A pair of ceramic Cormorants by preeminent early 20th century Master Miyanaga Tozan enclosed in the original signed wooden box. The cormorant has a special place in Japanese art. Like the hawk is a bird used in hunting, the cormorant is a bird used in fishing. A rope would be tied around the long necks of any number of the birds, them then taken out into the water with huge torches burning on the prows of the fishing boats...

Description: A rare and lovely Yaozhou russet-glazed incense burner was in simple form. Wide-mouthed and with high-set shoulders when the neck is narrowed and the lip is rolled, the jarlet was applied with persimmon glaze inside and out of the surface. The bottom was flat and was concaved to a round circle. The unglazed base had turned to a buff skin during firing, and in a firm quality which were all the characteristics for a Yaozhou ware. Date: Song period(11th/12th Century), Height: 6.6cm

Two blue glass earrings from Cambodia most likely a pair. Size: Width. 2.5cm and 2.4cm. Condition: Some incrustation from being buried so long. Age: 300 to 100 BC.

A gold ornament which looks like to me to be a warrior carrying a club. It's hard to date this piece, but looking at the patina on the gold I would say around 16th century.Found in Burma but could be from India. Size: 3cm x 2.5cm. Condition: No repairs.Some opening which are normal in old gold repousse work.

An Edo period suit of raw iron with all matching parts, featuring 16 plate helmet with two lame shikoro and large fukigaeshi. The mask is fantastic, a real stunner with dramatic features and a large mustache. It has five plate sode and a go-mai-do cuirass of five iron plates, with kusazuri of leather scales. The sangu are all matching, very nice on dark silk tightly woven iron scales, with a crest in brass on the back of the hands...

An exquisite pair of gofun covered fox on black and gold lacquered stands protected by copper wire cages, dating from the second half of the Edo period. They wear a shrewd look, eyes narrowed to slits, enhancing their mischievous image. The mystical carvings are covered in white gofun, stained a soft gray from age with highlights still white from eons of careful cleaning...

Shishi prance across the mottled Kiri-wood surface of this Momoyama to early Edo period Koro in gold and silver maki-e and mother of pearl inlay. A copper insert contains the fragrant incense ash. There is a hand forged iron staple top and bottom of one ancient crack testament to age. It likely once had a silver hoya (cover) which has disappeared over the centuries...

Description: A boxwood carving of Louhan was in old charming patina. Carved in a simple but sleek way, the figure sit easily when tucking the hands into the sleeves. From the mature craftsmanship, the characteristics of the facial features and the honey brownish patina which was caused from the enduring age, the wood work can be dated as one masterpiece from 16th century of Ming Dynasty. Height:7.5cm, Width:6.5cm, Depth:6.45cm...

Description: A Jianyang Temmoko ware was in rare meiping form. In pitch-black glaze, the elegant bottle vase was applied with subtle silver oil spots all over the surface which can hardly be shown in my pictures. For authenticating, thin web-like crackles were dispersed in the glaze when incursions were obvious on the mouth rim. In elegant profile, the luster on the surface of the vase was introspective and charming...

SOLD A delish assortment of vintage antique Satsuma buttons, house on lake, man with mirror, iris, one signed diminutive, another diminutive, odd shape Satsumas and a 19th century ivoroid Victorian button named Sarah Lennox. SOLD, no price no info please.

This is a Northern Song - Jin dynasty cizhou sancai dish with incised lotus design, with green and brown colour enamel. It stands on a short foot rim and then everted into a u-shaped body. The centre of the dish is incised with a single lotus flower with a large open leaf below it. The lotus is painted with a shade of brown colour on the inner side and the outer side a dark cream colour. The lotus leaf is painted in green colour with brown shading on the inner side...

Description:
A rare stucco head of Bodhisattva was preserved in very good condition.
Exemplifying the serene beauty of Song sculptural art, the deity’s head dress was an ornate tiara which had been partially damaged.
In holy facial expression, the Bodhisattva was molded and carved by the features of a Chinese lady.
When applied with white pigment on the face, the Bodhisattva was decorated with glassed eyes.
A glass urna was set on her forehead...

Nita A ring of skulls playfully sojourn on the front of this rather unusual deep Edo Karatsu Chawan. On back another pair tumble helplessly over the thick speckled glaze. The base is bare earth, dark and shiny with age and handling. The skulls are not just resist painted on, but are actually incised, the eyes and nostrils set deep into the southern clay. The bowl is 3-1/2 inches (8.5 cm) tall, roughly 4 inches (10.5 cm) diameter and is in excellent condition, enclosed in a wooden box.

A late Edo period (19th century) image known as the Nehanzu, death of the Buddha. It is absolutely fantastic, one of the best painted I have ever seen. Mourners of all species surround the death bed of Buddha. His mother comes from heaven dropping a bag of magical medicine, which catches on the limb of a tree, unable to reach him in time. Hawk, tiger, elephant, Shishi,...

Description: An Yixing tea caddy was kept with original cap...

Gold clouds border a spectacular and rare scene of birds flying amid wisteria (fuji) on this fine 19th century gold screen. The screen is roughly 68 by 148 inches (172 x 376 cm). We are offering this screen as is, to allow the buyer to pursue restoration to a level they deem satisfactory. In need of restoration, there are scratches in the gold over the birds, three marks low in panel three and a number of thin tears along the lower portions of the 6 panels. For detailed photos please inquire...