Japanese Bizen figure of a standing Shishi, Foo Lion or Dog, well sculpted, with very fine details depicting his fur, teeth, claws, and other white glaze spots outlining his tail and facial fur, his large eyes with dark shiny glaze...

Qing dynasty jade libation cup with three rows of raised boss pattern around cup on a raised foot with two carved handles on either side. Fitted to a wooden base.

This child's headpiece was from a very high status, wealthy Chinese family. Basically made of 3 pieces of shaped and intricately carved leather, it was made "adjustable". Heavily decorated with additional carved elements, dragons, beads and pompoms, it still has most of the original gold paint. This is a rare treasure. approx 6" x 3.5"

Made of red Tophane clay, all pieces with matching impressed decoration, highlighted in gold and silver paint. The bases with an impressed flower. All pieces marked with a round stamp in Persian writing. Condition: traces of usage, cup with a loss. Dimension: saucer: 8.1 cm diameter, cup: 5.6 cm diameter, weight: 182 g.

Four Foo Dog seals. Two carved, two blank. Two made of ivory, one of black stone and one of red stone.The Foo dog is also known as the celestial dog and happiness dog. The animal is also a symbol of energy and value. Age: Mid 19th century. Size: H. Tallest 4cm- Smallest:2.5cm. Condition: The red stone one has a small chip at the base, all others are fine.

Description: A beautiful floral picture was done by unique techniques. Totally used with cast iron, the plants of peony flowers, the leaves and the stems were skilfully hammered, chiseled and soldered together into a natural form. The tradition of iron pictures was developed at late 18th century. For this piece, it was from late 19th century and had been finished with some black paint in the later date for covering it from further erosion. Condition: Very good...

Chinese late Qing dynasty porcelain bowl with a slightly flared rim decorated around the exterior in two shades of underglaze blue with four stylized lotus blossoms among leafy scrolling tendrils set against a smooth, translucent white porcelain ground. A double blue line encircles both the rim and foot. The interior of the bowl is undecorated. Late 19th to early 20th century. 6 1/4” diameter x 3” high. Very good overall condition with no chips, frits, or cracks...

The backside decorated with a stupa. H. 10,5 cm. excl. stand. This piece was placed in the foundation of a newly built stupa.

Extremely rare bronze Lobi 3 legged stool, in antelope form. Measures 10" high, 18" wide and 5 1/2" deep.. Lobi stools are always a lovely form, sometimes with figural designs, and bronze stools are very rare. Such examples were always made for a chief or other high ranking member of the community...

Iyashiku mo tsune areba
hisashi hisashikereba onozu kara yoi kaori wo harau
If you perservere (with proper living), the years will grant you success. This was a famous last line from a treatise written by revered Han Dynasty scholar Cui Yuan (Cui Ziyu, 78–143). These same words were famously written by Kukai (Kobodaishi 774-835) the founder of Shingon escoteric Buddhism in Japan...

A nice famille jaune bat motive tea cup. It has a Tonzhi seal mark both on the cover and the base of the cup and is of the period.

A minor manufacturing flaw on the cover (photo 2)and five hair lines as shown in the photos 4 and 5. two with stain and the other can be seen at certain angle only. Other than that, it is in fine condition, no chip or repair.

The height of the tea cup is 9cm and the diameter is 11.2cm

Description:

A Tin caddy was intriguingly made within a knarled wood trunk.
In nice form and casual mood, this tea caddy owned the very taste of Chinese scholars'.
Old patina was preserved well on the surface of the wood and the metal alike.

Date: Qing Dynasty, 19th century.

Height: 15cm.

A fine 19th-century antique Bronze figure of a seated Buddha. Has a beautiful rich brown patina Dimensions 6.5ʺW × 4.0ʺD × 10.0ʺH In excellent antique

A rectangular cover made of glazed cotton lavishly block-printed and dyed, produced in Isfahan in the 19th century. Centrally a medallion with cypresses surrounded by meandering flowers, and a row with cartouches containing Arabic inscriptions. Qalamkar textiles were especially popular in Persia, often imported from India (here called Kalamkari). From a Swiss gentleman's study collection, mainly comprising Persian textiles...

Large and heavy mirror pair of Chinese bronze Mandarin duck-form censers, or incense burners, with lotus stems trailing from open beaks and bodies decorated with molded lotus flowers and etched feathers. A removable pierced cover in the form of lotus flowers and stems is integrated into the feathers of the back. Each duck rests on a custom wood stand carved with water ripples. The incense smoke can exit through the opened beaks, a vent in the tail, and the pierced cover...

Qing Dynasty (19th century) Chinese Manchu style robe decorated in embroidered dragons chasing flaming pearls (symbolizing the Buddhist notion of enlightenment) executed in gold-couched thread on a blue silk ground. The eight full-face and profile four-clawed dragons are surrounded by clouds and various auspicious symbols. The dragon's eyes are accented in black and white. An embroidered panel surrounding the neckline is filled with additional dragons running across the top of waves...

 

Rare Edo period Japanese namazu-e (earthquake fish picture) woodblock print featuring a giant human-like catfish receiving punishment after being found guilty by a judge for causing the Ansei earthquake of 1855. A group of human-like catfish watch as the punishment is being meted out. In Japanese mythology, it was believed that giant catfish living underground caused earthquakes with their thrashing movements...

Chinese Qing dynasty wucai porcelain scalloped edge ritual bell with double-dragon form handle decorated with eight polychrome mythical beasts set against underglaze blue crashing waves on a white ground. Two narrow bands are at the top. The interior is a pale aqua color. The scalloped edge is unglazed. 6 3/4” high. 19th century. Fine quality restorations have been executed to an old hairline in the interior of the bell and to a small area of damage at the scalloped edge...

A radical image by the outlandish Doi Goga featuring a black devil and its child. The child reaches up to the monster, while the monster seems to be giving him a raspberry, his toungue flailing in the air. Ink on paper, it has been completely restored in beige cloth border with bone rollers reflecting the original mounting. The scroll is 42 x 181 cm (16-1/2 x 71-1/4 inches) ad is in excellent condition. Doi Goga (1818-1880) was a Confucian scholar of the late Edo to Meiji periods. He was b...

Pair of 11 1/2" tall Chinese Qing dynasty standing porcelain ducks decorated in iridescent yellow, green, and aubergine susancai enamels. 19th century. Excellent overall condition. Well modeled with fine details to the head, feathers, and webbed feet. From the Phoenix, Arizona collection of a woman in her 90s.

The Kiseruzutsu (pipe case) is delicately engrave with a goose and grass, bone ring to the top. The clasp to the leather pouch shows a tiger and dragon in brass. When seen together, they represent the concept of duality in the cosmos. There is a repair (sewn together) on the left side of leather pouch. This dates from the first years of the Meiji period (1868-1912).

 

Chinese late Qing dynasty rectangular form hinged cloisonne box with inner tray resting above an open compartment decorated on the exterior in cloud form cloisons with butterflies, flowers, and scrolling foliage emerging from rockery and set against a turquoise ground. Blue counter enamel interior and base. The box was likely designed for holding jewelry with the padded pink silk applied to the inner lid to protect the contents in the tray. Two heavy brass handles and front lock plate. The p...

A troop of Shishi lion dogs sewn with couched gold thread. frolic among the blossoms and crashing falls embroidered on the re-purposed rich blue patterned Edo period silk of this altar cloth. The original form was likely an uchikake kimono, assembled as an altar drape as a tribute to the owner at a Buddhist Temple. Embroidered up high is the Mitsuba-aoi crest of the Tokugawa Shogun, indicating this was from an aristocratic family as the quality of the embroidery presmes. The dimensions are ro...

A large natural amber snuff bottle with carved coral tiles of stylized dragon heads on both sides. The amber is intricately carver on all sides. Size: H. 7cm. W. 4.8cm. Condition: No repairs.

This is a blue and white Chinese Export miniature "Long Eliza" trumpet-lipped vase comprising molded lobed panels having ladies and foliage in the Kang Hsi style, bearing a jade mark on the underside, It is in excellent condition and measures 4 1/2 in. approx.

Porcelain decorated full floral decoration on the interior, unglazed. PERIOD : Qing (19th Century) MEASUREMENTS: 25 cm wide. CONDITION: perfect, no chips, cracks, hairlines and free from restoration.

Japanese bronze mirror. 19th century. 9.9 x 0.7 cm. 236g.

 

Chinese Qing dynasty ornately carved rootwood fly-whisk handle. Fly-whisks were carried by Buddhist priests to wave away flies which, according to Buddhist tenets, they could not kill. The fly-whisk is also a symbol of leadership. 19th century. 10 3/8" long. Very good overall condition with a nice patina. There are a few thin cracks visible in the enlargements. This piece is from the private collection of American expatriates who lived in Hong Kong in the 1970s and 1980s. An example of a similar...

A lacquered and iron bound round lidded box called a kubi-oke made to carry the head of a man taken in battle or that of a man after committing ritual suicide for offering to the lord. It is 13 inches (33 cm) diameter, 11-1/2 inches (29 cm) tall with large handles from which it could be carried on a pole. There is mouse damage on one part of the bottom, but has not eaten through to the inside.

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting Nikki Danjo Naonori changing into a rat from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with margins evident. The print was removed from an album and is lightly album backed and slightly trimmed. The image has a prominent horizontal centerfold as the al...

A square porcelain plaque painted with different greens, overglaze blue, yellow, aubergine and iron red, mounted in a later European wooden frame. Depicting Hua Mulan, a legendary female warrior, who took her aged father's place in the army. Some orange peel, reverse without glaze. Condition: enamel colors with some wear. Dimension: plaque: 22.7 cm x 22.6 cm x 1 cm, with frame: c. 30 cm x 30 cm.

The Guanyin seated on a lotus throne, accompanied by two attendants. At the back of the figure there is an opening where offerings or religious texts were kept. This piece is 35 cm tall and dates from the 18th century. Condition: paint loss, worm holes (treated), age wear, an ornament missing at the top of the back plate. From a Dutch private collection.

A mellon shaped red-Raku Kogo incense case enclosed in the original signed wooden box by Raku Ryonyu (1756–1834), 9th generation head of the Raku family. It is roughly 2 inches (5 cm) tall and in excellent condition.

Pair of .800 silver dishes with fierce dragons and other insect or sea creature, on a stipled background, the edge decorated with stamped arrow designs. Both are marked on the front and on the side with the .800 silver standard mark. No obvious maker's mark. Of heavy silver, with the dragons in high relief, most likely Chinese, though could also be Tibetan, Nepal. They both measure 3 7/8" in diameter and are a combined weight of roughly 4 troy ounces. Please see all photos for details. P...

Description:

A solid cast bronze toad was finely rendered in a vivid way.
By a crouching posture, the momentum was gathered fully by the frog which is ready for a flying bug.
The bronze piece was very well depicted not only the outlook but also in the details on the surface, the toad’s skin. The irregular lumps and bumps may not be delightful but were manufactured so well as to activate the bronze frog to a real one.
Altogether with the well depicted features, the bronze p...

Large Chinese Qing dynasty cylindrical form Nonya ware tingkat food container consisting of four stacking sections in a variety of pastel polychrome enamel background hues topped with a slightly domed cover sporting a Peking glass finial from a Mandarin hat. Each tier is decorated with two opposing panels of flowers on a white ground set against a dense background of bats, flowers, and scrolling foliage. The sides have twisted metal handles held by moulded loops. Each flat-bottomed tier has a fo...

Japanese Meiji period teardrop form cabinet vase covered in a rich mottled blue glaze over a brown base. The vase bears the impressed mark of Okumura Shozan (1841-1905) on the glazed base. Shozan is perhaps best known for his remarkable copies of Ninsei and Kenzan works. 19th century. 4 1/8" high (5 1/8" on the stand). Stand included. Very good overall condition with no chips, cracks, or repairs. There is a tiny pin-head sized area at the foot where the glaze does not cover. This vase i...

Chinese Qing dynasty natural root form scholar’s bitong, or brushpot. 7 1/2” high. The base measures about 6” diameter at the longest part. The rim is about 4 5/8” across at the widest part. Late 19th to early 20th century. Very good overall condition. There is a short crack at the inner rim that extends to the interior of one thin concave area on the exterior. This piece is from the private collection of former American expatriates to Hong Kong in the 1970s and 1980s.

Famille rose plates with a rabbit in a grassy meadow surrounded by rocky cliffs, flowers and a bird perching high on a flowering branch looking down. All surrounded by a flowering prunis border against a brown scroll background. The back of the plate left bear. No mark.

Size is 8-7/8" diameter

Condition: This lot consists of 5 plates. Each plate is in excellent condition, no cracks or chips. Some very minor wear to the enamels.

Age: Yongzheng/Qianlong

Excellent woodcarving of a fasting Buddha depicted as an emaciated ascetic, revealing his thin chest and pronounced ribs. He is sitting in a casual pose on a mat, next to his slippers. The boxwood with beautiful patina. Condition: tiny losses, one side of the whiskers restored (could be done better). Dimension: 16.2 cm high, weight: 264 g.

A finely carved female mask netsuke, showing the smiling Okame. The himotoshi edged with bone rings. Signed Shugetsu and with written seal "kakihan". Provenance: a gentleman's collection, Geneva - Switzerland. Condition: fine, only the green bone ring with chips. Dimension: 5.0 cm x 4.3 cm.

A shallow dish, heavily potted, covered in a beautiful celadon glaze producing the crackles of the Geyao type glaze. The recessed base is glazed while the foot rim is dressed with an iron brown wash. Periode : Qing Dynasty : 19th Century Diameter : 26,5 cm. Condition : Perfect, no chips, cracks, hairlines or restorations.

Antique Male Native American folk art doll - Northern Plains origin. Size: 10.5 inches height. This doll is fashioned from brain tanned buffalo hide with buffalo hair stuffing, red trade cloth and human hair. Fully beaded moccasins, leggings and beaded fringed garments. Sinew sewn. Excellent condition. Display stand included. Also available as a separate offering is a similar female companion doll.

This is a small Chinese Blanc de Chine libation cup, incised character mark at base, carved and molded with flowering prunus and animals; 2 _" high, 4" wide.

A elegant lacquerware for monastery use. Made in Kyaukka, in the lower Chindwin District in Burma, made from woven matting and coiled bamboo and lacquered in black and red. This piece has six sections. These original Kyaukka pieces are difficult to come by. Size: H. 38cm. W. 38cm. Condition: No repairs. Very good condition.

A fine and beautiful antique Chinese Tibetan or Mongolian Tea pot with carved white jade panels of birds and flowering plants with white jade belt buckle used for the handle with elaborate design and decorated with turquoise and coral inset stones. A beautiful antique measuring approx. 14 inches tall. .

Description:

A bronze crab was in lovely size.
It was well cast in vivid look and was applied with red pigment on top of the surface.
The bronze piece was preserved in very good condition.

Date: Qing Dynasty, late 19th century.

Width: 7.4cm. Weight: 68grams.

An attractive wooden table screen with a carved and painted scene of a saint on a horse with three attendants. China. 19th century. Dimensions: H. 40 cm, W. 27 cm. Condition: original polychrome, some age cracks and shrinkage, the left leg slides off, the right one now stuck.

Description:

A refined pottery Cheng-Ni inkstone was preserved in very good condition.
By elegant round shape and arched moon-shaped inkpool, the inksone was thick and was hefty in weight.
Old frets and scars were observed and also proved its old age.

Date: Qing Dynasty, (1644-1911) .

Width: 12.7cm, Depth:2.7cm, Weight: 775 grams.

An unusual pair of huanghuali plates with writing on the bottoms of each plate. Age: 19 century. Size: 13 - 13.2cm. Condition: Perfect.

A pair of superb Tokkuri by Raku Kichizaemon enclosed in the original signed wooden box, each stamped on the base, each unique with one in dark Raku glaze, the other swiped with ash leaving large areas of raw clay exposed. Each one is 16 cm (6 inches) tall and in fine condition. These are by the Kichizaemon X, according to the book Sado Bijutsu Teccho, it is the earliest of his four known stamps.
The Kichizaemon family of potters was established in Kyoto by Chojiro during the Momoyama pe...

Green or Blue, which will win this contest? Two shishi lions vie for our attention on this absolutely fabulous pair of 19th century screens. The images are performed with pigment on applied silver, not an easy medium from the start. One creature pounces, mouth open, teeth barred while the other crouches, mouth shut, ready to leap. Peony, a flower typically associated with the creatures, grows about them. Each screen is 68 x 137 inches (173 x 348 cm). They have been fully remounted at some ...

Description: A porcelain snuff bottle was beautifully painted on the surface with insect of grasshopper in the weeds. On the other side, a well-rhythmed poem was finely written to depict the picture. It was in perfect condition with original dipper on top. An inscription mark Qian-Long-Nien-Zi was at the bottom. Date: Qing Dynasty(19th century). Height: 7.9cm.

Description: An elegant snuff dish was made from high-quality pottery mud-Ju Sa Chen Nie. Molded finely in bamboo stalk shape on the rim as decoration, this oval dish was used as a snuff dish by unique material. With warm brownish patina , the dish was partially tarnished due to long time of use. Date: Qing Dynasty (19th Century) Dimension: 6.9cm to 4.4cm

A Japanese wood and lacquer zushi travel shrine, depicting Amida Nyorai before a delicately painted lotus pond. He is sitting on a lotus pedestal, his priest garment is decorated with gold lacquer, the sections of skin are left undecorated,. Behind his head a circular metal halo. On the inside of the doors, painted on paper, the left leaf with the patriarch Shandao declaiming Buddhist prayers, the right leaf with the founder of the Jodo-shu sect, named Honen Shonin or Enko Daishi. The case with ...

Description:

An old jadeite bracelet of Qing Dynasty was unusually discovered from excavation.
Aside from other jadeite pieces which we usually see that in green or tri-colors, this jadeite bracelet was originally in pure white quality with least tissues observed.
During long time of burial the jadeite's surface was incursioned to a foggy but greasy-feel patina which was a phenomenon only the nephrite jade would yield.
In a perfect condition and an elegant look, the jadeite ...

Cracle ware bowl, this is the famous "iron wire and golden thread" effect. Glazed base. Qing Dynasty : 19th Century Diameter 19 cm. Condition : very good with no chips, cracks or restorations, fault firing on the base.