board, 19 1/2" by 14 1/2" (22 1/2" by 17 1/2" in simple wood frame), the subject a courtyard of the Vieux Carre (French Quarter) of old New Orleans. The painting is a fine impressionist rendition and is larger than many of Kinsey's typical courtyard and street scene studies. The artist, ALBERTA KINSEY (1875-1952) is considered one of the founders of the New Orleans art colony...

An oil on canvas, beautifully-sketchy, spontaneous painting of a small beached boat at the ocean, as-is condition, 8" by 14" (11 1/2" by 17 1/2" in attractive probably original circa 1920 frame), signed at lower right by the noted California painter ANGEL ESPOY (1879-1963)...

Oil on canvas landscape of the California coast with classic wind-shaped Monterey Cypress tree, possibly the famous tree on 17 Mile Drive on the Monterey Peninsula near Carmel, measuring 24" by 20" and 1 5/8" wide vintage white painted wood frame, signed at lower right "Bessie Lasky" and dated there "41". This is a beautiful California plein air work by noted artist BESSIE MONA LASKY (1888-1972), a lesser known but listed painter of the California school...

This is a pretty, impressionist circa 1930's small landscape painting of trees and a path bordering water, painted on gray art board, measuring 9" by 12" (13 1/2" by 16" framed). There is no signature on the front but on the art board label is written in ink "Swick". This may or may not be the artist. The painting is so nicely executed, but its inherent beauty is dulled by decades of dirt. A professional cleaning will truly transform this one...

**ONE OF SEVERAL WORKS BY THIS WELL-LISTED ARTIST IN MY SHOP**Oil on canvas laid on board painting of colorful, flowering shrubs and bushes on a property by the Pacific shore, 14" by 18", unframed, signed at lower left by the California painter WILLIAM CONSTABLE ADAM (1846-1931). This is a typical work of an artist who is today best known for his depictions of the landscapes, gardens, and houses of the Monterey Peninsula area...

Oil on canvas scene of a Parisian street with figures, in the early 20th century, 24" by 20" (30" by 25 1/2" framed), signed at lower right by the popular contemporary painter who signs as "G. SHERMAN". The scene is reminiscent of Caillebotte's famous scenes of Paris, or perhaps of a number of works by the noted British painter L...

For the collector of scarce early Utah art, an oil on canvas, 22" by 18" on the stretchers (29" by 25" in old, likely original frame), dated 1928 and titled on reverse "Timpanogos Creek", signed lower left by the noted Utah artist BENT FRANKLIN LARSEN (1882-1970). (There is also some old writing on paper adhering to the frame but it is difficult to read). Timpanogos Creek is a scenic area near Provo, Utah. Larsen is a well-known figure in Utah art. His education in art was extensive, beginn...

Oil on canvas paintings laid on board, each 5" by 9 3/4" (8 1/2" by 13" framed), unsigned, the pair appearing to depict the exact same coastal dune, with interesting perhaps seasonal differences----one showing spring dune flowers, the other not----. The scene could possibly be dunes at the beach in San Francisco, where Golden Gate Park meets the ocean. Although unsigned, the handling, subject matter and color palette are immediately identifiable as by the hand of the noted California painter R...

Oil on canvas painting titled on the stretcher in pencil "Superstition Mountain, Arizona", signed at lower left by the well listed California artist PAUL LAURITZ (1889-1975). The scene is of the legendary, rugged and forbidding mountain range just to the east of the metropolitan Phoenix area, said to contain the fabled Lost Dutchman mine. The painting measures 22" by 34" and 28" by 40" framed. Lauritz is considered one of the important plein air painters, a number of works having exceeded $25...

By the contemporary Japanese artist HIROMICHI YAMAGATA (1948-). this can be described as a collage of tissue like paper on which is drawn in pencil and blue ink an abstract, almost biomorphic decorative design, charcoal used to create a smudged background, then the paper was affixed around the edges to a white canvas background. It is signed at lower right "Yamagata" and dated there 2007. On the reverse is a personal inscription to "Steve", the previous owner, (dated 12.10.07), to whom this w...

This is an oil on canvas painting of a mounted cowboy in a forested mountain landscape, keeping an eye on several misbehaving steers. The work is signed at lower right by artist WESLEY LE ROY FULLER and is dated there 1993. His interesting cypher appears adjacent to the date. On the stretcher on the reverse the artist has signed again and added the comment "Good luck to the Elks purple pig"; and there also appears to be a price "$600" and title "Keep em out of the tember" (sic). The painting...

Oil on canvas, 14" by 18", (18 1/2" by 22 1/2" in old possibly original frame), the subject given on original Sanborn Studio, Belfast, Maine label as "Bend in Little River" (faint, but still readable with some effort). The work is not signed but is surely by the important Maine artist PERCY A. SANBORN (1849-1929). Sanborn was born in Waldo, Maine and lived for many years in coastal Belfast. He is well known for his marine oils of clipper ships, some of which exceed $20,000 at auction, but he wa...

Oil on canvas, unframed, 20" by 26", signed at lower right in red "R. MacDonald" and signed/titled/dated on reverse "R. MacDonald/Heat Wave/July 10 1937". The subject appears to be a young man, possibly African-American, holding a hose on a young child at right, a wooden house hidden partially by a huge tree in the background. The artist has painted a very American work, (and possibly southern, as well), squarely in the 1930's style. I have searched the databases and cannot seem to tie this t...