An excellent companion to the Hagi Chawan also by this artist, here is a precipitous mountain form covered mostly in drifts of white and thin veneer of glaze over its gritty clay surface.  The form is that of the mountainous spires of Yabake, on the Island of Kyushu south of Hagi.  The Vase comes with Exhibition panflet with very similar vases like this one.
Size, D 12.4 cm ( 4.9 inches)  H 28.8  cm ( 11.3 inches) 
Condition, Excellent 
Saka Koraizaemon XII was born in T...

Rich and Charred, the Ochre glaze has a texture which delights the bearer on this tea bowl by Hori Ichiro enclosed in the original signed wooden box titled Kiseto Chawan. Unlike the more monotonous works typical of Ki-seto, this has been darkened by ash and fire, testament to the storms in the kiln, and reminiscent of that rugged strip from which Mino-ware is born sandwiched between the violent coast and volcanic interior of central Japan...

A beautifully organic pouring vessel as if made of silvered leaves or barnacles by Shingu Sayaka enclosed in the original signed wooden box titled Gakuyo Mizutsugi. It is 13.5 x 21 x 18.5 cm (5-1/2 x 8-1/4 x 7-1/2 inches) and is in excellent condition, directly from the artist. Shingu Sayaka was born in Osaka, the industrial and commercial heartland of central Japan, in 1979...

Here is a rare work reflecting the shape and character of this famous artist but in Bizen clay, Shigaraki yes, Iga yes, Shino and Kohiki yes, Bizen vase first time for me. A divine vase by Tsujimura Shiro enclosed in the original signed wooden box titled Bizen Hanaire. The shape is organic, with warm, rich coloration. A exemplary piece for exploring and appreciating the various kiln effects of Bizen clay and ash firing...

A faceted bowl by modern master Ajiki Hiro,exhibiting the superb sense of design to be expected of this illustrious lineage enclosed in the original signed wooden box titled Shio-yu Wan and decorated with a sketch of a recluse staring out from his thatched hermitage. The slat glaze crawls on the surface as if it is alive, and it is alive with brilliant colors...

Red highlights the orange and white on this playful form vase by Kato Yasukage enclosed in the original signed wooden box titled Shino Hanaire and signed by the 14th Generation Yasukage followed by his seal. The pin-holed glaze burnt and licked crimson by the flames. The way the color fades into the white feldspar one can almost imagine the smoke rising off of the molten form as it cooled in the kiln...

Broken glass pieces are joined back together on this amazing work by rising star Nishinaka Yukito enclosed in the original signed wooden boxes. This is an excellent example for his famed "Kintsugi" series.
Size, D 7.2 cm H 9.5 cm
Condition, Excellent
Born in Wakayama prefecture in 1964, Yukito graduated from Hoshi University of Pharmacy in Tokyo in 1988, and then three years studied Sculpture and Glass at California College of the Art. Establishing his own studio in 1998...

A playful work by rising star Fukami Fuminori enclosed in the original signed wooden box titled Narumi Manga Oribe Chuki.
Size, D 21.4 cm H 16.7 cm (including the handle)
Condition, Excellent
Fukami Fuminori is a potter and an illustrator, and a rising star. Born in Seto in 1980, he graduated the Seto Industrial Ceramic Facility in 2000, then apprenticed under Kishimoto Kennin for four years, moving out on his own in 2005...

A superbly crafted and balanced trumpeting form by legendary tea bowl creator Sugimoto Sadamitsu enclosed in the original signed wooden box titled Ido Chawan. The bowl reflects the aesthetics of those imported Korean wares preferred by Sen-no-Rikyu in the Momoyama era. It has a bold, strong foot which rests perfectly on the table, both grounding the bowl and yet allowing it a sense of flight, as if the moment will soon be gone (and it will indeed!)...

Artistic and expressive Chawan, sculptural and with a multiple color glaze, made of Mino clay by Norio Ishii. It is in mint condition and comes with its originally signed and sealed wooden box and a profile of the artist.

Norio Ishii was born 1963 in Okayama city, Japan and he graduated from OKAYAMA ASAHI High school in 1982 and from Art department of KOCHI University in 1986...

A playful bowl in vivid colors by Tokuda Junko (Tokuda Yasokichi IV) enclosed in the original signed wooden box titled simply Kutani Chawan. It is 13cm (just over 5 inches) diameter, 8.5 cm (3-1/4 inches) tall and in excellent condition.
Tokuda Junko (Yasokichi IV) was born the first child of future Living National Treasure Tokuda Masahiko in 1961...

Like most Shigaraki-wares, this piece has a somewhat primal feeling to it, as though it belongs to a previous geological era in time. Rivulets of vitrified green, grey, and yellow ash stand against a background gradient of soft to intense ochres of the clay body. The intense firing process of this type of pottery for days in an anagama kiln results in a beautiful ashen glaze with a warm, soft, yet vibrant glow when set in the light...

The mouth of this vessel by Kato Yasuhide is placed off center, dissonant to the linear decoration which causes a tension between the two. It comes enclosed in the original signed wooden box titled Senmon Beni Hakusai Henko (Red and White Colored Odd Shaped Vessel with Line Decoration). It is 30 cm (12 inches) tall, 18.5 x 13.5 cm (7-1/4 x 5-1/2 inches) at the base and I excellent condition. Retaining the original Shifuu and Shiori...

A dramatic Shino Mizusashi covered in flowing glaze by Sakai Kobu enclosed in the original signed wooden box. It is 20 cm tall, 19cm diameter and in excellent condition...

Every facet is unique on this natural torn shape by Kishimoto Kennin enclosed in the original signed wooden box titled Iga Hanaike ‘Honoka’ or Fire Flower. It is much like a flower in clay, rising up from the bulb, the flowers placed into it the extension of the stalk. It is 32.5 cm (12-3/4 inches) tall and in excellent condition.
Kishimoto Kennin has been working with clay since the 1950s, devouring styles along the way. Shino, Seto, Oribe, Iga and Celadon, all very different approa...

The colors seen in this ceramic piece are not often encountered in the world of Japanese tea-ware pottery—a field dominated mainly by styles such as Raku, Hagi, and other traditions with relatively conservative and predictable color schemes. The aquamarine blue is rather striking, reminiscent of coral encountered in the pristine waters of tropical and remote destinations. What really makes this extraordinary however, is that this piece relies mainly on kiln conditions and a natural ash glaze t...

Architectural forms or perhaps the abstracted leaves of a bamboo rise from the surface of this fluting pentagonal vase by Takenaka Ko enclosed in the original signed wooden box titled Hakuji Chomon Gokaku Bin (White-glazed Carved-decoration Five-sided Vase). No clue in the name, the artist has left the interpretation up to the viewer. It is 27 cm tall, 16 cm diameter and in excellent condition.
Ko (born 1941) apprenticed under future Living National Treasure Kondo Yuzo before establishi...

Mountain tea bowls (yama-jawan) are commonly excavated from the hillsides of Japan and many date to the 12th century or earlier. They tend to be crude in construction but with a fascinating ruggedness that allows then to endure, often much better than contemporary ceramics, despite being buried in the earth for hundreds of years. Highly prized when found completely intact or with minor cracks, there is a sort of folklore and mystique that has built up around these objects. The pieces shown here ...