This pin cushion makes quite a statement. It has wonderful calico print fabrics in soft red, blue and brown. It is 7" square and is 3 1/2" thick and very heavy. You can see that it did have pins stuck in it at one time. It was made to be used. This is the best pin cushion! C. 1880 with some of the fabrics earlier.

Extremely unusual and rare Baluch saddle cover. Beautiful soft and silky wool, mostly natural dyes with some synthetic. This piece measures approximately 21" by 22" and is offered in generally good condition.

An antique traditional women's folk costume headdress from Bavaria. Made of black silk and embellished with velvet and jet beads. The top of the bonnet decorated with glass beads, sequins, silk and metal threads, and eight attached damask silk ribbons. Checkered cotton lining. Condition: traces of usage and wear, few missing beads and ribbons with few tiny tears and holes, little dusty. Dimension approx.: bonnet c. 14.5 x 16 x 9 cm, length of ribbons: up to c. 79 cm.

Tibetan 3 Medallion Rug, Tibet, 19th C. Deep indigo blue khaden with red medallions and corner treatments. White 'frog foot' field motifs. Size: 2'3'' x 4'3'' (69 x 130 cm). Provenance: Bill Liske Collection

From our World Handicrafts (ex-Asia) Collection, a beautiful antique Tabriz rug, late 19th century, wool on wool construction, featuring a classic central medallion design against a rust colored ground, bordered by fields of mixed geometric, floral, and arabesque patterns, tastefully executed in a rich but subtle palette of rust, dark blue, light blue, olive green, peach, and cream colored hues.

Size and Condition: 6 feet, 3 inches x 4 feet, 2 inches...

An 18th c French yellow silk underdress front, beautifully and heavily embroidered with metallic threads. The overall size is 27 1/2" by 19". The condition is good, with some scattered wear and pulls. It could highly benefit from a careful pressing.

A fine example of a textile fragment from a 17th century chausable, purple cut velvet in a geometric vine design on a yellow background, mounted on silk. Overall fine condition, with a sight size of 18" by 18 1/2".

Lace collar, probably linen. Was offered for sale in 1908 in London by the Windsor auction house, appraised by a certain Mr Knox as being a rose point lace, Venetian work from middle 17th century or a later French copy from the period of the reign of Louis XIV. The lace is kept in a wall display frame, it is placed on a Chinese silk background with secret embroidery, visible only in raking light. On the back of the frame is stuck the original of the expertise...

School girl hand embroidered sampler from New Hampshire, late 18th or early 19th century. Measures 6 5/8" x 10 1/4", in frame measuring 10 1/2" x 14 1/4", with green mat and tan paper backboard. The scene is very folky, obviously a creative design by the child doing the embroidery. Often samplers were copied from images provided by the "school" of handwork, but this is clearly an imaginative work...

A Ningxia Pillar Rug, China, Early 19 C. A beautiful Ningxia Dragon Pillar rug from the early Nineteenth Century. The condition is excellent with full pile. Dimensions: 246 x 92cm Provenance: Private Australian Collection

Ningxia 2 Qianlong Squares 124 x 65 cm (4’ 1” x 2’ 2”)Condition: good, scattered low pile, upper end restored, bottom end slightly frayed, early 19th century Warp: cotton, weft: cotton, pile: wool Provenance: Alfred Ruppenstein, Munich

Rare 18th century New England sampler from Hillsborough, New Hampshire. Circa 1784. Size: 10.5 inches x 8.25 inches. An early needlework sampler made by Rhoda Symonds at age 16. Rhoda Symonds was born in Essex, Massachusetts in 1768 and moved with her family to Hillsborough, New Hampshire in either 1772 or 1773. The sampler indicates that she was aged 16 when she created it, suggesting a date in 1784...

Very nice poplar Shaker bonnet with a label marking the size as a 5. They were also made in size #6 and size #7. The bonnets were sold by the Shakers in their gift shops but they were not made by the Shakers. This one is in very good condition. It does have a few brown stains at the top of the brim edge, see photo. This is just about as good as you can get for this type of Shaker bonnet.

A beautiful example of Victorian bead work, this was originally a purse. Now without a frame, this double sided stylized oval shaped Czechoslovakia glass cut bead design is composed of richly colored purple plum, lavender, gold, bronze, brown and charcoal black floral bouquets on tree limbs made up of horizontal and vertical rows of bead work, original brown silk lining, beaded fringe. Easily restored, might also make a lovely center applique on a special pillow, dress or jacket...

An elaborate and beautifully wrought sampler of the "Tree of Life" or "Adam and Eve" type, showing the couple by the apple tree; verse, various symbols and depictions including deer, peacocks, trees, flowers; floral bush border; signed M. Baynes, Aged 11, 1811; new frame and acid free matting; sight size 12" by 12 1/4"; framed size 17 1/2" by 18 1/2"

Overall excellent condition with a few minor and tiny holes

A striking quilt in a deep red and black. Most importantly the quilt has, stitched on its reverse, "Sarah amd Anne Hoit, Burlington, VT 1838". It also has, stitched at a later time, "A Present to O. Sherman 1881". It is very uncommon to find a quilt, especially such an early one, with such complete information as to the maker, place and date...

A girl's or woman's silk cap embroidered with flowers, highlighted with polychrome sequins. Edged with gold lace, linen lining and silk ribbon loop. Condition: traces of age, patina. Dimension cap closed: c. 23.2 cm high x 14.3 cm wide.

A fine and rare example of the antique, circa 1850 "kupka - kupke," a cap worn by well-to-do religious Jewish women on the Sabbath and holidays, Poland, 19th century.

This magnificent Kupka is finely embellished in the highest quality of Spanier Arbeit (lace technique considered exclusive to Ashkenazi Jewish production)...