A decorative print, 27" by 23 1/2" in its white wood frame with blue inner fillet, after the painting "Blue Bouquet" by the important modern French artist BERNARD BUFFET (1928-1999). The painting was produced in 1957, so the print likely dates to the late 1950's or early 1960's. There are light scratches at lower right measuring about 4", and some small loss areas at upper left showing as white spots...

A pencil signed limited edition color print "We The People 1787", featuring Ben Franklin at printing press with assistants, evidently producing copies of the Constitution for distribution in the colonies. The work measures 18 3/4" by 25 1/4" and 25" by 32" framed/matted (wood frame, no glass). The artist signed in pencil at lower left margin and at lower right the piece is numbered 344/2000...

**PAIR** of fine engravings, each 15 1/4" by 22 3/4", (24" by 30 1/2" as framed), from the famous series "The Voyage of Life", mid 19th century, after the series of four paintings of that title by the major American artist and founder of the Hudson River School, THOMAS COLE (1801-1848). All four images from the series are composed of imaginary scenes and are filled with allegory and symbolism...

This is a matching PAIR of prints, one of shorebirds like snipe, the other of partridge-type fowl, each print measuring 13 1/2" by 19 1/2" inside the mat (18 1/2" by 23 1/2" as framed), both by ALEXANDER POPE, JR. (1849-1924), a noted American artist from Boston who is known for his Harnett style trompe l'oeil paintings of harvested wild birds, and sporting and wildlife art. Pope was from an upper class background, and he had a lot of time to paint...

Original print in black and white, described on paperwork affixed to the backing as a Heliogravure, 10 1/4" by 8 3/4" inside the mat (26" by 22" as framed), not signed or numbered. The popular and familiar image is "Gabrielle et Jean" (after the famous painting of Renoir's wife and son). Heliogravure is described as one of the very earliest photographic etching processes. Apparently in 1919 at the artist's death, heliogravures were made of many of his popular paintings...

By 18th century German etcher and engraver GEORG FRIEDRICH SCHMIDT (1712-1775), this is a fine and beautiful print, titled "Der Bartige Orientale" (The Bearded Oriental), signed in the plate at upper left "G F Schmidt fec" and dated there 1750. Engraved in the plate at lower left in French: "dedie a Monsieur le Comte Algarotti Chambellan de su Majeste Russienne par su tres humble et tres obeissant serviteur Schmidt" (dedicated to Mr...

An etching on paper, measuring 14 1/2" by 10 1/4" inside the mat (21 1/2" by 16 1/2" as framed), signed in pencil at lower left margin and numbered 29/150 at lower right margin, with a dedication (in the plate) at upper left and date 5 November 1906, by the noted German Jewish artist HERMANN STRUCK (1876-1944). The subject is a bearded man wearing a yarmulke. Struck was born in Berlin of Orthodox Jewish parentage...

Original late 1960's lithographic poster, "115 Bank Street", by the famed modern artist ALEXANDER CALDER (1898-1976), printed by Mourlot. The piece measures 28" by 21" in orange metal framing (not examined out of frame). It is in acceptable decorative condition, the colors bright, but due to past moisture exposure, there is a vertical rippling pattern and in the lower three inches, there is some water staining, as shown in the photos. A colorful addition to your modern interior...

An original lithograph on heavy paper, unframed, pencil signed at lower left by the noted Israeli contemporary artist MENASHE KADISHMAN (1932-2015). The print, featuring Kadishman's trademark imagery, of a sheep's head, measures 29 7/8" by 19 3/4". The artist was born in Tel Aviv and by the late 1940's was already studying with sculptors Moshe Sternschluss and Rudi Lehman...

A set of SIX framed engravings, each 14" by 9" and 16 1/2" by 12 1/2" identically framed, featuring architectural facades and urns, by the very well known eighteenth century Flemish architect and engraver JEAN FRANCOIS DE NEUFFORGE (1714-1791). Neufforge is known for his "Recueil Elementaire d'Architecture", a landmark publication of its time, late editions containing 900 engravings of all aspects of 18th century architecture...

Set of FOUR woodblock prints on special Kizuki Hosho paper from the Book-of the-Month Club series, circa late 1960's/early 1970's, each signed and bearing a red seal, by the important post-war Japanese sosaku hanga artist KIYOSHI SAITO (1907-1997). Saito was one of the first woodblock artists from Japan to be widely accepted by an international audience...

An original lithograph print, circa 1967, "Words of Maximus of Tyre", hand signed at lower right in soft pencil, stamped with the red chop mark, and annotated in pencil "Closing paragraph from Dissertatis VIII of Maximus of Tyre (2d Cent. A.D.)", by the important American Social Realist artist BEN SHAHN (1898-1969). Most of Shahn's prints were in editions of not more than 200; of some, less than 50 examples are known; and some are today very scarce...

This is a lithograph, titled "Heure Matinale", 19 3/4" by 25 3/4", unframed, signed in pencil at lower right by the artist and dated there "61", with "epreuve d'artiste" notation, by the noted CoBra artist GUILLAUME CORNELIS VAN BEVERLOO, best known by the pseudonym "CORNEILLE" (the French word for "crow"). The regular edition of this print appears to have been of 120 examples, on BFK Rives paper (and this has those watermarks)...

This is a print on metal process, the sheet measuring 34" by 28", and the subject being "The Burning Bush". The work was created to celebrate the 1996 opening of the Skirball Cultural Center and Museum in West Los Angeles. The Skirball is known for its focus on American and European Jewish culture. This work is numbered 629/900 on the reverse in marker and is signed at lower right in marker by the artist. Over the years it has not been handled professionally and as a result the metal has cor...

This is a puzzling piece; a print in colors, appears to be a lithograph, not an offset, measuring 13 1/4" by 9 1/8" inside the present mat (21 1/4" by 25 1/4" as framed). It is signed "Picasso" in the plate at lower right in the image and dated below that 21-6-20. I don't believe this is from the period, nor do I believe it is listed in a catalogue raisonne; rather, it appears to be some kind of later reproduction perhaps after a drawing or painting. Further research no doubt could resolve th...

This is a nineteenth century European painting facsimile, consisting of hand coloring over a photo-mechanical print, the finished product quite convincing and possessing considerable decorative value. The work measures 10" by 7 3/4" (16" by 13" framed). The name of the artist who created the original painting from which this was derived appears in red at lower right, the name "Marqueta" or similar. These facsimiles of oil paintings can fool even some gallery and auction house personnel if the...

Nineteenth century English hunting scene after the noted English artist who specialized in equestrian, racing, coaching and hunting scenes HENRY ALKEN (1785-1851). Alken's oil paintings sell for large sums at auction, and his prints are popular with interior decorators seeking that traditional look through sporting art. According to the fine print at bottom center this engraving was printed in the the year 1838 in London. Alken, himself a huntsman, is the best known of a family of prominent E...

A circa 18th century engraving of stone arch bridge over a river, more than likely in Italy, 10 3/8" by 15 7/8" inside the ornately drawn mat and 16 1/2" by 22 1/2" in a contemporary distressed style complementary silvery-colored frame. The work is not visibly signed. A google reverse image search did not turn up a matching image. The overall decorative effect of a black and white print in dark charcoal mat in silvery-goldish antique finish frame is very satisfactory---would work well in your...