A bottle decorated with biblical passages by Araki Takako fired at the kiln of Uchida Koichi enclosed in the original wooden box signed by KOichi. It is the introduction of Mary from the book of Luke. The slender bottle itself is very much in the style and color of Koichi, and one might venture to say he had a hand in its making. The biblical passage is the obvious work of Takako, and on bottom is engraved her signature. The vase is 23 cm (9 inches) tall and in excellent condition...

Ripples cover the archaic surface of this flattened vessel by Sakata Jinnai enclosed in the original signed wooden box titled Hakudeisai Hajomon Henko (White Clay Wave Patterned Henko) It is 11 x 23 x 32 cm (4 x 9 x 13 inches) and is in excellent condition.
Sakata Jinnai was born in Tokyo in 1943, and began as an apprentice under the legendary Kamoda Shoji in 1964, establishing his first kiln in 1966...

A trio of sculptural forms by Takano Moto-o dating from the formative years of modern Japanese crafts at the height of Sodeisha influence in the 1960s. These are being offered as a group for one price. One is distorted, like an apparition, or the world seen through an old pane of glass. The second is like a flute licking back; both in pure white. The third is a square basin with handles decorated with a geometric pattern...

A heavily encrusted glossy sake flask by Tanimoto Kei compliments a Guinomi displaying a rustic matte finish by his son Tanimoto Takeshi enclosed in the original signed wooden boxes titled Iga Tokkuri and Iga Guinomi respectively. Bīdoro glaze (a type of natural wood ash glaze formed by firing, named from vidro, the Portuguese word for glass) coalesces into a yellow crystal rivulet on one side of the Tokkuri, opposite is a shadow of gray ash...

A fantastic Tea Bowl by rising star Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Chawan. Ash-glaze blasted with fire color of foggy green and yellow shizen yu glaze, shell props on the side, allowing us a view into the firing as it lay on its side in the kiln, the molten ash building up on the opposite side and following gravity down in streams. A sumptuous work exploiting the best Shigaraki pottery has to offer...

A Yakishime Hanging Wall-vase by Mihara Ken enclosed in the original signed wooden box titled Sekki Kakehana (Ash Glazed Wall Vasel). The entire work is soft and matte, like an old charcoal sketch, exuding a very powerful “Wa” sense of harmony. Ken is well known for this pastel color concept of un-presupposing grays, and this piece certainly lives up to our expectations for him...

A black Porcelain vessel from the Divergence series which the artist says “can be used to serve sake or tea” titled Kuro Jiki Tsugiguchi (Black porcelain pourer). It is 9 x 15 x 6 cm (3-1/2 x 6 x 2-1/2 inches) and is in excellent condition, from the artist late last year. Matsumura Jun was born in Chiba Prefecture on the outskirts of Tokyo in 1986...

A fantastic sculptured vase by the outlandish Fujioka Shuhei enclosed in the original signed wooden box titled Iga Hanaire. A frenzied stack of rugged corners like the fallen away sides of a mountain revealing the earth’s structure beneath a layer of green. It is likely Fujiokasan is inspired by the brawny, rain drenched and forested mountains surrounding the town of Iga, where the Mountains formed a natural line of defense for the secret clans of Ninja who called the valley their home...

A meoto, his and hers, yunomi pair cups in silver and gold covered with smooth and shiny yellow and lavender by rising star Ichikawa Toru enclosed in the original signed wood box.
Size, D 8.1 and 8.2 cm H 11.1 and 11.8 cm
Condition, Excellent
Ichikawa Toru was born in Tokyo in 1973. He was apprenticed to the Bizen master Kakurezaki Ryuichi for five years before establishing his own kiln in 2015 in Okayama...

Ash is blasted around the majestic form of this fantastic Iga vase by Tanimoto Kei enclosed in the original wooden box titled Iga Kokumon Chaki and date to 2016. The shape is organic with a clefted-mesa likening to a Japanese garden stone. Rather than a simple round rim, the artist has chosen an unusual and absorbing cuts which adds a sense of the natural world, God does not work in straight lines so they say, and neither does Tanimoto sensei ...

Living National Treasure Fujiwara Yu (1932-2001) Bizen Goma-Hidasuki Chawan (Studio Pottery Bizen ware).
The mark of the potter is carved on the bottom.

Very interesting chawan which combines two Bizen techniques: Goma (outer side) and Hidasuki (inner).
Goma resembles sesame seeds because the of the attached pine ash...

Thick pale green covers the perfect white clay of this deep Tea Bowl by Kato Tsubusa created with his New Zealand Calium and enclosed in the original signed wooden box titled Seihakuji Chawan (White Celadon Tea Bowl ). The sides have been slabbed away, the angular form then dipped in thick transparent green which has fissured in the heat, and beaded like a jade necklace around the base...

Blue, yellow, white, red and gold decorated the green "reptilian skin" Oribe glazed body of this Contemporary sake set by Ujiie Kodai , enclosed in their original signed wooden boxes, dating to 2022.This is a handful, great tactile qualities and entrancing to look at.
Size, Tokkuri D 11.4 cm H 21.1 cm
Size, Guinomi D 8.1 cm H 7.1 cm
Condition, Excellent
Ujiie Kodai, a rising star in the word of pottery, was born in Sendai in 1990...

This bold and large Oribe chawan is decorated with a myriad of vivid and whimsical designs, combining both traditional and modern elements that speak to the possibilities of the tradition...

Crafted with meticulous attention to detail, each pewter cup showcases a unique luster that this metal alloy is revered for; highlighting its historical significance and enduring appeal. In Japanese fashion, the cups feature a sleek and minimalist design with asymmetrical balance, adding character perfect for formal yet relaxed quarters and offering a unique and refined way to savor the delicate flavors of sake.

The talented metal-caster who created this charming set of...

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl. Described as a “Kiretsu-mon” (ki = turtle, retsu = cracked, mon = design/ crest), according to Hiramatsu, his inspiration for this piece came from an ancient form of sea life known as an Ammonite—a large spiraled mollusk who’s shells are often ...

Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a Tokkuri (Saké flask). Described as a “Kiretsu-mon” (ki = turtle, retsu = cracked, mon = design/ crest), according to Hiramatsu, his inspiration for this piece (and a number of others) came from an ancient form of sea life known as an Ammonite—a large spir...

The creator of this extraordinary work, Shibuya Deishi, is best known for his works of “Oni-hagi”—typically made with rough clay and heavy dripping glazes. This piece by contrast seems delicately crafted and has a very soft and warm quality to it. The outside is covered with overlapping molded flower petals done in an almond glaze with ivory accents at the tips of each petal.

Winner of many local and international awards (including the 18th Modern Applied Fine Arts Exhibition...