Oil on canvas scene of two white swans in a small lake or pond in a rural area, 24" by 16" (29" by 21" in wide newer frame), signed in red "W W Caffyn" at lower right and dated there "96". This is a work by the noted British artist WALTER WALLOR CAFFYN (1845-1898), who exhibited at the Royal Academy. His paintings tend to be rural scenes of Sussex, Kent and Yorkshire. Caffyn's (mostly large) major works have exceeded $20,000 at auction in London...

An impressive oil on Masonite landscape painting, unframed, 26" by 33", signed at lower left twice, by listed Swiss artist MAX EMANUEL HUBER (1903-1987). The work clearly shows the influence of Cezanne's fractured planes technique. Huber executed a number of impressionist works, and some have this more modernist technique, with which he clearly experimented...

Oil on canvas still life painting, including a red teapot, plates, funnel, cup, and fruit, all on a striped table cloth with further drapery in the background, 20" by 24", unsigned on front and bearing the name "H. HOWARD" and date "OCT. 74" on the stretcher. There is an African-American artist by the name Humbert Howard but this work does not resemble the work I see out there on the net...

Acrylic on canvas painting titled on reverse "Memory of Rosie", 17" by 24" (21 1/2" by 29" framed). The image is whimsical and rather mysterious, consisting of three white vases or pots each bearing an image, one of a cat, one a bird, one a jester; one speculates that perhaps, Rosie was a beloved cat. Highly stylized plants or flowers emerge from the pots. The artist signed at lower right and dated the painting 1984...

Oil on canvas, 27 1/2" by 22 1/2" (36" by 30" as framed), the subject a young man wearing a colorful bandana, intently working on some objects in his hands, a traditional ethnic mask in the upper right background. The painting is signed in red at lower right "S. C. YUAN", (1911-1974), who was an important Chinese-American artist from the Monterey, California area, however, this is definitely NOT a work of that well-known artist (I showed images to several auction houses and a gallery or two)...

A rare opportunity to acquire a work from close to the heart of American naive painting in the folk art style: an original oil on board painting, 11 1/2" by 35 1/2" plus narrow dark green contemporary framing, signed at lower left by FRED ROBERTSON (1878-1953), and titled on handwritten label by the artist "My Hills of Home". On that label written by the artist is also "Eagle Bridge, New York", considered the home of Grandma Moses...

Oil on canvas laid on board, 10 1/4" by 13 1/4" (16" by 19" as framed), the subject snow-streaked brown foothills of the Rocky Mountains in early spring, the main range of the mountains in the distance, signed at lower right in ink "J.D. TURNER", titled on the reverse "Near Cochrane/April 1970/JD Turner". This is a beautiful work by the noted Alberta painter JOHN DAVENALL TURNER (1900-1980)...

Oil on canvas laid on panel by the artist, 22 1/2" by 16 1/4" (25" by 18 3/4" in its original painted vintage frame), titled on reverse "Black Ivory", signed there and again in yellow at lower left corner by the well listed California artist who hailed from Denmark, EINAR CORTSEN PETERSEN (1885-1986). Petersen was a widely traveled artist, who, according to the Hughes biographical listing in Artists of California, studied art in Paris, Rome and Munich, working as a decorator...

Oil on canvas, unframed, 20" by 26", signed at lower right in red "R. MacDonald" and signed/titled/dated on reverse "R. MacDonald/Heat Wave/July 10 1937". The subject appears to be a young man, possibly African-American, holding a hose on a young child at right, a wooden house hidden partially by a huge tree in the background. The artist has painted a very American work, (and possibly southern, as well), squarely in the 1930's style...

Oil on canvas, 14" by 18", (18 1/2" by 22 1/2" in old possibly original frame), the subject given on original Sanborn Studio, Belfast, Maine label as "Bend in Little River" (faint, but still readable with some effort). The work is not signed but is surely by the important Maine artist PERCY A. SANBORN (1849-1929). Sanborn was born in Waldo, Maine and lived for many years in coastal Belfast...

This is an oil on canvas painting of a mounted cowboy in a forested mountain landscape, keeping an eye on several misbehaving steers. The work is signed at lower right by artist WESLEY LE ROY FULLER and is dated there 1993...

By the contemporary Japanese artist HIROMICHI YAMAGATA (1948-). this can be described as a collage of tissue like paper on which is drawn in pencil and blue ink an abstract, almost biomorphic decorative design, charcoal used to create a smudged background, then the paper was affixed around the edges to a white canvas background. It is signed at lower right "Yamagata" and dated there 2007. On the reverse is a personal inscription to "Steve", the previous owner, (dated 12.10.07), to whom this w...

Oil on canvas, 18" by 22" (23 1/2" by 27 1/2" as framed), the subject the famous Paris opera house and the Cafe de la Paix at left, executed in the naive style of painters like Emile Blondel, Leon-Alphonse Quizet, and so forth, apparently unsigned, though the word "Lancel" on an awning could possibly be the artist's name. The painting dates to the post war period, likely the 1950's or early 1960's at latest, considering the style of the autos in the scene. The artist most definitely had a comm...

Oil on canvas painting titled on the stretcher in pencil "Superstition Mountain, Arizona", signed at lower left by the well listed California artist PAUL LAURITZ (1889-1975). The scene is of the legendary, rugged and forbidding mountain range just to the east of the metropolitan Phoenix area, said to contain the fabled Lost Dutchman mine. The painting measures 22" by 34" and 28" by 40" framed. Lauritz is considered one of the important plein air painters, a number of works having exceeded $25...

Oil on canvas, 18 1/2" by 15" (23 1/2" by 20" as framed), the subject a vase of flowers painted in a highly impressionistic manner. The painting is signed in a manner consistent with the notoriously difficult to decipher signature of the artist HENRI d'ANTY (1910-1998) at lower right. The age would appear to be circa late 1950's or early 1960'a. Interestingly, there is a vintage sticker on the frame reverse from the "Maison Franco" framing and art supplies business, which has been serving arti...

This is a large (29 1/2" by 37", 37" by 44" framed) oil on canvas by the well-listed Spanish artist EMILIA CASTANEDA (also known as Emilia Castaneda MARTINEZ), born in Barcelona in 1943 and still associated with that city. Castaneda studied art and won awards there as early as the 1960's; solo exhibitions of her work began in 1973 and continue to recent years, in numerous European venues, as well as in America. Her work usually features nude women, sometimes portrayed in a discrete, poetic man...

Oil on canvas laid on masonite, 10 3/4" by 14", unframed, signed at lower left with what appears to be the name "Jens Oyme". I have not found a listing for such a name, even when varying the letters a bit. So, this is offered as a nice decorative work showing a peaceful deep fjord probably on the west coast of Norway, a small structure at right. The reflection in the water is probably the most skillfully painted area. There is slight paint loss showing as white areas at left and a few tiny l...

Oil on canvas landscape of an autumnal forest with small foreground lake or pond, a man in a boat, signed in red at lower right, difficult to decipher the signature, though the work bears an old export stamp and an old label from a Budapest, Hungary auction house. The painting measures 21" by 10 1/4" plus two inches of framing on a side including inner gold fillet and green velvet liner. The signature looks like "J Tietz" or something similar but that is just a guess. The painting is possibly...