Valentine Green, British, 1739-1813, mezzotint after Reynolds, "Self Portrait of Sir Joshua Reynolds", 1780, plate size: 19 x 15 inches, signed in the plate. Water stains along the bottom edge of the sheet, outside of the plate mark.

An engraving of Classical images from artist Pierre Gravee entitled “Le Soleil” due to the images of Diane. The framed dimensions are 23.5x19.25”. Unframed dimensions are 14.5x9”.

A mezzotint printed in colors of a large Holderness cow, a type of Holstein Friesian. Printed on woven paper. The image is 18 by 24 inches, overall it is 24 ¾ by 30 inches and the mat is 26 by 31 ½ inches. The print, with dedication on the lower margin, depicts a large rectangular cow in front of a barnyard with a dog, cowherd and a well dressed man in the foreground. In the lower left below the image is printed, “painted by G. Gerrard.” In the center, “Pub. April 9th 1798 by G...

Alexander Pope (21 May 1688 – 30 May 1744) was an English poet and satirist of the Augustan period and one of its greatest artistic exponents.[1] Considered the foremost English poet of the early 18th century and a master of the heroic couplet, he is best known for satirical and discursive poetry, including The Rape of the Lock, The Dunciad, and An Essay on Criticism, and for his translation of Homer...

Jacob Gole 1660-1737 Dutch This is an original mezzotint engraving by Dutch artist Jacob Gole (1660-1737) This image, The Drawing Lesson was created after the painting by Godfrey Schalcken. This image identified in the lower border has an image size of 9 3/4X7 7/8 inches. Printed on an early laid type paper, some foxing but overall very fine condition. It has a collectors seal in the lower border, "H de t stat".

Cassini, Giovanni-Marie, "Graffitto, c. 1780, hand-colored copper plate engraving, Crisp impressions with sharp features, full original color and margins as issued. All in excellent condition, rare. Dimensions are 24" x 19" with the frame.

French artist Honoré Daumier “Salees des Elections” lithograph 10x12” Honoré-Victorin Daumier (French: [ɔnɔʁe domje]; February 26, 1808 – February 10, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870...

An Joseph Wagner (1706-1780) framed Alpine goats 18thC engraving in a Victorian frame. This fine and decorative picture is in a Victorian Aesthetic 13-1/2 x 11-1/4" wood frame with the original panel back and it is mounted on a mat. The sight size is 9-5/8 x 7-1/4" and notations include No.6., 4, J.G. WAGNER DELIN. C.A. GROSMANN EXCUD:AUG:VINDE: and J.M. FREY FECIT. A German, he located in Venice where he carried on a considerable business as a print seller...

Eighteenth Century Etching of King George I done in 1748 London edition. Measuring 14x9” … George I was King of Great Britain and Ireland from 1 August 1714 and ruler of the Duchy and Electorate of Brunswick-Lüneburg within the Holy Roman Empire from 23 January 1698 until his death in 1727..

Anthony Van Dyck, European, 1599-1641, "Adrianus Stalbent". This is an original engraving by Paulus Pontius after the painting by Anthony Van Dyck. The image size is 9 5/8 x 6 3/4 inches, c. 1700s, inscribed "Ant. van Dyck pinxit" and "Paul. du pont sculpt" in the lower left margin, with the title and a phrase in Latin below the image, with the original Kennedy Gallery label. Stalbent was a Flemish landscape painter and friend of Anthony Van Dyck when this portrait was painted...

2nd Ed. wood cut page #108 printed by Schoensperger. size page 9" by 13.5" mat 14" by 19.5" good condition see images...

A Dutch 17th century etching of a standing horse near a humble abode, 6 3/4" by 7 3/4" (14" by 15 1/2" in 20th century appropriate black frame), unsigned, and with no initials or other indication as to authorship. The work bears old pencil notations on the reverse side of the mat; there appear to be names of potential artists that were pondered by a previous observer in my position (including, it appears, question marks to himself)...

Gerard Audran, European, 1640-1703, "The Triumph of David". This early triptych by Gerard Audran of "The Triumph of David" is taken from the ceiling of the Sacchetti Palace in Rome. The image sizes are 21 1/4 x 13 3/4 inches with a sheet size of 21 3/4 x 16 1/4 inches, 23 3/4 x 12 3/8 inches with a sheet size of 24 3/4 x 16 1/4 inches and 21 3/8 x 13 5/8 inches with a sheet size of 22 x 16 1/4 inches, all on early laid paper. Created in 1668, after Charles LeBrun...

Hand-colored page with extensive woodcut depicting the genealogical tree with the offspring of Japheth, one of the three sons of Noah, and of his wife Funda.
The verso with further descendants as well as exponents of the line of Christ (Sale, Leber, Phaleg, Reu or Regau).
Page from Hartmann Schedel's Nuremberg Chronicle published in 1493 by Anton Koberger in an edition of 2000 copies.
Tower with battlements as watermark.
Rare hand-colored version...

Nicolas Mignard, French, 1606-1668, "Odysseus Escaping Polyphemus". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Hieronymus Wierix, Flemish, 1553-1619, "Moses and the Israelites Beside the Red Sea", "Moses Leading the Israelites out of Egypt". A rare early engraving by Hieronymus Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin...

Six original 32 etchings by Jacques Callot comprising the full series LES PENITENTS ET PENITENTES, Lieure catalog numbers 1315-1319, second state of two except for the frontispiece, which is the first state. Wonderful designs, excellent clean prints. Framed and glazed, not examined outside of frame. Average print size 65 x 43 mm (2 1/2 x 1 3/4 inches), frame size 12 x 14 inches.

An original 17th century etching, "God Appears to Moses in the Burning Bush", plate 30 from the well-known series of 52 published in 1615 in Rome by Giovanni Giacomo Rossi, the artist being ORAZIO BORGIANNI (1578-1616). These works are after the frescoes by Raphael on the second floor of the Apostolic Church in the Vatican...

A fine old wood engraving dating to the sixteenth century, the title apparently "Saint Paul Giving a Letter to a Messenger" according to handwritten notes on the backing, which also relate that this is from the Biblia series. The artist HANS BROSAMER (circa 1506-1554) was born at Fulda in central Germany. He became known for his fine oil portraits, but also for his wood engravings and copper engravings, many produced for various editions of Luther's German Bible. This example appears to have ...

A very fine engraving by the 17th Century artist Hollar measuring 5”. 7” and framed size is 11” x 15”……. Winter is one of the most recognized works of Bohemian engraver Wencesclaus Hollar (1607­–1677). It is the final image in a series of etchings portraying each of the four seasons as embodied by a female figure. In Winter, the woman is almost entirely covered by layers of furs and warm fabrics, staving off seasonal frigid temperatures. She protects her furs by lifting them off ...

Nicolas Mignard, French, 1606-1668, "Odysseus and Hermes Before Circe". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

c 1614 Engravings Portraits Prince of Orange and his wife Elenora. Dutch origin, one signed Ant. Sanderus (Ant. Sanderus Gandensis). Fine condition. Each approximately 5 x 7.5".

Italian lithograph titled TABULA VII showing an ancient mythology scene on fine laid paper with a strong impression

A 17th century Wenceslas Hollar "Trinitarianus" hand coloured engraving in frame. This finely detailed etching has a sight size of 10-3/8 x 6" with a plate size of 10-1/8 x 5-5/8". It is marked "Trinitarianus 831 W. Hollar fecit" and it is plate 831. It is on laid fibrous paper and it was from the series/portfolio "The Antiquities of Warwickshire Illustrated" printed in London, England 1656 (Hollar (1607-1677) was from Prague, Bohemia. It could be from the second state used in Dugdale's Mona...

Rare woodcut of Imperator Julius Caesar seated in front of the city of Rome.
Caesar is represented by a contemporary ruler wearing a crown and heavy armour. Judging from the banner with the double-headed eagle suspended from his chair this is a member of the Habsburg lineage.
The (mirror-inverted) coat of arms with lions and lozenges in front of the ruler’s feet is attested (since the end of the 14th century) to the Dukes of Bavaria.
The view of Rome is based on the woodcu...

From our European Collection, a very good 17th century copper plate engraving, most likely English circa 1650-1700, depicting a Chinese official accompanied by his entourage, with subjects kowtowing in the foreground and a crowd of spectators to the rear.

Size and Condition: 7 inches by 5 1/4 inches, very well preserved with only slight creasing.

Etching, tightly trimmed to round shape ("tondo"), 8 5/8" by 8 5/8" (12" diameter in quality round, gold modern framing by Los Angeles framers Jerry Solomon Enterprises Inc.), the title "The Satyr Family", dating to 1657. This is a fine 17th century etching by a talented Old Master. Other than the tight trimming, as viewed casually, the print appears to be in generally clean condition; the very close up images indicate the presence of some light brownish discoloration in several areas, but aga...

Unusually large detailed engraving, 31 1/4" by 20 1/8", laid down on board, of Christ coming down off the Cross, this example engraved by Nicolaus Dorigny (1657-1776), and possibly after Daniel Ricciarelli (1509-1566), in turn after a painting by Raphael. The work is dated 1720 at lower left. There's a lot of text in Latin at bottom, and a close look reveals the names of the two above artists. The print has gone evidently a long time without glass protection, so has acquired a few nicks and ...

A large poster, 38" by 28" inside the mat window and 49 1/2" by 39" in silvery, attractive, quality frame, signed discretely at upper left center by listed Italian artist MARIO BORGONI (1869-1950). Printed by Richter & Co. of Napoli, the subject is a handsome young man, sword in hand, partially draped in the green, white and red of the Italian flag. The poster, "Prestito Nazionale", was created to drum up patriotic feeling to help fund, through bonds, the war activities in 1916. Colors are qu...

Nicolas Mignard, French, 1606-1668, "Odysseus and the Sirens". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Six original etchings from LES MYSTERES DE LA PASSION by Jacques Callot printed in 1631. Scenes represented are (upper row left to right, lower row right to left): Adoration of the Sheperds, Visitation, Adoration of the Kings, Entombment, Descent of the Holy Spirit and Descent to the Limbo. Lieure catalog numbers 685-690 (images and descriptions in Lieure catalog are mismatched, I used numbers from descriptions), second state of two. Excellent design, 6 scenes printed on the same sheet, beautifu...

A PAIR of old engravings from the Passion of Christ series of 14, engraved originally in 1521 by Dutch old master engraver LUCAS VAN LEYDEN (1494-1533). My research leads me to believe these two are apparently later impressions printed on wove rather than laid paper, by noted Flemish engraver Jan Harmansz Muller (1571-1628). (Wove, as opposed to "laid" paper, was not invented until the mid 18th century). The talented Muller made skilled and faithful copies after earlier artists' works. One ...

SALVADOR DALI

"INFERNO 24"

from the series "The Divine Comedy"

ORIGINAL INDIVIDUAL MAT-SLEEVE COLOR WOOD ENGRAVING ON BFK RIVES PAPER with 'Les heures claires" Watermark

Hand-Signed in Red Pencil by Salvador Dali

Numbered 150/150, in Red Pencil, by the author

In accordance with The Official Catalog of Graphic Works of SALVADOR DALI, by Albert Field, page 189

Valued at $6,500, in accordance with the "Print Price Guide to the Graphic Wor...

David Teniers the Younger (Dutch 1610-1690) copper plate engraving of men and perhaps a woman gathered around a table in a house with a rough floor, a bed alcove and some implements on shelves and hooks. The focus of the print is a man playing a violin while a standing man with drink in hand addresses him, perhaps singing, as is a seated man. Another man, behind the musician, reads and possibly sings from what looks like a broadside. Signed in the plate on the lower left outside the image, “D ...

Jacques Callot, French, 1592-1635, engraving, "Port Scene", image size: 4 x 5 11/16 inches

Double-page with woodcuts from Hartmann Schedel's Nuremberg Chronicle.
The principal woodcut refers to the 5th Council of Constantinople, held 879/880 AD. It depicts the pope and a large group of clergy under the blessing of the Holy Spirit, who is shown as a dove.
Departing from 874 AD, the Latin text develops the context of the 5th Council of Constantinople, an initiative of Pope Johannes VIII to appease the Byzantines and obtain their aid against the Saracen incursions into Ita...