An antique Japanese transom (Ranma) made of Hinoki (Cypress) wood. Hand carved image of a crouching tiger moving with stealth and grace in a bamboo forest. Pronounced wood grain adds depth and movement to the image.

In Japan, the Ranma was placed above the Fusuma doors to provide air circulation in both rooms that it shared...

Woodblock print, Ukiyoe, the original picture is painted by the third generation of Utagawa Toyokuni (Utagawa Kunisada, 1786～1865）The place is Nihon-bashi in Edo, the first stage of the "Tokaido Fifty-Three Stages". The man is a "katsuo-uri", bonito fish vender. In good condition. Mid 19th century. W:25cm, L:37cm

Old mask of the Noh traditional theater representing the character of Yamauba or Yamamba, with an emaciated face, dishevelled hair, and a sinister smile. The mask is made of wood, painted to ehance its features, and with brass eyes. The mask is signed. Japan, early 20th century. Height: 21 cm. Some abrasion due to age and wear, otherwise very good condition. The mask is nicely mounted on a custom stand...

1936's Japanese Kawase Hasui Woodblock Print "Mt. Fuji Narusawa Late Autumn" with 7.1 mm Watanabe Seal

It is 15.5 inches (39.37 cm) tall by 10.6 inches (26.92 cm) wide.

One of its top edge is glued to the paper backing. It also has fading and discoloration (as seen in the photos).

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Antique Japanese root wood hibachi. Natural form with lovely burl and curling rim. The bottom has Japanese sumi ink writing, most likely a dedication.

Age: Meiji Period (1868-1912)

Dimensions: 5 1/4" high x 10 3/4" long x 8" wide

Finely carved mask of the Noh traditional theater, with a verystrong expression, representing the character of Otobide. The mask is made of wood, painted in gold (the whole face), black (for the eyebrows and moustache, also on top of the forehead) and red (for the mouth), and the eyes are made of brass. Japan, late 19th century. Height: 21.2 cm. Slight abrasion on some areas due to age, otherwise very good condition...

Japanese Edo period wood block print. Print on paper, hanging scroll. Two artist’s seals, one censor’s seal. Print is in good condition, except for some tears and wears on the original mounting of the scroll. AS IS antique condition.

Sagemono complete with wooden tonkotsu with applications depicting different insects in the Shibayama technique, black stone ojime and horn netsuke. Tonkotsu, made of wood, is used in Japanese culture to contain tobacco dust, flavorings or medicines. A group of insects are depicted in great detail on the surface of the tonkotsu, including butterflies, a cricket, bees, a ladybird and a dragonfly...

Japanese Meiji period woodblock print by Ogata Gekko titled “The Soul of Japan: A Chivalrous Man” from the series Gekko’s Essays published by Takegawa Risaburo and dated in the lower left margin 1892. Signed and with the artist’s red seal at the lower right. Paper: 14 3/8” x 9 3/4" (image: 12 3/4" x 8 1/2"). Very good color and overall condition with gauffrage in the title cartouche and full margins...

Japanese Meiji period woodblock print depicting the journalist Fukuchi Gen'ichiro (1841-1906) reporting live at the battle front as government troops assaulted the rebels during the 1877 Satsuma Rebellion by Kobayashi Kiyochika (1847-1915). This image is number 45 from the series "Instructive Models of Lofty Ambition" published by Matsuki Heikichi in 1885...

Japanese Meiji period woodblock print by Kobayashi Kiyochika (1847-1915) depicting Kusunoki Masashige (1294-1336) parting from his eldest son Masatsura (1326-1348) at Sakurai Station as he entrusts Masatsura to lead his clan in battle against Ashikaga no Takauji. The title cartouche is at the upper right and the date of 1883 is at the lower left. Kiyochika’s name is at the lower right. Paper size: 14 1/4" x 9 5/8." The print is not backed and is in good overall condition...

Japanese Meiji period woodblock print triptych by Utagawa Kokunimasa (1874-1944), aka Ryua, titled “The battle between Japan and Russia at Seoul” depicting troops landing on the Korean peninsula at the start of the Russo-Japanese War. The print was published by Fukuda Hatsujiro and is dated in the cartouche at the lower left 2/1904. Signed at the lower right "Ryua" and with the artist's red "Edokko" seal below. Each of the three panels measures 14 1/2" - 14 5/8" x 9 3/4" (paper size)...

Late Meiji (1890s - 1910s) Japanese bamboo wrist rest used by painters and calligraphers, with low relief carving of a blooming camellia branch. One narrow side edge is tapered, so it can be used as a tea scoop as well. Beautiful subtle piece, superb quality carving, warm patina, in excellent condition. Wonderful object for a scholar’s desk. Size 4 3/8 x 1 15/16 inches.

Authentic 19th century Edo period Japanese woodblock print by Utagawa Hiroshige (1797-1858) titled “View of the Precincts of Zojo-ji in Shiba” from the series of “Famous Places in the Eastern Capital” (Toto Meisho) published by Sanoki in the mid-1830s...

Japanese tonkotsu, traditional box used to contain tobacco powder, aromas or medicines, made in root and decorated with mother-of-pearl floral applications. Floral applications made of mother of pearl are applied to the surface of the box, creating a contrast with the color of the root. In addition, a butterfly is also present on the tonkotsu. The netsuke ryusa manju, carved, is decorated with floral details while the ojime is in green stone. Period: Edo 19th cent. Dimensions: 7,5...

Late Meiji (1890s - 1910s) Japanese bamboo wrist rest used by painters and calligraphers, with low relief carving of a sparrow in flight, its wings spread wide. Beautiful subtle piece, superb quality carving, rich warm patina, in excellent condition. Wonderful object for a scholar’s desk. Size 6 1/4 x 1 3/4 inches.

MINIATURE ANTHOLOGY

‘Hyakunin Isshu’ (ref. https://en.wikipedia.org/wiki/Ogura_Hyakunin_Isshu) as the classical Japanese anthological card game of 100 Japanese waka poetry by 100 poets, and this one is unusual tiny version with woodblock printing dated back to the late Edo period (though incomplete with 90 picture cards and 90 letter cards). 2.5 x 3.5cm (0.98 x 1.37in) each. Some wormholes and slightly bended as generally.


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Japanese woodblock Shunga print. Good condition. Unsigned like most Shunga but confidently ascribed to SHUNCHO active 1780-1800. Paper size 25.5x34.5. Can be viewed in central London and shipped worldwide.

Late Meiji (1890s - 1910s) Japanese bamboo wrist rest used by painters and calligraphers, with low relief carving of blooming peony bush. Beautiful subtle piece, superb quality carving, rich warm patina, in excellent condition. Wonderful object for a scholar’s desk. Size 6 13/16 x 2 1/2 inches.

IMAGE OF BIRD

Woodblock print of a Japanese‐style painter, Kono Bairei (1844-1895 / ref. https://en.wikipedia.org/wiki/K%C5%8Dno_Bairei). Paper: approx. 15 x 21cm (5.90 x 8.26in), Frame: approx. 27 x 33cm (10.62 x 12.99in). Highlight of such Bairei's true worth expression for the both of recognizing the subject correctly and feeling of vitality by catching the instant of movement at the same time. Removed its acrylic board for antireflection when shooting the ...

Late Meiji (1890s - 1910s) Japanese bamboo wrist rest used by painters and calligraphers, with low relief carving of an iris flower about to bloom and cursively written poem. Beautiful subtle piece, superb quality carving, rich warm patina, in excellent condition. Wonderful object for a scholar’s desk. Size 6 1/4 x 1 1/2 inches.

1920's Japanese Boxwood Carved Mouse Okimono

It is 1.7 inches (4.3 cm) tall by 2.2 inches (5.5 cm) wide. It is 44 gram.

It has stains, cracks, missing signature's plaque, flea bite chips, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you ne...

Wooden sculpture of a mouse on a mushroom. The qualities of wood have been skillfully exploited to signify the lamellae of the mushroom, not visible unless the sculpture is lifted.

In Japan, the term nezumi refers to both the mouse and the rat. They are considered the messenger of Daikokuten, the deity of commerce and wealth. In the Chinese zodiac, taken over by Shintoism in Japan, the mouse (or rat) is the first of the twelve animals, a place that it owes, according to the m...

A woodblock print on washi with 29 ways of wearing tenugui which is the Japanese hand towel made of cotton. It has been using as hand towel as well as hat or scarf. In good condition except for a break in one of the corners. Printed by "Isetatsu which was founded in 1864, very late Edo period in kanda in Tokyo. The second half of the 19th century." 25cm x 37.5cm

Japanese antique wood block print of the sumo wrestler, Unryū Kyūkichi (Unryū Hisakichi) with beard and wearing a keshō-mawashi (ceremonial apron-style belt). Unryū Kyūkichi was in the makuuchi league since 1852. Name used from 1850-1865. He retired in 1865. Signed by Kōchōrō Toyokuni ga and date seal between 1851-1853. Framed print.

Age: Edo Period

Dimensions: Framed 19" high x 14 1/2" wide. Image: 13 1/2" high x 9 1/8" wide

Japanese antique wood block print of the sumo wrestler, Tsuneyama Gorojin wearing keshō-mawashi (ceremonial apron-style belt). Gorojin was in the Makuuchi league since 1843. Name used from 1842-1856. He retired in 1859. Print by Kuniyoshi Utagawa and dated 1852 (year of the Rat) or 1853 (year of the Ox). Framed print.

Age: Edo Period

Dimensions: 20" high x 15" wide (framed). Image: 14 1/4" high x 9 3/8" wide

Mask made of kiri (Paulownia) wood, showing the wide-laughing and dimpled face of god of good fortune (shichifukujin), Daikoku. The base of his hat just sitting on the top of his head.

The broad grain of the wood was used to accentuate the round cheeks, nose and nostrils. The wood was formerly stained with a reddish-brown color, now almost completely worn off. Around the eyes there are remnants of a light-colored pigment.

There are two small holes in the top of the ears in which the ...

Two prints placed under glass, representing two young women, one feeding her little pet, a rat and the other practicing Ikebana, composing a bouquet of irises which will be presented in the vase placed next to her. The hairstyle is typical of women drawn by Suzuki Harunobu, but also by other artists of this period. As it would seem that the Chinese characters simply describe the scenes represented and not the name of the artist, only specialists will be able to know who it is. This is a small pr...

Bamboo toad on a bluebell flower. The node of the wood is used as the base of the statuette.

The toad and the frog, referred to under the same term in Japanese (kaeru) are associated with good luck and wealth. Kaeru means both "toad/frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the toad to return to the pond of its birth every year. A gong in the shape of a toad can thus sometimes be used as a door hammer or to protect a house. The bluebell...

Bamboo sitting toad. The node of the wood is used as the base of the statuette.

The toad and the frog, referred to by the same term in Japanese (kaeru) are associated with good luck and wealth. Kaeru means both "toad" and "coming home" in Japanese. This extension of meaning is due to the ability of the toad to return to the pond of its birth every year. A gong in the shape of a toad can thus sometimes be used as a door hammer or to protect a house.

Japan - Taishô Er...

Antique Japanese surimono woodblock print by Hokkei (1780-1850) entitled "The Chomonju - Snake and Melons". A snake entwined with a tray of melons. The poem above speaks of how the snake will become a dragon which will make clouds of white cherry blossoms in the mountains. Snakes and dragons are closely associated with water. The poems alludes to a wish for rain and the blossoming of Spring.

Dimensions: Unframed: 21.2 cm x 17.7 cm. Framed: 15 1/4" x 15 1/4"

Highly unusual sculpture of two natural ruyi mushrooms ‘growing’ from a piece of wood. At the foot of the mushrooms sits a small frog.
Natural piece of (drift) wood, natural mushrooms, frog of stained stag horn.
The mushrooms mounted with wire and resin.

Japan, Meiji era. Unsigned.

Ca. H 7 x W 14 x D 6 inches.

The smaller mushroom was broken off and re-attached unprofessionally.

Original Japanese woodblock print by Yoshitoshi (1839-1892) of a Japanese captive insulting the King of Ancient Korea. From the series Kyodo Risshiki (Instructive Biographies) and published by Matsuki Heikichi, it is dated 1885. In excellent condition, it measures 14.75 inches high, 10" across.

A beautiful set of 6 Antique JAPANESE SIGNED Wooden Stack Boxes that fit perfectly into one another! They show the exquisite natural lines of the wood and were finished with transparent lacquer varnish. Nice color of the wood, like mahagony. Overall in good condition, with very minor inconsequential small marks of age/use. Size: A total of 6 boxes, the largest: length 15" x depth 12 1/2" x height 5". The smallest box measures: length 10" x depth 7" x height 3 3/4"

GOD BULL TALISMAN

Traditional paper talisman (lithography) for fire prevention from Three Mountains of Dewa (ref. https://en.wikipedia.org/wiki/Three_Mountains_of_Dewa) as a popular Shugendo's mountain, called 'Kamiushifuda' (lit. 'God bull talisman'), originally dated back to Edo period (1603-1868) then mounted for a hanging scroll in the later years, Taisho period (1912-1926). approx. 135 x 37cm (53.14 x 14.56in). Aged deterioration as is, with some silk-peeli...

Meiji (1868-1912) Japanese Boxwood Carved Mother of Pearl Shibayama Kogo Fan Shaped Box

It is 1.08 inches (2.75 cm) tall by 3.9 inches (10 cm) wide. It is 44.9 gram.

It has inclusions, flea bite chips, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you n...