Two Chinese miniature wood carvings showing scenes of daily life in old China, a court official with his wife and a couple at the dining table. Made in the Tushanwan Workshop in Xujiahui, an orphanage opened 1864 by French Jesuit priests near Shanghai. Hosting an art school, producing wood-carving, stone sculpture, silversmith, embroidery and painting. Please refer to the book (last photo) "Scènes de la vie en Chine...

A rarely encountered Japanese "shin hanga" woodblock print titled "Sunset Glow at the Skirt of Mt. Fuji" by Ito Takashi (1894-1982), published by Watanabe in the second month of 1952. This print is from an old Tucson, Arizona collection and was purchased in the mid-20th century. It is not a recent Heisei edition. This standard sized horizontal oban print has full margins and measures 10 3/8" x 15 1/4" (image about 9 1/2" x 14 1/4"). Very good color and overall condition...

H. 18 cm. Very good condition with expected age wear to the gilding.

This is a small Tang dynasty (618-906 A.D) sancai water dropper in the shape of a mystical animal, possibly a foo lion, in a curling up sleeping position. The water hole is created on the back of the animal.

There is no repair or restoration. Minor abrasion, pin hole, bubble burst and degradation.

The measurement of the water dropper: Height 3cm, the Width 5cm and the length is 6.6cm.

Chinese late Ming (16th/17th century) Zhangzhou (Swatow) porcelain deep charger decorated in iron-red, green, and black overglaze enamels on a cream-colored crackle glaze ground with a central roundel holding flowering peonies. A band containing four floral panels against a crossed line ground extends around the circumference of the rim. 13" diameter x 2 3/4" high. There is significant wear to the enamels and several very old rim chips (see enlargements 6 and 7)...

Fine Chinese Ming Dynasty Blue & White Kraak Porcelain Dish - Wanli

This very attractive "Kraak" porcelain dish was made at the Jingdezhen kilns during the Wanli reign (1573 - 1620) of the Ming Dynasty. The pattern, in underglaze blue of good colour, features in its centre a tasselled double-gourd vase and an artemesia leaf (one of the "eight treasures"). Surrounding this are ten roundels containing peaches and flower blossoms...

Large late Qing dynasty Guangxu period lidded porcelain ginger jar decorated in underglaze blue against a faint bluish-white background with four “shuangxi” symbols (indicating double-happiness and wedded bliss) surrounded by a stylized pattern of pencil style scrolling sweet pea flowers and vines (symbolizing “many children”). A bud forms the finial. The interior and base are glazed but the foot rim and mouth are unglazed...

Large Chinese Neolithic Machang Painted Pottery Jar (c. 2300 - 2000 BC)

This large pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" and made from a yellowish-brown pottery that has been relatively highly-fired. It is a well-made jar of good proportions. At the waist of its wide body are two sturdy loop handles...

Chinese Qing dynasty stem cup with everted rim decorated around the exterior of the cup with two faintly incised green five-clawed dragons chasing a flaming pearl set against an egg-yolk yellow background. A green phoenix is at the interior well. A six-character kaishu form underglaze blue Guangxu mark is at the bottom of the interior stem. Probably of the period and dating circa 1900. 3 3/8” high x just under 4 1/2" diameter; weighs 120 grams (4 1/4 ounces)...

The fish is symbolically employed as the emblem of wealth or abundance on account of the similarity in the pronunciation of the words "yu", fish, and "yu", superfluity. Age: Song. Size:L. 6.5cm. W. 2cm. Condition: No repairs or chips.

A Pwo Karen woven unmarried woman's attire with embroidered diamond-shaped pattern . Condition: partially little stained. Dimension: c. 132 x 59 cm. Please refer to "Peoples of the Golden Triangle: Six Tribes in Thailand" by Paul and Elaine Lewis, pages 74 - 75. Provenance: Private Swiss Collection.

Chinese crackle glazed robins egg blue vase 19th century. A beautiful tall slender form with long neck in excellent condition a minor chip on the bottom under the foot. Measuring approx. 14 inches tall a fine example.

Description : A Houtian jade Bead was in slender olival shape...

Chinese late Qing dynasty red silk temple hanging or altar frontispiece densely embroidered in metallic-couched and polychrome silk threads with the “Three Star Gods” and other symbols of good fortune, longevity, and happiness. A horizontal panel across the top is embroidered in gold with four padded characters. Reading from right to left, these read “fu (happiness), lu (wealth), shou (longevity), and xi (blessings).” Each character corresponds with one of the figures below...

With a floral decoration. Marked at the bottom with an Artemisia leaf. China, late Ming, ca. 1640. H. 14,5 cm. Condition: minor chips, firing flaws.

Japanese woodblock print triptych by Kunisada, also known as Toyokuni III, (1786-1864) titled "Snow" from the series "Copied Pictures of an Edo Purple Eastern Capital" published by Sanoya Kihei between 1849-1850. The print illustrates a scene from Chapter 30 of Ryutei Tanehiko's 19th century novel "An Impostor Murasaki and a Rustic Genji (Inaka Genji)," which is loosely based on the 11th century novel "The Tale of Genji." Depicted is Mitsuuji, Lady Murasaki, and an attendant holding a brazier...

n old bamboo brush pot with unusual zigzag pattern. Age: 18th century. Size: H. 13cm, Radius. 10.3cm. Condition: No repairs. Old chip on the rim, natural cracking along the rims and natural ageing.

A serving tray made of Kozai (Jap...

Chinese Qing dynasty horizontal silk kesi panel decorated on opposing sides with warriors on horseback preparing to attack the figures at the center shown inside the city wall in a scene from the historic novel “Romance of the Three Kingdoms (San Guo Yan Yi).” Circa 1900. 47” x 18 1/2." Generally good overall condition with some splits/separations evident and typical signs of age. Phoenix, Arizona collection.

Tall Chinese Han Dynasty Amber Glazed Pottery Hu Jar

This large pottery jar (or "hu") of fine form was made during the Han Dynasty (206 BC - AD 220). It has been coated with a greenish-amber glaze that covers the whole of the outer surface and the inside of the mouth. The slightly concave flat base remains unglazed. There are many decorative ridges and bands that surround the jar and on opposing sides at the waist are two moulded taotie ring handles. To part of the glaze on the lower body an...

Large Chinese Neolithic Machang Painted Pottery Jar (Ex. Christie's)

This large pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is a well-made jar of fine form and good proportions. At the waist of its wide body are two sturdy loop handles. At the top of its wide body is quite a narrow neck with a flared mouth.

It is quite highly-fired ...

Chinese Han Dynasty Painted Pottery Figure (206 BC - AD 220)

This rare pottery figure was made during the Han Dynasty (206 BC - AD 220). It is made from a grey pottery that has been "cold painted" in a base coat of white pigment on top of which have been painted pink, red and black pigments with a good deal of the original pigment still remaining. The holes in his sleeves are where originally would have been placed articulated wooden hands, now long since rotted away and lost. There is damage ...

Chinese late Qing dynasty export porcelain jardinière, or planter, decorated around the circumference in famille rose enamels with an assortment of precious objects set against a white ground. A ruyi head border encircles the exterior rim and a geometric band is above the foot. The canted rim is decorated in an orange-red band. The white glaze extends part way down into the unglazed interior. The base and foot rim are unglazed. Very good overall condition with typical minor production flaw...

A gilt brass tiara, decorated with kingfisher feathers, cornelian beads and 3 ivory heads. China, late Qing, 19th century. Dimensions: 18x5 cm. Condition: the feathers heavily worn.

A fine Japanese bronze vase with moulded designs of Shishi dog and flowers. Measuring approx. 9 inches tall in excellent condition with beautiful patina.

Set of four Chinese Qing dynasty porcelain wine cups decorated in the doucai style in underglaze blue and overglaze famille rose enamels with a butterfly among flowering plants. An underglaze blue geometric border is at the rim. A six-character blue kaishu Daoguang mark (1821-1859) is on the base and the set is probably of the period. There are faint lightly incised “CHINA” marks to the bases for export purposes. About 3 3/8” diameter x slightly over 2 1/2” high. Very good overall c...

Oversized abstract mixed media print on heavy embossed paper titled "Yin-Yang" by Taiwanese artist Liao Shiou-ping (born 1936) dating circa 1980. Pencil-signed, numbered 7/50, and pencil-titled in Chinese and English in the lower margin. Very good overall condition with minor soiling and paper discoloration to the front, sight creasing and toning of the edges, and toning to the back. Paper size: 29 7/8" x 22". In the 1970's, Liao was invited by the Japanese government to set up a printmaking w...

Large Chinese Neolithic Machang Painted Pottery Jar (c. 2300 - 2000 BC)

This large pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" and made from a pale yellowish-brown pottery, the colour of which varies in places due to uneven conditions in the Neolithic kiln. It is a well-made jar of fine form and good proportion...

Tall Chinese Warring States / Qin Dynasty Grey Pottery Jar

This large and attractively-shaped pottery jar was made during the Warring States period (475 - 221 BC) or possibly during the Qin Dynasty (221 - 206 BC). It is "heavily-potted" and made from a relatively high-fired dense grey pottery. It is decorated with two wide bands of repeated impressions that surround the upper and lower shoulder. There are also fainter decorative impressions that partially surround the body at the waist.

...

Pair Chinese Ming Dynasty Painted Pottery Tiles - Horses

This fine pair of pottery tiles was made during the Ming Dynasty (AD 1368 - 1644). They are made of a dense grey pottery and have been painted in black pigment. Each tile features, in high relief and in great detail, a flying horse surrounded by clouds. Mounted and lit well, these tiles make superb decorative items. 

The total length when both tiles are placed together is 51.5 cm (20.25 inches), height 25.5 cm 10 inches). Conditio...

Korean Silla Kingdom (circa 6th century) unglazed reddish-gray stoneware funerary food vessel with domed cover on a high stem foot broadly flaring at the base and decorated with rectangular perforations. The lid is covered with incised designs and has a central finial. There are no cracks, chips, or repairs. The piece is in very good overall condition with minor imperfections consistent with its age. I cannot be certain if the lid was originally made for this specific bowl. Measures about 5 ...

Chinese Qing dynasty lacquered wood guardian figure standing on a square base with arms raised and his left black boot resting on a thin circular object embedded in the square platform. He is dressed in elaborately decorated animal head armour painted in red, blue, and black polychrome pigments with fine gilt highlights. 15 7/8" high. 19th century. Sturdy and in very good overall condition. There is some peeling and wear to the surface of the base and there is a loss to the celestial ribbon...

A beautiful ancient glass bangle in blueish green color. This probably from Vietnam or Cambodia. Size: Outside diameter 6.9cm. Condition: Almost perfect. A very small almost invisible chip on the outside edge.

Rare Chinese Neolithic Pottery Footed Jar - Caiyuan Culture (c. 2600 - 2200 BC) 

This very rare and unusually-shaped pottery jar was made some 4,000 years ago by peoples of the Caiyuan Culture (c. 2600 - 2200 BC) and has been excavated from the Ningxia Autonomous Region in the north of China. It is finely-potted with a wide body and two loop handles. The body stands on an integral foot that is pierced with three circular holes. It has a very smooth burnished surface. There are lightly-incis...

Chinese Tang Dynasty Painted Pottery Horse (AD 618 - 906)

This pottery model of a horse was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in a reddish-brown pigment with black and white pigments to highlight the head, mane and tail. The horse stands straight, alert, looking ahead.

Height 22 cm (8.5 inches). There are signs of repair to the vulnerable ears; if there are other repairs they have been performed to a very goo...

LARGE Chinese Ming Dynasty Glazed Pottery Tile - Ox

This impressive and highly decorative pottery tile was made during the Ming Dynasty (1368 - 1644). It depicts an ox with a bell around its neck, clouds and the sun, and would have been one of a frieze on a wall comprising several similar tiles. It has been coated in various glazes of attractive colours. By their very nature, the majority of such tiles have been repaired (including most examples on display in public museums): although not i...

MAKIE LACQUERWARE DISH

19th-20th century, Japan. D 15.5 x H 2 cm (6.10 x 0.78in). Comical and lovely scene with an ogre on the cloud is trying to pick up the drum he dropped off. According to the ancient Japanese tradition, ogre creates the thunder itself with the drum of his business tool.


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This is a pair of famille rose in pastel colour and floral design tea-cup. The inside of each tea-cup has a slightly flared top and has a barbed shape rim surrounded by an intricately designed inter-connecting miniature iron red colour ruyi head. The outside of the cup is decorated with two peaches and flowers, followed by a lotus plant with a small white crane standing on one of the stem, followed by the peony and prunus flowers, and followed finally by a pheasant standing on a peony flower ste...

Chinese 17th Century Dehua / Blanc de Chine Porcelain Lion-Mask Censer

This censer was made in the 17th century (c. 1650 - 1700) at the famous Dehua kilns in Fujian province. It is "heavily-potted", the outer surface and inner mouth coated in an ivory-coloured glaze. The inner surface and base remain unglazed.

Diameter 15 cm. There are a couple of firing fissures to the thickly-cut foot, no doubt caused during firing due to the thickness of the clay. There is a small filled chip to the r...

An old silver alloy offering vessel of oblong form, the outside repoussed with two monster masks among scrolls. Base with chiselled symbol. According to Urs Ramseyer in "The Art and Culture of Bali", these bowls were dignity symbols of the Balinese gentry, filled with betel accessories. Condition: few traces of usage. Dimension: 30.4 cm long, 9.4 cm high, weight: 454 g. Please visit item #1310052 and item #1310804 for similar bowls.

NUPTIAL OCTAGONAL SEWING BOX

Traditional Korean octagonal sewing box sent to a bride-to-be from a groom-to-be, as a light-weight paper-mache gem but with the sense of profound presence in such largeness, shape, and lovely color pattern reminded of ‘Obangsaek’ (https://en.wikipedia.org/wiki/Obangsaek), mid-late 20th century, approx. H 24cm (9.44in), D 32.5cm (12.79in). Surface darkened overall but inside original bright coloring still remained (damaged ...

Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "Irozaki Morning" dated in the left margin Showa 36 (1961). The artists's black ink signature and red seal are at the lower right corner. The print is pencil-signed and titled in English in the lower margin. Paper size: nearly 11" x 15" (image: 9 9/16" x 13 3/16"). Never framed and in very good overall condition. The paper is slightly wavy.

Fine Large Chinese Qianlong Blue & White Porcelain Dish / Charger

This dish was made in the 18th century, during the Qianlong reign (1735 - 1796) of the Qing Dynasty. The underglaze blue decoration features a delicately drawn garden scene featuring bamboo, blossoms and a bird in flight. An elaborate floral pattern surrounds the border. Iron-brown has been painted around the rim edge to prevent fritting of the glaze.

Diameter 39 cm (15.25). This dish is in fine condition with no cracks, ...

Fine Large Chinese Qianlong 18th Century Imari Porcelain Dish

This fine-quality porcelain dish with attractive floral pattern in underglaze blue, red enamel and gilding, was made during the 18th century, most likely during the Qianlong reign (1736 - 1795). There is a brown iron wash around the rim edge to prevent "fritting" of the glaze during firing. There is no restoration or repair, no cracks and the dish has a good ring when tapped; it is in fine condition. Diameter 32 cm.

For a two ...

This is an attractive early satsuma Koro or incense burner with very fine workmanship. I believe it may be pre-1900 because it appears to have been made with thicker mercury fired gold. Lid and bottom piece are both marked with a museum inventory number. The lid has been repaired and it looks quite good. The images show where it was broken. It stands about 4 1/2 inches tall and 4 1/2 inches wide. It is signed but I do not recognize the signature.

HANGING FLOWER BASKET

Japanese hanging 'Hanakago' (Flower basket) made of bamboo so-called 'Kake-hanaire', late 19th - early 20th century, H 26.5 x D 13.5 cm (10.43 x 5.31in). Attached with a glass 'otoshi' (inner cylinder for the use of fresh flower arrangement). Some damages due to aging as is as seen.


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The Yoruba Tribe of Southwest Nigeria are well known for the dramatic beadwork. Beaded Yoruba crowns were formed from hides scraped free of hair. and were worn only by kings for ceremonial occasions, Beads are considered sacred to the Yoruba. The faces on the crowns represented honor of the ancestors, and serve as reminders of the royal line, The inclusion of birds refers to the spirit world and the king's ability to mediate between the realms of human beings and spirits, the secular world...

Rare Chinese Northern Wei Dynasty Painted Pottery Pack Horse (AD 386 - 534)

This very rare pottery model of a pack horse, or pony, was made during the Northern Wei Dynasty (AD 386 - 534). It is made from a grey pottery that has been "cold painted" with traces of red and white pigments remaining. Note the detail of the saddle bags and pack. Interestingly, on the surface of the back left hoof is a heavy rust deposit suggesting this horse lay alongside an iron object during its long burial. ...

Fine Chinese Neolithic Machang Phase Painted Pottery Jar (c. 2300 - 2000 BC)

This very attractive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is made from a pale yellowish-brown pottery and is fairly highly-fired that has undoubtedly contributed greatly to its survival in such good condition. The elaborate painted geometric patterns cov...

Large Japanese Meiji period rounded square form black lacquered wood deep tray decorated in gold and polychrome accents with three birds among flowers and bamboo above a stream at the bottom. The rim is gold. 14 3/4" square with a lip nearly 2 1/4" high. Late 19th to early 20th century. Very good overall condition with only a few fine scratches on the back and a few tiny dings on the top edge. From the collection of a Japanese woman in Tucson, Arizona.

A very rare and unusual seal of a mythical animal made of pottery. Age; Ten Kingdoms. Size: H. 5.2cm. W. 3.5 x 3.5cm. Condition: Some loss of the white slip and a chip on the horn.

With very fine engraving of fighting cockerels against a floral background. 19th century. H. 8 cm, W. 7,5 cm, D. 3,5 cm. Weight 187 gr.

Large Chinese Ming Dynasty Polychrome Porcelain Dish - Kintsugi (37cm / 14.5")

This attractive large porcelain dish was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. It is of the type known as "Swatow" or "Zhangzhou" ware. It is coated in a thick glaze, the decoration provided on top with green, turquoise and red coloured enamels. The pattern features in the centre a phoenix standing in a garden. Surrounding this are panels containing lotus and other flowers surrounded by a ...

LARGE LETTER SIGNBOARD, WIND

Single Japanese Kanji letter as 'Kaze' (Wind) carved out from old single wooden board. 68 x 55 cm (26.77 x 21.65in). Slightly bended.


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Decorated woth a taotie mask at the end. Length: 18,5 cm. Condition: very good with a wonderful patina.

This necklace is comprised of 31 stone pre-columbian beads, in varying shapes, sizes and colors. The necklace measures 19 1/2" long. Between 15 and 20 beads have a green color, the others are faded into cream and beige, a few are brown or black. The flat disc shaped black stone in the center measures roughly 26cm across and is backed with a green speckled disc. The large tubular beads measure between 7/8" and 1 1/4" (33cm). Smaller beads are at the end near the silver colored S hook. They wer...

Very fine Hupa or Yurok basketry cap, in rows and bands of varied colors, tightly woven, in very good condition, early 20th century. Measures 7 3/4" x 7", the opening is roughly 6 7/8" 5 5/8". Note that the cap is slightly oblong, and the measurements are how it sits, could measure otherwise if opening stretched a bit. The basket has 11 rows of design, aside from the center area, and is comprised of colors of beige, tan, and dark brown. Traditionally these baskets are woven with willow, bear...

An antique Guardian mask used to ward off evil hand carved from a rough slab of hardwood. It is 14-1/2 inches (37 cm) tall and in fine condition. Usually hung under the eaves of a house, it shows weathering typical of age. Late 19th to early 20th century.

Japanese mid-century sosaku hanga woodblock print by Kiyoshi Saito (1907-1997) titled "Winter in Aizu" from a series by the same name. Signed in black ink at the lower right and with the artist's red Kiyoshi seal above. Unlimited edition dating circa 1960s. Paper size: 11 9/16" x 17 1/8" (image: about 10" x 15 1/4). Very good overall condition and color with full margins. The print is very lightly sunstruck and there is a small faint browned spot in the center bottom by the margin. There ar...

Measuring 7 1/4" high and roughly 3" wide, this Japanese cloisonne vase is of exceptionally high quality, with very fine detail and shading, all with silver wire. Against a smooth black background, a group of irises is depicted on the front, with a single iris and leaves on the back. The irises are white, purple with blue and yellow details, and the leaves are all done in shaded hues and different colors. At the bottom of the front there is a blue flower with round leaves, also in different s...