A rare etching of one of New York area's bridges, depicted in an interesting phase of its construction, pencil signed by American etcher artist RALPH PEARSON (1883-1958). The work measures 10 3/4" by 15 1/4" inside the mat and 17 1/2" by 21" as framed. The artist titled it at lower left "#69 Hell Gate Bridge" and inscribed it in pencil at lower margin "To Harold Swartz--Artist". (Harold Swartz appears to refer to the Los Angeles/New Mexico sculptor, born 1887, died 1948)...
Offered together as a matched pair (and see ANOTHER example of this artist's printmaking in my shop), these are etchings on paper, identically framed, each 11" by 8" inside the mat, 20" by 15" framed. Each print is signed at lower right in pencil by well known New Orleans artist EUGENE F. LOVING (1908-1971). Both prints are titled at lower left, one "Pirates Alley/Old New Orleans", the other "Maison Seignouret Court/Old New Orleans; and each bears the artist's notation "Ed/200"...
A Fine and Rare 1893 Etching and Aquatint by the Well Regarded Belgian Artist, Felicien Rops (1833-1898). Image size is about 3 1/2" by 4 1/4", sheet size about 7" by 10 1/2". Monogramed lightly F.R. in red pencil under image.
The print (8 1/2" by 9 3/4" inside the mat, 15" by 20" as framed) is a very detailed etching typical of the meticulous style of the artist, renowned for his prolific printmaking. Popular and rare images by the artist, of New York City scenes, can sell for five figures. He traveled widely in Europe and architecture, especially Gothic architecture, especially revered by the artist, was a favored subject. This print is of a Gothic style building in Princeton, New Jersey...
This is the 1928 (issue date) work "L'Eglise de Limours", dated and signed 1922 in the plate at lower left, after a painting by French School of Paris master artist MAURICE UTRILLO (1883-1955), with the graphic art assistance of also important master artist Jacques Villon. The work, unframed, and measuring 19 1/2" by 11 1/4" presently, is one of the very collectable "Chalcographie du Louvre" impressions...
Etching "Jewish Market Tangier" by the noted Swedish-born American artist BROR JULIUS OLSSON NORDFELDT (1878-1955), measuring 7 1/2" by 8 1/4" inside the mat and 13 1/2" by 15 3/4" in black strip frame. There is an old label on the backing from The Print Rooms, Inc., 540 Sutter Street, San Francisco. Nordfeldt lived an interesting life, moving rather frequently...
Charles Baudelaire de face, etched portrait by Edouard Manet. The French poet was photographed by Félix Nadar in 1862 and the photo was the starting-point for Manet’s portrait. More than one version exists of the etching and this is number III. Signed in the plate Peint et Gravé par Manet 1865, and Imp. A. Salmon (printer´s name). On creme coloured wove paper, size of plate "3 ½ / 9.4 cm x "3 ¼ / 8.2 cm. The partly silvered frame measuring "7 / 18 cm x "7 / 18 cm. Condition: fine.
Etching on paper, the sheet 6 3/4" by 9", 12 1/4" by 14 1/2" framed, the subject a group of children floating playfully on a makeshift raft, pencil signed at lower right by noted English artist and illustrator, author and poet EILEEN SOPER (1905-1990). The work is titled, I believe, "Voyage of Discovery". Eileen was the daughter of artist George Soper. By 1920 she had submitted work to the Print Makers of California, and it was chosen for exhibition...
Large colored etching, posthumous printing, after the circa 1914 original print of the famous Austrian landmark on the Danube west of Vienna, the 18th century-built Melk Abbey (sometimes called Melk Monastery), signed in pencil at lower center by the son of the artist, Robert (the actual signature is preceded by "nl" which indicates Nachlass, or Studio, of the artist). The image is by the well-known painter and printmaker LUIGI KASIMIR (1881-1962)...
An etching and aquatint print by Hiroto Norikane (b.1949) of a cat. Very detailed etching in round format with multiple colors printed on paper and signed in pencil. Numbered 28 of 300 edition. Titled in Japanese "Glosssy - C". Known to have been printed in 2014.
Dimensions: Paper size: 10 1/4" high x 10 1/4" wide. Size of art including signature: 6" diameter.
Etching on paper, 5 1/4" by 6 3/4" (10 1/4" by 14 3/8" as framed), the subject the old downtown of Sawbridgeworth, Hertfordshire, England, including a church and medieval buildings, by the important American printmaker JOHN TAYLOR ARMS JR. (1887-1953). Arms was one of the best known and most highly respected American printmakers of the first half of the twentieth century...
Etching on paper, 11 3/4" by 13 1/2" as simply framed, the scene silhouetted ships in the harbor, the rising sun and new day ahead suggested by etched lines in the sky, pencil titled at margin "Dawn Portland Harbor" and signed at lower right and dated there 1915. The artist, Massachusetts-born PHILIP LITTLE (1857-1942) was a highly regarded impressionist American painter and etcher, an artist who had a truly American vision as he was not educated in Europe...
Pencil signed at lower right and bearing "Artist's Proof" at lower left is this etching, 10 3/4" by 8 1/2" inside the mat, 18 3/4" by 15 3/4" as framed, by the noted late American artist JACK LEVINE (1915-2010). Levine, deceased in 2010 at the age of 95, will be remembered as an artist who bucked the modernism trends to pursue his own trail in social satire, caricature, and "Hebraism". He was born in Boston and was exposed to the grittier aspects of street life...
Etching on paper, 5 1/2" by 3" inside the innermost mat, (12" by 9" in green and gold mats, as ready for framing--presently unframed), the title of the print "La Rue du Change, Tours", pencil signed at lower right margin by the artist and dated there 1924. Tours is an historical old city of about 135,000 south and west of Paris, considered a gateway to the Loire Valley chateau region. This is a fine impression of the particular print, of which 156 were made...
By the hand of the noted American illustrator, sporting artist and printmaker CHURCHILL ETTINGER (1903-1984) is this pencil signed etching titled at lower left "Sunrise" the subject two Canada Geese rising from the water. The print measures 5 1/2" by 7 1/2" inside the innermost mat and 12 1/2" by 14" as framed in oak...
A pencil signed etching, 8 3/4" by 10 1/2" inside the mat, 13 1/2" by 17" in simple strip frame, circa 1920, titled "The Bailers" (bailing out a water-filled, sinking dinghy at the docks), by Massachusetts-born American impressionist artist GEORGE ELMER BROWNE (1871-1946). Browne was born in the sea-going town of Gloucester, which was later to evolve into a famous art colony that was noted for the impressionism that flourished there. Browne studied first in Boston and later in Paris under Jule...
18th c English Caricature By James Gillray published by Ms Hannah Humphrey St James St Nov 4 1798.
Title "Gentle manners, with affections mild, in wit a man simply a child" good condition mat board and mounted to 18th c paper no apparent damage or foxing.
sight 10" by 7" mat 14" by 18"
Original handcoloured etching and aquatint by T. Sutherland after William Heath.
Published by Jenkins, London March 1st, 1814.
Image size : 8.5" x 6".
Mounted size : 16" x 12".
Excellent condition. Shipping is FREE within the U.S.
**ONE OF TWO OF THIS PRINT IN MY SHOP**Etching of Victorian children playing in an interior, 10 3/4" by 8 3/8" inside the mat. pencil signed "R. Ernst" at lower right. This is an unusual medium for the artist, best known for his highly finished and detailed oil paintings of orientalist subjects. These oils regularly bring hundreds of thousands of dollars at auction. This etching is all original, including the old soiled mat, and so forth. The etching itself is foxed especially in the margi...
Etching in dark brownish-black ink, 14 3/8" by 10 1/2" inside the mat (19 3/4" by 15 1/2" as framed), the print numbered at lower left 37/100, while additionally signed and dated there as well in the plate, while titled in the plate "Notre Dame #2" at lower right. This is likely by an artist considered Canadian, CAROLINE HELENA WILKINSON ARMINGTON (1875-1939) rather than by American CAROLINE ARMINGTON (1898-1986), though records for the two seem to be hopelessly entangled. The former was born...
A striking mid century aquatint etching in colors by the noted European artist and print maker JOHNNY FRIEDLAENDER (1912-1992). The unframed print, 8 1/2" by 5 1/2" inside the present mat opening (sheet 13 1/2" by 9 1/2") is signed at lower right margin with the artist's distinctive signature and numbered 41/55 at lower left. Friedlaender was a pioneer in the aquatint process, having taught such artists as Rodo Boulanger. Born in Prussian Silesia before World War I, he showed early talent, ex...
Original etching "Autumn", featuring a woman with cornucopia hat, surrounded by cherubs presumably after the harvest, 1970, signed in the plate at lower left center by the famous Surrealist artist SALVADOR DALI (1904-1989). This example is printed in sanguine. Albert Fields in his catalog raisonne said that this was an edition of 1,000; Michler says 5,000. This example is exceptionally clean and fresh and is presented in a desirable Robert Kulicke (New York) brushed aluminum frame which is al...
Stipple engraving with hand coloring, titled "Ambrette d'hiver", with names of artists "Poiteau pinxt." at lower left and engraver "Bocourt sculpt." at lower right. The print measures 13 3/8" by 10 1/2" inside the mat (23" by 18 1/2" as framed). This botanical illustration print by the hand of noted French botanical illustrator PIERRE ANTOINE POITEAU (1766-1854) dates to the so-called "Golden Age" of French botanical illustration. Poiteau was a pupil of the great illustrator Redoute. He beca...
Etching titled in pencil in lower left margin "Willow Creek Country", numbered 4/40 at center, and finally signed in pencil at lower right, by the noted Montana artist BRANSON STEVENSON (1901-1989). It measures 5" by 8" inside the tight mat opening, and 15 1/2" by 17 1/2" framed. Stevenson is a well regarded artist in the state, with a long history in painting, drawing, the graphic arts, sculpture, and administration. Born in Georgia, he received some early art education in Panama, where his f...
Etching of a young woman in dreamy sleep, 11 1/2" by 8 1/2" (14 3/4" by 11 3/4" simply framed), titled in the plate "Die Rosen", signed in the plate and again in the margin below in pencil by the German-born artist OTTO GOETZE (1868-1945). The artist's name is also sometimes spelled "Goetz" and some cite a death date of 1931. Goetze was born in Germany and was in San Francisco by 1930. Though evidently little known, judging at least from this sensitively rendered print, he was a master etcher...
This is a 20th century restrike of the 1859 etching "Thames Police" (also known as "Wapping Wharf", by the famous American artist JAMES ABBOTT McNEILL WHISTLER (1834-1903). This was printed on a thick, creamy paper at some point in the 20th century. Details in the print are very sharp. The plate mark is quite pronounced. Measurements are 6" by 8 3/4" inside the plate mark and the sheet measures 11 5/8" by 14 1/4", extending well beyond the mat. The print is taped at top in two places to th...
Etching titled in pencil at lower margin "Springtime", pencil signed at lower right by the National Academician artist, JOHN EDWARD COSTIGAN (1888-1972). The print measures 10" by 11 3/4" inside the mat, 17" by 19" in modern day gold frame. Costigan was known for his sympathetic portrayals of what he knew and loved best, the people and countryside of upstate New York, where he lived on a farm in Orangeburg. A native of Providence, and an orphan, he was moved to New York City, where he learned a...
One of two works by the artist in my shop, this is an etching on paper, 8 1/2" by 11" inside the mat opening, 20" by 15 1/2" framed, signed in pencil at lower right margin "PHILIP KAPPEL", and titled at lower left margin "West Indian Grandeur---Haiti". This is a fine etching of a figure on the coast balancing a load on her head as she gazes out to sea at a clipper ship in full sail, a coconut palm leaning exotically at left. This print is by a well regarded artist most associated with Connectic...
For the alum of the University of California at Berkeley, a fine etching of the year 1947, titled "Campanile, U.C." at lower left margin and pencil signed at lower right by listed California artist ALEXANDER (ALEC) STERN (1904-1994), the subject the iconic Campanile bell tower on the campus of the University of California at Berkeley. The view takes in the tower, the East Bay hills beyond, a campus building, and in the foreground, likely the famous Sather Gate. This is an unusually fine impres...
Etching titled at lower left within the plate line in pencil "Dans le Vieux Carre New Orleans", signed within the plate line at lower right by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Louisiana, Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest. This is a fine etching by a talented graphi...
Modern Italian etching, titled at lower left in pencil "Susanna", signed at lower right margin "G. Piccolo", circa mid 20th century. The print measures 9 3/4" by 7 3/4" inside the mat and 16 3/4" by 14 3/4" framed. Subject is the story of Susannah and the Elders, from the Bible's Book of Daniel. This has been interpreted by countless artists over the centuries. Our artist is Giacomo Picollo (1905-1988). Picollo created a number of watercolor landscapes which appear at auction. Condition ...
Jean Bart 1651-1702, 1789 by Antoine Louis Francois Sergent-Marceau , etching with watercolor . Size 9.75" by just under 6.4" fair condition spotting some foxing.
Etching titled in pencil by the artist "Stairway, San Gabriel Mission", late 1920's or 1930's, signed in the plate lower left by listed California artist WILLIAM A. ESKEY (1891-1937), 12 1/2" by 7 3/4" as framed in vintage wood. The scene is an iconic one, often captured by artists enamored of the charm and romance of California's early days. Eskey was born in West Virginia and served in the military in France. By 1928 he had settled in North Hollywood and was creating prints, pen and ink drawin...
An original 17th century etching, "God Appears to Moses in the Burning Bush", plate 30 from the well-known series of 52 published in 1615 in Rome by Giovanni Giacomo Rossi, the artist being ORAZIO BORGIANNI (1578-1616). These works are after the frescoes by Raphael on the second floor of the Apostolic Church in the Vatican. Borgianni, a Baroque painter who adopted the style of Caravaggio after settling in Rome in 1604, turned to etching in the final years of his short life. The work is signed in...
M Morett etching By Wenceslaus Hollar c 1647 etching mounted to a larger page good condition.size approximately 4 by 6" Harvard museum has one in their collection.
Wenceslaus Hollar, (Prague 1607 - 1677 London)
After Hans Holbein the Younger, German (Augsburg, Germany 1497/98 - 1543 London, England)
Original etching RICIULINA AND METZETIN by Jacques Callot printed in 1621 from the series BALLI DI SFESSANIA. Series depict one of the most delightful festivals of Commedia dell’Arte based on fertility dances held in the Tuscan village of Sfessania. Pairs of popular entertainers are framed against the scenes of a fairground. One print from the series of 24 etchings, Lieure catalog number 386, first state of two, on laid paper, cut to the plate. Paper size 72x93mm. Excellent design, beautiful c...
Nineteenth century print of a scene including palace and figures strolling, titled in white gouache (by hand) "Florence" at lower center, the color throughout hand applied by a talented artist. This very nearly resembles a drawing rather than a print. Measurements 6 1/4" by 9 1/2" (14" by 18 3/4" in wood frame). The print was trimmed tight to the margin, then laid on a neutral gray/green background, and a white border was then hand applied. All in all a very nice print of traditional subject...
Etching of the famous Chicago River surrounded by the classic skyscrapers, signed in the plate and dated 1927 at lower right, by the listed artist OTTO J. SCHNEIDER (1875-1946). The print does not appear to be pencil signed. Note the fine detail and the 1920's automobiles in the image at right corner. Schneider was born in Illinois and is most closely associated with that state. He exhibited at the Louisiana Purchase Exposition of 1904, and the Panama Pacific Exposition of 1915. He was a stu...
Japanese etching by "Norikane Hiroto", (1949- ), frame size - 9" x 6 1/2", image size - 3 3/4" x 5 1/2", signed and numbered "119/500" in lower area with double cut mat and rounded corner black wooden frame, frame work done by Kanda's B.O.Q Gallery in Japan. The condition is in beautiful condition. Artist history written in the back.
Etching, in a style that exhibits both the fine detail and subtle shading techniques of Rembrandt, the subject matter three human heads, one head of a goat, and one, a ram, by the French draftsman, etcher and engraver, JEAN-JACQUES DE BOISSIEU (1736-1810). The print, 6 1/4" by 8" inside the blue mat (10 1/2" by 13 1/2" framed), is signed at lower center just with initials, the "DB" conjoined, and is dated there 1803. De Boissieu was born in Lyon in eastern France and is closely associated with...
Etching of an old style bridge spanning a small body of water, signed in pencil at lower right and signed in the plate there and dated 1962 by well listed Hungarian artist ISTVAN BALDIZSAR (1897-1984). The print, measuring 5 1/2" by 10" inside the mat, 14 1/4" by 19" simply framed, has a 19th century feel (or, earlier, actually). The artist has sensitively portrayed a familiar scene of his homeland. Baldizsar was born at the end of the 19th century and by 1918 was studying at the Academy of F...
Original etching on paper watermarked "France" (probably Arches paper), 9 3/4" by 7 7/8" (image only), and the sheet with at least 1 1/8" margins (up to nearly 2" at right), pencil signed at lower right by the noted American printmaker LUIGI LUCIONI (1900-1988). This is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery of that state. This example is in good condition if you are seeking a pleasing print to frame, but it is not in pristine con...
Lithograph titled in pencil at lower margin "Going Home", pencil signed at lower right by the artist, JOHN EDWARD COSTIGAN (1888-1972). The print measures 9 1/2" by 14 3/8" inside the mat, 16 3/4" by 20 3/4" framed. The original Associated American Artists labels remain on the backing paper, as shown. Costigan was known for his sympathetic portrayals of what he knew and loved best, the people and countryside of upstate New York, where he lived on a farm in Orangeburg. A native of Providence,...
Japanese Etching by "Norikane Hiroto",(1949 - ) "Shiragawago" signed by pencil and numbered "121/500" by artist, frame size - 9" x 6 1/2", image size - 3 3/4" x 5 1/2", beautiful historical World Heritage Site "Shiragawako" farm house with thick forest mountain behind, framed by Kanda Gallery (B-O-Q) in double mats and rounded corner black wooden frame, the condition is in excellent condition.
Contemporary Japanese limited edition etching titled “Twilight” by Ryoko Hirone depicting a woman drinking a cup of tea observing a scene outside her window with a coyote and rabbit among leafless trees. Pencil-signed, titled, and numbered 7/30 in the lower margin. Paper size: 9 5/8" x 13 7/8" (image: 7 1/2" x 6 3/4"). Very good overall condition. An exhibit of mezzotints and etchings by Ryoko Hirone was held in Japan at Gallery Saoh & Tomos in 2003. This etching is estimated to date from ...
Etching, 6 1/2" by 8 3/4" (12 1/2" by 15" in modern frame), pencil signed by the artist at lower right, titled at lower left "Sunset--Gowanus Bay", the subject a ship in dry dock, other shipping visible in the distance beyond the muddy shore. Farrer (1844-1903) was a talented artist who is best known for his watercolors and etchings. The London-born younger brother of Thomas Charles Farrer, he created landscapes, marines, New York City area views, coastals and drawings of animals. A member o...
A fine aquatint print circa 1930's, the subject one of the famous canals of old Bruges, Belgium, pencil signed at lower right margin by French artist FREDERIC LOUIS LEVE (1877-1968), and numbered in pencil 86 at lower left margin, where there is a blind stamp in the paper. Leve was a painter in oil and watercolor but is most widely known for his skill in aquatint, a form of etching which lends itself to creating prints that look very much like watercolor. The color and detail in this example i...
Etching of children in a landscape, 8 1/4" by 10 3/4" inside the present mat (the full sheet 14 1/2" by 17"), not signed but printed information on mat provides artist name, a possible title "Hagyateki Anyaga" and possible edition ("5/50"). The artist is ISTVAN SZONYI (1894-1960). A student of Karoly Ferenczy at the Academy of Fine Arts in 1913, he had early exposure to the art colony at Nagybanya and its prominent and gifted figures, including greats such as Vilmos Aba Novak. Szonyi had his ...
Japanese limited edition color etching and aquatint titled "Le Tournoi II" (The Tournament II) by Taiwan artist Shaih Li-fa (Xie Lifa) dated 1968. Pencil-signed, titled, and numbered 3/25 in the bottom margin. Xie Lifa (b. 1938) studied drawing and sculpture in Paris in the 1960s before relocating to the U.S. in 1968 to focus on printmaking. Paper size: 17 1/2" x 15" (plate: 11 1/2" x 9 1/4"). Printed on heavy rag paper with large margins. Very good overall condition. There is a visible ma...
An example of the etching "The Complete Angler", by the noted English artist credited with creating the so-called "Etching Revival" of the latter 19th century, FRANCIS SEYMOUR-HADEN (1818-1910). The print is signed in the plate and lower right and dated there 1877, but was likely printed in the year 1880, in an edition of 1000. Measurements are 6 1/2" by 8 3/4" inside the present mat and 12 1/2" by 14 3/4" as framed. The artist was interested from youth in the prints of the great masters of t...
Original unframed etching on paper, 8 1/8" by 12 3/8" inside the mat (the sheet 10" by 14"), signed in the plate and dated there 42, and pencil signed in the nearby lower right margin by the noted American printmaker LUIGI LUCIONI (1900-1988). **ONE OF SEVERAL PRINTS BY THE ARTIST IN MY SHOP**, this is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery, barns and farms of that rural state. The title is "Two Silos", and this was issued for the A...
A circa 1920's etching of the Woolworth Building in New York City, the print signed in the plate and then pencil signed at lower right margin by American artist F.W.W. HOPPE. The artist did leave behind a number of etchings of New York scenes, but there seems to be a lack of biographical information on him or her. The print is in brown ink on a thin paper. Measurements inside the present mat (no glass) are 9 1/2" by 5 1/4" (14 1/4" by 9 1/2" in thin strip frame). You would want to reframe an...
The size of Paper size: 22 1/4" x 15 3/4",
Image Size: 17 1/2" x 12".
The subject title, "Cats and Pillows".
Artist: Dorothy Lundquist, American Artist.
It is signed by D. Lundquist in pencil dated 1990
Edition Number: 155/200.
The condition is in Mint. Never been framed although taped on the top of etching on the back.
Great works of Fine etching lines as well as workmenship of evry lines and colors are superb.
On Arches paper. Unframed. We supply COA.
We...
Etching on paper, 8" by 7 3/4" inside the mat (16 1/4" by 13 1/2" as framed), the subject an antiques shop in an urban setting, pencil signed at lower right by the well listed and accomplished American artist EARL HORTER (1881-1940). I believe the title of this might well be "Ye Olde Curiosity Shoppe". Horter was born in the Philadelphia area and is generally most closely associated with that area but he traveled widely, becoming widely known for his etched images of simply urban or historica...
Etching or aquatint in colors, 18 1/2" by 23" (28" by 31 1/2" as framed), titled at lower left margin "Les Vieux (???)" and signed at lower right margin by the noted French artist PAUL EMAIL LECOMTE (1877-1950). Lecomte was born to an artist father and an art-nourishing environment. After attending the Ecole des Beaux-Arts and study under Fernande Cormon, he went to work for the government. While in his 20's he began to exhibit annually at the Salon des Artistes Francais, where he won medals ...
A Fine Etching from the Early Texas Artist, Clara Caffrey Pancoast (1872-1959). Pancoast was a student of Jose Arpa and taught at the Art Colony in Alpine. Matt opening measures about 4 3/8" by 6 3/8", overall frame about 8 1/8" by 10 3/4".
An etching with extensive watercolor depicting two arches of an old bridge with a house built on the pier between the arches, two men in red coats and a dog on the bank below the bridge and lane with trees and houses on the right. Titled along the lower margin to the left, “Part of the Old Bridge east Shrewsbury.” It is unsigned, but part of the old mount that is saved in a folder on the back of the present mount states that it is by Paul Sandby (British 1725-1809). The evidence that it is b...
This is an etching on paper, 7" by 6" (12" by 9 1/4" framed) by Tennessee born artist JAMES CARL HANCOCK (1898-1966), titled "THE GATE OF THE LIONS NEW ORLEANS LA." at lower right and signed in pencil below and dated there 1939. This is a view of old French Quarter New Orleans by a talented etcher. Hancock was self taught and in 1938 a book of his etchings, drypoints and sketches was published. Known works today include scenes of Memphis, New Orleans, and Arkansas. This example is apparently...
Etching (5 5/8" by 7 1/2", 13 1/2" by 15" in pleasing old gold framing), titled on reverse label "Fishermen's Houses Saint Tropez", (French Riviera), pencil signed in the margin by listed California artist REGINALD WILMER VAUGHAN (1870-1958). The etching likely dates to about the 1930's or 1940's, I believe. Vaughan was born in Boston of blue blood stock (relatives were with George Washington at Valley Forge). He came to California in 1890, ranching in San Diego, then moving to Santa Barbara ...
Etching titled "THE GREEN SHUTTER NEW ORLEANS", signed with initials in the plate and in pencil by the artist in margin, the sheet 9 7/8" by 7 3/4", framed as found in narrow black strip frame of the period. Buell was a noted woman etcher, active from the 1920's through the late 1950's. Born in Illinois, she received some art training at Oberlin College in Ohio, and further study at the Art Students League in New York and with famed etcher Martin Lewis. Buell's work was exhibited at the Art ...