Scene for “Tokyo Daily Newspaper” with “Tokyo Nichi-Nichi Shinbun” inscribed in the banner at top, issued ca. 1890

Yoshiiku was noted for his prints included in the popular illustrated newspapers at the time.

Signed Ikkeisai Yoshiiku on lower left with artist’s seal ca. 1890, very good impression and strong color, vertical center crease, various areas of moderate soiling, slight backing tape residue on upper left corner, not backed.

Oban tate-e: 9 ¼ x 14 in.

Japanese Large Kotatsu made of Hinoke wood. Has a pleasant look, symmetrical and square in shape. Built solid with a light, clean wood grain. Unusual Size Late Meiji Period (1868-1912) Dimensions: 17" Tall X 31.5" Wide

An album page in woodblock print technique probably from the "Ehon Matsu no Shirabe", showing a young beautiful lady standing near a small river. Condition: faded, creased, thin area, one worm hole, reverse with tapes. Dimension: 23.6 cm x 17.1 cm.

Shirohato Hachiman Shrine from the series ‘Scenes of Famous Places along the Tôkaidô Road’ Tôkaidô meisho fûkei, also known as the Processional Tôkaidô, Gyôretsu Tôkaidô, here called Tôkaidô meisho no uchi. Published by Seibundô Masakichi. 1863 (Bunkyû 3), 5th month.

Ichieisai Yoshitsuya 1822 ~ 1866. was a pupil of Kuniyoshi.

Approximately 36 cm x 25cm. A few sewing holes in left margin. A good impression with fine fresh colour and in very good condition...

Japanese Meiji Period "okubi-e" (literally "big head") woodblock print depicting a modestly dressed woman from the Horeki Era (1751-1763) from the series "Mirror of the Ages" ("Jidai Kagami") by Yoshu Chikanobu (1838-1912) published by Matsuki Heikichi in 1896. The upper inset portion of this print illustrates the facade of the Nakamuraza Kabuki theater in Edo. This series features bust portraits of beauties representing various eras from the 16th to 20th centuries...

Suzaku Gate Moon - Hakuga Sammi (Suzakumon no tsuki - Hakuga Sammi). Printed: 1st day. 2nd month. 1886 Engraver: Yamamoto Signature: Yoshitoshi. Seal: Yoshitoshi no in. Publisher: Akiyama Buemon Condition: Very Good colors & impression, full margins, "karazuri" embossing on cartouche & Hakuga's hakama (pantaloons). H. 13 x W. 8.75". Minamoto no Hiromasa (918-980,) was also known as Hakuga Sammi...

Japanese Edo period woodblock print from a small series featuring bust portraits of actors portraying two opposite charactors in old and current plays set against calligraphy by Toyokuni III (also known as Kunisada) collaborating with Torii Kiyomitsu II (1788-1868) dated 1852. The lower right corner bears the signature cartouches of both artists, censor and date seals, and the seal of the publisher Joshuya Juzo. The paper measures 14 3/4"V x 9 7/8"H...

Woodblock print, Ukiyoe, the original picture is painted by the third generation of Utagawa Toyokuni (Utagawa Kunisada, 1786～1865）The place is Nihon-bashi in Edo, the first stage of the "Tokaido Fifty-Three Stages". The man is a "katsuo-uri", bonito fish vender. In good condition. Mid 19th century. W:25cm, L:37cm

Various designs for textiles, issued ca. 1900

Good impression and color, very minor soiling, center fold

Album leaf: 9 x 13 ¾ in.

Antique Japanese woodblock print of Ishiyakushi in Tokaido, Japan. Side has authentic artist censer seal by Hiroshige (1997-1858), and publisher's mark. Utagawa Hiroshige (Japanese: 歌川 広重), also Andō Hiroshige (Japanese: 安藤 広重; 1797 – 12 October 1858) was a Japanese ukiyo-e artist, considered the last great master of that tradition. Size: 13.5" H, 9.5" W

Japanese woodblock print depicting an actor portraying a samurai by Kuniteru II (1829-1874), published by Daikokuya Heikichi (Shojudo) in 1867. The paper measures about 14 5/8"V x 10 1/4"H. The print is in very good overall condition with good impression quality and color. There are lacquer highlights in the black areas and mica at the top. There is an ample margin on the left and top. The paper is fine, the print is not backed, and the image is clearly visible on the reverse...

Bamboo toad on a bluebell flower. The node of the wood is used as the base of the statuette.

The toad and the frog, referred to under the same term in Japanese (kaeru) are associated with good luck and wealth. Kaeru means both "toad/frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the toad to return to the pond of its birth every year...

Japanese mingei hinoki water wheel. Complete 11 spokes with paddles used as a functional water wheel. Iron piston protrudes from the central hub for rotational function.

19th Century

Size: 47 1/2" x 6"

A framed Woodblock from the Series "SANJUROKUKASEN" by TOSHIKATA MIZUNO (1866-1908), BIJINA (Oban, date 1893, MEIJI ERA)"TEAHOUSE WITH RAINHATS" depicting a young and beautiful woman of the Kan'ei Era (1624-44) wearing a red kimono and standing at the entrance of a rural teahouse/inn with 2 playing dogs in the background; from the series 36 Elegant Selections (Amigasa chaya, Kan'ei koro fujin). 3 straw hats from guests are suspended at the entrance for drying. Signed...

Japanese woodblock print by Paul Jacoulet. Beautifully done and sought after in this market. Great condition, framed behind glass. Circa late 1940's Dimensions: 20 1/2" High X 16 1/2" Wide

1920's Yoshijirō (Mokuchu) Urushibara Woodblock Print "Messina Life Amongst the Ruins" design by Frank Brangwyn, Pencil Signed

It is 15 inches (38.1 cm) in length by 11.4 inches (29 cm) wide.

It has browning, creases, a tear at a corner's edge, fading, wear, and discoloration (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

Large Itomaki, spool, for weaving. Wood with 6 arms. Late Meiji Era (1868-1912.) H.39cm(15.5") x Square Base of 37cm(14.5"). Good condition, has been cleaned and oiled.

Two prints placed under glass, representing two young women, one feeding her little pet, a rat and the other practicing Ikebana, composing a bouquet of irises which will be presented in the vase placed next to her. The hairstyle is typical of women drawn by Suzuki Harunobu, but also by other artists of this period. As it would seem that the Chinese characters simply describe the scenes represented and not the name of the artist, only specialists will be able to know who it is. This is a small pr...

This is a beautiful and rare original antique Japanese Polychrome Woodblock Print "Itsutomi" Ukiyo-e by Utagawa Toyokumi dated 1793 or 1795, Edo Period, depicting a beautifully dressed and elegant Lady with her Shamisen instrument on the floor. Calligraphy markings/seal. Overall in very good condition with very small inconsequential tear on the outside (right frame, see photo). Size: 15.5" x 10.25" (39.5 cm. x 26.5 cm). This Woodblock has now been framed under glass.

An actor in street attire standing in front of a row of shops and tea houses by Osaka artist Sadahiro (active 1830-1851) dating circa 1845. A pupil of Kunisada, Sadahiro's woodblock prints were published in Osaka in the 1830's and 1840's. The seal of the publisher Iseya Sensaburo appears on the actor's head. The artist's signature is in black ink at the lower left. Exceptional color and impression with lacquer highlights on the edge of the inner kimono and mica in the background. Chuban-siz...

Antique Japanese woodblock print by the artist Utagawa Kuniyoshi. This print from his famous Suikoden Series depicts one of "One Hundred and Eight Heroes of the Popular Suikoden". Based on the Chinese semi-historical novel, the Suikoken prints depict the adventures of the 108 rebels who sought refuge in the area of Liangshan Marsh. These rebel heroes, also brigands and bandits, were compelled to protect the poor and downtrodden.

This print depicts Kaoshô Rochishin (formerly call...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting the actor Iwai Hanshirô VII in the role of Koman from the series "Actors at the Fifty-three Stations of the Tokaido." This image is Station 48: "Seki" published by Sumiyoshiya Masagoro in 1852/3. Very good color and impression quality, with fine delineation of the hair not apparent in the images. The date and censor's seals, carver's seal, and signature of "Toyokuni ga" (in a red cartouche with yellow snow) ...

Japanese Meiji Period woodblock print from the series "The Calendar of Events in Edo Theater" by Adachi Ginko (1874-1897) dated in the left margin Meiji 30 (1897) 1st month 11th day. The series depicts various scenes and events surrounding kabuki theater. This image depicts several actors and musicians on stage. One actor, holding a fan above his head, dances in bare feet. The red fish peering from behind his back suggests he might be a fisherman. Four actors sitting in a row behind him are al...

A simple utilitarian tool often used by Japanese carpenters and woodworkers known as a sumitsubo or an ink pot used to measure and portion pieces of wood. Traditionally, the sumitsubo were made by carpenters and how well a sumitsubo is made showed how skilled a carpenter was. Age: 19th-20th century Size:Height: 3.75" Width: 4" Length: 11.5"

Eizan print, please contact for details

An antique Japanese temple carving of a flying dragon protecting a sacred Hoju while flying through the tumultuous clouds. Hand carved from one solid piece of Keyaki (Zelkova) wood. Beautiful three dimensional high relief detail.

Age: Edo Period, circa pre 1850s)

Dimensions: 53 1/4" Wide by 26 1/4" High by 5 1/2" Deep

Small mask of the Kyogen Theater, with a strong expression. Lacquered wood. Eyes made of glass painted inside. Japan, 19th century. Height: 16,5 cm. Several small chips, otherwise very good condition.

Three well painted Shunga scenes with a loving couples. Silk with ink and colors. Fitted on traditional, gold-spotted cardboard. Meiji, ca. 1880. H 17 cm, W 19 cm. Condition: One in very good condition, the other two : over-all quite good. Minor spots.

Thick and natural burl wood stand. Knots and gnarls all over sides with one hole. Natural and light lovely strains of wood. Stand is carved characteristically with part of branch attached. Meiji Period (1868-1912) Dimensions: 15" Long X 12" Wide

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring a beauty serving tea to another beauty who is resting in a palanquin smoking a pipe from Act 6 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the lower left portion of the print. The signature of the artist (signed "Toyokuni ga" in a red cartouche w...

A wonderful large Japanese wood carved statue of an anthropomorphic tanuki. He holds a large mokugyo or temple bell with carved dragons in one hand and a lacquered drumstick in the other. Beautifully preserved, hand-carved antique piece.

Mid Edo age (circa 1750's)
Stunning original condition, very charming piece.

Size: 36" H, 16" W

A well made Keyaki wood sumitsubo. Used by carpenters to efficiently mark straight lines by snapping a silk string saturated with ink. The utilitarian purpose enhanced by the folk art attention to detail of this implement held symbolic of the trade. Meiji period. Good condition. Length, 8 inches

Japanese woodblock print triptych by Kunisada, also known as Toyokuni III, (1786-1864) titled "Hana no utage Murasaki no omokage" (Flower Party) published by Moriya Jihei in 1859. The print illustrates a scene with Prince Genji seated beside a lake on a raised platform with ladies at his side enjoying cherry blossoms and spring weather. Each panel measures 14 1/2" x 10" (the left panel is slightly more narrow). Very good color and good overall condition. The panels are not attached, there ar...

Small Burl Wood Stand. Beautiful grain with flat shiny surface, Gnarls and knots along edges with one strait cut side. Stands on four short wooden pegs. Meiji Period (1868-1912) Dimensions:2.5" High, 11" Across, 7" Wide

Antique Japanese carved wooden ranma (or transom) panel, carved with detail on back its front and back sides, of bamboo stalks with leaves and chrysanthemums. It has a black lacquered frame. Dates from the taisho period c 1920. Size: 69.75" height, 13.5" width

Mask made of kiri (Paulownia) wood, showing the wide-laughing and dimpled face of god of good fortune (shichifukujin), Daikoku. The base of his hat just sitting on the top of his head.

The broad grain of the wood was used to accentuate the round cheeks, nose and nostrils. The wood was formerly stained with a reddish-brown color, now almost completely worn off. Around the eyes there are remnants of a light-colored pigment.

There are two small holes in the top of the ears in which the ...