Cloaked in a black textured surface with impressed, inlay decoration of stark and contrasting white across the surface of this bottle form Vase by Kondo Yutaka enclosed in the original signed wooden box titled Ko-hana bin (Small Flowers Bottle). Prototypical example of this artists most sought-after style and form.
Size, D 21.8 cm H 29.2 cm
Condition, Excellent
Kondo Yutaka (1932-1983) was born into a traditional pottery family in Kyoto...

A spectacular and large Tsubo by important Shigaraki artist Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Mentori O-tsubo. The sides have been slabbed away, it offers a variety of kiln affects to the viewer, Hai-kaburi, Hi-iro, Tombo no me and a drippy blast of green glass.The shape is in the style which the artist is most famous for, and each side is unique, and there is never a dull moment...

One of the best pieces I have seen by this revolutionary artist, enclosed in the original signed wooden boxes titled Kuro Tokkuri and date to 2019. Texture, form, colors and every angle creates a new view...

A fantastic sake set in thick pale green , red purple and blue by rising star Ujiie Kodai enclosed in their original signed wooden boxes titled Katakuchi and Guinomi respectively, date to 2020. Full of the world today, contemporary, breathing, alive. It is a wonderful Sake Set by this young artist.
Kodai was born in Sendai in 1990, making him one of the younger artists we have offered...

A beautiful example of Shigaraki pottery—the result of techniques perfected over centuries by dedicated artisans residing in the provinces east of Kyoto. This piece, made by master potter Sugimoto Sadamitsu, achieves a kind of asymmetrical balance of both form and color, displaying classic Shigaraki markings of emerald green, red ochre, and pale ash.

Sugimoto (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age...

Marbled clay in autumn colors on this large tsubo by Living National Treasure Matsui Kosei enclosed in the original signed wooden box. This is a technique developed by Kosei, and one of the reasons for which he would acquire such fame...

Pale jade spots dot the incised surface of this unusual vase by Nagae Shigekazu enclosed in the original signed wooden box retaining the Shiori and Shifuku. The vase, if not for its distant, moon-like quality, has a very pop-art-presence, blending both the austerity of Japanese traditional aesthetics with contemporary art. Fun and moving; a haunting pleasure. It is 14 inches (35.5 cm) tall, 5 inches (13 cm) square at the base, 7 inches (19 cm) wide at the rim and in excellent condition...

JUNRI HAMADA is one of the high-skilled pottery artist in Mino famous pottery production center. Especially focused on KISETO (yellow&green glaze). This piece is created with oribe glaze (green glaze) that was made in 16th century in Japan. It is seemed Japanese tea pot at a glance however the creator has made it as a vase. The handle is made by dried Japanese wild ivy, SIZE:10.0cm(length)17.5cm(width)/19.0cm(height)included handle

Mukoyama Fumiya enclosed in the original signed wooden box titled Zogan Yusai Fusha-mon Tsubo (Color Inlayed Wind Mill Pattern Tsubo). It is 25 cm (10 inches) diameter, 22 cm (8-1/2 inches) tall and in excellent condition. Mukoyama Fumiya was born in Tokyo in 1960, graduating the Kyoto Ceramic Research institute before apprenticing in Hagi under 15th generation Sakakura Shinbei in 1984. He spent time in Shiga before settling in Mashiko in 1990, establishing his own kiln in 1993...

A signature work by Kiyomizu Rokubei VI enclosed in the original signed wooden box. Golden light shines through the silhouette of iron colored trees on the tapering cylinder. It was a design technique developed by this generation. The original rosewood stand is included. The vase is 31 cm (12 inches) tall and in excellent condition.
The Kiyomizu family potters managed one of the most productive workshops in Kyoto’s Gojozaka district throughout the second half of the Edo period...

Swirling white brush strokes decorated with dabs of iron like leaves blowing in wind on this square form by Living National Treasure Shimaoka Tatsuzo enclosed in the original signed wooden box titled Hakeme Take Moyo Hoko (Bamboo Pattern on Brush Stroke Square Bottle). It is 10-1/2 inches (27 cm ) tall and in excellent condition.
After serving in World War II, Tatsuzo apprenticed under world famous Mashiko Mingei potter Hamada Shoji, establishing his own kiln in 1954...

A profusion of color descends the granulated surface of the melted form by Maruta Munehiko enclosed in the original signed wooden box titled Chosen Karatsu Tsubo. The grandiose embellishment of color creates a sublime sense of tension between the dark glazed and color infusion. The shape is hammered and beaten by the flame from the extreme heat . Although very much in the Chosen Karatsu tradition, the execution is unequivocally contemporary...

An exquisite large swelling bottle form vase by Tsujimura Kai enclosed in the original signed wooden box titled Kohiki Hanaire. Kohiki is simple elegance, one of the styles most befitting the humble confines of the tea room, and its ghostly white glows softly like the moon in the shadows.
Size, D 23.7 cm H 34.2 cm
Condition, Excellent
Kai was born in Nara, son of Tsujimura Shiro, in 1976, making him one of the younger artists we have offered. Although of course gro...

Red highlights the orange and white on this spectacular work by Suzuki Osamu enclosed in the original signed wooden box titled Shino Mizusahi.The pin-holed glaze burnt and licked crimson by the flames. The way the color fades into the white feldspar one can almost imagine the smoke rising off of the molten form as it cooled in the kiln.
ize, D 18.1 cm H 18.7 cm
Condition, Excellent
Suzuki Osamu was born in Gifu in 1934, and graduated the Tajimi Technical School ceramics division...

A magnificent and voluminous Tsubo by Koie Ryoji (1938-2020) enclosed in the original signed wooden box titled Oribe O-Tsubo and date to 1992. Only now seen in books and old catalogs. A museum quality work by this important artist whose influence will be felt for coming generations.
Size, D 38.2 cm (inches) H 35.6 cm
Condition, Excellent and weight more than 12kg
Born in Tokoname, Koie Ryoji graduated the Tokoname industrial school and moved on to work at the City Ceramic Rese...

A vibrant double vase covered in signature naïve designs by Yamashita Moe enclosed in the original signed wooden box titled Morinoyoru (Night in the forest). It is 12 x 24.5 x 27 cm (5 x 10 x 11 inches) and is in excellent condition. Her work is filled with joie de vie, and one cannot escape a smile when viewing it. Even the box is painted with a bright green silhouette of the vase, titled and signed in pink!
Yamashita Moe graduated the Kyoto Zokei University of Art in 2004. Her work h...

Perhaps you have already tried to find one of the rare pieces of Ando Minoru. I guess you did not find it on the free market. Today you will find it here. A quite spectacular vase made in the form of a dark iron glazed Tokoname pot inside a shattered crucible by multi-talented Ando Minoru enclosed in the original signed wooden box.

Intentional or not Ando is not talking. The vase certainly exudes the Japanese aesthetic of lack of intention. The dark smooth iron clashes violently wit...

I find this piece captivating, the golden thorns rupturing the rough and blank matte white clay. When I asked the artist about his concept, he explained the clay body is the individual formed by self-image, societal pressure, ego, all the things which constrict our actions and channel our emotions. The thorns are the true inner self bursting out of the surface, irrepressible, they pierce the shell and shine like the sun. Though the visible surface may be flat, rough-hewn, colorful, torn, mat...