A powerful sake bottle in dark wet clay by Abe Anjin enclosed in the original signed double-wooden box titled Bizen Tokkuri. Once again Abe Anjin has proven his mastery of tradition with this superb rendition. Impurities in the clay mark the surface with pale ash dusts round the shoulders and rivulets of glaze running like lava down the side...

A unique sake cups set by some of Japans most sought artists representing pottery traditions from throughout the country. Yamada Kazu(Oribe),Hori Ichiro(Shino),Kaneta Masanao(Hagi),Tsujimura Shiro (Shigaraki) and Harada Shuroku (Bizen). Each piece embodies the innovative qualities of the various artists themselves, shapes, textures, kiln effects, glazes…a new experience for every night of the week...

Shadows of flame exhume the granular qualities of the clay on this superb Yakishime faceted tea bowl by Mihara Ken enclosed in the original signed wooden box titled Wan and date to 2016. Exquisite, on one side the clay is ash gray, the opposite lively earth tones, and between is an abrupt scorched-land of shadow and color, like that violent moment between awake and sleep...

Gold gleams in subtle wisps on the rim, and silver shimmers through tarnished metal glaze on this dark vessel by by Sakata Jinnai enclosed in the original signed wood box titled Saishoku Mizusashi. An intriguing combination of glazes over a modernist form, enigmatic patterns like fletching cascade down the dark sides, and iridescent clouds glimmer subtly on the surface with tinges of blue showing through about the shoulder...

Scraped cut and beat out of form with looping ribbons of clay for handles, here is a mizusashi which certainly does not let down; everything we have come to expect from this popular Japanese artist enclosed in the original signed wooden box. It is heavily potted, creating a bold, lively experience. The piece is 8 inches (21 cm) tall, 7 inches (18 cm) diameter and in perfect condition.
This artist has been working with clay since the 1950s, devouring styles along the way...

A gorgeous Mimitsuki handled vase with flaring rim covered in in running ash glaze and encrustations of dark embers by Tanimoto Yo enclosed in the original signed wooden box titled Iga Hana-ire. It is 26 cm (10-1/4 inches) tall and in excellent condition. This is a superb example of the traditional Momoyama aesthetic.
Born in 1958 the son of Iga potter Tanimoto Kosei, Yo was raised among the kilns and has always had his hands in clay...

Once again Abe Anjin has lived up to our expectations in this Mount Fuji sake cup with his most sought after style of saishoku colors. It comes wrapped with the original stamped wrapping cloth enclosed in the original wooden box titled Saishoku Bizen Shuki and in turn enclosed in a black lacquered wooden box also stamped by the artist...

A trumpeting vessel, the closed top split open dripping with thick Oribe copper glaze and iron patterns by Tanahashi Jun enclosed in the original signed wooden box. it is 18.5 cm (7-1/4 inches) diameter, 16.5 (6-1/2 inches) tall and in excellent condition.
Tanahashi Jun was born in Gifu prefecture in 1959...

Aesthetically perfect in imperfection, this Ido chawan made by Korean potter Seon Gil Seo (b. 1910).

Ido chawan, also known as Ido tea bowl or Ido-style tea bowl, is a type of ceramic tea bowl used in the Japanese tea ceremony. It is named after the Ido kilns, which were located in the Mino region of Japan during the Momoyama period (late 16th century)...

A globular vase covered in the trademark sansai glazes of Ningenkokuho Tokuda Yasokichi III (Masahiko) enclosed in the original signed wooden box titled simply Tsubo. The vase is 6 inches (16 cm) diameter and in excellent condition. Designated Living National Treasure in 1997 for his supremacy in the use of Kutani glazes, Yasokichi, born Masahiko, has gone a step further than many National Treasures by broadening his spectrum with a new style of Kutani ware...

Irridescent red and silver tinges rise up like some deep space cloud on the meteoric surface of this wan-gata (bowl shaped) Raku chawan by Hashimoto Tomonari enclosed in the original signed wooden box titled Raku Yaki Kohen Chawan. It is 13 cm (5 inches) diameter, 15 cm (4 inches) tall and in excellent condition, directly from the artist.
Hashimoto Tomonari was born the son of a sculptor and has felt comfortable with the processes of creation since childhood...

Delicate flowers in blue on this vase by Kiyomizu Rokubei VI enclosed in the original signed wooden box titled Shuyo Kokyo Kabin. Kokyo is the Chines Bellflower. Shuyo is a type of pottery developed by and unique to Rokubei VI whereupon the image is painted onto the pot, then covered with impure pine ash glaze resulting in a very wabi-sabi aesthetic. This vase is 25 cm (10 inches) tall and in excellent condition dating from the 1970s...

Like a curtain from the five lobed rim of this exquisitely formed Chawan by legendary artist Koie Ryoji enclosed in the original signed wooden box titled Beikoku-te (American Style) Hikidashi-guro Chawan. Thick pale grey covers the perfect white with splashes and dripping black glaze. This is a superlative work by the artist, and one I am very proud to be able to offer.
Size, D 13.4 cm H 9.4 cm
Condition, Excellent
Born in Tokoname, 1938, Koie Ryoji graduated the Tokon...

Here is one of a kind Sake set consist of an Iga Tokkuri, Hakeme Katakuchi, Shino Guinomi and Ido Sakazuki, the many styles for which Shiro is known. Each is uniquely engraved with the artist’s signature and they come enclosed in the original signed wooden box titled Sake-ki Soroi (Full Sake set). Something not simply to be seen or collected, but used and experienced.
Size,Tokkuri D 12.2 cm H 15.1 cm
Size,Katakuchi D 13.5 cm H 6.9 cm
Size,Shino Guinomi D 5.9 ...

A red Sado Mumyoi-yaki Tokkuri (Shuchu) by Living National Treasure Ito Sekisui V enclosed in the original signed wooden box. It is 5 inches (13 cm) tall and in excellent condition.
Ito Sekisui V (Yoichi) is the 14th generation of the family to follow in the pottery tradition. His father, Ito Sekisui IV, died when Yoichi was only 19. Upon completion of studies at Kyoto University in 1966, he returned to his hometown of Sado to succeed the lineage. His work was displayed for the first...

Here is a classic Abe Anjin Tokkuri proved his mastery of traditional form with this superb rendition of Momoyama style firing. Dark and awe inspiring, it shows to dramatic effect the path of flame in the kiln through the streaks of crusted ash and hi-iro on the sides interspersed with Shiso-iro gray-purple clay. This quality comes from the temperature at which Anjin fires, 200 degrees higher than most Bizen potters.
It comes enclosed in the original wooden box titled Bizen Tokkuri and in t...

A traditional mimi-tsuki cylindrical vase by the artist who wrote the book on traditional firing, Furutani Michio, enclosed in the original signed wooden box. The vase is covered inside and out in natural molten ash glaze and dark charring where it was buried in the embers, the opposite side reveals the expressive nature of Shigaraki clay. It is 26.5 cm (10-1/2 inches) tall and in excellent condition.
Furutani Michio is one of the Gods of Shigaraki, an artist who wrote the book on Anag...

This bowl by Furutani Taketoshi is a textbook of Shigaraki kiln effects. Fiery reds rimmed with olive, hints of emerald over twilight gray skies. It was exhibited at the Regional Dento Kogeiten Traditional Crafts Exhibition and comes enclosed in the original signed wooden box titled Shigaraki Shizen-yu Chawan. It is 10.5 x 11 x 9 cm (roughly 4 plus inches diameter, 3-1/2 inches tall) and is in excellent condition, directly from the artist.
Furutani Taketoshi was born the son of master...