A powerful work of Shino pottery by one of the veterans of Mino ceramics. Vibrant lines of white feldspar contrast sharply with the iron rich clay and glaze to bring out this abstract depiction of field grasses swaying in the breeze. The technique used to produce this work is over 400 years old and was nearly lost to the ages before being revived by several well-known artists in the mid-20th century...

Here is a masterpiece by Wakao Toshisada, one of the great artists of the post-war era who helped to revive the Shino tradition (now one of the most popular Japanese forms) from extinction. An early masterpiece by the artist showing his abilities from inception, this bowl was selected for the cover of the exhibition invitation card in 1973 (card included). It is 14 cm (5-1/2 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition...

Wonderful lobed chaire by Bizen veteran potter; Takahara Shoji (1941-2000). This elegant Bizen chaire has casual lobed indents around its solid form with a spontaneous incised line creating a boundary between body and shoulder. The chaire face (omote) is covered in a rich green ash showing signs of a horizontal tamadare run while the rear (ura) has sweeping effects of hi-iro capitalizing on the traditional Bizen tsuchi-aji...

An iconic work in pale white by Living National Treasure Tsukamoto Kaiji enclosed in the original signed wooden box titled Hakuji Wakaba-mon Dai-zara (Footed white porcelain dish decorated with young leaves. The execution is breathtaking, so perfectly formed it demonstrates clearly the talent for which he was named a Living National Treasure. It is 23.5 cm (9-1/2 inches) square, 5.5 cm (2 inches) tall and is in excellent condition...

Clusters cling to the bottom of this heavily encrusted small bottle scorched black and off kilter which must have become lost in the embers by Osako Mikio enclosed in the original signed wooden box titled Ko-tsubo. It is roughly 8 cm (3-1\4 inches) diameter, 9.5 cm (4 inches) tall and in excellent condition...

A large Oshimon Kaki Vase by Ota Itaru enclosed in the original signed wooden box exhibited at the 9th Nihon Togei Ten National Exhibition. The entire surface is impressed with inverse pyramids, and patterned with dark and light triangles. An incredibly exacting design perfectly executed. The vase measures 16 inches (40 cm) tall, 11 inches (28 cm) diameter and is in fine condition...

A stack of fused Bowls hollowed out as a vase by Satonaka Hideto enclosed in the original signed wooden box titled simply Utsuwa dating circa 1976. During the post war era a great amount of research was done in reviving ancient firing techniques, many potters and scholars working on medieval kiln excavations would unearth stacks of bowls and mounds of fused pots where kilns had collapsed during firing dating from the Heian period on to the age of the climbing kiln...

Ethnic designs in brilliant crimson red decorate this ewer by Yoshikawa Mitsuru enclosed in the original signed wooden box titled Aka-e no Binshi (Red Decorated Server). It is 15 x 12 x 15 cm (6 x 4-3/4 x 6 inches) and is in excellent condition. Together with the sake cups and sake pot, this would be a wonderful service set for two. Anyone wishing to purchase this group will receive a proper discount...

Large Aka-Shino mizusashi with it's original ceramic lid. This Momoyama influenced mizusashi is by Kato Yoshiaki (Jumei) who has won a number of awards and is recognized for his tea wares.

7.75" X 6.75"

Mizusashi is in excellent condition and comes with it's original wood signed box included

An exquisite vessel by Bizen legend Yamamoto Toshu enclosed in the original signed wooden box titled Bizen Meipin. The form is perfection, covered with a dusting of ash revealing a flame colored eye on one side, everything about the proportions timeless. This is a piece I could wax on for hours about, but will leave that up to the viewer. It is 8 inches (20.5 cm) tall and in perfect condition.
Yamamoto Toshu (1906-1994) began working in a pottery at the age of 15...

Potent green Iga-Oribe vase by noted master Japanese potter; Kishimoto Kennin (1934-). This roughly faceted mentori vase has varying hues of green and an overall iridescence across the body. Though Iga-Oribe, the clay body is actually wonderful Shigaraki clay with a healthy amount of feldspar inclusions.

Kishimoto has been making pots since the early 1950’s and is well know for a wide variety of wares that he has made including Shigaraki, Iga, Iga-Oribe, celadons and Ki-Seto...

A masterpiece by Otani Shiro enclosed in the original signed wooden box titled Shigaraki Hai-Kaburi Tsubo (Ash blanketed Jar). Breathtaking, it appears straight from the inferno. With so much going on, the thick textured embers almost purple in color, encrustations covering the surface with a blast of molten ocher glaze on one side rivulets of color dripping down. It would wow the crowds in any museum exhibition and is the best piece I have ever owned by this legendary potter...

Fired for days at over 1,400C degrees, this primordial-looking wonder of ancient potting technology displays a number of beautiful natural effects from the interaction of the clay, minerals, and ash from the unique style of kiln.

The creator of this work Michio Furutani (1946 - 2000) is regarded as one of the true greats of Shigaraki potting and is noted for being the first to revive the ancient art of anagama kiln firing in this region...

Wonderful, classical Shino chawan in the Momoyama traditional style by the grand gentleman of Mino ceramics ; Tamaoki Yasuo. Tamaoki was heralded as one of the five great hopes of Mino by Kuroda Ryoji and he has not failed to live up to that mantle. Exhibited worldwide, illustrated in a large variety of books and catalogues and having pots in a number of museums, Tamaoki, having first studied with Kato Kobei V, has mastered a wide array of pottery and is currently a Prefectural Intangible Cultur...

Tea Bowl, Matcha Chawan (in Korean, Cha Jya,) by Shin Hyun-Chul, ca. 1995. H.2.5"(6cm) x Dia.5.5"(14.5cm.) A classic example of natsu jawan (summer tea bowl) with a low, and wide profile. Accompanied by signed wooden box. Shin Hyun-Chul is a Korean potter who is well-respected by tea ware connoiseurs in Japan. His work is also shown in, of course, Korea, and has been exhibited in NY and LA in the U.S. The early tea masters, such as Rikyu, created a Japanese aesthetic for tea which prized the a...

Classical Iga vase by noted master Japanese potter; Kishimoto Kennin (b.1934). This vase, based on Momoyama and early Edo Iga archetypes, has varying hues of natural green ash about the top portion of the vase which also cascades down the side and forms wonderful bidoro rings around the mouth and shoulder. Though a thoroughly Iga pot, the clay body is actually wonderful Shigaraki clay with a healthy amount of feldspar inclusions.

Kishimoto has been making pots since the early 1950’s a...

Broad and elegant notched foot hagi chawan by second generation hagi potter; Tanomura Shogetsu II. Having inherited his style from his father, Shogetsu I, this chawan has a variety of subtle tones running through the glaze exterior and interior.

The bowl measures 5.4" x 3.35" and is in perfect, unused condition and comes complete with the original signed box.

Aoki Ryuzan masterful banded oilspot, yuteki temmoku with a powerful green ban bisecting the form. Boxed, signed and in perfect condition. 3.5" X 3"

Large and robust Kohiki (powdered white slip) yunomi, teacup by master potter Ogawa Tetsuo. Boxed, marked and in perfect condition. 3.2" X 3.5"

Both Aoki and Ogawa are well known for these techniques and style and are in numerous publications.

Aoki Ryuzan Oilspot Yunomi Sold, thank you!
Ogawa Tetsuo Kohiki Yunomi $95