The playful form of this pottery work by the ever lively Yangaihara Mutsuo seems to be overfull with joy, weeping out from the bottom to form a puddle below. It is enclosed in the original signed wooden box titled Kuro Oribe Choko and dated 1992. The vessel is 39 cm (16 inches) tall, 19 x 17 cm (7-1/2 x 7 inches) across the base and in excellent condition. This is a rare opportunity for one of the more greatly collected artists of recent years...

The mouth of this vessel by Kato Yasuhide is placed off center, dissonant to the linear decoration which causes a tension between the two. It comes enclosed in the original signed wooden box titled Senmon Beni Hakusai Henko (Red and White Colored Odd Shaped Vessel with Line Decoration). It is 30 cm (12 inches) tall, 18.5 x 13.5 cm (7-1/4 x 5-1/2 inches) at the base and I excellent condition. Retaining the original Shifuu and Shiori...

A stunning and unusual Chawan tea bowl in burnt orange glaze with abstract splashes of black by Kawamoto GOro enclosed in the original signed wooden box. Perfectly formed, with a wide base and slightly concave sides leading to a pouty rim, all draped in this haunting ochre with poured black graffiti. A masterpiece by this important artist. It is 11.5 cm (4-1/2 inches) diameter, 8 cm (3-1/4 inches) tall and in excellent condition...

With a design reminiscent of mineral deposits on Martian rock, this bold and visually captivating tea bowl is the creation of one of Japan's more controversial and revolutionary-minded potters. 

Nakamura Kimpei (b. 1935) was born in Kanazawa but later—after a period of residency abroad— made his way to Tokyo where he established a kiln...

Ash fills the embedded patterns on this Kiln-altered Tsutsu-gata bowl by Living National Treasure Shimaoka Tatsuzo enclosed in the original signed wooden box titled Yohen Zogan Jomon Wan. Crisp black charring and the various depths of ash are a bit of a departure for this artist whose work is often sedate, relying on the texture and patterns of the Jomon rope design over dependence on colorful glazes. It is 11 cm (4-1/2 inches) diameter, 10 cm (4 inches) tall and in excellent condition...

An historically important work by Furutani Hiromu (Churoku I) from the initial firing of their newly established Nobori-gama climbing kiln in 1974. This type of work is called Hatsugama, or first from the kiln. It is the only piece in the show from the climbing kiln (which has not been fired in over 20 years) and the earliest piece in the show as well. It is 32 x 8 x 35 cm (13 x 3 x 14 inches) and in excellent condition, directly from the family...

Overlapping crescents in pale colors decorate the textured white clay of this tall vase by Kamoda Taro enclosed in the original signed wooden box dated 1989 and titled Kaku (With Corners). It is 12 x 15.5 x 32 cm (5 x 6 x 12-1/2 inches) and in excellent condition, hand signed on the base in a colorful cartouche.
Kamoda Taro was born in Mashiko the eldest son of legendary ceramic artist Kamoda Shoji...

A tall squared vase inlayed with the silhouette of trees against the evening sky by Saeki Moriyoshi enclosed in the original signed wooden box titled Zogan Jumoku Moyo Kabin and dated 1991. This artists fascination with trees against the sky is inspiring. He has chosen to imbue his works with memories of the perfect sunset, with an autumn morning or late afternoon in winter. This piece is quite large, 18 inches (45.5 cm) tall and in excellent condition...

Classical kohiki, powdered slip chawan by Ogawa Tetsuo (b.1937). Rich full form that makes for an exceptional chawan with a fine lip and excellent kodai with some crinkled clay peaking through the slip as if emerging from melting clay, the potters forever frozen in the base of the bowl where the pot was dipped in slip. Simple and complex at the same time.

Though subtle, there is a power to kohiki ware that is most time lost in simple illustrations...

This large Zenga chawan is glazed in a rich Oribe with a panel of ash clear glaze on which Kasumi Bunsho brushed “Don’t Know” and his full signature, Myoshin Abbot Jishunken with various seals. The Mino tradition chawan was made by Hayashi Ryouji of the Souzan kiln to act as the platform for Bunsho’s idiosyncratic and spontaneous calligraphy...

Red and Blue Rivulets drip down over green melding into the ashen gray textured glaze on this Tea Jar by Sakuchi Ensen enclosed in the original signed wooden box. It is 25.5 cm (10 inches) diameter, 28.5 cm (11-1/4 inches) tall and in excellent condition. The box top is lightly stained.
Sakuchi Ensen (B...

the silhouette of birds flit through the branches of the forest which rises up in white trunks on the verdant green of this flower receptacle by Yamaguchi Yoshihiro enclosed in the original signed wooden box titled Kasai Ju-in Mon Hanaike. The pebble textured surface is very unusual for Kutani ware, and bridges the glitzy world of porcelain and the more matte world of ceramics. The soft palette allows the vase to work in any decor, the abstract lines seeming to grow up randomly, without intent...

Red Hidasuki lines of straw on austere Bizen clay by the master of that genre Isezaki Mitsuru enclosed in the original signed wooden box. Perfectly turned bowl representing this important artists style. 13 cm (5 inches) diameter, 7 cm (2-3/4 inches) tall and in excellent condition.
Isezaki Mitsuru (1934-2010) was born to a family of potters, his father Yozan and younger brother Jun both very important in Bizen pottery. In 1998 Mitsuru was named a Prefectural Intangible Cultural Property...

A fine Nerikomi work by Living National Treasure Matsui Kosei (1927-2003) enclosed in the original signed and stamped wooden box. The surface has a soft sheen, like the effect of being carved from gray marble. It measures 17 x 12 x 3 inches (43 x 30.6 x 7 cm), in perfect condition. Matsui was born in 1927, beginning his ceramic studies in 1946. In 1957, he became a priest at the Getsusoji Temple, where in 1960 he built a kiln so he could research traditional Chinese, Japanese and Korean ceram...

Wonderful, rich Nezumi-Shino chawan with "Sengai's Universe" design of the enigmatic Zen symbols of the circle/square/triangle showing through the iron glaze and slip as an evocative white decoration on either side of the bowl. this chawan with its classic Momoyama presence, active interior, rich glaze cells and well addressed foot is by legend and veteran Mino potter; Mizuno Takuzo (Taizo). Adept at a wide array of Mino styles, Takuzo excels at this style of Nezumi-Shino and occasionally use...

A very heavy unusual charger by modern avant-garde artist Suzuki Goro decorated with Oribe colored graffiti of traditional themes enclosed in the original signed wooden box. Combs, hairpins and bamboo and ceramic pipes in orange, green and black decorate the pale sand-textured surface of the massive charger. Typical of this artist is cut from a very thick slab with an irregular edge. On back a self portrait hunches over the clay forming a large vase, the caption beside reading Nanikuso! (I w...

Broad, Chinese influenced conical chawan with red and green enamel floral and circular decoration. This chawan is an early piece by enamel and Oribe artist Kuroiwa Takumi. He is widely exhibited and published for his pottery.

This chawan is in excellent condition and does not come with a box.

5.7" X 2.75"

Serene and noble seihakuji koro by veteran and master potter Kishimoto Kennin. Published in an exhibition catalogue for a Takashimiya show (a xerox of the relevant pages are included) this seihakuji celadon koro is a classic example of Kishimoto's style and modernization of a traditional form. This koro is in excellent condition except one of the wing-like appendages was unfortunately damaged and has been repaired, please see the attached photo showing both sides of the area in question. The kor...