If a chawan can be at the right place at the right time, than this is the one. This medieval style chawan has a rich, fluid coating of glassy ash covering the entire face and most of the interior of the bowl with a vivid, green pool of ash as a centerpiece for the viewer/user. The ash is in a myriad of colors and travels well onto the foot where it culminates in a beautiful drip of green glass...

Wonderful, rich Nezumi-Shino chawan with "Sengai's Universe" design of the enigmatic Zen symbols of the circle/square/triangle showing through the iron glaze and slip as an evocative white decoration on either side of the bowl. this chawan with its classic Momoyama presence, active interior, rich glaze cells and well addressed foot is by legend and veteran Mino potter; Mizuno Takuzo (Taizo)...

This highly animated and perfection in porcelain vase was made by Hokkaido native; Ono Kotaro. The deeply carved seiji vase is actually has a very pale yellow crazed glaze which collects on the ridges and further accentuates the cyclone like movement of this pot. As you look around the vase, the deep ridges bring the eye up the pot and it actually appears to be in motion...

Classical Iga vase by noted master Japanese potter; Kishimoto Kennin (b.1934). This vase, based on Momoyama and early Edo Iga archetypes, has varying hues of natural green ash about the top portion of the vase which also cascades down the side and forms wonderful bidoro rings around the mouth and shoulder. Though a thoroughly Iga pot, the clay body is actually wonderful Shigaraki clay with a healthy amount of feldspar inclusions...

I have long wanted to offer a significant piece by this artist, and here is a spectacular Nezumi Shino pair of vases by Wakao Toshisada enclosed in the original signed wooden box. Red tinged white waves boil over the Nezumi-gray arc of the base, a white waxing moon floating above. They measure 9 x 3-1/2 x 12-1/2 and 8-1/2 x 3-1/2 x 10-1/2 inches (23 x 9 x 32 cm and 21.5 x 9 x 27 cm) respectively and are in perfect condition...

An exquisite Nerikomi basin by Shiobara Yoshio enclosed in the original signed wooden box exhibited at the 9th Nihon Togeiten National Exhibition. Nerikomi is the technique of working with layers of variously colored clays. This basin measures 17 inches (43 cm) diameter, 6 inches (16 cm) tall and is in fine condition. The original exhibition tag remains on the base with a note stating it was purchased for 400,000 yen (currently about 5,000 dollars) at that time...

A massive Bizen Charger with a large central spot like a sunflare by Kengo Masamune (b. 1954) enclosed in the original wooden box displayed at the 1987 Nihon Togei Ten IX (The Ninth Japan Ceramic Art Exhibition) and can be viewed as item number 169 in the catalog. It is huge at 21 inches (53 cm) in diameter, 3 inches (8 cm) tall...

A large Oshimon Kaki Vase by Ota Itaru enclosed in the original signed wooden box exhibited at the 9th Nihon Togei Ten National Exhibition. The entire surface is impressed with inverse pyramids, and patterned with dark and light triangles. An incredibly exacting design perfectly executed. The vase measures 16 inches (40 cm) tall, 11 inches (28 cm) diameter and is in fine condition...

Large, Momoyama inspired, Shino chawan by the master potter and legendary personality; Tsukigata Nahiko (1923-2006). Though it is easy to spot some influences of his master, Arakawa Toyozo, this chawan is all Tsukigata Nahiko. The vivid iron slip shows, like a shadow, under the feldspar Shino glaze with rich areas of natural green glassy ash coating the surface and iron accents about the lip and showing through the surface...

Simple saffron glazed stoneware neriage water jar with vivid patterning and two small gold lacquer dots on the body

Stoneware and glazes

7.25" x 6.25"

Functional, decorative and food safe

Paddled teabowl with poured slip decoration under my saffron glaze. The interior shows wonderful running and pooling of the iron yellow glaze.

Stoneware, slips and glaze

5.25" x 4.15"

Functional, decorative and food safe

Tea Cup, Yunomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Mashiko White Glaze with Iron brush of pattern used by Munetoshi's grandfather, Sudo Takeo, and by Hamada Shoji. H.3"(7.5cm) x Dia.3"(7.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro...

Tea Cup, Yunomi, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki-yu ("persimmon" glaze) with Aka-e (overglaze red enamel.) 8 Faceted sides. One facet features the broken sugar cane motif in homage to the image made famous by Hamada Shoji, who taught Isamu's father. H.3.375"(8.5cm) x Dia.3"(7.5cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo...

Tea Cup, Yunomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Brown glaze and overglaze red enamel bamboo leaf motif in white medallion. H.3.125"(8cm) x Dia.3.375"(7.5cm) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right aft...

Tea Cup, Yunomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Bamboo node shape with kaki ("persimmon") & white glazes. H.2.75"(7cm) x Dia.3.875"(9.75cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right after high school w...

Tea Cup, Yunomi, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki-yu ("persimmon" glaze) with bamboo leaf motif. H.3.5"(9cm) x Dia.3.25"(8.25cm.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is currently the 4th-gen...

Tea Cup, Yunomi, by Tagami Munetoshi of Hinata Kiln, Mashiko, Tochigi Prefecture. Ame-yu (amber glaze.) Slip trailed designs piped onto outside shoulders. H.2.875"(7.25cm) x Dia.3.75"(9.5cm.) Tagami Munetoshi (b. 1972) is the son of Tagami Isamu and grandson of Sudo Takeo. He is the 5th generation of potters in Mashiko’s Hinatagama (Hinata Kiln) founded during the Meiji Period (1868-1912) by Sudo Yujiro. At the age of 16, he started his apprenticeship under his grandfather and then right a...

Tea Cup, Yunomi, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki-yu ("persimmon" glaze) Rou-nuki (wax resist.) A repeated pattern of "8"s on this cup are a reference to the kanji character for 8 which is two lines that open wide slightly horizontally, an image that is open and receptive to good luck and symbolizes a bright future. H.3.375"(8.5cm) x Dia.3.375"(8.5cm.) Tagami Isamu was born in in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family...