Tea Cup, chawan, kumidashi-style, by George Gledhill; Payette, ID. H.2.5"(6.25cm) x Dia.3.75"(9.5cm.) Cross-dipped in white & red Shino glazes. Gas-fired. There have been several influences to George Gledhill's ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

White, pink, blue, gray and lavender hues mix on the glistening surface of this incredible Hagi Mizusashi by important artist Kaneta Masanao enclosed in the original signed wooden box titled Hagi Hai-yu Kamahen Kurinuki Mizusashi.  The style is Kurinuki, not formed on a wheel but cut and worked from a block of clay, an approach the artist is famous for...

A small object like bound chords in raw white porcelain clay by Goto Miho accompanied by the original signed wooden box titled Heartbeat of the Skin. The looping object bound tightly in the center stirs mixed emotions, both reminiscent of bondage as well as the celebratory twisted rope talismans displayed at New years and in front of holy places...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics...

This elegant form vase is by porcelain master; Omori Shinobu. This vase measures 10.65” X 4” and is in excellent condition. The work of Omori Shinobu (1889-1962) is rare and even more so as this large vase comes complete with signed box and original personal bio. Omori, known for revitalizing the studio movement from his home in northern Japan, Ebetsu, Hokkaido, founded Hokuto-yaki (Northern Star Pottery) and even to this day a large pottery festival is held in his honor...

Strikingly bold patterns revealed through curtains of copper green play across the surface of this dramatic work by Ikeda Shogo enclosed in the original signed wooden box. Sea Turtles, Castles, Cherry Blossoms and Lattice Bamboo Fences, a smorgasbord of Japanese iconography painted and carved into the gritty clay...

The chawan is adorned with a delicately applied ash glaze, exhibiting a graceful transition from a deeper hue to a lighter shade on the bowl's sides...

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. His new challenging work, this celadon piece has born at testing phase, so special price. Size: 11.7cm(D)/8.4cm(H) Accessories: wooden boxes(signed by the artist)

This sake set is reminiscent of a colorfully Nishijin-ori Kimono, gold and silver and red on a base color of hemp by Ajiki Jun enclosed in their original signed wooden boxes titled Shio-Yu Basara Tokkuri and Guinomi respectively. Basara is a term in Japanese aesthetics associated with the challenge of traditional ideals during the Muromachi period...

Here is some more magnificent works that we got recently from the challenging female artist Takahashi Nami. All the pieces are enclosed in their original signed wooden boxes.
The lines and mouths of the slip-cast vessels are modified manually, making each form unique. The uniformly white bodies show a myriad of different faces depending on the viewing angle and the shadows cast by surface shapes, contributing to the unique appeal of her work...

An exquisite and desirable work with a swish of resist creating a white bamboo-leaf pattern on the rich red Kaki glaze and black of this plate by Living National Treasure Hamada Shoji enclosed in the original signed wooden box titled Kaki-yu Nuki-e Zara. A classic Mashiko, with a strong sense of the utilitarian, a keynote of the Mingei movement which Shoji represented...

Oribe glaze has been liked as traditional glaze since 16th century in Japan. It's made of copper, makes green in reducing atmosphere and red in oxidized air. This piece also has traditional pattern by iron glaze. It is also possibly used as a small vase, not only as a sake sever. Size: 8.7cm(D) 19.0cm(H) Accessary: none

Hi-dasuki lines of red charring streak across the surface of this large Tokkuri Vase by Isezaki Mitsuru (b. 1934) enclosed in the original signed wooden box. A smooth even profusion of bubbles welter about the clay, adding a tactile texture to the elongated body. The vase is over 20 inches (51.5 cm) tall and in perfect condition. Mitsuru was born to a family of potters, his father Yozan and brother Jun both very important in Bizen pottery...

An urban landscape split by a drooping plane by Kiyomizu Masahiro (Rokubei VIII). It is 19-1/2 x 11-1/2 x 11 inches (49.5 x 29 x 28 cm). Firing flaws in the corners of the towers accent the work, the degradation of from a characteristic of the artists work, often purposefully introduced to create tension...

Being based in Kyoto we occasionally come across fine Chinese and Korean tea-ware to mix in with our Japanese offerings. Here we have an example of a ceremonial tea bowl by a Korean potter Ji Sun Tak who dedicated his life to reviving ancient techniques of the past by excavating and documentation of a number of historic kiln sites on the Korean Peninsula. Surprisingly light in the hand this piece has a look refined through the centuries, the work of a master artist and winner of one of Koreas hi...

An exceptional sake cup by Living National Treasure Shimizu Uichi enclosed in the original signed wooden box titled Ki Ho Rai Tai Sen Mon Hai. It is covered in his famous shattered-ice-like glaze with metallic drips circling the rim. It is 6 cm diameter (2-1/2 inches), 4 cm tall and in excellent condition, complete with the original Shiori and Shifuku.
Shimizu Uichi (1926-2004) was born in Kyoto the son of a ceramic dealer. Discarding the family business, he apprenticed in plastic arts ...

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

Hi-dasuki lines of red charring streak like the Nazca Lines across the surface of this large Tokkuri Vase by Isezaki Mitsuru enclosed in the original signed wooden box. The vase is 19 inches (48 cm) tall and in perfect condition. Due to size the cost of shipping made need to be accrued separately.
Isezaki Mitsuru (b. 1934) was born to a family of potters, his father Yozan and brother Jun both very important in Bizen pottery. In 1998 Mitsuru was named a Prefectural Intangible Cultural Proper...