Large and impressive Iga chawan by rising Iga-yaki star, Atarashi Manabu.The surface of this chawan is covered in a sheet of glass and there is wonderful bidoro drips and clam shell impressions where the chawan was fired on its side. The kodai, foot is wonderfully sculpted and fits well into the hand when in use.

Atarashi Manabu is one of the new generation of Iga and Shigaraki potters who is reinvigorating these ancient traditions...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>6.5"(16.5cm) x W.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

A seminal work by Wakao Toshisada adorned with the quintessential elements of this artists work, a moon in gold over silver flowers on a gray Nezumi-Shino fold-textured ground.  It comes in the original signed wooden box titled very simply Nezumi Shino Hanaike.  Although I am not a botanist, I imagine the yu-gao (bottle gourd flower, called the face of evening in Japanese) opening to reveal its splendor to the rising moon, visible through the drying autumn grasses.  A superb example of the em...

A striking Tetsu-yu Kakiwake Kabin by Shimizu Yasutaka enclosed in the original signed wooden box and accompanied by the original autographed exhibition catalog from 2007. The vessel is featured as item number 1 in the catalog, the star of the show and obviously very important to the artist to have earned such placement. It stands 16 inches (42 cm) tall, 11 inches (29 cm) diameter and is in excellent condition...

A pointed tower in burnt gray clay by Mihara Ken enclosed in the original signed wooden box titled Kaki. Here the artist has joined three slabs into an unconventional horn, slotted on one side to accept a flower. A single camellia blossom in rich red, a few green leaves against the gray body in the dark corner of a Tea Room would be incredible. It is 11 inches tall and in fine condition...

Phenomenal and classic Mino-Iga style vase with unquestionably the finest wood fired surface I have ever seen by Mizuno Takuzo. Large and solitary in its presence, the wide array of textures and coloration paints a unique and powerful form that few can achieve and I doubt I will see a pot with this varied a surface again the ferocity of the firing process is written across the surface...

A ceramic koro incense burner, the stone-like body decorated with a portion of a red ring by Sato Kazuhiko enclosed in the original wooden box with all the exhibition paraphernalia. It is 8-1/2 x 4 x 8 inches (21.5 x 10 x 20 cm) and is in excellent condition. This piece was exhibited at Tokyo’s Nipponbashi Mitsukoshi in 1994 and was published in the December edition of the magazine Fujin Gaho that same year...

Wood-fired Vase (hanaire) or Sake Flask (tokkuri) by George Gledhill; Payette, ID. Ash glaze. H.5"(12.75cm) x Dia.3"(7.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Large, oburi style Shiro-Hagi chawan with notched wari-kodai and profuse crackling around the bowl. I have no idea who made this large chawan as I can not read the seal, partially covered with glaze.

The are a few small spots of glaze loss as can be seen in the pictures, but all in all, this is a very handsome and strong chawan that looks great on a shelf. No box.

5.5" x 4"

Robust, medieval styled mizusashi by veteran Shigaraki potter; Furutani Churoku IV (b. 1922). This face of this large mizusashi is covered in a wonderful layer of green ash and the back exhibits very fine hi-iro fire color...

Compact cylindrical form covered jar, mizusashi with haiyu and temmoku glazes forming a pattern of arches around the pot

Stoneware and glazes

6.5" X 6.5"

Functional, decorative and food safe

Tall cylindrical Hagi vase with kushime decoration and slipwork under a translucent ash clear glaze. The vase and box are signed "Kazunobu"

This vase is in excellent condition and measures 10.25" X 3.15" and comes complete with its original signed box.

Exceptional teadust style temmoku chawan by noted temmoku specialist, Kimura Moriyasu. This chawan is a very potent piece in excellent and unused condition and measures 4.75" X 2.65"...

Earthy Mashiko henko by internationally known potter, hamada Shinsaku. Learning about pottery from his father, Hamada Shoji, Shinsaku has mastered the essence of Mashiko pottery as seen in this very fine, exhibition quality henko bottle with rich tessha glaze over a clear glaze with areas of a deep blue-green enamel punctuating the design of one side...

Flame shapes fan up on the sides of this trumpeting bottle by Funaki Kenji enclosed in the original signed wooden box. It is 6-1/2 x 7-1/2 x 9-1/2 inches (16.5 x 19 x 24 cm) and is in fine condition. Funaki Kenji (b. 1927) was born the son of potter Funaki Michitada (1900-1963) in Matsue, Shimane Prefecture. Michitada had been a follower of the Mingei movement closely associated with its founders Kanjiro, Shoji and Leach...

Exceedingly well fired Shigaraki mizusashi resembling two ash covered stacked stones. This ash and charcoal covered mizusashi is an enigma. The signature is illegible but the piece is obviously a work of one of the most talented Shigaraki potters of the post-war period...

Pleasant crackle style chawan with Rimpa influenced design under and over the glaze. This chawan was made by veteran Kyoto native potter, Suzuki Soji who was a student of Tomimoto Kenkichi. Suzuki's chawan now days can cost 200,000 yen and more.

This chawan is in excellent condition and does not have a box.

4.6" X 3.2"

Lavish charring on two sides contrasts with sliding Hai-yu glaze opposite on this thick and bold vase by Masamune Kengo enclosed in the original signed wooden box. The vase is 16 by 13 inches (40 by 33 cm) across, 11 inches (28 cm) tall and in excellent condition. The artist has been largely exhibited and prized, including the Chunichi Kokusai Togei Ten, Nihon Dento Kogei Ten, Nihon Togei ten, Issui Kai Ten, and Okayama Ken Ten.