Japanese tonkotsu, traditional box used to contain tobacco powder, aromas or medicines, made in root and decorated with mother-of-pearl floral applications. Floral applications made of mother of pearl are applied to the surface of the box, creating a contrast with the color of the root. In addition, a butterfly is also present on the tonkotsu. The netsuke ryusa manju, carved, is decorated with floral details while the ojime is in green stone. Period: Edo 19th cent. Dimensions: 7,5...

Late Meiji (1890s - 1910s) Japanese bamboo wrist rest used by painters and calligraphers, with low relief carving of a sparrow in flight, its wings spread wide. Beautiful subtle piece, superb quality carving, rich warm patina, in excellent condition. Wonderful object for a scholar’s desk. Size 6 1/4 x 1 3/4 inches.

MINIATURE ANTHOLOGY

‘Hyakunin Isshu’ (ref. https://en.wikipedia.org/wiki/Ogura_Hyakunin_Isshu) as the classical Japanese anthological card game of 100 Japanese waka poetry by 100 poets, and this one is unusual tiny version with woodblock printing dated back to the late Edo period (though incomplete with 90 picture cards and 90 letter cards). 2.5 x 3.5cm (0.98 x 1.37in) each. Some wormholes and slightly bended as generally...

Japanese woodblock Shunga print. Good condition. Unsigned like most Shunga but confidently ascribed to SHUNCHO active 1780-1800. Paper size 25.5x34.5. Can be viewed in central London and shipped worldwide.

Late Meiji (1890s - 1910s) Japanese bamboo wrist rest used by painters and calligraphers, with low relief carving of blooming peony bush. Beautiful subtle piece, superb quality carving, rich warm patina, in excellent condition. Wonderful object for a scholar’s desk. Size 6 13/16 x 2 1/2 inches.

IMAGE OF BIRD

Woodblock print of a Japanese‐style painter, Kono Bairei (1844-1895 / ref. https://en.wikipedia.org/wiki/K%C5%8Dno_Bairei). Paper: approx. 15 x 21cm (5.90 x 8.26in), Frame: approx. 27 x 33cm (10.62 x 12.99in). Highlight of such Bairei's true worth expression for the both of recognizing the subject correctly and feeling of vitality by catching the instant of movement at the same time...

Late Meiji (1890s - 1910s) Japanese bamboo wrist rest used by painters and calligraphers, with low relief carving of an iris flower about to bloom and cursively written poem. Beautiful subtle piece, superb quality carving, rich warm patina, in excellent condition. Wonderful object for a scholar’s desk. Size 6 1/4 x 1 1/2 inches.

1920's Japanese Boxwood Carved Mouse Okimono

It is 1.7 inches (4.3 cm) tall by 2.2 inches (5.5 cm) wide. It is 44 gram.

It has stains, cracks, missing signature's plaque, flea bite chips, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Wooden sculpture of a mouse on a mushroom. The qualities of wood have been skillfully exploited to signify the lamellae of the mushroom, not visible unless the sculpture is lifted.

In Japan, the term nezumi refers to both the mouse and the rat. They are considered the messenger of Daikokuten, the deity of commerce and wealth...

A woodblock print on washi with 29 ways of wearing tenugui which is the Japanese hand towel made of cotton. It has been using as hand towel as well as hat or scarf. In good condition except for a break in one of the corners. Printed by "Isetatsu which was founded in 1864, very late Edo period in kanda in Tokyo. The second half of the 19th century." 25cm x 37.5cm

Japanese antique wood block print of the sumo wrestler, Unryū Kyūkichi (Unryū Hisakichi) with beard and wearing a keshō-mawashi (ceremonial apron-style belt). Unryū Kyūkichi was in the makuuchi league since 1852. Name used from 1850-1865. He retired in 1865. Signed by Kōchōrō Toyokuni ga and date seal between 1851-1853. Framed print.

Age: Edo Period

Dimensions: Framed 19" high x 14 1/2" wide. Image: 13 1/2" high x 9 1/8" wide

Japanese antique wood block print of the sumo wrestler, Tsuneyama Gorojin wearing keshō-mawashi (ceremonial apron-style belt). Gorojin was in the Makuuchi league since 1843. Name used from 1842-1856. He retired in 1859. Print by Kuniyoshi Utagawa and dated 1852 (year of the Rat) or 1853 (year of the Ox). Framed print.

Age: Edo Period

Dimensions: 20" high x 15" wide (framed). Image: 14 1/4" high x 9 3/8" wide

Mask made of kiri (Paulownia) wood, showing the wide-laughing and dimpled face of god of good fortune (shichifukujin), Daikoku. The base of his hat just sitting on the top of his head.

The broad grain of the wood was used to accentuate the round cheeks, nose and nostrils. The wood was formerly stained with a reddish-brown color, now almost completely worn off...

Two prints placed under glass, representing two young women, one feeding her little pet, a rat and the other practicing Ikebana, composing a bouquet of irises which will be presented in the vase placed next to her. The hairstyle is typical of women drawn by Suzuki Harunobu, but also by other artists of this period. As it would seem that the Chinese characters simply describe the scenes represented and not the name of the artist, only specialists will be able to know who it is...

Bamboo toad on a bluebell flower. The node of the wood is used as the base of the statuette.

The toad and the frog, referred to under the same term in Japanese (kaeru) are associated with good luck and wealth. Kaeru means both "toad/frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the toad to return to the pond of its birth every year...

Bamboo sitting toad. The node of the wood is used as the base of the statuette.

The toad and the frog, referred to by the same term in Japanese (kaeru) are associated with good luck and wealth. Kaeru means both "toad" and "coming home" in Japanese. This extension of meaning is due to the ability of the toad to return to the pond of its birth every year...

Antique Japanese surimono woodblock print by Hokkei (1780-1850) entitled "The Chomonju - Snake and Melons". A snake entwined with a tray of melons. The poem above speaks of how the snake will become a dragon which will make clouds of white cherry blossoms in the mountains. Snakes and dragons are closely associated with water. The poems alludes to a wish for rain and the blossoming of Spring.

Dimensions: Unframed: 21.2 cm x 17.7 cm. Framed: 15 1/4" x 15 1/4"

Highly unusual sculpture of two natural ruyi mushrooms ‘growing’ from a piece of wood. At the foot of the mushrooms sits a small frog.
Natural piece of (drift) wood, natural mushrooms, frog of stained stag horn.
The mushrooms mounted with wire and resin.

Japan, Meiji era. Unsigned.

Ca. H 7 x W 14 x D 6 inches.

The smaller mushroom was broken off and re-attached unprofessionally.