Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze. H. 2.75"(7cm) x 2.875"(7.5cm) square. Volume = 5oz (150cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Porcelain meoto (his/her) pair of large/small yunomi done in a suminagashi marbling style of neriage

Porcelain and glaze

Max. 4.2" X 3.25"

Functional, decorative and food safe

A large Mimitsuki Vase covered in deeply fissured celadon glaze by Suzuki Sansei (b. 1936) enclosed in the original signed wooden box. The translucent glaze is like that of an agate, shattered with heat, the crackling wide in the thick pale bluish green fog. The vase is 11 inches (28 cm) tall, 5-1/2 inches (13.5 cm) diameter and in perfect condition.
Mitsunari began with a six year apprenticeship under Kawamura Seizan and has received innumerable awards over his 40 year career...

Mottled blue in thick textured drips run down the sides over ashen glaze on this 4 eared Tsubo by Sakuchi Ensen enclosed in the original signed wooden box. The thickness of the drips adds a tactile sense to this piece, compelling the hands to reach out and touch. It is 11-1/2 inches (29.5 cm) tall 9 inches (23 cm) diameter and in fine condition. The box lid is stained.
Sakuchi Ensen (B...

An unusal form by Ito Motohiko of rectangular shape with undulating wave top like the gold clouds on a traditional screen,, emblazoned with young pine branches by Ito Motohiko enclosed in the original signed wooden box titled Nunome Wakamatsu Mon Kabin (Cloth Textured Pine Motif Vase).  This is just in time for New Years displays.  Pine is one of the traditional motifs displayed at New Years as it is ever-green, and represents consistency and strength through the cold winter months.  The sapl...

White Celadon Jar Number Two by Kim Young Mi. This beautiful and unusual shade of celadon is achieved by the artist's skillful manipulation of the glaze. 7.5h x 7w inches, 19h x 18w cm.

Guinomi, Sake Cups, also suitable for high grade tea or whiskey shot glasses, porcelain; by Hanako Nakazato; Union, Maine and Karatsu, Japan. H.1.75"(4.5cm) x Dia.2.125"(5.25cm.) Volume=4oz (60ml.) Hanako calls these "Bamboo Cups," for the banding around the body of the cup resembling a bamboo node. Smooth design and clean lines make this an elegant, yet modern, vessel for any beverage. Hanako Nakazato is a 14th generation potter from Japan...

Wood-fired guinomi, sake cup, by George Gledhill; Payette, ID. Shino glaze. H.2.125"(5.25cm) x Dia.3.875"(9.75cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Bee hive shaped flower Vase by Sachiko Furuya; Honolulu, HI. Shino and Bamboo Ash Glazes. Some serendipitous pink coloring has occurred due to smoking in the kiln. H. 6.375"(16.25cm) x Dia. 5.875"(15cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

Copper greens splash this bold chawan by Kojima Kenji enclosed in the original signe wooden box. It is 5 inches (12.5 cm) diameter, 3-3/4 inches (9 cm) tall and in fine condition. Kojima Kenji was born in Aichi prefecture in 1953, and graduated the Tokoname Ceramics High School in 1971. He moved to Iga where he studied and was immediately accepted into the Asahi Togeiten Ceramics Exhibition...

Yunomi, Tea Cup, by John Miller; Portland, OR. Shino glaze with 3 double bands of vertical iron stripes around exterior. H.3.125"(8cm) x Dia.3.75"(9.5cm.) Volume 10oz(300cc.) This cup fetures a warm white Shino glaze with 3 double bands of vertical stripes spaced around the exterior. The creamy white interior will show green tea very well. John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston...

Wood-fired guinomi, sake cup, by George Gledhill; Payette, ID...

Although I do not often use the term, this is a masterpiece by Iga artist Banura Shiro enclosed in the original signed wooden box. Even under the glaze the texture of the clay is clearly visible, rivulets of green glass arching around the body with slashes of color over the red terracotta. It is thin walled and quite light beguiling the size. The Tsubo is 15 inches (38 cm) tall, roughly 13-1/2 inches (35 cm) diameter and is in excellent condition. Due to size the cost of shipping will be acc...

Vase (J. hanaire), Fissured Mouth. By Sachiko Furuya. H.6.75"(17cm) X Dia.3.75"(9.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and museums in the...

Sake Cup, Guinomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Kuro (black) and Nuka (Rice Husk Ash) glazes. H.2"(5cm) x Dia.3.125"(8cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school went to America to m...

Wood-fired guinomi, sake cup, by George Gledhill; Payette, ID. Ash glaze. H.2.25"(5.5cm) x Dia.2.75"(6.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has help...

Wood-fired Guinomi, Sake Cup, by John Benn; Harstine Island, WA. Temmoku & Nuka Glazes. H. 2.25"(5.5cm) x Dia. 2.75"(7cm.) John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln. Now, he and his wife, Colleen Gallagher, make wood-fired pottery among the pristine forests of Harstine Island at the South End of Puge...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze, Notched Foot. H. 2.5"(6.5cm) x Dia. 2.875"(7.5cm.) Volume = 4.75oz (140cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the...

Flower Vase with Handles, "mimi tsuki kabin" by contemporary ceramic artist, Sachiko Furuya. Height 7.25". Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries an...

Like a mirror of the soul, the ovoid forms of Living National Treasure Tokuda Yasokichi III flash with brilliance, vivid color explodes, while the darkness seems infinite, impenetrable and reflecting only the world around it.  Here is a fine example of his work, pale blue blends through green into soft yellow before plummeting into darkness. The body of the vessel has been brought up to a very narrow neck, just wide enough to receive one flower before flaring out at the top.  It comes enclosed...

Hanging Vase, Kakehanaire, by George Gledhill; Payette, ID. Wood & gas fired with green glaze. H. 7"(18cm) x Dia. 2.875"(7.5cm.), with copper ring attached in back for hanging on a wall or post. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged...

Tall bottle vase with medieval green glaze over a hakeme slip decoration and a temmoku glazed neck

Stoneware, slip and glazes

13" X 6.75"

Guinomi, Sake Cup, by John Miller; Portland, OR. Hakeme on Ash Glaze. H.1.75"(4.5cm) x Dia.2.75"(7cm.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in Japan,) he had the chance to see an e...

Kakehanaire, Hanging Vase, by Sachiko Furuya; Honolulu, HI. Ash glaze that fired brown, and charcoal black in areas. H. 3.375(9.5cm) x Dia. 2.375"(7cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, I...

Tea Cup, Yunomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Brown glaze and overglaze red enamel bamboo leaf motif in white medallion. H.3.125"(8cm) x Dia.3.375"(7.5cm) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right aft...

Wood-fired Vase, hanaire, by George Gledhill; Payette, ID. Shino & Ash glaze. H.4.625"(11.75cm) x Dia.4"(10cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has ...

Wood-fired Guinomi, Sake Cup. Temmoku & Nuka Glazes; by John Benn; Harstine Island, WA. H. 2.25"(5.5cm) x Dia. 2.875"(7.25cm.) John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln. Now, he and his wife, Colleen Gallagher, make wood-fired pottery among the pristine forests of Harstine Island at the South End of ...

Guinomi, Sake Cup, by John Miller; Portland, OR. Nuka glaze with Iron Oxide on rim. H. 2"(5cm) x Dia.2.75"(7cm.) Vol=3oz (90ml.)John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in Japan,) he had th...

Another Radical piece by Hayashi Shotaro, this dramatic tsubo is thinly veiled in a crystalline feldspathic glaze, the violent eruptions peeling away from the surface catching and pooling the glaze to spectacular effect. It comes enclosed in the original signed wooden box. The piece is 12-1/2 inches 831.5 cm) tall, 10-1/2 inches (27 cm) diameter and in excellent condition. Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics. He first began with a 7 year apprenticeship ...

Tea Cup, Yunomi, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki-yu ("persimmon" glaze) with bamboo leaf motif. H.3.5"(9cm) x Dia.3.25"(8.25cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is currently the 4th-gen...

Wood Fired Kumidashi-style Tea Cups by George Gledhill; Payette, ID. H.2"(5cm) x Dia.3.875"(9.75cm.) Volume 4.25oz(125ml.) Pairs well with GG.TC.11. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction...

White dots pattern the scalloped swirling form of this vase by Kitamura Junko enclosed in the original signed wooden box. The vase is 7-1/2 inches (19 cm) tall, 5-1/2 inches (14 cm) diameter and in excellent condition.
Kitamura Junko learned under the tutelage of Suzuki Osamu and Kondo Yutaka of the influential Sodeisha. Like Mashiko artist Shimaoka Tatsuzo, her work is influenced by Jomon pottery, however her approach is very different. After impressing patterns into the clay with bam...

Tea Cup, Yunomi. Shino Glaze with Nuka Dots and Iron Brushwork. John Miller; Portland, OR. H. 3.125"(8cm) x Dia. 3.125"(8cm.) Vol. 8oz (230cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in J...

Charred ash deposits are baked into the side of this large Tsubo by Shigaraki Representative Otani Shiro enclosed in the original signed wooden box. Rivulets strike out from the heat blasted face, the coloring pleasing on all sides. The Tsubo is 10-1/2 inches (26 cm) diameter, 9 inches (23 cm) tall and in perfect condition.
Shiro (born 1936), of Shigaraki, was a student of Living National Treasure Shimizu Uichi and Kiyomizu Kyubei. He established his first kilns, a noborigama climbing ...

Yunomi, Tea Cup, by John Miller; Portland, OR. Shino glaze with iron spots. H.3.25"(8.25cm) x Dia.3.5"(9cm.) Volume 9oz(270cc.)This yunomi has a lustrous Shino glaze and playful iron spots decorating the outside of the cup that feels great to hold. John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ...

Yunomi, Tea Cup, Mashiko-yaki, by Tagami Munetoshi. Rou nuki-e (wax resist) Kaki (persimmon) glaze exterior, with Nuka (rice husk ash) glazed interior. H. 3.5"(9cm) x Dia. 3"(7.5cm). Volume = 8oz(240cc.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and th...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze, Notched Foot. H. 2.625"(6.5cm) x Dia. 2.75"(7cm.) Volume = 4oz (120cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the wor...

This is a splendid example of work by one of Japans true ceramic masters, Kato Takuo (1917-2005), signed on the base and enclosed in the original signed and stamped wooden box titled Aoyu-kinsai Hanaike. The work surpasses the simplicity of the title, covered in rich blue glaze with silver clouding and gold highlights on the looping waves about the rim, the piece exemplifies the unusual forms favored by the artist in the late 80s and early 90s, leading up to his being given the most coveted tit...

Tea Cup, yunomi, by Nakamura Masahiro, Tsuboya-yaki, Okinawa. ca. 2000. H.3"(7.5cm) x Dia.2.75"(7cm.) White glaze with two overlapping circles in blue, the intersection filled in with yellow glaze. Tsuboya wares are divided into joyachi (glazed) and arayachi (unglazed) wares, which also served different functions (large unglazed storage vessels, smaller glazed personal items such as bowls, plates, cups, etc.) The Tsuboya pottery district in today's Naha City began in 1682 when Okinawa's three ...

A very striking incised and wood fired vase by veteran omnibus potter; Imai Masayuki. This naturally glazed vase, hanaire, measures 9.25” X 3.75” and is in excellent condition with signed box. The surface of the vase is incised on either side with a sprig, or bouquet of flowers and is dusted by ash from the wood firing. Imai is a veteran potter, working in a wide variety of techniques and has been shown in numerous exhibitions and his work collected by museums and large collections around th...

Wood-fired chawan, tea cup, by George Gledhill; Payette, ID. Shino & Ash Glaze. This cup's size could be suitable for a tea cup, or a tea bowl (matcha chawan) or small size such as a kufuku or ippuku chawan, or outdoor picnic type of nodate chawan. It would also make a fine guinomi (sake cup) of larger volume. H.2.5"(6.25cm) x Dia.5.25"(13.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even vi...

Guinomi creates a very organic feel.  The bulbous form, like some tuber or bulb found in nature, a sake-flower bulb, shows scars where kutsuki (other items) have fused to it in the heat of the conflagration.  Allow this bulb to grow to fruition, blossoming into a shared night of conversation and company or a quiet night of music and moonlight…
Size, The Tokkuri: is W 10.2  cm ( 4 inches)  H 13.6  cm (5-1/2 inches) 
Size, Guinomi: is W 7.7  cm ( 3-1/4 inches)  H 5.5  cm ...

The surface of this spiraling vessel has been shredded and scarred then covered in viscous copper glaze resulting in this stunning form by Kato Yasukage XIV (Shoji) enclosed in the original signed wooden box titled simply Oribe Hana-ire.  It has a very organic feel, both from the texture and the imperfectly torn sides coated with various thicknesses of green glass, like water running over a stone surface.  This is a great opportunity to acquire a very special piece by this artist. The fact he...

Aoki Ryuzan masterful banded oilspot, yuteki temmoku with a powerful green ban bisecting the form. Boxed, signed and in perfect condition. 3.5" X 3"

Large and robust Kohiki (powdered white slip) yunomi, teacup by master potter Ogawa Tetsuo. Boxed, marked and in perfect condition. 3.2" X 3.5"

Both Aoki and Ogawa are well known for these techniques and style and are in numerous publications.

Aoki Ryuzan Oilspot Yunomi Sold, thank you!
Ogawa Tetsuo Kohiki Yunomi $95

Artist signed wood box is included. 19.25 x 11.5 x 7 inches, 49 x 29 x 18 cm.

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze. H. 2.375"(6cm) x Dia. 2.5"(6.5cm.) Volume = 3.25oz (100cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ce...

Marbled clay ruptures in fissured vertical strands to become this amorphic naturel form by Living National Treasure Matsui Kosei enclosed in the original signed wooden box titled Neriage shoretsu Mon Hanaire.  This style is created by layering clay about a cylinder while turning the clay, then combing it before firing which allows the less compacted outer surface to split along the comb marks.  This is a technique developed by Kosei, and one of the reasons for which he would acquire such fame....

Sake Cup, guinomi, by Tagami Isamu, Hinata Kiln, of Mashiko, Tochigi Prefecture. 8-faceted shape with kaki yu ("persimmon" glaze) and aka-e (red overglaze enamel.) The motif of the broken sugar cane appears on one the facets in homage to the image made famous by Hamada Shoji who taught Isamu's father-in-law, Sudo Takeo. H.2.25"(5.5cm) x Dia.2.875"(7cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He w...

Charred glaze runs in rivulets, blasted around the sides of this Kamahen Bizen vase by Yamamoto Izuru enclosed in the original signed wooden box. The vessel is 10 inches (25.5 cm) tall, roughly 5 inches (13 cm) diameter and in excellent condition.
Yamamoto Izuru was born into the family of famous potter Yamamoto Toshu in 1944. He graduated the sculpture division of Musashino University, then went on to Paris for another two years of sculpting before returning to Bizen to apprentice und...

Pale Sunset colors show mottled through the grays of this fine vase by important Hagi artist Kaneta Masanao enclosed in the original signed wooden box. It is 10 x 7 x 8 inches (25 x 18 x 21 cm) and is in fine condition.
Masano likely needs no introduction, certainly one of Hagi is most well known names, he has been displayed both nationally and internationally innumerable times. His pieces are in the collection of the Tokyo National Museum of Modern Art, Yamaguchi Prefectural Museum and ...

Hanging Vase, Kakehanaire, by Sachiko Furuya; Honolulu, HI. H. 4.5"(11.5cm) x Dia. 2.75"(7cm.) The torn opening hole gives the vase a very organic appearance. Black glaze. Braided raffia hanging string. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a St...

Striking black flashes of oil-spot glaze surface on this Tetsu-yu Tessai Tsubo by Shimizu Yasutaka enclosed in the original signed wooden box. The speckeled Rust red-orange body is like looking on fire or smoldering coals from a distance. The pot is 14 inches (35 cm) tall, 12 inches (30 cm) diameter and in fine condition, purchased at the Mitsukoshi Department Store Gallery Exhibition in 2006. Yasutaka was born into the pottery household of future Living National Treasure Shimizu Uichi in 194...

A huge museum quality pottery vase by Konishi Yohei (b.1941) enclosed in the original signed wooden box titled Tokoname Sen-Jomon Tsubo. The vase is 17-1/2 inches (45 cm) tall, roughly the same diameter and weighs 14 kg (30 lbs). It is in excellent condition, dating circa 1990. Yohei was born the son of Konishi Yusen in Tokoname city, graduating the Tokoname Ceramics institute in 1959. He was first accepted into the Modern Japan Ceramics Exhibition (Gendai Togeiten) in 1960 and has since rac...

White-glaze Vase by Sachiko Furuya. Organic fissured opening. H.7"(17.75cm) X Dia.5.5"(13.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and museums in...

Ameyu, amber glazed saucer vase with copper overglaze in a lattice pattern that has run to resemble hanging moss

Stoneware, glaze and overglaze

11" X 5.5"

A set of 8 sake cups by members of Sodeisha enclosed in a singular compartmentalized wooden box titled Yose-hai and signed Sodeisha followed by the Sodeisha stamp. Sodeisha (Crawling Through Mud Association) is a group of revolutionary post war ceramic artists whose influence remains strong today. Artists in this set include: Suzuki Osamu, Toba Yoshimasa, Kanaegae Kazutaka, Kawamura Sachiko, Yoshitake Hiromu, Inoue Midori, Nakanishi Kosuke and Tsuji Kanji.
Suzuki Osamu (1926-2001) was, ...

Brilliantly glazed, Chinese influenced shishayu (copper red) vase made in Japan, circa 1950 - 1960. This vase owes its inspiration to Ming and Ching period of China and is made of porcelain and then heavily glazed in a multi-dimensional shinshayu glaze. Though it comes with the original signed box and is prominently signed, the maker is at this point, unidentified.

This vase is in excellent condition, measures 8.75" x 4" and comes with its original signed box.

Lines of burnt straw scar the surface of this voluminous work by Yamamoto Yuichi enclosed in the original signed wooden box. It is 17-1/2 inches (45 cm) tall, 9 x 10 inches (23 x 25.5 cm) at the base and in excellent condition.
Born the son of Living National Treasure Yamamoto Toshu, Yuichi was raised among the clay and kilns of Bizen, at a vital time when Bizen was devastated by the war economy, and the dramatic years of growth and research following. He began making pottery in 1959, at...

This is a GUINOMI of HAGI WARE by DEISHI SHIBUYA. He is famous for HAGI WARE. HAGI is the pottery of YAMAGUCHI PREFECTURE in JAPAN. Very good white glaze like thick cream. The box is original, made for this item and has the artist's signature. Please enjoy delicious SAKE with this wonderful work of Mr. SHIBUYA.Condition: Very good. Width: 2.4". Height: 2.1". Weight: 170 gr.

Cylindrical vase with tapered mouth, decorated in a katazome influenced design of three bloesem panels under my Ao glaze

Stoneware, slips and glazes

9.6" X 5"