A late Edo period (19th century) image known as the Nehanzu, death of the Buddha. It is absolutely fantastic, one of the best painted I have ever seen. Mourners of all species surround the death bed of Buddha. His mother comes from heaven dropping a bag of magical medicine, which catches on the limb of a tree, unable to reach him in time. Hawk, tiger, elephant, Shishi,...

A gilt brass tiara, decorated with kingfisher feathers, cornelian beads and 3 ivory heads. China, late Qing, 19th century. Dimensions: 18x5 cm. Condition: the feathers heavily worn.

A well carved and unusual jade carving of a little boy in a reclining position. Age: 19th century. Size: See last photo. Condition: No repairs.

Tall Chinese Qing dynasty baluster form porcelain vase covered overall with a thick red Langyao (also called sang-de-boeuf or oxblood) glaze that thins to white at the rim, drips down into the interior top of the trumpet mouth, and pools unevenly around the irregular foot rim. The base is raised upon a set-in foot. A grayish white crackled glaze base is visible in the interior and on the recessed base...

Pair of .800 silver dishes with fierce dragons and other insect or sea creature, on a stipled background, the edge decorated with stamped arrow designs. Both are marked on the front and on the side with the .800 silver standard mark...

This sleeve panel is made with light green silk fabric. It is decorated with floral designs in satin stitched blue silk thread with butterflies high-lighted with white,green and purple thread. Condition is very good. Each sleeve measures 3.5" X 30 inches Embroidered section measures 3" x 20"

19th century (Qing Dynasty) Chinese Manchu style robe embroidered in gold couched threads highlighted in copper and blue-grey metallic threads with 8 visible 5-clawed dragons, plus one hidden dragon on the inside flap, depicted in full-face and profile poses against a blue ground. Each dragon is chasing a flaming pearl (symbolizing the Buddhist notion of enlightenment) and is surrounded by clouds and various auspicious symbols...

A fabulous large Mingei Tokkuri from the Satsuma region in the shape of an eggplant, glazed in black with crystalline blue about the neck over iron rich glazed clay. Likely from the Hirasa kilns, one of the great Satsuma production centers on the southern Island of Kyushu, 18th to early 19th century. It is 24 cm (10 inches) tall and in overall excellent condition, enclosed in a kiri-wood collectors’ box...

This is a blue and white brush rest for a scholar study. The brush rest is manufactured in the likeness of blue and white wares on which Arabic and Persian inscriptions appear during the reign of emperor Cheng-Te, Ming dynasty. The painting is like a scroll work know as the “Muhammadan scrolls” with inter-twining foliage.

An Arabic inscription is found on both sides of the brush rest, in the centre of the brush rest, in a diamond shape medallion...

An attractive bowl and cover delicately painted in Fencai (famille rose) enamels. This item carries the mark of the Tongzhi Emperor and was made during his reign - 1862-1874. 5 inches (13cm) High. Condition - excellent apart from two very minor chips on the underside of the foot rim and somes light ware to the gilding...

Massive late Qing dynasty Chinese ancestor portrait executed in ink and color on paper depicting a civil official seated on a draped armchair over a floral rug decorated with Buddhist swastikas and dressed in formal attire. A Mandarin rank badge showing the official’s rank in the civil bureaucracy is on the center front of his cobalt-blue fur surcoat. The bird appears to be a silver pheasant, indicating an official of the 5th rank...

Flora in heavy pigment decorate the gold leaves of this two panel Rimpa screen dating from the late 18th to early 19th centuries. Tinges of red bring a brush of Autumn to the various grasses and flowers. Heavy veining on the gold as well, evidences the age and brings to vivid life the scene in the fore. The screen has been restored at some time in the distant past with some repairs performed then, and is bordered with patterned blue silk in a natural wood frame...

A massive tiger defensively nudges the female deity on this amazing 19th century silk Fukusa. Hand-painted and composed from patchwork patterns of lavish antique brocades and featuring glass eyes and metal teeth and claws sewn into the fabric of the creature. The piece is backed with red rinzu silk patterned with cranes and plum blossoms. It is 23-1/2 x 25-1/2 inches (59 x 64 cm) and is in fine condition. It comes wrapped around a pillow in a large kiri-wood box.

Description: An elegant snuff dish was made from high-quality pottery mud-Ju Sa Chen Nie. Molded finely in bamboo stalk shape on the rim as decoration, this oval dish was used as a snuff dish by unique material. With warm brownish patina , the dish was partially tarnished due to long time of use. Date: Qing Dynasty (19th Century) Dimension: 6.9cm to 4.4cm

Description: An old bamboo carving of a toad was finely rendered. Making use of the natural form of a bamboo root, the craftsman skillfully depicted the frog in a crouching position. By vivid depiction, the frog was alive and animated as she should be in the weeds...

Japanese Edo period carved wood polychrome and gilt Buddhist figure in the form of Bishamonten, one of the Guardian Dieties of the Four Directions (representing North). A protector of the Buddhist faith, Bishamonten is clad in armor and holds a stupa believed to carry the ashes of the Buddha, and by extension, the teachings of the Buddha. He is depicted standing on a gilt base atop a lion-type creature to symbolize the subjugation of evil in the world...

Chinese Qing dynasty porcelain dish decorated in the doucai style with a central roundel holding an underglaze blue five-clawed dragon among clouds surrounded by a famille rose enamel butterfly among five clusters of leafy stems holding three peaches each. A geometric blue band extends around the inner rim...

Waves thrash about in a playful frenzy below the calm watchful eye of a full moon partly blanketed by dark clouds in this extraordinary painting signed Kagyo dating from the later 19th century. It is bordered in ivory colored brocade embellished with clouds extended in golden brown silk and features ivory rollers. The scroll is 21-1/2 by 79 inches 855 x 200 cm) and, aside from minor bands of yellowing of the silk expected of age, is in fine condition. It comes enclosed in a period wooden box. ...