This BaLin stone carving is a 1970’~1980’s product. It is 3 1/4” high, 3” wide and 1 ¼” thick. It depicts a dragon playing with a fire globe surrounded by lucky clouds. BaLin stone is produced in Chifeng city in Inner Mongolia. The mine was found and developed in the mid-20th century. Now, BaLin stone has become one of the principal materials for making seal stone or stone carving in China. This carving is in great condition.

Chinese low cabinet made entirely out of beautiful light color hardwood, possible Huali, the two doors are carved with a raised floral design in the center surrounded by a raised key fret motif, hardware is made of brass, the interior has one shelf, very solid, early/mid 20th century. Size: 32" high x 40" wide x 18" deep.

I nice Celadon teapot with outside monted flower sprays. the body modeled in 4 different body egg-formed parts.Condition: excellent condition. Measurement hight 18 cm = 7.1 in

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A roll of cotton cloth with Arimatsu shibori whose motif is hemp leaf pattern. The cloth is before steaming and ironing. In excellent condition but the white part, about 60cm from the one end, has a bit yellowish color from long time storage. 1950s to 70s. 30cm x 10m9cm

Japanese framed print signed by artist known as Ay-O 靉嘔(1931-present). His full name is Takao Iijim, a prominent member of the Fluxus artist movement since its beginning.

Fluxus is described "the most radical and experimental art movement of the sixties".

Ay-O represented Japan at the Venice Biennale in 1966 and at the São Paulo Biennale in 1971. He also built the famed "Tactile Rainbow" at the Osaka World's Fair in 1970...

This Tibetan woven wool sash from the mid to late 20th century measures 5½ x 104 inches (14 x 264.2 cm) including the braided fringes and is in excellent condition. These sashes are used by Tibetans to tie their traditional apron attire (chuba for women, lokpa for men) and also to secure knives, bundles etc. The luster of these wool belts is derived from the high lanolin content to be found in the hairs of high-altitude goats living in the Himalayan range from which these belts are woven...

A large pair ofChinese Han-style stone seals, carved into two growling fu dogs upon a solid slab. The sides bear the worn images of horses pulling chariots. Size: 6" height, 5.5" length, 4" width

Chinese small ruyi scepter, intricately carved with entwining branches of fruiting pomegranate tree, c1950 vintage. Size: 6 3/4" long.

A woven wool sash from Tibet, circa mid to late 20th century. Measuring 15.3 x 300 cm including the fringes, it is in overall good condition, but with some fraying. These sashes are used by Tibetans to tie their traditional attire (chuba for women, lokpa for men) and also to secure knives, bundles etc. Enlargement #6 shows the use of these sashes in traditional Tibetan nomadic culture (© 1995 East of Lo Manthang by Peter Matthiessen and Thomas Laird).

Wooden okimono of a grinning skull by contemporary carver Brad Blakely (American, b. 1951). The piece represents a Nevadan Lovelock Cave Giant’s Skull, c. 1,000 A.D. Superbly quality carving, exquisite execution of details and textures, beautiful staining. Mountain mahogany & 14K gold reserve with the initial of the carver. Length 2.17 inches.

Sotheby’s sale catalog FINE NETSUKE INRO AND LACQUER FROM THE ESTATE OF MADELYN HICKMOTT that took place in New York on February 8, 1989. Soft covers, 400 lots illustrated (some color, some black and white). Excellent reference book.

This is a contemporary, excellently carved carved polychrome netsuke depicting a standing Jurojin, one of the Seven Gods of Good Fortune, who is known as the god of longevity. He holds a staff with a sutra hanging from it on his right hand, and a fan on his left hand. Intricate detail and colors characterize this wonderful miniature sculpture carved by Akihiro Zusuki, a netsuke artist currently living in Hokkaido, Japan...

Measuring 36 x 222 cm including the beaded tassels, this wedding turban from Hazara district in Pakistan is hand-embroidered in mostly dark pinkish-red floss silk on an indigo dyed cotton ground. The meticulously worked satin stitch is typical of Hazara embroidery with close links to the phulkari embroidery of Punjab. One end of the turban is missing the tassles. Estimated age: mid to late 20th century.

Glass ojime (slide bead for tightening the cord going from netsuke to inro) in a form of tombodama bead in barrel shape with 5 bunnies frolicking in the snow by spruce trees during a snowfall. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Beautifully made, very pleasant patina. Diameter 0.69 inches.

Japanese glass ojime in a form of tombodama bead with milky white core and a band of multicolored flowers with fine tiny silver foil inclusions. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see the individual stamens and finely textured petals, in perfect condition. Height 0.74 inches.

Glass ojime (slide bead for tightening the cord going from netsuke to inro) in a form of tombodama bead in barrel shape with semitransparent body and decoration of Santa Claus, Christmas tree and falling snow. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Beautifully made, very pleasant patina. Diameter 0.72 inches.

Japanese woodblock print of a sunset over houses. The sky is bright orange and yellow casting purple shadows on the tiled roof wall around a compound of rural houses. Signed in pencil by Katsuyuki Nishijima (born 1945) and number 34 in series of 500. Has red oval seal indicating early works. Unframed.

Age: Late 20th century

Dimensions: Paper size: 13 3/4" high x 18 1/8" wide

A carved bone figure of a man, 7 1/4" in height, heavy for its size, appearing at first to be possibly of Northwest/Canadian/Arctic origin, but research shows that this piece is actually from the scenic popular Indonesia island of Lombok just to the east of Bali. Note the craftsmanship of this hand-made piece. There is the tuft of hair at top, and all arms and legs are movable. A number is written on inside of one thigh. Age is unknown but the piece certainly is vintage and perhaps older.