A romantic pair of kohiki Yunomi cups in softly glowing white by Tsujimura Shiro enclosed in the original signed wooden box.  Only about the base are we given a glimpse at the dark clay.   
Size, D 7.2 and 8.2 cm   H 8.6 and 9.9  cm  
Condition, Excellent 
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter. While living at a Buddhist temple he experienced a profound connection with a Korean Tea Bowl, and began potting...

A powerful Mimitsuki Karatsu Mizusashi by Nakagawa Jinembo (Jinenbo b. 1953) enclosed in the original signed wooden box. Vicious white glaze, deeply fissured, supplants the fawn brown of the back, all over a very rough red clay filled with shiseki stones. The piece breathes energy, vivacious and playful it is a pleasure to view and use. The lid is similarly glazed, with hakeme brush marks inside. The piece is roughly 7 inches (18 cm) tall, the same diameter and in perfect condition...

Large, robust Falling Leaves patterned teabowl thrown out of an earthy red terra cotta

Terra cotta, slips and glaze

5.65" x 4.25"

Functional, decorative and food safe

Dragonflies alight on autumn grasses and bush clover forming the perfect seasonal connotation under an engorged white moon on this pair of mouse-colored (Nezumi) vases by Shino legend Wakao Toshisada enclosed in the original signed wooden box titled Nezumi Shino So-heki. Together they are 29 cm (11-1/2 inches) long, 18 cm (7 inches) tall and in excellent condition.
Wakao Toshisada was born in Tajimi, Gifu prefecture, home of Mino pottery, in 1933...

Vase by Sachiko Furuya, Shoreline, WA. Contemporary; H.5.5"(13.5cm) x Dia.3.5"(9cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...

An organic vessel torn and hollowed from a block of clay in the Kurinuki style covered in lavender tinged white by Kaneta Masanao enclosed in the original signed wooden box titled Hagi Haku-yu Yohen Kurinuki Hanaire. It is 24.5 cm (just under 10 inches) tall, 18 x 15 cm (7-1/4 x 6 inches) across the base and is in excellent condition...

The swirling designs are like ritual tattoos from some long lost aboriginal tribe on the dark sides of this amazing work by important female artist Kitamura Junko enclosed in the original signed wooden box titled simply Vessel.  She has covered the surface with these designs, thousands of tiny dots, each one an essential part of the pattern.  The execution is flawless, perfect form and symmetry, precision to perfection in the design.  An original black wooden lid allows it to work as a mizusa...

This piece was just recently displayed at the Korea Society exhibition, Korean Contemporary Ceramics, the first exhibition on this subject in New York. Kang Jong Sook is easily the most ubiquitous Korean ceramic artist in America. She has been at the forefront of the contemporary ceramic art scene in New York for two decades now. Kang has had solo exhibitions at the Hammond Museum, Montclair State University Museum, Bratislava Museum, Dai Ichi Gallery, and Tong In Gallery, among others...

Lush Ki-seto vase with a wide array of effects and colorations within the glaze and vivid, gem-like bidoro style beads in the nooks and crannies of the form. Made by Hayashi Shotaro in the early 1990s, this vase is a classic form and surface for the potter with throwing marks and added potter's marks articulating the medieval form. Shotaro is perhaps one of Japans true genius potters, moving far beyond tradition, glaze research and firing technique, to a place of inception...

Large Oribe style covered jar with kushime slip decoration and ring knob lid.

Stoneware, slip and glazes

13" x 7"

A pair of eight sided Shino Yunomi Cups by Suzuki Osamu (Kura) enclosed in the original signed wooden box titled Shino Yunomi. Each is decorated with triangles about the skirt, in red on white and in white on red. A striking combination, they are 7.5 cm (3 inches) tall, roughly the same diameter, and in excellent condition. A major retrospective will be held on the artist in Japan...

Rich temmoku and haiyu ash glazed chawan with "Shono" rain pattern showing through the glaze. This glaze effect is rich and complex and the photos do not capture it's full complex depth

Stoneware, slip and glazes

5.2" X 4.5"

Functional, decorative and food safe

Bizen ware Sake set of Tokkuri and Guinomi made by Bizen master Joji Yamashita (b. 1947) The mark of the artist is carved on the base.

Joji Yamashita was born in Tokyo in 1947. He moved to Canada in 1967 where he graduated from Vancouver Art School.
After returning to Japan in 1970, he studied Bizen ware under Isezaki Jun and established his own kiln in 1978...

A tea bowl with beautiful glaze by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This is an early work, when he focused on celadon-like glazes. At that time he was studying ancient Chinese pieces, and was influenced by his father who excelled in celadon. His tea bowls are not common. Piece is simply titled Tea Bowl Air (Chawan Chiyū 茶碗宙), it is glazed stoneware, from Heisei Period, circa 2000...

A striking Tetsu-yu Kakiwake Kabin by Shimizu Yasutaka enclosed in the original signed wooden box and accompanied by the original autographed exhibition catalog from 2007...

A superb example of the work of Kimura Morinobu enclosed in the original sgned wooden box. The cream colored crackle glaze is speckeld with flecks of iron an ishihaze with five Zen circles around the circumference, subtly calling to mind the Book of Five Rings (Miyamoto Musashi). The deep crevaces in the glaze and heafty load of the bowl are a pleasure to behold. It is 5 inches (13 cm) diameter, 3-1/2 inches (9 cm) tall and in fine condition. Morinobu (b. 1932) was one of the born into a pot...

Very sophisticated Shino chawan by Japanese artist Ko Ji Nakamura. It has a rarely seen Shino glaze of light pink, grey and blue color, designed with plum blossoms. A really aesthetic bowl which fits the palm of the hands perfectly.

This chawan was made around 30 years ago and is well balanced. The seal of his potter name (Kozan-gama) is stamped on the bottom.

It is is perfect condition. No chips or cracks.

Size: 8,7 cm height x 12,3 cm in diameter.

Thick white vitrifies over bottomless black, creating a stark sense of drama on this outstaniding work by world renowned potter Udagawa Hosei enclosed in the original signed wooden box complete with an exhibition pamphlet from Isetan Department Store advertising a similar work .
. The white glaze crawls and plays over the slightly blue tinged glaze, which covers the rough Hagi clay. The raw red clay is visible beneath where the glaze has crawled away to allow a peek inside. A simply stu...