This Kobu- Shino chawan is by Sakai Kobu and is an exceptional example of his work. The nebula like decoration around the intentionally distorted tsu-tsu style chawan with undulating lip has a quality of three dimensions within the glaze. The rich and well controlled surface exhibits iron red, blue-grey, white and lavender tones within the glaze and it is obvious why Sakai is so highly regarded as a modern Mino potter by looking at this chawan...

A Large natsu-wan by chadogu specialist; Kamiya Eisuke. This teabowl is glazed in a rich yohen-tetsu-yu glaze that runs from rusty red tones at the lip to hare’s fur and glassy black drips in the mikomi and near the kodai with much of the glaze being infused with iron crystals trapped within the glaze. The mikomi is filled with a black glass and covered over in iron crystals and is like looking out into the night sky...

This classical ,generous and inviting teabowl chawan is by legendary Hagi master potter; Yoshiga Taibi (1915-1991). The sumptuous form is highlighted with a thin ash glaze over the rich hagi clay and crackled slip with tones running from Hagi creamy pink to lavender with the gritty clay visually punctuating the foot/kodai...

This bold Momoyama Yashichida-Oribe style chawan is by undisputed master potter; Suzuki Goro. This chawan is decorated in a playful array of traditional Oribe designs worked in a very modern tone with shades of iron black, green and coral set on a creamy ground and glazed over in a clear glaze with the panel surrounded by charcoal black under a satin feldspathic glaze...

Large ovoid teabowl with random paddling around the form with an iron yellow glaze over a clear glaze. Hand tooled oval foot compliments the form.

Stoneware and glazes

6" x 5" x 4"

Functional, decorative and food safe

Large heavily textured Taiko (drum) style vase with rich temmoku and tetsu-yu glazes and tamadare type glaze runs.

Stoneware and glazes

12.75" x 11.5" x 3.75"

This exhibition quality lyrical Momoyama styled Shino chawan is by Mino veteran potter, Yamada Seiji. Glazed in a uroi (wet looking) Muji-Shino glaze over some rapid iron brushwork, this chawan is exceptionally well modeled and has a wide variety of color tones running from pure snow white to yellowish and coral highlights...

Persian, Raqqa glazed Ido style chawan with rozome underglaze decoration of spirali e tagli.

White earthenware, black underglaze decoration and traditional Persian blue glaze

6" X 3.6"

Please note, this piece is made using traditional porous white earthenware and a soft fritted glaze. Though it is food safe and functional, it is not intended for everyday use.

Large wan-gata form terra cotta teabowl with a black background and yellow, red and green "falling leaves" about the bowl in old Rimpa fashion

Terra cotta, slips and clear glaze

6" x 4.25"

Functional, decorative and food safe

Generous terra cotta yunomi, teacup with black and white slip, a combed design under a clear glaze

Terra cotta, slips and clear glaze

4" X 4.25"

Functional, decorative and food safe

Elegant Iga hachi with rimpa design by Yasuda Michio. This hachi is reminiscent of earlier Rimpa works and has underglaze slip work depicting a warabite ferns and fence design. The platter has wonderful accents of real gold sponged about the surface...

Tall cylindrical Hagi vase with kushime decoration and slipwork under a translucent ash clear glaze. The vase and box are signed "Kazunobu"

This vase is in excellent condition and measures 10.25" X 3.15" and comes complete with its original signed box.

Bold porcelain wan-gata teabowl with etched Hi-Tsuchi-Mizu (Fire, Earth, Water) kanji rondels and netting design under my temmoku and haiyu glazes rendering a Karatsu style appearance. The kanji represent the essential elements of pottery making.

Porcelain and glazes

5.25" x 4.25"

Functional, decorative and food safe

A stunning work by Shigaraki Legend Tsujimura Shiro enclosed in the original signed wooden box inside the lid of which is scrawled a nude figure and the epitaph NY 5/24/06. It is known that when in New York at an exhibition in 2006 the artist was entertained at a gentlemen’s club and was purported to have had a very good time. This is likely a reference to that event. The vessel is 14 inches (35 cm) tall, 12-1/2 inches (32 cm) diameter and in excellent condition...

A very fine and noble chawan by Hagi master potter; Kaneta Sanzaemon VII. This Hagi glazed boxed chawan measures 4.75” X 3.25” and is in excellent condition. The glaze of this chawan is a beautiful milky translucent Hagi ash glaze over a rich blue to black slip and shows a wonderful keshiki. Kaneta Sanzaemon is the father of the internationally recognized Hagi potter, Kaneta Masanao...

Broad and elegant notched foot hagi chawan by second generation hagi potter; Tanomura Shogetsu II. Having inherited his style from his father, Shogetsu I, this chawan has a variety of subtle tones running through the glaze exterior and interior.

The bowl measures 5.4" x 3.35" and is in perfect, unused condition and comes complete with the original signed box.

Large and powerful Shiro-Hagi chawan by veteran Hagi potter; Mashita Tadashi. This chawan though appearing pure white, has a nice blush of pink through out portions of the bowl. The lip is slightly lobed and created an elegant appearance. The chawan measures 5.2" x 3.5". This Shiro-Hagi resembles the works of Miwa Kyuwa and Miwa Kyusetsu for a fraction of the price.

This chawan is in perfect, unused condition and comes complete with it signed and Zen priest attested box...

A very large notched foot chawan by Hagi master; Yamane Seigan. This Hagi glazed boxed chawan measures 5.5” X 3.6” and is in excellent condition. This chawan is has heavily animated keshiki landscape and feels wonderful in the hands. The glaze of this chawan wonderfully accentuates the form and foot of the iron rich clay body and powerful form. This is Seigan at his best!

This chawan is in excellent, unused condition and comes complete with the original signed box.

Medium sized serving bowl with stamped decoration and an altered lip with temmoku and tetsu-yu glazes

Stoneware and glazes

8.25" x 3.25"

Functional, decorative and food safe

Medium size V-bowl with rich temmoku and partridge feather trailed glaze. The foot which is clear glazed has two holes to pass a cord or wire through so the bowl may be hung on the wall.

Stoneware and glazes

11.25" x 3.25"

Functional, decorative and food safe

Large and impressive Iga chawan by rising Iga-yaki star, Atarashi Manabu.The surface of this chawan is covered in a sheet of glass and there is wonderful bidoro drips and clam shell impressions where the chawan was fired on its side. The kodai, foot is wonderfully sculpted and fits well into the hand when in use.

Atarashi Manabu is one of the new generation of Iga and Shigaraki potters who is reinvigorating these ancient traditions...

Broad, rounded altered teabowl with dramatic undulating lip and glazed in my temmoku and partridge feather glazes

Stoneware and glazes

5.8" x 4.35"

Functional, decorative and food safe

Large altered oval teabowl form with temmoku and partridge feather glaze in the style of Karatsu pottery with a matching oval foot

Stoneware and glazes

6" x 5" x 4"

Functional, decorative and food safe

A most extraordinary glaze like green velvet covers this tall bottle form vase by modern Japanese pottery master Imai Masayuki enclosed in the original signed wooden box dating circa 1970. The long tapering from is expertly rolled at the mouth, the soft absorbent textured glaze lying perfectly smooth over all. The hada, or feeling of the surface is unlike any I have ever seen, and a drop of water is instantly absorbed by the porous surface...

Large altered ovoid teabowl form with an oval formed foot in temmoku and tetsu-yu glazes, inspired by Tamba and Karatsu pottery

Stoneware and glazes

6" X 4.75" X 4.2"

Functional, decorative and food safe

Tea Bowl, Matcha Chawan, by Lee Love of Mashiko (& now Minnesota.) H.3.5"(9cm) x Dia.5"(12.5cm.) Mashiko black (mashiko- guro,) white (nami-jiro,) and brown/persimmon (kaki) glazes. Gas-fired, ca. 2005. This Ido-gata (well-shaped) bowl was fired in Mashiko, Tochigi Prefecture, where Lee had completed a 3-year apprenticeship to National Living Treasure Shimaoka Tatsuzo...

Tea Bowl, Matcha Chawan, by Lee Love of Mashiko (& now Minnesota.) H.3.375"(8.5cm) x Dia.5.375"(13.75cm.) This Ido-gata (well-shaped) bowl of high-feldspar Shigaraki clay was wood-fired in Mashiko, Tochigi Prefecture, where Lee had completed a 3-year apprenticeship to National Living Treasure Shimaoka Tatsuzo. The impressed cord patterning on this bowl is an example of zougan-joumon (rope-impressed inlay) for which Mr. Shimaoka was granted his NLT status. The bowl is accompanied by a signed wood...

A dark charred Chosen Karatsu kamahen Mimitsuku Mizusashi by Nishioka Koju (b. 1918) enclosed in the original signed wooden box. All is deeply coated in thick burnt ash. Red shows through rivulets of dark olive burnt to the side of the body. The raw clay is visible through the thick ash drips on one side. It has a custom black lacquered wooden lid and is in fine condition but for the handle on the lid, which was broken and repaired. It is 6 inches (15.5 cm) tall, 7 inches (17.5 cm) diamete...

Tall and slightly tapering cilindro vase form with my temmoku and partridge feather tetsu-yu glaze

Stoneware and glazes

12.25" x 5.75"

Elegant cap jar glazed in my temmoku with a runny iron tetsu partridge feather glaze. This cap jar resembles some Tamba and karatsu works and has a rich variety of iron, green and grey-black tones to the runny overglaze.

Stoneware and glazes

10.5" x 6.5"

Functional, decorative and food safe

Large bamboo form (take-gata) teabowl with stamped designs around the bowl under my temmoku and haiyu glazes

Stoneware and glazes

5.5" x 4.25"

Functional, decorative and food safe

Yunomi, Tea Cup, by Hamada Shinsaku; Mashiko, Tochigi Prefecture. ca. 1990-1995. H.3.125"(7.75cm) x Dia.3"(7.5cm.) With signed wooden box. "Yunomi - Shinsaku." Hamada Shinsaku is the second son of National Living Treasure, Hamada Shoji and successor of the Hamada kiln. He is the father of Hamada Tomoo, who is currently gaining international popularity as representative of the 3rd generation of Hamada potters. Shinsaku was born in 1929 and apprenticed to his father to become a master potter high...

Tea Cup, kumidashi style, by George Gledhill; Payette, ID. Red shino glaze with bottom of cup and foot left unglazed to show natural clay. H.2.75"(7cm)xDia.4.375"(11cm.)There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares....

Set of 4 porcelain, saggar-fired, cups by George Gledhill; Payette, ID. Grass flashings on cups similar to Bizen Hidasuki technique. Size appropriate as sakazuki sake cups or gong fu tea cups for Chinese or Taiwanese oolong or green tea. Average volume 1oz (30cc.) Hand thrown so slight size variance: H.1.25-1.375"(3.25-3.5cm) x Dia.2.25-2.375"(5.75-6cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George ev...

Set of 4 stoneware, saggar-fired cups by George Gledhill; Payette, ID. Flashing marks of grasses similar to Bizen hidasuki technique. Suitable size as sakazuki (sake cup) or gong fu tea cup for fine Chinese or Taiwanese tea. Average volume 1 oz (30cc.) Hand thrown so slight size variance. H.1.00-1.375"(2.5-3.5cm) x Dia.2.25-2.5"(5.75-6.25cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits lo...

Matcha Chawan, Tea Bowl, Shino glaze, by George Gledhill; Payette, ID. H.3"(7.5cm) x Dia. 4.5"(11.5cm,) Footring is square in shape, 2.375"(6cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to ...