A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan...

Wood-fired Plate, Shino & Ash Glazes, by George Gledhill; Payette, ID. H.2.375"(6cm) x Dia.14"(35.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

18 stunning Oribe works from Higashida Shigemasa, including,Tea Bowls,Vase,Sake Cups Sake Bottles and Incense Burner,available for purchase...

A rare large work blasted with natural ash glaze by Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Kama-shizuku O-Tsubo. The rim is crusty and shows Shinshoku (degradation from the flame) a testament to her infamously long firing times. The front is coated in a flow of green and olive ash, while on the raw earth of the back a single drip (shizuku) from the kiln roof has landed as a colorful accent...

From private collection, very happy to offer another two stunning works from this important artist. This is a prime example of the artist’s most popular style, and a rare opportunity for the collector.
Size, Left D 7.1 cm H 6.9 cm
Size, Right D cm 6.8 H 6.7 cm
Condition, Excellent
Wada Morihiro (1944-2008) was born in Hyogo prefecture and apprenticed under Kyotos Tomimoto Kenkichi before moving to his current location in 1976...

Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extreme precision to combine sheets of differing types of clay, culminating in a unique visual effect. While many of his pieces are ringed with swirls of colors, this one is more modern and subdued...

A sculptural form covered in iconic Iga Kiln effects by Toyosaki Nobuhiko of the Korin-kiln in Mie prefecture enclosed in the original signed wooden box. On the convex shoulder, green glass pools crystalline, while a smattering of goma (sesame) ash clings to the bulbous side, gray charring and plenty of flying ash to fill in the blanks. It is 25 cm (10 inches) tall and in excellent condition...

Decidedly masculine in character with straight sculpted edges, a rich palette of color, and a calm steadiness in the hand; this tea bowl was crafted by one of Japan’s great masters, a Mashiko potter by the name of Takauchi Shugo.

A native of Tokyo, Takauchi (b...

Who says the work of a woman potter is feminine? This is a powerful Iga work by Watanabe Aiko enclosed in the original signed wooden box. There is nothing sedate about this work, charred and dripping with glassy green glaze, freckled with flying ash; the heavy lug handles jutting from the side slightly off kilter. The vessel is 7 inches (17 cm) tall, roughly the same diameter and in excellent condition...

A spectacular Shino Vase in deep murasaki and white by Tamaoki Yasuo enclosed in the original signed wooden box titled Shino Henko. It is 14-3/4 inches (39 cm) tall, roughly 7-1/4 inches (18.5 cm) diameter and in excellent condition.
Tamaoki Yasuo was born in Tajimi in 1941, one of the homes of Mino ware...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is a brand new work created with painted Japanese traditional pattern as small bowl. It is also suitable ...

Large hakeme (hakame) decorated covered jar with a medieval green splash on the front, back and lid

Stoneware, slip and glazes

13.5" X 7.25"

Functional, decorative and food safe

A wonderful Sake Flask by Wakao Kei enclosed in the original signed wooden box titled Seij Tokkuri. A darkly crackled rich blue-gray like a block of shattered ice covers the surface with a spot of lavender color Yohen kiln effects. The form floats lightly over the dark clay of the perfectly formed kodai base.
Size, D 9.1 cm H 14.4 cm
Condition, Excellent
Wakao Kei was born in Gifu in 1967 ,the first son of the legendary artist Wakao Toshisada ...

Large temmoku and haiyu ash glazed kinuta mallet vase with lobed indents around the body of the vase. The ash glaze streaks and runs down the vase neck and boils in activity on the shoulder

Stoneware and glazes

13.75" X 6.25

A fabulous form in striking colors by Miwa Eizo enclosed in the original signed wooden box titled Hagi Hanaire. Raised from a square, the vase has been flattened, covered in Hagi glaze, then the shorter corners slabbed away revealing the raw clay. Thus fired, it is an engaging work of art, obviously buried slightly in the embers on one side, where it goes from smokey gray to mottled lavender and white into pink as it rises...

Burnt yellow glaze, Koge brown and copper-green, on the base of this organic looking Sake vessels by Goto Hideki enclosed in the original signed wooden boxes...

Here is one of a kind Sake set consist of an Iga Tokkuri, Hakeme Katakuchi, Shino Guinomi and Ido Sakazuki, the many styles for which Shiro is known. Each is uniquely engraved with the artist’s signature and they come enclosed in the original signed wooden box titled Sake-ki Soroi (Full Sake set). Something not simply to be seen or collected, but used and experienced.
Size,Tokkuri D 12.2 cm H 15.1 cm
Size,Katakuchi D 13.5 cm H 6.9 cm
Size,Shino Guinomi D 5.9 ...

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft. With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone looking for a ...