A striking tea bowl by the popular young star Ichikawa Toru enclosed in the original signed wooden box. We see the gamut of this artists work, red, yellow,white,blue gold and silver from the dark body, it is this subtle attention to shape and texure which elevates the work of Ichikawa Toru.
Size, D 13.1 cm H 10.9 cm
Condition, Excellent
Ichikawa Toru was born in Tokyo in 1973...

A beautiful assortment of colors and textures play across the dark red surface of this exquisite Chaire tea container by Fujiwara Ken enclosed in the original signed wooden box titled Bizen Yohen Chaire and annotated by Sokuchusai (1901-1979) the 13th generations Omotesenke Headmasteres. One can easily see why a graet tea ceremony master would wish to associate his name with the work. This is one of the best pieces I have ever seen by this important artist...

A large primitive robotic form by Morino Taimei in his iconic blue and gold dating from his experimental days in the early 1970 enclosed in the original signed wooden box titled Soji Shiho Kabin. It is 12 inches (30 cm) tall, 6 inches (15 cm) square and in excellent condition.
Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibition at a relatively young age in 1957 (a year before graduating the Kyoto Municipal University of Fine Art!)...

A pottery box decorated in over-glaze enamels and precious metals by Kato Reikichi enclosed in the original signed wooden box titled Sengiri Jikiro.　It is a colorful and playful work a pleasure to look upon. It is 9-1/2 x 5-1/2 x 8 inches (24 x 14 x 20 cm) and is in excellent condition.
Kato Reikichi was born in 1953 the 22nd generation of an unbroken line of potters spanning back to the Keicho era in the Momoyama period...

Iron glaze with hakeme brushed slip design by Koie Ryoji enclosed in the original signed wooden box titled simply Chawan. There is something of a midcentury abstract expressionist painting to it, with minimal coloration, it stands out in its minimalism and simplicity with a quiet elegance. The brush stroke is consistent both inside and out, not allowing a boundary at the rim. It is 14 cm (5-1/2 inches) diameter, 8.5 cm (3-1/4 inches) tall and in excellent condition...

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a milky translucent glaze somewhat resembling coral, with a few small portions of the foot of the tea bowl exposed, displaying the reddish coarse clay that this piece is fashioned from.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

The deep sides of this striking bowl are covered in unusual shades of lustrous orange tinged feldspar by master craftsman Kato Yasukage XIV enclosed in the original wooden box titled Shino Chawan and signed By the 14th Generation Yasukage followed by his seal.  The coloring appears as if the bowl is still held in the whispering grasp of the flame, a bright yellow-orange which appears almost liquid in places.  Very unusual and a most unique piece by this important artist. 
Size, D 12.2...

A small Tsubo by modern pottery legend Tsujimura Shiro enclosed in the original signed wooden box titled Shizen-yu Hanaire. A superb example of natural ash-glaze in form and firing. One of his early pieces,that are very difficult to find in the market those days. 
Size, D 17.6 cm   H 13.2  cm  
Condition, Excellent 
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter...

A double gourd shaped covered water jar by Tsukigata Nahiko enclosed in the original signed wooden box titled Oni-Shino Mizusashi and inside named Robai-ju (Robai is a type of early blossoming plum, Ju is ball). It is just under 7 inches (17.5 cm) diameter, 6 inches (15 cm) tall and in excellent condition.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician...

A fabulous faceted Iga vessel by Atarashi Manabu enclosed in the original signed wooden box. The rough textured clay is colored by the flame, burnt red and charred gray to black, with a single bead of molten ash which crystalized into glass as it rolled around the shoulder out of the flames. This is a versatile vessel which offers differing scenes for every viewing angle...

An iconic work in pale white by Living National Treasure Tsukamoto Kaiji enclosed in the original signed wooden box titled Hakuji Karakusa Hachi (white porcelain bowl with Chinese Grass Design). The execution is breathtaking, so perfectly formed it demonstrates clearly the talent for which he was named a Living National Treasure. It is 19 cm (7-1/2 inches) diameter, 8 cm (3 inches) tall and is in excellent condition...

Dashes of blue, yellow and gold decorated the green Oribe glazed body of this magnificent Chawan by Ujiie Kodai , enclosed in the original signed wooden box. Even on the bottom holds a surprise for the holder in red color. Such an unusual combination of affects it is sure to be a star in any collection.
Size, D 14,9 cm H 10.6 cm
Condition, Excellent
Ujiie Kodai, a rising star in the word of pottery, was born in Sendai in 1990...

This experimental work by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl. Described on the box as a “Kiretsu-mon” (ki = turtle, retsu = cracked, mon = design/ crest), according to Hiramatsu, his inspiration for this piece, and a number of others came from an ancient form of sea life known as an Ammonite—a large spiraled mollusk who’s shells are often found fossilized today...

A beautiful pure white porcelain tea bowl by Niisato Akio enclosed in the original signed wooden box titled Hikari Wan . The technique called Hikari ( Light),through small “windows” like a fireflies, the expression of the vessel changes under lights at each moment and it is wonderful. Perfect for use in the Japanese Tea Ceremony in the summer.
Size, D 12.9 cm H 8.6 cm
Condition, Excellent
Akio was born in Chiba in 1977, and has been active as a ceramic artist since finishin...

An amazing Oribe Tsubo covered in thick emerald glaze by Yamaguchi Makoto enclosed in the original signed wooden box titled Oribe Kaki and date to 2019. The undulating rim calls to mind ancient firing traditions, the intense heat of the kiln warping the forms as they turn near molten. Shinshoku wares like this Oribe piece, was eroded through natural processes during firing but not destroyed the work, are highly prized for their beauty that is "imperfect.
Size, D 25.4 cm H 26.9 cm
...

Intricately carved clay adorned with a complex and multi-layer Oribe glaze, this piece is one of the best I have encountered by this talented and multifaceted artist. Though Oribe dates back to the 15th century, Tsukamoto has managed to keep it fresh and engaging for his many fans.

A native of the city of Toki in Gifu Prefecture, from 1977 he studied under Harukiyo Nonaka and was trained in the techniques of Shino ware. A year later he graduated from Aichi Prefectural Se...

This piece is fired in anagama with red pine fire woods for 10days, and covered with natural ashes. The shigaraki clay has been colored to beautiful scarlet by the flames. Size: 10.8cm (D) 13.5cm(H) Accessary: wooden box signed by artist

I find this piece captivating, the golden thorns rupturing the rough and blank matte white clay. When I asked the artist about his concept, he explained the clay body is the individual formed by self-image, societal pressure, ego, all the things which constrict our actions and channel our emotions. The thorns are the true inner self bursting out of the surface, irrepressible, they pierce the shell and shine like the sun. Though the visible surface may be flat, rough-hewn, colorful, torn, mat...

3-piece coffee service consisting of coffee server, lidded sugar bowl and creamer, from Hermes in their "Toucans" pattern, produced by Moustiers France in their famous faience ware.

This redware pottery is heavier than then Limoges porcelain in which this pattern is usually found. The Moustiers ware is less common as fewer pieces were made due their being handmade, with a raised design rather than the flat design on the Limoges.

The coffee pot stands 7 3/4 inches (19.7 cm) including li...

A spectacular work by Nakamura Kohei enclosed in the original signed wooden box titled Aka Raku Chawan. This is a wonderful piece for showing this master-potter control of glazing and firing technique. He is a potter who embraces both traditional characteristics of Raku while asserting his own unique character.
Size, D 12.3 cm H 10.8 cm
Condition, Excellent
Nakamura Kohei was born the first son of the legendary Kanazawa artist Nakamura Baizan II in 1948 , and his ...

An iconic work in ivory colored covers this vase which comes enclosed in the original signed wooden box titled Zoge-ji Hanaire. A beautiful work with smooth movement of the rim and plump form. This is a great opportunity to acquire a very special piece by this artist.
Size, D 14.6 cm H 26.2cm
Condition, Excellent
Wakao Kei was born in Gifu in 1967 ,the first son of the legendary artist Wakao Toshisada . He first exhibited at the Asahi Ceramics Exhibition in 1997, and was ...

Here is a piece with attitude! A proud Iga vase with two “ears” like elbows on its hips by Kishimoto Kennin enclosed in the original signed wooden box titled Iga Hanaire Somimi. Interestingly he has written the last characters as one instead of two in the title. The style is taken from Momoyama era works, -tweaked a little with typical Kennin flare, and looks as if it just stepped from the kiln goin “What do you think?”
Size, W 14.5 cm (6 inches) H 25.5 cm (10.1/2inches)

Abe Anjin
Price: (Sold) Born in Osaka in 1938, the mysterious recluse began his artistic carreer as an oil painter training under Miyamoto Saburo. Although best known for his Momoyama inspired Bizen works, he began delving into the pottery world with Raku, then moved into Shigaraki and Bizen, firing from a kiln in Ehime prefecture, then Okayama and has also fired Nanban ware. Works by the artist are held in the Metropolitan Museum of Art, New York, Asian Art Museum, San Francisco, National...

A deep pool of rice wine awaits the drinker in this stately form by Miwa Kazuhiko enclosed in the original signed wooden box titled Cup of Deep Abundance (Fuchifuchi-hai). The name comes from the deep part of a river (fuchi) where fish tend to gather. Outside this white glaze crawls and plays over the slightly blue tinged glaze beneath it, which covers the rough Hagi clay.
Size, D 9.2 cm H 6.2 cm
Condition, Excellent
(2023) Kazuhiko likely needs no introduction. Born into th...

Ash glaze splatters seemingly haphazard across this superbly crafted tea bowl by Kishimoto Kennin enclosed in the original signed wooden box titled Iga Chawan. The glaze has pummeled the side and run in just enough to create a large green pool in the center, thick green running in a stream to connect it to the rim. About the base clings charred ash deposits, and one side is severely blasted, opposite raw shiseki-pocked clay. Truly a magnificent work
Size,W 12.6 cm H 9.1 cm
Condit...

A covered container made as an incense burner by Koyama Kiyoko slabbed and cored from Shigaraki clay and covered in glassy green motlen ash enclosed in the original signed wooden box. It is 13.5 cm (5-1/2 inches) diameter, roughly the same height and in excellent condition.
Koyama Kiyoko was born in Sasebo, Nagasaki in 1936. Following the second world war the family moved to Shiga prefecture, eventually settling in the pottery village of Shigaraki. She took a job as a ceramic painter's ...

There is no doubt about the superlative nature of the deep celadon glazes used by Living National Treasure Nakajima Hiroshi, and this sake set is no let down. A rich coral red covers the sake flask, the sake cup covered in deeply fissured celadon glaze which comes enclosed in their original signed wooden boxes titled modestly Tokkuri and Guinomi respectively. Up from the base drive three fingers of rich red clay, the blanks left by the artists fingers when he dipped the bottle in glaze. T...

Fresh out of the oven, here is a delicious treat to start the new year right, a crusty dancing form by Murakoshi Takuma enclosed in the original signed wooden box titled Shigaraki Mimitsuki Hana-ire. Not only does the vase itself feel alive with movement, but the encrustations of ash and glossy molten ash glaze seem to be still in formation, as if it is still settling in the kiln. It is 26 cm (10 inches) tall and in perfect condition.
Murakoshi Takuma is one of those enigmas who simply ...

Here we have anoter superb large tea bowl in green glaze and iron splashes over sandy white clay by Koie Ryoji enclosed in the original signed wooden box titled Oribe Chawan. An excellent example of contemporary clay, glaze, tradition, form, function, past and future. A simply stunning work by the master of tea bowls.  
Size, D 13.4 cm   H 10.1  cm  
Condition, Excellent 
Born in Tokoname, 1938, Koie Ryoji graduated the Tokoname industrial school and moved on to work ...

A stunning and unusual Chawan tea bowl in burnt orange glaze with abstract splashes of black by Kawamoto GOro enclosed in the original signed wooden box. Perfectly formed, with a wide base and slightly concave sides leading to a pouty rim, all draped in this haunting ochre with poured black graffiti. A masterpiece by this important artist. It is 11.5 cm (4-1/2 inches) diameter, 8 cm (3-1/4 inches) tall and in excellent condition.
Kawamoto Goro (1919-1986) was born in Seto to a family...

Shadows of flame exhume the granular qualities of the clay on this superb Yakishime Tea Bowl by Mihara Ken enclosed in the original signed wooden box titled simply Wan . Exquisite, on one side the clay is ash gray, the opposite lively earth tones, and between is an abrupt scorched-land of shadow and color, like that violent moment between awake and sleep.
Size, D 12.7 cm H 10.1 cm
Condition, Excellent
Mihara Ken was born in Shimane prefecture in 1958, and apprentice...

A large vase by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This is an early work, when he focused on celadon-like glazes. At that time he was studying ancient Chinese pieces, and was influenced by his father who excelled in celadon. This is very large piece from that period. Titled Green Crystal Glaze Flower Vase (Rokushōyū kabin 緑晶釉花瓶), it is glazed stoneware, from Shōwa Period, early 1970. Piece is 24.2 x 20.4 cm and...

Ash Glazed Flower Vessel by Gomi Kenji enclosed in the original signed wooden box titled Sai-doki Tsubo, (Colorful Clay Vase). On the bottom the clay is lively earth tones colors, the top is ash gray. The entire work is soft and matte, like an old charcoal sketch, exuding a very powerful “Wa” sense of harmony.
Size, D 28.2 cm H 26.8 cm
Condition, Excellent
Gomi kenji was born in 1978 in Nagano.He has been displayed at the Japan Ceramic Art Exhibition,the Kikuchi B...

Set of 8 (eight) Hermes Breakfast cups with saucers in the "Toucans" pattern.

These cups were made by Moustiers France for Hermes, in their famous faience ware. This redware pottery is heavier than the Limoges porcelain in which this pattern is usually found. The Moustiers ware is less common as fewer pieces were made due their being handmade, with a raised design rather than the flat design on the Limoges.

The cups are large and hold 13 ounces (384.5 ml) of liquid. This cup is lar...

The best sake related piece I have ever seen by Koinuma Michio enclosed in the original signed wooden box titled very simply Tokkuri. The draping curves and weep of color is superb, and sets this above all others. Michio has long been inspired by archaic forms, and this is reminiscent of the roughly 5000-year-old Jomon Venus (a National Treasure) unearthed in Chino, Nagano prefecture. His coloration seems derived from ancient Sue-ki ware, and he goes to great lengths to erode the pots, allott...

Classic and robust Iga Mizusashi made by Tsujimura Shiro who needs no introduction. Powerfully thrown out of a whitish stoneware clay and fired in an anagama, this mizusashi is covered in ash with a small area of blushing on the read and rivulets of ash cascading down the face. The form of this pot is textbook Tsujimura Shiro and shows great reverence to medieval pieces while clearly showing his own unique style.

This pot is in great, original condition, signed on the base of the pot and ...