Large wooden sculpture of an Arhat, a disciple of Buddha. An impressive and well carved piece with a very nice expression and with the original polychrome. H. 68 cm. Condition: age cracks, wear to the painting, some damage to the fingers, the right shoe has been replaced. Chinese work, 19th century.
A complete old Tibetan ladies purse made of Yak leather and inlaid with silver and gilt carvings with a center piece of Turquoise. The front has carvings of two fish (representing the beginning of life)and flower design. The back has a center tree design. There is a silver woven chain attached to the top for carrying. Age: Late 19 Century. Size: Leather purse. L. 12cm. W. 7cm. Overall length. 32cm. Condition. Very good.No repairs. Normal ageing.
A dramatic pair of large trays decorated with silver characters for sun and moon on dynamic black and red surfaces. Each comes in the original wooden box made by craftsmen at the Yabashi Studio in Gifu prefecture. They are 47 cm square and in fine condition.
An unusual image of a towering stone among pines by Yasuda Hanpo enclosed in the original signed wooden box dated 1935. It is titled Sosui Manken (In the shade of Towering Trees. Light pigment and ink on paper in a cloud-patterned satin border with large bone rollers. 46.5 x 207 cm (18-1/2 x 82 inches) and is in exceptional condition.
Yasuda Hanpo (1889-1947) was a Nanga artist studied under Mizuta Chikuho and Himejima Chikugai...
A fine antique Greek pottery kylix a grand tour example c.1890. Decorated in Classic greek figures two handles and pedestal stand. Measuring 18 x 14 x 8 inches. A beautiful example would enhance any interior.
Japanese literati painting finely detailed in the Chinese style with a snowy mountainous landscape scene featuring houses, figures, a waterfall, and gnarled trees. An inscription at the upper right is signed “Sorin Gaishi,” the pseudonym for Takaku Aigai (1796-1843), followed by two red artist seals. Takaku Aigai was a prominent Nanga School artist and a protégé of Tani Buncho...
Description:
A black-glazed stem cup was uniquely mold with decoration on the surface with thorn-like pattern.
It was a transition from early periods and was also a counterpart of metal wares of persian cultures which had been introduced into China 6th-8th centuries.
It was an one-of-a-kind piece but was not odd to the pottery cultures of the periods.
Foggy-look incursions were happen to the glaze in a subtle way.
The body clay was in grayish white tint...
Face coverings were worn for centuries by the women of various nomadic tribal groups of North Africa and the Middle East. This face cover is from the nomadic Harb tribe of Hijaz region of Saudi Arabia. It was purchased by a collector living in the region during the 1960's.
Face coverings were worn for centuries by the women of various nomadic tribal groups of North Africa and the Middle East. This particular mask is from the Harb tribe of Hijaz region of Saudi Arabia. It was purchased by a collector living in the region during the 1960's.
A pair of Satsuma earthenware vases painted with two different continuous scenes of women and children in a landscape. Bases signed within a cartouche "Ryozan". Condition: fine, only little wear to gilding. Dimension: 23.8 cm high.
Antique Chinese carved dark red cinnabar covered box. The cover, with slightly convex top, intricately carved with four figures (two standing and two seated) in garden landscape with architectural structures and tall hills in the background. The carved flower motif on the sides of the cover also appearing on the sides of the bottom. The underside of the bottom with a repeating, star pattern centering a rectangular reserve now missing a cartouche. The bottom and cover with metal rims...
An interesting comment on the circle of life, the huge cicada, with only a three day (above ground) life, is dissected and carried away by a line of tiny ants, birth and death, the mighty and the tiny, and the cycle of life continues. This image is by Ishikawa Chikuson and comes enclosed in the original signed wooden box. It is performed with ink and light color on handmade paper, mounted in a field of soft-blue silk extended with beige...
A nicely carved natural amber snuff bottle with two birds on one side and a floral design on the other.
Size: H. 4.9cm. W. 3.4cm.
Condition: No repairs, cracks or chips.
Japanese shin hanga woodblock print titled Maple" by Tsukasa Yoshida (1949 - ) dated 1970. The artist's red square seal is at the lower right. The print is pencil-signed in the lower right margin, dated and titled in Japanese in the left margin, and titled in English in the lower left margin. The known paper size is 16”V x 11 1/4”H (image: 14 1/2”V x 9 3/4”H). This print has been framed with UV glass and archival materials in a traditional 19"V x 15"H wood frame with rounded corners...
Chinese Qing dynasty scholar’s pear-form monochrome porcelain bud vase with wide mouth covered overall in a Junyao type purplish blue flambé glaze that extends into the interior. The slightly recessed base is brown washed. The wood stand and padded silk presentation box are included. Early 19th century to possibly late 18th. Vase: 3 1/2” high x 3” diameter. Silk presentation box: 7 1/2"L x 5"W x 4 1/2"H. Very good overall condition with no chips, cracks, or repairs...
The Guanyin seated on a lotus throne, accompanied by two attendants. At the back of the figure there is an opening where offerings or religious texts were kept. This piece is 35 cm tall and dates from the 18th century. Condition: paint loss, worm holes (treated), age wear, an ornament missing at the top of the back plate. From a Dutch private collection.
Rare limited original woodblock print by Paul Jacoulet (1896 Paris - 1960 Karuizawa) with glued title label in French "First Love - Young Girl from Yap", lavishly printed with gofun, mica and karazuri. Signed in pencil, red Daikoku's mallet seal, left margin with seal of printer Maeda and paper with artist's watermark. Reverse with red edition cartouche in kanji 48/150. Please refer to Richard Miles "The prints of Paul Jacoulet", No. 43 with picture. First impression, according to R...
Large Chinese Qing dynasty Guangxu period bombe form censer (incense burner) with flared rim decorated in underglaze blue on a white porcelain ground with three horizontal rows of zhuanshu "shou" (longevity) ideographs extending around the circumference of the bulbous body. A key-fret border is above the calligraphy and a petal border is below it...
A fine dark olive bronze by Living National Treasure Katori Masahiko enclosed in the original signed wooden box. It is 8 inches (20 cm) tall and in fine condition.
Katori Masahiko (1899-1988) was born into the family of prominent Bronze Artist Katori Hozuma in Chiba. He was internationally awarded at the Paris Exposition in 1925, the year he graduated The Tokyo University of Fine Arts (a student of Tsuda Shinobu). Heavily involved with the Teiten/Nitten National Art Exhibition, following the...
A blossoming plum rises majestically on the simulated matt-metal finish of this cloisonné vase by the Ando studio marked on the base. The interior is a rich dark blue, the exterior flat orange peel textured metal gray with the flower laden branches rising up in moriage. It is 30.5 cm (12 inches) tall, 18.5 cm (7 inches) diameter and in fine condition, enclosed in a wooden box.
A bridge and weeping-cherry (shidare sakura) draped over swirling eddies on this silver lidded Meiji period Koro incense burner on its original matching table. On the table a waterwheel is visible downstream from the same scene, tiny silver beads floating on the crests of the ripples. The incense burner has a silver lid and removable liner, with a nashiji gold-flaked bottom. It is 4-1/2 inches (11.5 cm) diameter and in fine condition. The table is 14-1/2 x 7 x 2-1/2 inches (37 x 17.5 x 6 cm)...
A large screen depicting a samurai replete with the Jakumei crest of the Takeda Clan rearing his horse in a shout of battle, wand extended at arms length giving the order to charge. The horse appears to be fighting panic, possibly at the deafening sound of the guns of Oda Nobunaga, a sound which brought in the modern era of warfare to Japan in a pitched battle between Oda forces and those of Takeda Shingen. The scene is depicted in a typical Meiji Rekishiga-style, light pigments on silk, wrapp...
Sitting demurely, legs folded with her back to the viewer, an oil painting by Yoshii Kosaburo dated 1937 and encased in the original period wooden frame. Oil on canvas, the painting is 15 x 18 inches (38 x 46 cm), the frame 21 x 23-1/2 inches (53 x 60 cm) and is in fine condition. The frame has marks and wear typical of age. It comes with some period documents (Japanese) on the artist.
Yoshii Kosaburo was born in 1899, and initially studied under Imperial Art Academy Member Nakagawa Hachiro. ...
Massive Chinese Jin to Yuan dynasty (12th/13th century) Henan dark brown/black glazed horizontally ribbed ovoid form stoneware jar with high, wide shoulders narrowing at the base. The thick glaze drips down toward the flat, unglazed base. The rich black/brown glaze, referred to as “temmoku” by the Japanese, is highlighted by a russet colored cylindrical neck and rim. Measures about 13” high x 13 1/2” diameter. Very good overall condition with typical surface scratches to the glaze.
An interesting pair of boat shaped dishes, funagata o-zara, decorated in a limited palette of iron red, green enamel and gilding with a central motif of Karashishi on waves framed by a band of shippo, cash. The dishes date to the early nineteenth century and the late Edo period, circa 1800-1830.
The dishes measure 18cm in length and 11cm in diameter. The dishes are in good condition with no chips, cracks or restoration, however both have some light production fritting to the glaze principally ...
A very unusual Kutani porcelain shallow bowl in the form of bamboo basket form rice scoop, zaru, decorated with a celadon glaze and finely painted in aka-e style with butterflies to the interior of the bowl, and an elaborate iron red brocade ground inset with repeating panels of Chrysanthemums and Suzuki, pampas grass.
The bowl measures 22cm in length and is 18,5cm in width and at its highest point measures 6.5cm. The dish is in very good condition no cracks, chips or restoration. Shipping at c...
Chinese scrolled painting executed in ink and color on silk with two beauties seated in a garden setting. Two vertical rows of sumi ink calligraphy and a red square seal are at the upper right. A rough translation of the inscription is: It doesn’t take a saint to play musical instruments. I have to call you a lady, Bo Ya. Bo Ya was a famous musician who lived during the Spring and Autumn Period of the Eastern Zhou dynasty. The painting is dated in Chinese cycle years to 1935 (Year of the ...
Description:A beautiful and rare imperial famille-rose crane-medallion porcelain bowl and saucer, the bowl decorated to the exterior with seven roundels of crane-medallions in purple red enamel, between bands of crosshatched pattern around the rim and blue and green breaking sea waves above foot rim, centre of the bowl finely painted with a single peony flower and leafy branches enclosed within blue-circles. The interior of the saucer was decorated with the same patterns of the roundles. Both of...
A small serving bowl of five petal form, rinkagata namasu-zara, with a stencilled pattern of imbricated waves, seigaiha, with cherry blossom, sakura-hana inset with two small reserves containing prunus and bamboo boughs. The reverse decorated with a simplified Lotus scroll and a four character Dai in nensei mark. A dark brown fuchibeni “lip rouge” glaze to the rim. It measures 14.2cm in diameter and stands 4.2cm high to the rim.
The dish is in good condition with no cracks, chips or restora...
Chinese late Ming dynasty Wanli period blue and white kraak export porcelain deep dish with flattened foliate rim finely decorated in the well with two cobalt blue deer in a forest surrounded by flowers and fruiting trees. The rim is bordered with a band of frolicking horses chasing flaming pearls over waves and among clouds. The back edge is decorated with stylized plants all set against a white ground with a celadon-blue tint. Chatter marks are visible on the unglazed base and the unglazed ...
Ribbed dish, diameter 33 cm. Age wear to the glaze. A minor rim chip, otherwise very good condition. From a Dutch private collection.
Ribbed dish, diameter 34 cm. Stains and discoloring due to the long time this piece spent in the soil. Yuan Dynasty (1279-1368). From a Dutch private collection.
Diameter 29 cm. Large hairline and a small rim chip.
From a Dutch private collection. The hairline can be bleached to make it less visible.
An insert table screen with carved wood lattice work. The round porcelain plaque with depiction of three immortals in a landscape painted in underglaze blue. The reverse is bearing a six character "Daoguang" seal mark. Maybe the plaque was once a dish and reduced. Condition: lattice work with few missing pieces and little glue residue. Dimension: plaque: diameter: c. 16.5 cm, screen: total height: 45.5 cm, 34.5 cm wide.
A moulded hexagonal bowl, hakkaku hachi, decorated to the exterior with an iron red ground inset with alternating reserves containing ribbon bound scrolls, makimono, and artemisin leaves, mogusa-ha, two of the Eight Chinese precious objects, Babao, hachitakara, and a band of stylised eight petal flowers, presumably Tessen the clematis flower, with leaves and pine branches.
The interior divided into four brocade panels, each with a reserve containing, respectively auspicious Chrysanthemums and R...
A large dish with slightly out-turned rim decorated in underglaze blue with Lin Bu ( Lin Hejing) Rinnasei the famous Northern Song poet, scholar and recluse feeding a Crane, perhaps He Gao, set against a Pine Tree within a garden fence. It was said of him that the Plum blossom was his wife and his son, the Crane.
Unusually, he is portrayed with a rather out-sized large oval face, with an anachronistic Qing style Manchu cap, and robe decorated with stylised Plum blossom, rather than the more us...